THE MECHANICAL TRIUMPHS of of Great Merit Is Mentioned Both in the B Ible H and in Josephus

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THE MECHANICAL TRIUMPHS of of Great Merit Is Mentioned Both in the B Ible H and in Josephus THE MECHAN ICAL TR IUMPHS OF THE ANCIENT EGY PTIANS . THE M EC HA N ICA L T R I U M PHS OF THE N Y P IAN AN C I E T EG T S . M . F . 13 CO M MA N DE R ARBE R , ! ! N T T T N U I ED S A ES AVY , RETI RED LATE N AVAL ATTAcmS- A P N D . BERLIN, ROME, VIENNA, TOKIO, EKIN LONDON K TR B ER U N 8: CO . EGAN PAUL, TRENCH , , LTD . P O C G C ATERNOSTER H USE HARIN ROSS ROAD . ' dszswiqk tnEss : CHARLES wmn mc m AND co. moms OU T N ERY L E L N C R CH C N O DON . , A A , I NTROD U CT I O N . As a result of three visits to Egypt it has been x r my e pe ience that, notwithstanding the ulti mate paramount interest of travellers in the manners and customs of the ancient Egyptians i s s m m and the nature of the r tupendou onu ents , the question most fr equently asked with regard to the latter is not why did they create them , s but how . How did they tran port these great stones , and how did they lift them to the posi tions in which they are now found In many s r cases the cau e of this very practical inqui y is , m h perhaps , not far to seek , for this is a ec anical age, and it is probable that fifty per cent. of the people who visit Egypt to - day owe that privi lege to the mean s derived from some applica tion of the mechanic arts . With them the idea is instinctive but, indeed , with everybody it may be said that it is the physical problem which ae first attracts the mind , and not the sthetic , or h the et nographic , or the religious . It has been my object in preparin g this e ssm; to solve thisp roblem in a more comp\e te man n a LI ST OF I LL U ST RATI ON S . ILLUSTRATIONS IN TEX T. THE WEIOHING O F THE HEART THE PYRAMID PLATEAU STONE ON Ox SLEDGE PAEON IUS PAR EUCE LE FIN ISHED CASINO STONES A SHADOOF CRANE L or P MAUS OLEUH AR P AN A IS , SAQQ AH N P or W TRA S ORT A COLOSSUS ON A SLEDGE, ON ALL or Tom AT EL BERSHEN E E S ER INGPATAM OB LIS AT , INDIA METHOD or ERECTING VATICAN OBELISE METHOD or ERECTING SERIN GAPATAM OEELIS E . rawn from e scri ion ELEVATI ON . D D pt I METHOD OE ERECTING SER NGAPATAM OBELISE . w fr m ri ion PLAN . Dra n o De sc pt METHOD or ERECTI N O PARIS OBELI SE METHOD or ER ECTINO LONDON AND NEW YORK OEELisxs X LIST OF I LLUSTRATIONS . - FULL PAGE ILLUSTRATIONS . THE SHADOOF THE S AQQUIEH ’ QUEEN HATAsoo s EXPEDITION TO PUNT ’ QUEEN HATAsoo s EXPEDITION To PUNT B B C . 1 600 A OUT . THE Y ! W P RAMIDS AT GI EH, SHO ING HEIGHT O F PLATEAU HERODOTUS INCLINED PLANE POLYSPASTON OF THE TIME OF VITR UVIUs UNFINISHED OBELISK AT ASSOUAN TRANSPORT OF OBELISKS TRANSPORT OF AN OBELISK TRANS PORT OF AN OBELISK TRANSPORT OF AN OBELISE F FIRST COLOSSAL IMAGE O AMENHOTEP III . AT THEBES SECOND COLOSSAL IMAGE COLOSSUS OF R AMES Es THE GREAT AT MEM PHIs To face 1 1 8 THE M ECHAN ICAL TR IU MPHS OF THE AN C IE NT EGY PTIAN S . CHAPTE R I . GYP AN K NOWL DG OF M C ANI C E TI E E E H S . A LL our knowledge of the ancient Egyptians goes to show that they were eminently a scie n i t fic and mechanical people . Thoth was the n and Tosorthros a God of Scie ce , or Nebk , . R C 66 second king of the I I I Dyn , 3 7 , was “ skilled in the art of erecting solid masses of hewn stone long before Cheops built the great i and pyram d , the art never died out . Though there were civil wars and almost a blank in i B . C . I B C 2 . 6 6 Egypt an history from 3 3 3 to 4 , still when history does reappear, we find U r B . 2 r se te se n C . I 433 , e ecting obelisks at H c eliopolis, and ea h king thereafter for a thousand years surpassing his predecessor. Moreover the ancient monarchs of all nation s were for some unknown reason much given to erecting monolithic monuments of enormous n t u size, and of using mo s ro s blocks in compo n i e re d a m ama site buildings . That it was co s d B THE MECHANICAL TRIUMPHS OF of great merit is mentioned both in the B ible h and in josephus . This passion appears to ave e reached its maximum in Egypt, and the th n . B . C . 1 600 known world, from the XVI I I Dyn , , . 1 200 . to the XX . Dyn , Whereas Cheops was content with stones weighing fifty to sixty his tons in pyramid , the two huge statues of s. r Amenhotep I I I . (fig xxi and w ought a 00 years afterward , and even fter 3 , 3 more years still sitting so solemnly in the great plain 800 t of Thebes , each weigh from to ons , and were only two of the many that formed the avenue leading to his mausoleum . A mble t found there dwells upon the magnificence of the temple and the siz e of the stone monuments he had erected in Thebes . I have filled her with monuments in my name from the hill of the wonderful stones . Those who show them in i i ” their place are full of great joy at the r s ze. Near by is the broken granite statue of Rameses a 00 the Gre t, weighing 9 tons, and at Tanis in . o f lower Egypt, Prof Petrie found the remains another statue of Rameses of which the grea t ’ u toe was the size of a man s body, and the stat e itself must have been 9 2 feet high and weighed more than tons . Baalbe c is I n Syria, at , a stone now lying h in the quarry w ich weighs tons, and u 6 x I x 1 meas res 9 7 4 feet, and there are three THE ANCIENT EGYPTIANS . 3 more like it twenty feet up in the wall surround ing the Temple of the Sun a mile away . The I 200 B . C . date is approximately Solomon , who i 1000 B . C l ved . , placed a ninety ton stone in the outer wall of Temple H ill at Jerusalem 100 feet above the ground , and the treasury of Atreus, M ce nze l near y in Greece , bui t about the same time , has its portal covered with a stone weigh 1 ing 30 tons . I do not speak of the marvels Diodorus M crobius related by Herodotus , , y , Pliny and others . Those that I have me n tione d can be seen to - day with the exception of the Tanis statue of Rameses , which was Orsoke n cut up to build a pylon by I I . about B C . 900 . Ferguson , in his history of architecture, thinks that this handling of huge blocks was mere v anity but it must be admitted that in a com p osite buildin g it is a sound principle to have as few joints as possible, though modern archi t e e ts , except shipbuilders , are disposed to ignore f it, and in ancient times it was much more di ficult to destroy a wall or a temple that contained huge - blocks than it would be to day . Even so late as A D Hid oshi the end of the sixteenth century , , y at placed stones in the castle wall Osaka, Japan , 10 i which are 40 feet long and feet th ck , and no one knows how wide they are probably wider a l 1 0 fe e t w iAe th n they are thick , but even if on y 4 THE MECHANICAL TR IUMPHS OF they would weigh 300 tons . I t cannot be denied either that there is something more solem nly impressive about a huge stone statue than about a anything th t is merely joined together . The . 1 0 N Y Goddess of Liberty, 5 feet high , the 1 60 sleeping Buddh of Bangkok , feet long, are both beautiful and impressive ; but in spite of their artistic merit every one kn ows that they i t are hollow , and that sense of behold ng a s ub O born triumph ver natur e is lost . They need t re care to prevent decay, and hey will never main ofthemselves an everlasting monument of the godlike power of a king. But for man himself nearly every monument erecte d in Egypt - a and would be there to day . Earthqu kes floods a o h ve done little, but Cambyses and his success rs have done much . Two thousand statues we re off carried to Babylon , two obelisks to Nineveh, two more to Constantinople and a dozen to sam e s Rome, while we moderns have our own w of vandalism in Paris , London , and New York .
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