Chapter 7 Ashoka, the Emperor Who Gave Up
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The Mahabharata
^«/4 •m ^1 m^m^ The original of tiiis book is in tine Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924071123131 ) THE MAHABHARATA OF KlUSHNA-DWAIPAYANA VTASA TRANSLATED INTO ENGLISH PROSE. Published and distributed, chiefly gratis, BY PROTSP CHANDRA EOY. BHISHMA PARVA. CALCUTTA i BHiRATA PRESS. No, 1, Raja Gooroo Dass' Stbeet, Beadon Square, 1887. ( The righi of trmsMm is resem^. NOTICE. Having completed the Udyoga Parva I enter the Bhishma. The preparations being completed, the battle must begin. But how dan- gerous is the prospect ahead ? How many of those that were counted on the eve of the terrible conflict lived to see the overthrow of the great Knru captain ? To a KsJtatriya warrior, however, the fiercest in- cidents of battle, instead of being appalling, served only as tests of bravery that opened Heaven's gates to him. It was this belief that supported the most insignificant of combatants fighting on foot when they rushed against Bhishma, presenting their breasts to the celestial weapons shot by him, like insects rushing on a blazing fire. I am not a Kshatriya. The prespect of battle, therefore, cannot be unappalling or welcome to me. On the other hand, I frankly own that it is appall- ing. If I receive support, that support may encourage me. I am no Garuda that I would spurn the strength of number* when battling against difficulties. I am no Arjuna conscious of superhuman energy and aided by Kecava himself so that I may eHcounter any odds. -
In the Name of Krishna: the Cultural Landscape of a North Indian Pilgrimage Town
In the Name of Krishna: The Cultural Landscape of a North Indian Pilgrimage Town A DISSERTATION SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL OF THE UNIVERSITY OF MINNESOTA BY Sugata Ray IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY Frederick M. Asher, Advisor April 2012 © Sugata Ray 2012 Acknowledgements They say writing a dissertation is a lonely and arduous task. But, I am fortunate to have found friends, colleagues, and mentors who have inspired me to make this laborious task far from arduous. It was Frederick M. Asher, my advisor, who inspired me to turn to places where art historians do not usually venture. The temple city of Khajuraho is not just the exquisite 11th-century temples at the site. Rather, the 11th-century temples are part of a larger visuality that extends to contemporary civic monuments in the city center, Rick suggested in the first class that I took with him. I learnt to move across time and space. To understand modern Vrindavan, one would have to look at its Mughal past; to understand temple architecture, one would have to look for rebellions in the colonial archive. Catherine B. Asher gave me the gift of the Mughal world – a world that I only barely knew before I met her. Today, I speak of the Islamicate world of colonial Vrindavan. Cathy walked me through Mughal mosques, tombs, and gardens on many cold wintry days in Minneapolis and on a hot summer day in Sasaram, Bihar. The Islamicate Krishna in my dissertation thus came into being. -
The Mahabharata of Krishna-Dwaipayana Vyasa SALYA
The Mahabharata of Krishna-Dwaipayana Vyasa SALYA PARVA translated by Kesari Mohan Ganguli In parentheses Publications Sanskrit Series Cambridge, Ontario 2002 Salya Parva Section I Om! Having bowed down unto Narayana and Nara, the most exalted of male beings, and the goddess Saraswati, must the word Jaya be uttered. Janamejaya said, “After Karna had thus been slain in battle by Savyasachin, what did the small (unslaughtered) remnant of the Kauravas do, O regenerate one? Beholding the army of the Pandavas swelling with might and energy, what behaviour did the Kuru prince Suyodhana adopt towards the Pandavas, thinking it suitable to the hour? I desire to hear all this. Tell me, O foremost of regenerate ones, I am never satiated with listening to the grand feats of my ancestors.” Vaisampayana said, “After the fall of Karna, O king, Dhritarashtra’s son Suyodhana was plunged deep into an ocean of grief and saw despair on every side. Indulging in incessant lamentations, saying, ‘Alas, oh Karna! Alas, oh Karna!’ he proceeded with great difficulty to his camp, accompanied by the unslaughtered remnant of the kings on his side. Thinking of the slaughter of the Suta’s son, he could not obtain peace of mind, though comforted by those kings with excellent reasons inculcated by the scriptures. Regarding destiny and necessity to be all- powerful, the Kuru king firmly resolved on battle. Having duly made Salya the generalissimo of his forces, that bull among kings, O monarch, proceeded for battle, accompanied by that unslaughtered remnant of his forces. Then, O chief of Bharata’s race, a terrible battle took place between the troops of the Kurus and those of the Pandavas, resembling that between the gods and the Asuras. -
Iasbaba's 60 Days Plan – Day 35 (History)
IASbaba’s 60 Days Plan – Day 35 (History) 2018 Q.1) Consider the following pairs. Sculpture Material made from 1. Mother goddess Stone 2. Bearded priest Terracotta 3. Dancing girl Copper Which of the above pairs is/are correctly matched? a) 1 and 3 only b) 3 only c) All the above d) None Q.1) Solution (d) Terracotta: Terracotta figures are more realistic in Gujarat sites and Kalibangan. Toy carts with wheels, whistles, rattles, bird and animals, gamesmen, and discs were also rendered in terracotta. The most important terracotta figures are those represent Mother Goddess. Stone Statues: Stone statues found in Indus valley sites are excellent examples of handling the 3D volume. Two major stone statues are: Bearded Man (Priest Man, Priest-King) and Male Torso Bronze Casting: Bronze casting was practiced in wide scale in almost all major sites of the civilization. The technique used for Bronze Casting was Lost Wax Technique. Dancing girl and bull from Mohenjo-Daro. Do you know? Thousands of seals were discovered from the sites, usually made of steatite, and occasionally of agate, chert, copper, faience and terracotta, with beautiful figures of animals such as unicorn bull, rhinoceros, tiger, elephant, bison, goat, buffalo, etc. Some seals were also been found in Gold and Ivory. THINK! 1 IASbaba’s 60 Days Plan – Day 35 (History) 2018 Harappan pottery. Q.2) Arrange the following parts of stupa from top to bottom. 1. Yasti 2. Harmika 3. Chatras 4. Anda Select the correct answer using the codes given below. a) 3-1-2-4 b) 3-2-1-4 c) 2-3-1-4 d) 2-1-3-4 Q.2) Solution (a) Stupa dome is called as Anda. -
Mahabharata Tatparnirnaya
Mahabharatha Tatparya Nirnaya Chapter XIX The episodes of Lakshagriha, Bhimasena's marriage with Hidimba, Killing Bakasura, Draupadi svayamwara, Pandavas settling down in Indraprastha are described in this chapter. The details of these episodes are well-known. Therefore the special points of religious and moral conduct highlights in Tatparya Nirnaya and its commentaries will be briefly stated here. Kanika's wrong advice to Duryodhana This chapter starts with instructions of Kanika an expert in the evil policies of politics to Duryodhana. This Kanika was also known as Kalinga. Probably he hailed from Kalinga region. He was a person if Bharadvaja gotra and an adviser to Shatrujna the king of Sauvira. He told Duryodhana that when the close relatives like brothers, parents, teachers, and friends are our enemies, we should talk sweet outwardly and plan for destroying them. Heretics, robbers, theives and poor persons should be employed to kill them by poison. Outwardly we should pretend to be religiously.Rituals, sacrifices etc should be performed. Taking people into confidence by these means we should hit our enemy when the time is ripe. In this way Kanika secretly advised Duryodhana to plan against Pandavas. Duryodhana approached his father Dhritarashtra and appealed to him to send out Pandavas to some other place. Initially Dhritarashtra said Pandavas are also my sons, they are well behaved, brave, they will add to the wealth and the reputation of our kingdom, and therefore, it is not proper to send them out. However, Duryodhana insisted that they should be sent out. He said he has mastered one hundred and thirty powerful hymns that will protect him from the enemies. -
Samwaad Importance of Tourism Industry in Bihar
Samwaad: e-Journal ISSN: 2277-7490 2017: Vol. 6 Iss. 2 Importance of Tourism Industry in Bihar Dr. Ashok Kumar Department of commerce, Rnym College, Barhi Vbu Hazribag Email :- drashokkumarhzb@gmailcom Abstract Tourism is an important source of Entertainment and revenue generation of government now a days each and every person wants to visit tourist places where he/she get enjoyment and earns some knowledge about new areas, and location. Tourist places are developed for many factors like-historical place, cold place, moderate climate, natural sceneries, lake, pond, sea beach, hilly area, Island, religious and political importance etc. these are the factors which attract tourist. Tourist places also create so many job opportunities like, tourist guide, Hotels, airlines railways, sports, worship material etc. for speedy development in speed way government has announced tourism as Tourism industry. Another significance is that it helps the govt to generate foreign currency. Tourism is also helpful in the area of solving the unemployment problem. Migration is not in affect by tourism because where so many people of employment but it own houses for many purpose like, residence , Hotel, shop, museum, cinema hall, market complex, etc. Near by the tourist place migration ends or decreases but only few exception cases where migration problem creates otherwise tourism solve the problem. Key words :- Entertainment, Tourist, Government, Migration problem. etc. Samwaad http://samwaad.in Page 103 of 193 Samwaad: e-Journal ISSN: 2277-7490 2017: Vol. 6 Iss. 2 Introduction Bihar in eastern India is one of the oldest inhabited places in the world with a history going back 3000 years. -
The Mauryan Empire - History Study Materials
The Mauryan Empire - History Study Materials THE MAURYAN EMPIRE (321-289 BC) In 322 BC, Chandragupta Maurya, the ruler of Seleucus, Alexander's successor in Persia, he Magadha, began to assert its authority over the undeiwent a treaty liberating the empire bam Greco- neighbouring kingdoms. Chandragupta (320-300 BC), Persian authority. It also assured him a respectful was the builder of the first Indian imperial power, the place in later Greek ond Roman histories. He used Mauryan Empire. He had his capital at Pataliputru, the administrative system established by the Nandas near Patna, in Bihar. fa his full advantage, and established dose and friendly relations with Babylon and the lands farther CHANDRAGUPTA MAURYA (320-300 west. He was acknowledged as a brilliant general BC) having an army of well over half a million soldiers. Chandragupta Maurya was the founder of the He was also a brilliant king, who united India, Mauryan Empire. He founded the dynasty by restricting himself in not going beyond the overthrowing the Nandas around 320 BC. There is no subcontinent. Pata'ipufra become a cosmopolitan clear account available about his early life. He was city of such a large proportion that Chandragupta born in Pataliputra, but was raised in the forest in the had to create a special section of municipal officials company of herdsmen and hunters. It was Chanakya to look after its welfare, and special courts were who spotted him and he was struck by his personality. established to meet its judicial needs. Chanakya trained and transformed him into one of the most powerful rulers of that era. -
Depiction of Asoka Raja in the Buddhist Art of Gandhara
Journal of the Research Society of Pakistan Volume No. 54, Issue No. 2 (July - December, 2017) Mahmood-ul-Hasan * DEPICTION OF ASOKA RAJA IN THE BUDDHIST ART OF GANDHARA Abstract Asoka was the grandson of the Chndragupta Maurya, founder of one of the greatest empires of the ancient India (321-297 BC). The empire won by Chandragupta had passed to his son Bindusara, after his death, it was again transmitted to his son Asoka. During early years of his kingship he was a very harsh ruler. But after witnessing the miseries and suffering of people during the Kalinga War (260 BCE.) Ashoka converted to Buddhism and decided to substitute the reign of the peace and tranquility for that of violence. Due to his acts of piety and love for the Buddhist faith he become the most popular and personality after Buddha for the Buddhists. Many legends associated with him i.e. “a handful dust”, “redistribution of Relics”, “ his visit of underwater stupa at Ramagrama” are depicted in Gandhara Art. In the present article an effort has been made to identify and analyze the legends of Ashoka in the light of their historical background. Keywords: Chandragupta Maurya, Bindusara, Ashoka, Kalanga war, Buddhism. Introduction The Buddhist Art of Gandhara came in to being in the last century before the Christian era, when the Sakas were ruling in the North-West (Marshall, 1973:17) and further developed during the Parthian period (1st century A.D.). Like the Sakas, the Parthians were confirmed philhellenes and proud of their Hellenistic culture, and not only had they large numbers of Greek subjects in their empire but they were in a position to maintain close commercial contacts with the Mediterranean coasts (Ibid: 6). -
Ashoka and the Mauryan Empire
Ashoka and the Mauryan Empire Investigation 4. Greeks come to India [4.1] Artist’s impression of Ashoka We’ve found out quite a lot about Ashoka from his inscriptions. We don’t really know what he looked like, but here’s how an artist sees him. There are lots of other things we don’t know about him as well, so we’re going to look at those times from another angle. http://commons.wikimedia.org/wiki/File:Ashoka2.jpg S: Ashoka2.jpg © The University of Melbourne – Asia Education Foundation, 2013 [4.2] Ashokan edict at Kandahar Here’s one of Ashoka’s inscriptions that you haven’t seen before, from Kandahar (which these days is in Afghanistan). It’s hard to see the inscription but the top part is in Greek and the lower part is in another language called Aramaic. Now why would Ashoka have used these languages? http://commons.wikimedia.org/wiki/File:AsokaKandahar.jpg S: AsokaKandahar.jpg © The University of Melbourne – Asia Education Foundation, 2013 [4.3] King Antiochus Remember that in the edict from Khalsi, Ashoka told us about a Greek king called Antiochus beyond his borders. So perhaps the Kandahar edict was close to the border. Here’s Antiochus on a coin. S: AntiochusIIMET.jpg © The University of Melbourne – Asia Education Foundation, 2013 [4.4] Map showing the Kingdom of Macedon in 336 BCE On this map you can see the ancient Greek Kingdom of Macedon. You’ve probably heard of Alexander the Great, who was born in Macedon in 356 BCE, the son of King Philip II. -
State District Name of Bank Bank Branch/ Financial Literacy Centre
State District Name of Bank Branch/ Address ITI Code ITI Name ITI Address State District Phone Email Bank Financial Category Number Literacy Centre Bihar Araria State Araria Lead Bank Office, PR10000055 Al-Sahaba Industrial P Alamtala Forbesganj Bihar Araria NULL Bank of ADB Building, Training Institute India Araria, Pin- 854311 Bihar Arwal PNB ARWAL ARWAL PR10000083 Adarsh ITC P Umerabad Bihar Arwal NULL Bihar Arwal PNB ARWAL ARWAL PR10000284 Shakuntalam ITC P Prasadi English Bihar Arwal NULL Bihar Arwal PNB ARWAL ARWAL PR10000346 Aditya ITC P At. Wasilpur, Main Road, Bihar Arwal NULL P.O. Arwal, Bihar Arwal PNB ARWAL ARWAL PR10000396 Vikramshila Private P At. Rojapar, P.O. Arwal Bihar Arwal NULL ITI Bihar Arwal PNB ARWAL ARWAL PR10000652 Ram Bhaman Singh P At-Purani Bazar P.o+P.S- Bihar Arwal NULL Private ITI Arwal Bihar Arwal PNB ARWAL ARWAL PR10000677 Sukhdeo Institute Of P Kurtha, Arwal Bihar Arwal NULL Tecnology Private ITI, Bihar Arwal PNB ARWAL ARWAL PR10000707 Dr. Rajendra Prasad P Mubarkpur, Kurtha Arwal Bihar Arwal NULL Private ITI, Bihar Aurangabad PUNJAB DAUDNAGAR DAUDNAGAR PR10000027 New Sai Private ITI- P Aurangabad Road, Bihar Aurangabad NULL NATIONA Bhakharuan More, , Tehsil- L BANK Daudnagar , , Aurangabad - 824113 Bihar Aurangabad PUNJAB AURANGABAD AURANGABAD PR10000064 Adharsh Industrial P Josai More Udyog Bihar Aurangabad NULL NATIONA Training Centre Pradhikar Campus L BANK Bihar Aurangabad MADHYA DAUDNAGAR DAUDNAGAR PR10000108 Sardar Vallabh Bhai P Daudnagar Bihar Aurangabad NULL BIHAR Patel ITC, Daudnagar GRAMIN BANK Bihar Aurangabad MADHYA DAUDNAGAR DAUDNAGAR PR10000142 Adarsh ITC, P AT-,Growth centre ,Jasoia Bihar Aurangabad NULL BIHAR Daudnagar More Daudnagar GRAMIN BANK Bihar Aurangabad PUNJAB RATANUA RATANUA PR10000196 Progresive ITC P At-Growth Center Josia Bihar Aurangabad NULL NATIONA More L BANK Bihar Aurangabad MADHYA DAUDNAGAR DAUDNAGAR PR10000199 Arya Bhatt ITC P Patel Nagar, Daud Nagar Bihar Aurangabad NULL BIHAR GRAMIN BANK Bihar Aurangabad PUNJAB OLD GT RD. -
Unit Magadhan Territorial Expansion
Get Printed Study Notes for UPSC Exams - www.iasexamportal.com/notes UNIT MAGADHAN TERRITORIAL EXPANSION Structure 18.0 Objectives 18.1 Introduction 18.2 Location of Magadha 18.3 Note on Sources 18.4 Political History of Pre-Mauryan Magadha 18.5 Notion of 'Empire' 18.5.1 Modern views on definition of 'Empire' 18.5.2 Indian notion of ~hakravarti-~setra 18.6 Origin of Mauryan rule 18.7 Asoka Maurya 18.7.1 The Kalinga War 18.7.;' Magadha at Asoka's death 18.8 Let US Sum Up 18.9 Key Words 18.10 Answers To Check Your Progress Exercises 18.0 OBJECTIVES In this Unit we shall outline the territorial expansion of the kingdom of Magadha. This will provide an understanding of how and why it was possible for Magadha to ,. becolne an 'empire'. After reading this Unit you should be able to: 0. identify the location of Magadha and its environs and note its strategic importance. learn about some of the sources that historians use for writing on this period, have a brief idea of the political history of Magadha during the two centuries preceding Mauryan rule. underst d the notion of 'empire' in the context of early periods of history, trac/;I the chief events leading to the establishment of Mauryan rule, learn about the early Mauryan kings - Chandragupta and Bindusara - and their expansionist activities, explain the context of the accession and coronation of Asoka Maurya and the importance of the Kalinga War, and finally, identify the boundaries of the Magadhan 'empire' at the death of Ashoka. -
1. Chandragupta Maurya: 2. King Bindusara – Bindusara: 3. Samrat Ashoka – Emperor Ashoka
3/5/2021 Top 10 Maurya Empire rulers who changed the history 1. Chandragupta Maurya: Chandragupta Maurya (Raj: 323-298 BC) was the first founder of the Maurya Empire in ancient India. They succeeded in bringing entire India under one empire. The date of the throne of Chandragupta Maurya is generally considered to be 324 BC, he ruled for approximately 25 years and thus the end of his rule was usually done in 297 BC. Later in 297 his son Bindusara took over his empire. The Maurya Empire is considered to be one of the most powerful empires in history. At the end of his empire, Chandragupta had success in governing all the Indian subcontinent excepting Tamil Nadu and present Odisha. His empire was spread from Bengal to Afghanistan and Balochistan and from west to Pakistan in the Himalayas and the northern part of Kashmir. As well as expanding to Platau in the south. In Indian history, the reign of Chandragupta Maurya is considered the largest rule. Further reading: The complete history of Chandragupta Maurya – Chandragupta Maurya history 2. King Bindusara – Bindusara: Many Indians know that Chandragupta Maurya was the first ruler of the Maurya Empire in Indian history. While Bindusara – Bindusara was the son of the next Maurya ruler and Chandragupta Maurya. In history, the famous ruler Emperor Asoka was the son of Bindusara. He ruled for almost 25 years. Bindusara attained the state of a great state in the estate. He also extended the state to South India. Chanakya also remained prime minister in his time. Bindusara is known as ‘father of son and son of son’ because he was the son of Chandragupta Maurya, famous and mighty ruler and father of the great King Ashoka.