The Midlands Essential Entertainment Guide
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The New Yorker, March 9, 2015
PRICE $7.99 MAR. 9, 2015 MARCH 9, 2015 7 GOINGS ON ABOUT TOWN 27 THE TALK OF THE TOWN Jeffrey Toobin on the cynical health-care case; ISIS in Brooklyn; Imagine Dragons; Knicks knocks; James Surowiecki on Greece. Peter Hessler 34 TRAVELS WITH MY CENSOR In Beijing for a book tour. paul Rudnick 41 TEST YOUR KNOWLEDGE OF SEXUAL DIFFERENCE JOHN MCPHEE 42 FRAME OF REFERENCE What if someone hasn’t heard of Scarsdale? ERIC SCHLOSSER 46 BREAK-IN AT Y-12 How pacifists exposed a nuclear vulnerability. Saul Leiter 70 HIDDEN DEPTHS Found photographs. FICTION stephen king 76 “A DEATH” THE CRITICS A CRITIC AT LARGE KELEFA SANNEH 82 The New York hardcore scene. BOOKS KATHRYN SCHULZ 90 “H Is for Hawk.” 95 Briefly Noted ON TELEVISION emily nussbaum 96 “Fresh Off the Boat,” “Black-ish.” THE THEATRE HILTON ALS 98 “Hamilton.” THE CURRENT CINEMA ANTHONY LANE 100 “Maps to the Stars,” “ ’71.” POEMS WILL EAVES 38 “A Ship’s Whistle” Philip Levine 62 “More Than You Gave” Birgit Schössow COVER “Flatiron Icebreaker” DRAWINGS Charlie Hankin, Zachary Kanin, Liana Finck, David Sipress, J. C. Duffy, Drew Dernavich, Matthew Stiles Davis, Michael Crawford, Edward Steed, Benjamin Schwartz, Alex Gregory, Roz Chast, Bruce Eric Kaplan, Jack Ziegler, David Borchart, Barbara Smaller, Kaamran Hafeez, Paul Noth, Jason Adam Katzenstein SPOTS Guido Scarabottolo 2 THE NEW YORKER, MARCH 9, 2015 CONTRIBUTORS eric schlosser (“BREAK-IN AT Y-12,” P. 46) is the author of “Fast Food Nation” and “Command and Control: Nuclear Weapons, the Damascus Accident, and the Illusion of Safety.” jeFFrey toobin (COMMENT, P. -
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University of Warwick institutional repository: http://go.warwick.ac.uk/wrap A Thesis Submitted for the Degree of PhD at the University of Warwick http://go.warwick.ac.uk/wrap/59427 This thesis is made available online and is protected by original copyright. Please scroll down to view the document itself. Please refer to the repository record for this item for information to help you to cite it. Our policy information is available from the repository home page. THESIS INTRODUCTION The picture of themselves which the Victorians have handed down to us is of a people who valued morality and respectability, and, perhaps, valued the appearance of it as much as the reality. Perhaps the pursuit of the latter furthered the achievement of the former. They also valued the technological achievements and the revolution in mobility that they witnessed and substantially brought about. Not least did they value the imperial power, formal and informal, that they came to wield over vast tracts of the globe. The intention of the following study is to take these three broad themes which, in the national consciousness, are synonymous with the Victorian age, and examine their applicability to the contemporary theatre, its practitioners, and its audiences. Any capacity to undertake such an investigation rests on the reading for a Bachelor’s degree in History at Warwick, obtained when the University was still abuilding, and an innate if undisciplined attachment to things theatrical, fostered by an elder brother and sister. Such an attachment, to those who share it, will require no elaboration. My special interest will lie in observing how a given theme operated at a particular or local level. -
1489596882 BL Festivals Guid
WE’RE FESTIVAL VETERANS Getting value for money from your festival branding activity requires research, planning, creativity, and an appreciation that you’re venturing into an environment where brands can be welcomed, tolerated, ignored or vilified. We have a long history of helping clients win cut through at festivals around the world, these include: R ECOVE FESTIVALS NOT RIGHT F OR YOU? THINK AGAIN With younger festival goers increasingly priced out of the game, today’s festival audience largely comprises Millenials, people in their thirties. This also explains the increasing number of festivals catering for families, cultural, literary and culinary enthusiasts. It also means an opening of the way for brands that previously might have never thought about investing in a festival. And a growing number are realising this is an environment that can yield results; there’s a lot more to festivals than mud, booze, rock and roll. KNOW YOUR FESTIVAL HEDONISTIC Global Gathering, Big Chill, Exit, Tribal Gathering, Tommorowland, Boom Town, 2000Trees MAINSTREAM Glastonbury, V Festival, Big Day Out, Tea in the Park, Oxygen, Isle of Wight, Wireless, Reading & Leeds Festivals FAMILY FRIENDLY/ CULTURAL Secret Garden Party, Sonar, Green Man, WOMAD, Camp Bestival, Big Feastival, Wilderness, Somersault Brands that can work their way into the festival environment in a natural, creative way can engage this audience while they’re in a highly receptive state. To do this, there are a couple of simple principles we employ: 1. IDENTIFY ‘WHY’ Identifying your ‘why’ is all about finding a festival with which your brand can legitimately demonstrate a shared purpose, common ethics and values. -
American Dolorologies
American Dolorologies Item Type Book Authors Strick, Simon DOI 10.1353/book.28834 Publisher SUNY Press Rights Attribution-NonCommercial-NoDerivatives 4.0 International Download date 29/09/2021 04:15:19 Item License http://creativecommons.org/licenses/by-nc-nd/4.0/ Link to Item https://www.sunypress.edu/p-5822-american-dolorologies.aspx AMERICAN DOLOROLOGIES AMERICAN DOLOROLOGIES Pain, Sentimentalism, Biopolitics SIMON STRICK State University of New York Press Published by State University of New York Press, Albany © 2014 State University of New York All rights reserved Printed in the United States of America No part of this book may be used or reproduced in any manner whatsoever without written permission. No part of this book may be stored in a retrieval system or transmitted in any form or by any means including electronic, electrostatic, magnetic tape, mechanical, photocopying, recording, or otherwise without the prior permission in writing of the publisher. For information, contact State University of New York Press, Albany, NY www.sunypress.edu Production, Laurie Searl Marketing, Anne M. Valentine Library of Congress Cataloging-in-Publication Data Strick, Simon, 1974– American dolorologies : pain, sentimentalism, biopolitics / Simon Strick. pages cm Includes bibliographical references and index. ISBN 978-1-4384-5021-6 (hardcover : alk. paper) 1. Pain—Social aspects—United States. 2. Suffering—Social aspects—United States. 3. United States—Civilization. 4. Sentimentalism. I. Title. BJ1409.S85 2014 306.4—dc23 2013014434 10 9 8 7 6 5 4 3 2 1 CONTENTS LIST OF ILLUSTRATIONS vii ACKNOWLEDGMENTS ix CHAPTER ONE What Is Dolorology? 1 CHAPTER TWO Sublime Pain and the Subject of Sentimentalism 19 CHAPTER THREE Anesthesia, Birthpain, and Civilization 51 CHAPTER FOUR Picturing Racial Pain 93 CHAPTER FIVE Late Modern Pain 147 NOTES 169 WORKS CITED 199 INDEX 219 ILLUSTRATIONS Figure 4.1 gordon: The Scourged Back/Escaped slave displays wounds from torture. -
Modern Romance
O-226-19 TRADE MARKS ACT 1994 IN THE MATTER OF UK REGISTRATION NO. 3241327 IN THE NAME OF GEOFFREY DEANE AND PAUL GENDLER FOR THE TRADE MARK Modern Romance IN CLASS 41 AND THE APPLICATION FOR A DECLARATION OF INVALIDITY THERETO UNDER NO. 502011 BY ANDROS KYRIAKOU BACKGROUND AND PLEADINGS 1. This case is a dispute between two members of a band over the use of the band’s name. The two members are Geoffrey Deane and Andros Kyriakou; the band is called MODERN ROMANCE. 2. On 4 July 2017, Geoffrey Deane1 (“the holder”) applied for the word mark Modern Romance, for the following services: Class 41: Live performances by a musical band; musical group entertainment services. 3. The application achieved registration on 29 September 2017. On 12 March 2018, Andros Kyriakou (“the cancellation applicant”) applied for a declaration that the mark is invalid. The single ground of invalidation is that the registration offends under Section 5(4)(a) of the Trade Marks Act 1994 (“the Act”) due to the goodwill Mr Kyriakou had acquired in the earlier non-registered mark MODERN ROMANCE since 13 May 1999 in respect of live performances by a musical band and musical group entertainment services. It is claimed that Mr Kyriakou has been performing in a band called MODERN ROMANCE throughout the UK since 1999 and has promoted the band via a website since 2000. Use of the contested mark would amount to a misrepresentation to the relevant public and result in damage to Mr Kyriakou’s reputation and goodwill. 4. Mr Deane filed a counterstatement in which he denies the claims made. -
Marlpit 2010.07
THE MARLPIT July 2010 VVillage DiarD ry Juuly 2010 Saturrday 3rd 11.00 - 2.00 Horninng Communiity Primary SSchool and HedgehogsH Pre-school, Summeru Fair Saturrday 3rd 1.00 - 4.00 Tunsteead School SSummer Fayrre, Tunstead Primary Schhool, Market Street, Tunsstead Mondday 5th 7.30pm Coltishhall Parish CCouncil Meetting, Village Hall Wednnesday 7th 7.30pm The Elleventh Mikee Groves Ruun, Start Foottball Field, RRectory Roadd Saturrday 10th 10.00 - 4.00 Girl GGuides Leadinng the Way, Wroxham Scarecrow Coonvention froom Wroxhamm Sundday 11th Churchh Hall Wednnesday 14th 7.30pm Horsteead with Stannninghall Parrish Council, Hayloft, Tiithe Barn, Hoorstead Saturrday 17th 7.00 - 10.00 Traditional Jazz Band Concert, The Museuum of The Brroads Sundday 18th 11.00 - 4.00 1st Hovveton and WWroxham Sea Scout Groupp, 7th Annuall Classic Car Show Wednnesday 21th 7.00pm Womeen’s Institutee, Meeting, VillageV Hall, Coltishall Sundday 25th 3.00pm Duck RRace, From HorsteadH Miill to Horsteaad House Saturrday 31st Coltishhall Fete Auggust 20102 Tuesdday 10th 10.00 - 12.00 Centraal Norfolk Health Walk from Coltishall, from Colltishall Villagge Hall Car Park Saturrday 14th 2.30pm The MMill House Nuursing Homee, Garden Paarty The Marlpitt aims to produce a magaazine as an innformative coommunicatioon of local neews, events and articles. AArticles are ppublished inn good faith aand are not necessarilyn thhe opinion off the Editors. Anyy item submitted must haave a contactt name and teelephone nummber for usee by the Editoors. Noon-Commerccial Advertissements for VVillage Evennts, Interests and Activitiees are free off charge for oone issue onlly. They will oonly be acceppted if they fit a maximum of a ½ pagge and will be re-sized at the Editors’ discretion. -
Microsoft Office Outlook
Eliot I. Bernstein Full Name: Above and Beyond First Name: Above and Beyond Job Title: James Grant - Manager Business: 44 20 8742 4950 E-mail: enquiries Categories: call ultrafest 09 20090319 cmb sent email to 20090319 cmb per recept not manager James Grant Media Ltd 94 Strand On The Green Chiswick London W4 3NN tel: 020 8742 4950 fax: 020 8742 4951 email: enquiries James Grant Music Management was formed in the early part of 2005 by Nick Worsley and Simon Hargreaves and is a joint venture with long established TV Management Company James Grant Media. Heading up the company are two former Sony Music Entertainment Executives - Nick Worsley who was Head of Radio Promotions and Simon Hargreaves who was Head Of Press and Publicity. Bringing together over 20 years of music industry experience across both Major labels and the Independent sector - James Grant Music delivers a fresh and extremely potent force in the Music Business and is already breaking new ground in the Music Management arena. 1 Eliot I. Bernstein Full Name: Alina First Name: Alina E-mail: [email protected] E-mail Display As: Alina ([email protected]) Categories: call ultrafest 09 20090319 cmb sent email to the email above AFFILIATION: Sequence Production BOOKING CONTACT: [email protected] BIOGRAPHY Alina Sequence career has begun in 1994 when it has started to work as the assistant to the arranger in a sound studio. Greater support was rendered by Andrey Ivanov (Triplex), having given many useful knowledge in the field of electronic tools, becoming first producer Alina. In 1997 Alina Sequence bases under the beginning a promo-label " Sequence Records " which is engaged in producing of young electronic musicians, and also release of releases of Russian electronic music. -
HIPSTERS and AMERICAN STAND-UP COMEDY By
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by SHAREOK repository LAUGHING FROM THE OUTSIDE: HIPSTERS AND AMERICAN STAND-UP COMEDY By CHRISTOPHER PERKINS Bachelor of Arts in English Texas State University San Marcos, Texas 2006 Master of Arts in English Texas State University San Marcos, Texas 2008 Submitted to the Faculty of the Graduate College of the Oklahoma State University in partial fulfillment of the requirements for the Degree of DOCTOR OF PHILOSOPHY May, 2017 LAUGHING FROM THE OUTSIDE: HIPSTERS AND AMERICAN STAND-UP COMEDY Dissertation Approved: Dr. Elizabeth Grubgeld Dissertation Adviser Dr. Jeffrey Walker Dr. Richard Frohock Dr. Perry Gethner ii ACKNOWLEDGEMENTS This project was made possible through the support of the faculty in the English department at Oklahoma State University, the careful critique of my advisory committee, and the thoughtful guidance of my advisor Dr. Elizabeth Grubgeld. I am also eternally grateful to my family for their love and support throughout the years. Finally, Dr. Jennifer Edwards has remained by my side throughout the process of composing this dissertation, and her love, patience, and criticism have played an essential role in its completion. iii Acknowledgements reflect the views of the author and are not endorsed by committee members or Oklahoma State University. Name: CHRISTOPHER PERKINS Date of Degree: MAY, 2017 Title of Study: LAUGHING FROM THE OUTSIDE: HIPSTERS AND AMERICAN STAND-UP COMEDY Major Field: ENGLISH Abstract: In recent years, stand-up comedy has enjoyed increased attention from both popular and scholarly audiences for its potential as a forum for public intellectualism. -
1998 Fellows Thesis S62.Pdf (2.156Mb)
MADNESS, THE SUPERNA TUBAL A1VD THE UNRELIABLE NARRA TOR IN GUYDE MA UPASSA1VT'S LE HORLA AND HENRY JAMES'S THE TURN OF THE SCREiW A Senior Thesis By Janna Smartt 1997-98 University Undergraduate Research Fellow Texas A@M University Group: Humanities Madness, the Supernatural and the Unreliable Narrator in Guy de Maupassant's Le Horla and Henry James's The Turn of the Screw by Janus Smartt Submitted to the Office of Honors Programs and Acadetnic Scholarships Texas AdcM University in partial fulfillment of the requirements for 1997-98 UNIVERSITY UNDERGRADUATE RESEARCH FELLOWS PROGRAM April 16, 1998 Approved as to style and content by: David McWhirter Department of English Susanna Finnell, Executive Director Honors Programs and Academic Scholarships Fellows Group: Humanities Abstract Madness, the Supernatural, and the Unreliable Narrator Janna S martt (Dr. David McWhirter), Undergraduate Fellow, 1997-98, Texas AdkM University, Department of English In both Guy de Maupassant' s Le Horla and Henry James' s The Turn of the Screw, narrators of questionable reliability claim to encounter other-worldly beings, leaving the reader to wonder whether the apparitions are real or the narrators are insane. This madness/supernatural conundrum recurs because of certain trends within the writers' cultural and literary milieux. From a literary standpoint, both Maupassant and James were working in the fanrastique, a genre which, by definition, indicates that the reader hesitates between natural and supernatural explanations for the story's events. And, from a cultural perspective, both writers were writing in environments where the distinction between spiritualism and psychology was often unclear. Maupassant leaves his reader in hesitation as a way of expressing the cultural ambiguity between madness and the supernatural, whereas James utilizes the blur between madness and the supernatural to explore the "reading effect" that the reader experiences when left in hesitation. -
Shawyer Dissertation May 2008 Final Version
Copyright by Susanne Elizabeth Shawyer 2008 The Dissertation Committee for Susanne Elizabeth Shawyer certifies that this is the approved version of the following dissertation: Radical Street Theatre and the Yippie Legacy: A Performance History of the Youth International Party, 1967-1968 Committee: Jill Dolan, Supervisor Paul Bonin-Rodriguez Charlotte Canning Janet Davis Stacy Wolf Radical Street Theatre and the Yippie Legacy: A Performance History of the Youth International Party, 1967-1968 by Susanne Elizabeth Shawyer, B.A.; M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin May, 2008 Acknowledgements There are many people I want to thank for their assistance throughout the process of this dissertation project. First, I would like to acknowledge the generous support and helpful advice of my committee members. My supervisor, Dr. Jill Dolan, was present in every stage of the process with thought-provoking questions, incredible patience, and unfailing encouragement. During my years at the University of Texas at Austin Dr. Charlotte Canning has continually provided exceptional mentorship and modeled a high standard of scholarly rigor and pedagogical generosity. Dr. Janet Davis and Dr. Stacy Wolf guided me through my earliest explorations of the Yippies and pushed me to consider the complex historical and theoretical intersections of my performance scholarship. I am grateful for the warm collegiality and insightful questions of Dr. Paul Bonin-Rodriguez. My committee’s wise guidance has pushed me to be a better scholar. -
The Undergraduate Journal on Work, Labor and Social Movements
Vol. 2 | Spring 2021 The Undergraduate Journal on Work, Labor and Social Movements A Project of the Labor Extension Programs at the University of Massachusetts Amherst, Boston, Dartmouth, and Lowell The Undergraduate Journal on Work, Labor and Social Movements is a project of the Labor Extension Programs at the University of Massachusetts Amherst, Boston, Dartmouth, and Lowell. The Labor Extension Program is a statewide effort providing training, education and organizational development assistance to workers, their unions, and other workers’ organizations. The extension programs work in close partnership with the academic labor programs on each campus, enriching and supporting one another through service learning, internships, and connections to unions and community organizations. The Undergraduate Journal on Work, Labor and Social Movements Vol. 2 | 2020-2021 EDITORIAL BOARD: Anneta Argyres, UMass Boston Labor Center Clare Hammonds, UMass Amherst Labor Center Elizabeth Pellerito, UMass Lowell Labor Education Program Camilo Viveiros, UMass Dartmouth Labor Education Center Kim Wilson, UMass Dartmouth Labor Education Center TABLE OF CONTENTS PRIZE ANNOUNCEMENTS III EDITORS’ NOTE AND INTRODUCTION 1 Apart at the Seams: Injustices Against Factory Workers in 5 Bangladesh’s Ready to Wear Garment Manufacturing Industry CAMILLE A. NICHOLS Unpaid Internships: Espresso and Exploitation 13 LISA ROBINSON Monster Dot Com 27 MICHAEL F. DONAHUE ~Money’s Currency~ 33 PHILIPPE WARNO Humanity’s Loss 37 ZACHARY DOHERTY Economies of the Tragically Hip: Reflections on How I Didn’t Get Fired from the Job I Lost 47 DANIEL BAZARIAN LABOR STUDIES ACADEMIC OFFERINGS AT UMASS CAMPUSES 59 CALL FOR SUBMISSIONS 60 I PRIZE WINNERS The Labor Extension Program honors the following prize winners for their essays in this issue: RESEARCH CATEGORY First Prize: Camille A. -
EDIT JAN FEB 2016.Indd
Stage is set for great year at theatre EditFREE • JANUARY/FEBRUARY 2016 Exciting plans and shows New dawn for New Street BID working with council to plan the future of historic area PAGE 2 Edit JAN/FEB 2016 Edit magazine is brought to you by FROM THE EDITOR After a year of unprecedented openings and relaunches in the Retail BID area, Retail Birmingham is the Business 2016 seems to be all about planning events that capture the imagination and keep Improvement District (BID) for visitors coming back to the city centre again and again. Birmingham city centre’s retail area and has been supporting its Hot on the heels of its £2 million refurbishment Waterstones is planning a series members since 2007, promoting, of diary dates that build on its ambition to become a cultural hot-spot in the heart enhancing and developing the of the city centre, including author events and gaming nights. shopping and leisure experience Similarly, The New Alexandra is using the £250,000 invested in its piano bar as a in the city centre. platform for some of the best shows at the theatre in years. While the retail environment is forever changing with the And all the while Retail BID is working with stores and businesses to ensure everything is in place challenge of shopping online, to make the city centre a welcoming and safe environment. the Retail BID firmly believes New Street is at the heart of this thinking with plans afoot to transform the historic thoroughfare. in supporting the shopping A report and summit into its future has been commissioned and all interested parties are experience delivered by retailers being invited to play their part in the consultation.