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Arab American Literature and the Ethnic American Landscape: Language, Identity, and Community
Arab American Literature and the Ethnic American Landscape: Language, Identity, and Community A dissertation submitted to the Graduate School of the University of Cincinnati in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department English and Comparative Literature of the College of Arts and Sciences by Niven Herro, B.A., M.A. July 2018 Committee Chair: Jennifer Glaser, Ph.D. Committee Members: Lisa Hogeland, Ph.D., Laura Micciche, Ph.D. Abstract This dissertation explores the works of contemporary Arab American women writers with a focus on language, identity, and community. I am especially interested in the ways in which the Arab American immigrant experience mirrors that of other ethnic American groups, as demonstrated in their literatures. First, I argue that Randa Jarrar’s debut novel, A Map of Home (2008), which uses language—both Arabic and English—as a source of empowerment, reflects Chicana writer Gloria Anzaldúa’s concept of the “new mestiza consciousness.” Comparing the Chinatown community in Fae Myenne Ng’s Bone (1993), to the Muslim community in Mohja Kahf’s The Girl in the Tangerine Scarf (2006), reveals the complicated relationships the novels’ characters have with their communities. In both novels, the personal development of their young women protagonists is greatly influenced by their respective communities, which simultaneously serve as positive sites of support and complex sites of difficult negotiations. While the characters in A Map of Home and The Girl in the Tangerine Scarf ultimately learn to effectively navigate their hybrid subject positions as both Arabs and Americans, the failure to do so leads to a tragic end for the couple at the center of Laila Halaby’s Once in a Promised Land. -
CLASSIC JAZZ This Page Intentionally Left Blank CLASSIC JAZZ
CLASSIC JAZZ This page intentionally left blank CLASSIC JAZZ A Personal View of the Music and the Musicians FLOYD LEVIN Foreword by BENNY CARTER UNIVERSITY OF CALIFORNIA PRESS Berkeley Los Angeles London Title page illustration: The author and his wife, Lucille—Emperor and Empress of the 1985 Jazz Jubilee, Sacramento, California. Unless otherwise credited, all illustrations are by the author or are from his collection. University of California Press Berkeley and Los Angeles, California University of California Press, Ltd. London, England © 2000 by the Regents of the University of California Library of Congress Cataloging-in-Publication Data Levin, Floyd. Classic jazz : a personal view of the music and the musicians / Floyd Levin. p. cm. Includes index. isbn 0-520-21360-2 (cloth : alk. paper) 1. Jazz—History and criticism. 2. Jazz musi- cians—United States. I. Title. ml3508.l48 2000 781.65—dc21 00-022554 Manufactured in the United States of America 08 07 06 05 04 03 02 01 00 10987654321 The paper used in this publication meets the mini- mum requirements of ansi/niso z39.48-1992 (r 1997) (Permanence of Paper). To Lucille, my loving wife and perceptive editor, who shared these wonderful experiences with me. Her sincere praises buoyed my efforts, and her unerring criticisms deftly improved my narration. This page intentionally left blank CONTENTS FOREWORD BY BENNY CARTER xv PREFACE xvii ACKNOWLEDGMENTS xxiii INTRODUCTION 1 1 KID ORY AND THE REVIVAL ERA 9 Kid Ory / 11 Kid Ory’s Legendary 1921 Nordskog/Sunshine Recordings / 14 Papa Mutt Carey -
Billboard-1997-08-30
$6.95 (CAN.), £4.95 (U.K.), Y2,500 (JAPAN) $5.95 (U.S.), IN MUSIC NEWS BBXHCCVR *****xX 3 -DIGIT 908 ;90807GEE374EM0021 BLBD 595 001 032898 2 126 1212 MONTY GREENLY 3740 ELM AVE APT A LONG BEACH CA 90807 Hall & Oates Return With New Push Records Set PAGE 1 2 THE INTERNATIONAL NEWSWEEKLY OF MUSIC, VIDEO AND HOME ENTERTAINMENT AUGUST 30, 1997 ADVERTISEMENTS 4th -Qtr. Prospects Bright, WMG Assesses Its Future Though Challenges Remain Despite Setbacks, Daly Sees Turnaround BY CRAIG ROSEN be an up year, and I think we are on Retail, Labels Hopeful Indies See Better Sales, the right roll," he says. LOS ANGELES -Warner Music That sense of guarded optimism About New Releases But Returns Still High Group (WMG) co- chairman Bob Daly was reflected at the annual WEA NOT YOUR BY DON JEFFREY BY CHRIS MORRIS looks at 1997 as a transitional year for marketing managers meeting in late and DOUG REECE the company, July. When WEA TYPICAL LOS ANGELES -The consensus which has endured chairman /CEO NEW YORK- Record labels and among independent labels and distribu- a spate of negative m David Mount retailers are looking forward to this tors is that the worst is over as they look press in the last addressed atten- OPEN AND year's all- important fourth quarter forward to a good holiday season. But few years. Despite WARNER MUSI C GROUP INC. dees, the mood with reactions rang- some express con- a disappointing was not one of SHUT CASE. ing from excited to NEWS ANALYSIS cern about contin- second quarter that saw Warner panic or defeat, but clear -eyed vision cautiously opti- ued high returns Music's earnings drop 24% from last mixed with some frustration. -
The Korean Wave As a Localizing Process: Nation As a Global Actor in Cultural Production
THE KOREAN WAVE AS A LOCALIZING PROCESS: NATION AS A GLOBAL ACTOR IN CULTURAL PRODUCTION A Dissertation Submitted to the Temple University Graduate Board In Partial Fulfillment of the Requirements for the Degree DOCTOR OF PHILOSOPHY by Ju Oak Kim May 2016 Examining Committee Members: Fabienne Darling-Wolf, Advisory Chair, Department of Journalism Nancy Morris, Professor, Department of Media Studies and Production Patrick Murphy, Associate Professor, Department of Media Studies and Production Dal Yong Jin, Associate Professor, School of Communication, Simon Fraser University © Copyright 2016 by Ju Oak Kim All Rights Reserved ii ABSTRACT This dissertation research examines the Korean Wave phenomenon as a social practice of globalization, in which state actors have promoted the transnational expansion of Korean popular culture through creating trans-local hybridization in popular content and intra-regional connections in the production system. This research focused on how three agencies – the government, public broadcasting, and the culture industry – have negotiated their relationships in the process of globalization, and how the power dynamics of these three production sectors have been influenced by Korean society’s politics, economy, geography, and culture. The importance of the national media system was identified in the (re)production of the Korean Wave phenomenon by examining how public broadcasting-centered media ecology has control over the development of the popular music culture within Korean society. The Korean Broadcasting System (KBS)’s weekly show, Music Bank, was the subject of analysis regarding changes in the culture of media production in the phase of globalization. In-depth interviews with media professionals and consumers who became involved in the show production were conducted in order to grasp the patterns that Korean television has generated in the global expansion of local cultural practices. -
Talking Heads -.:: GEOCITIES.Ws
Talking Heads / David Byrne / A+ A B+ B C D updated: 09/06/2005 Tom Tom Club / Jerry Harrison / ARTISTS = Artists I´m always looking to trade for new shows not on my list :-) The Heads DVD+R for trade: (I´ll trade 1 DVD+R for 2 CDRs if you haven´t a DVD I´m interested and you still would like to tarde for a DVD+R before contact me here are the simple rules of trading policy: - No trading of official released CD´s, only bootleg recordings, - Please use decent blanks. (TDK, Memorex), - I do not sell any bootleg or copies of them from my list. Do not ask!! - I send CDRs only, no tapes, Trading only !!! ;-), - I don't do blanks & postage or 2 for 1's; fair trading only (CD for a CD or CD for a tape), I trade 1 DVD+R for 2 CDRs if you haven´t a DVD I´m - Pack well, ship airmail interested - CD's should be burned DAO, without 2 seconds gaps between the - Don´t send Jewel Cases, use plastic or paper pockets instead, I´ll do the same tracks, - For set lists or quality please ask, - No writing on the disks please - Please include a set list or any venue info, I´l do the same, - Keep contact open during trade to work out a trade please contact me: [email protected] TERRY ALLEN Stubbs, Austin, TX 1999/03/21 Audience Recording (feat. David Byrne) CD Amarillo Highway / Wilderness Of This World / New Delhi Freight Train / Cortez Sail / Buck Naked (w/ David Byrne) / Bloodlines I / Gimme A Ride To Heaven Boy DAVID BYRNE In The Pink Special --/--/-- TV-broadcast / documentary DVD+R Interviews & music excerpts TV-Show Appearances 1990 - 2004 TV-broadcasts (quality differs on each part) DVD+R I. -
Ally Anticipated, Molly Remained Undisclosed
Hatchet loses $15,000 by Sherri Conyers Playing to a crowd one third the Hatchet's share of ticket receipts with flashiights, searching size originally anticipated, Molly remained undisclosed. reliable back packs and bags for forbidden Hatchet and Trigger Happy belted figures indicate that the SGA has beverages. and depositing their out their visions of rock and roll, in lost approximately fifteen thousand discoveries in garbage cans which the first Student Government dollars on the concert. Pinder were soon overflowing with Association (SGA) sponsored emphasized that the concert was a contraband. concert in four years. social and logistic, if not a financial, "Everybody was geared up for Both SGA Concert Coordinator success. calling the event "the best problems" with the concert, said Jon Pinder and SGA President put-together concert I've been Pinder: who felt there was "'00 Terry Nolan were dissatisfied with involved in, in ten years in the much" security: "'security should be the relatively low attendance figures. business." substantial but not excessive ... you According to Nolan, the "turnstile Apparently the small turnout was don't need that at a concert figure" of the number of playing due to the short advertising and sales nobody was going to do anything." guests was 956. , lead time available to Pinder and his Pinder is hopeful that at future U M BC concerts "security won't be a Photo by B. Although at press time Molly staff. A contract dispute between Molly Hatchet brought 956 rock 'n rollers to the field house Saturday night Molly Hatchet's agents and the problem anymore .. -
ALBUMS BARRY WHITE, "WHAT AM I GONNA DO with BLUE MAGIC, "LOVE HAS FOUND ITS WAY JOHN LENNON, "ROCK 'N' ROLL." '50S YOU" (Prod
DEDICATED TO THE NEEDS OF THE MUSIC RECORD INCUSTRY SLEEPERS ALBUMS BARRY WHITE, "WHAT AM I GONNA DO WITH BLUE MAGIC, "LOVE HAS FOUND ITS WAY JOHN LENNON, "ROCK 'N' ROLL." '50s YOU" (prod. by Barry White/Soul TO ME" (prod.by Baker,Harris, and'60schestnutsrevved up with Unitd. & Barry WhiteProd.)(Sa- Young/WMOT Prod. & BobbyEli) '70s savvy!Fast paced pleasers sat- Vette/January, BMI). In advance of (WMOT/Friday'sChild,BMI).The urate the Lennon/Spector produced set, his eagerly awaited fourth album, "Sideshow"men choosean up - which beats with fun fromstartto the White Knight of sensual soul tempo mood from their "Magic of finish. The entire album's boss, with the deliversatasteinsupersingles theBlue" album forarighteous niftiest nuggets being the Chuck Berry - fashion.He'sdoingmoregreat change of pace. Every ounce of their authored "You Can't Catch Me," Lee thingsinthe wake of currenthit bounce is weighted to provide them Dorsey's "Ya Ya" hit and "Be-Bop-A- string. 20th Century 2177. top pop and soul action. Atco 71::14. Lula." Apple SK -3419 (Capitol) (5.98). DIANA ROSS, "SORRY DOESN'T AILWAYS MAKE TAMIKO JONES, "TOUCH ME BABY (REACHING RETURN TO FOREVER FEATURING CHICK 1116111113FOICER IT RIGHT" (prod. by Michael Masser) OUT FOR YOUR LOVE)" (prod. by COREA, "NO MYSTERY." No whodunnits (Jobete,ASCAP;StoneDiamond, TamikoJones) (Bushka, ASCAP). here!This fabulous four man troupe BMI). Lyrical changes on the "Love Super song from JohnnyBristol's further establishes their barrier -break- Story" philosophy,country -tinged debut album helps the Jones gal ingcapabilitiesby transcending the with Masser-Holdridge arrange- to prove her solo power in an un- limitations of categorical classification ments, give Diana her first product deniably hit fashion. -
Biography and Film of His Life
Phil Upchurch 1 A prolific guitarist whose distinctively funky, blues-steeped jazz style has graced well over a thousand recordings across the popular music spectrum, the legendary Phil Upchurch has also recorded 27 albums of his own leadership, as well as movie soundtracks. Jazz enthusiasts love and respect Phil Upchurch for his singular approach to composition. In developing his sound, Phil demonstrates no allegiance to any of his contemporaries and is indisputably one of the best in his field. He goes from classical to jazz to contemporary funk as easy as walking from one room to another. He is also an amazing electric bassist. In honor of Upchurch’s instrumental mastery, D’Angelico Guitars is soon to release a Second Edition of his signature Phil Upchurch Guitar. Adding to his media profile is Phil’s newfound second career as a fresh face for television advertising. Phil's most recent on-camera commercials have been Secured Horizon, "AARP," Tropicana and Verizon Wireless. He also has had, Cameo filmappearances in, “His Eyes Are Watching God” and White Men Can’t Jump” to name a few. Phil Upchurch has been a prominent figure in the blues, soul, R&B and jazz circles for more than 50 years. In addition to his work with the legendary Jimmy Smith, Upchurch has performed and recorded, in the United States and internationally, with some of the music industry’s biggest names. His talents have teamed him with musical legends such as Quincy Jones, Bob Dylan, Julio Iglesias, Ray Charles, Ramsey Lewis, Carmen McRae, George Benson, Donny Hathaway, Chaka Khan, Michael Jackson, Carmen McRae, Marlena Shaw, Eddie Harris, Brother Jack McDuff, Joe Williams, Stan Getz, Cannonball Adderley, Herbie Hancock, Grover Washington, Jr. -
Sly & Robbie Language Barrier Mp3, Flac
Sly & Robbie Language Barrier mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Hip hop / Reggae / Funk / Soul Album: Language Barrier Country: Germany Released: 1985 Style: Dub MP3 version RAR size: 1790 mb FLAC version RAR size: 1260 mb WMA version RAR size: 1862 mb Rating: 4.9 Votes: 707 Other Formats: AIFF WMA VQF DMF TTA VOX MP1 Tracklist Hide Credits Make 'Em Move A1 7:58 Written-By – B. Aasim*, B. Worrell*, B. Laswell*, R. Shakespeare*, S. Dunbar* No Name On The Bullet A2 6:03 Written-By – R. Shakespeare*, S. Dunbar* Miles (Black Satin) A3 7:20 Written-By – B. Laswell*, M. Davis*, R. Shakespeare*, S. Dunbar* Bass And Trouble B1 6:06 Written-By – B. Laswell*, M. Dibango*, R. Shakespeare*, S. Dunbar* Language Barrier B2 6:51 Written-By – B. Reynolds*, M. Chung*, R. Shakespeare*, S. Dunbar*, W. Badarou* Get To This, Get To That B3 5:17 Written-By – B. Fowler*, B. Worrell*, R. Shakespeare*, S. Dunbar* Companies, etc. Recorded At – RPM Studios Recorded At – Compass Point Studios Recorded At – Dynamic Sounds Studios Recorded At – Channel One Recording Studio Mastered At – Masterdisk Mixed At – Power Station Phonographic Copyright (p) – Island Records Ltd. Record Company – Ariola Eurodisc GmbH Distributed By – Ariola Group Of Companies Printed By – TOPAC Pressed By – Sonopress Credits Art Direction – Tony Wright Engineer – Robert Musso, Solgie*, Steven Stanley Management [Administration] – Roger Trilling Mastered By – Howie Weinberg Mixed By – Jason Corsaro Performer – Afrika Bambaataa, Barry Reynolds, Bernard Fowler, Bernie -
Kinki Kids Aalbum Full Album Z
KinKi Kids, A-album Full Album Z KinKi Kids, A-album Full Album Z 1 / 4 2 / 4 2008–2011: Leading role at drama Sensei Wa Erai and debut group album JUMP No. ... TAKE IT PLS TAKE OUT WITH FULL CREDIT You can Re-Post but NO HOTLINK!!! ... Kamiki Ryunosuke Kanata Hongo Kanjani8 KAT-TUN Kinki Kids Morimoto ... A(z) "Hey!Say!JUMP - Your Seed PV" című videót "Anelia_00" nevű ... I love how Kinki Kids only use alphabet for all their albums (with the ... After their full album this month, looks like they are working really really ... KinKi Kids, A-album Full Album Zip >> http://ssurll.com/10gwvh aa94214199 I Album - Id (日版普通) > Harmony of ... KinKi Kids ZIP SHOW BIZ .... https://www.youtube.com/watch?v=VKpuyUg8yIQ堂本剛出院后首現電視節目 ... ... HIGH PRESSURE T.M. REVOLUTION ANTINOS RECORDS CALLING B'Z ROOMS ... ALBUMS. MAKI OHGURO POWER OF DREAMS B-GRAM TOKO FURUUCHI ... SOUNDTRACK MONONOKEHIME TOKUMAJAPAN KINKI KIDS A ALBUM ... FULL ACE/SONY LA NEIGE AU SAHARA ANGGUN COLUMBIA LA DANSE .... 6 | CD Drama - Shion gets drunk (English sub Yuri Katsuki(Toshiyuki Toyonaga) ... (Eng Sub) Good Doctor ep 1-10 (Complete) Kento's MG Instagram post on 3 Nov ... Zakkaten no Kiseki cast; 171130 VS Arashi - Full Metal Alchemist cast; ZIP! ... I want to share with you the KinKi Kids x Arashi Series project.. RE=Re-Entry 18 10 JAPAN ALBUMS UNITED KINGDOM GERMANY ALBUMS NEW ... SONY MONKEY MAJIK 50RA WA MARUDE AVEX TRAX KINKI KIDS 39 JOHNNY'S ... JAY-Z SRP-DEF JAM ICH + ICH VOM SELBEN STERN UNIVERSAL 1O NEW ... 62 I Go to www.billboard.biz for complete chart data Data for week of .. -
Black Uhuru Red Mp3, Flac, Wma
Black Uhuru Red mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Reggae Album: Red Country: Netherlands Released: 1981 Style: Roots Reggae MP3 version RAR size: 1699 mb FLAC version RAR size: 1564 mb WMA version RAR size: 1950 mb Rating: 4.9 Votes: 472 Other Formats: MIDI RA AC3 MP4 MMF FLAC AA Tracklist Hide Credits Youth Of Eglington A1 5:01 Written-By – M. Rose* Sponji Reggae A2 4:56 Written-By – M. Rose* Sistren A3 4:33 Written-By – D. Simpson*, M. Rose* Journey A4 5:23 Written-By – D. Simpson* Utterance B1 3:32 Written-By – M. Rose* Puff She Puff B2 5:09 Written-By – M. Rose* Rockstone B3 4:39 Written-By – D. Simpson*, M. Rose* Carbine B4 6:06 Written-By – M. Rose* Companies, etc. Recorded At – Channel One Recording Studio Recorded At – Compass Point Studios Phonographic Copyright (p) – Island Records Inc. Copyright (c) – Island Records Ltd. Distributed By – Ariola Benelux B.V. Credits Bass Guitar – Robert "Robbie" Basspeare* Drums, Performer [Syndrums] – Sly Drumbar* Engineer [Guitar Overdubs] – Kendall Stubbs Engineer [Sound] – Soldgie Engineer [Vocals] – Maxie* Executive-Producer – Chris Blackwell Lead Guitar – Barry Reynolds, Dougie Bryan* Mixed By – Robert Shakespear & Sly Dunbar*, Steven Stanley Percussion – Sticky Thompson* Piano – Keith Sterling, Robert Lyn*, Robbie Shakespeare Producer – Sly Dunbar And Robbie Shakespear* Rhythm Guitar, Lead Guitar – Ranchie McLean*, Mikey Chung Vocals – Duckie Simpson, Michael Rose, Puma Jones Notes Similar to Red at first sight but with English rim text and and a "." in cat.# ℗ 1981 Original -
Clamor Magazine Using Our Online Clamor Is Also Available Through These Fine Distribution Outlets: AK Press, Armadillo, Desert Survey At
, r J^ I^HJ w^ litM: ia^ri^fTl^ pfn^J r@ IDS in Africa I Homeless in L.A. 1 J oniigrant Workers Freedom Ride " evolution of ^EVerycfay Life .'^ »v -^3., JanuaiV7F«bruary^0V* l^e 30 5 " -»-^ - —t«.iti '•ill1.1, #1 *ymm f**— 'J:'<Uia-. ^ they divide, we conquerJ fml^ir $4.50 us/ $6.95 Canada 7 "'252 74 "96769' fKa%'t* NEW ALBUMS JANUARY 25 'M WIDE AWAKEjrS MORNING DIGITAL ASH IN A DIGITAL URN K. OUT NOW LUA CD SINGLE from I'M WIDE AWAKE, IT'S MORNING TAKE IT EASY (LOVE NOTHING) CD SINGLE from DIGITAL ASH IN A DIGITAL URN SGN.AMBULANCE THE FAINT THE GOOD LIFE BEEP BEEP L KEY WET FROM BIRTH ALBUM OF THE YEAR BUSINESS CASUAL WWW.SADDLE-CREEK.COM | [email protected] the revolution of everyday life, delivered to your door subscribe now. $18 for one year at www.clamormagazine.org or at PO Box 20128 1 Toledo, Ohio 43610 : EDITORyPUBLISHERS Jen Angel & Jason Kucsma from your editors CONSULTING EDITOR Jason Kucsma Joshua Breitbart WEB DESIGN In November after the election, I had the fortune to sit next to an Israeli man named Gadi on CULTURE EDITOR Derek Hogue a flight from Cleveland to Detroit. He was on his way to Europe and then home, and I was on Eric Zassenhaus VOLUNTEERS my way to my sister's house in Wisconsin. ECONOMICS EDITOR Mike McHone, Our conversation, which touched on everything from Bush and Kerry to Iraq to the se- Arthur Stamoulis JakeWhiteman curity wall being built by Israel, gave me the opportunity to reflect on world politics from an MEDIA EDITOR PROOFREADERS outsider's perspective.