History of America in 101 Objects© and Then Some

Total Page:16

File Type:pdf, Size:1020Kb

History of America in 101 Objects© and Then Some History of America in 101 Objects© and Then Some Part 1, Session 5 1 Band 10 Great Depression (1929-1940) 2 History Timeline [1929-1940] Great Depression (1929-1940) • 1929 "Black Tuesday" stock markets crashes, Great Depression begins. • 1930 Severe drought marks onset of the Dust Bowl. • 1931 Hattie Caraway of Arkansas becomes the first woman elected to the U.S. Senate; "The Star- Spangled Banner" officially adopted as the national anthem. • 1932 Franklin Delano Roosevelt elected president, promises" New Deal"; Amelia Earhart flies solo across the Atlantic; New York City's Empire State Building is completed, becoming world's tallest building. • 1933 Prohibition ends; Adolf Hitler elected chancellor of Germany; Nobel Prize-winning physicist Albert Einstein leaves Germany and settles in the United States. 3 History Timeline [1929-1940] Great Depression (1929-1940) • 1935 President Roosevelt signs Social Security Act; federal government launches Works Progress Administration; Wagner Act guarantees collective bargaining; Committee for Industrial Organizations founded. • 1936 African American athlete Jesse Owens wins four gold medals at Berlin Olympics. • 1938 House Un-American Activities Committee formed to investigate Communist influence in the United States; Fair Labor Standards Act is passed. • 1939 World War II begins in Europe with Germany's invasion of Poland; Gone With the Wind and The Wizard of Oz are released; Marian Anderson performs at Lincoln Memorial after being refused at Constitution Hall. • 1940 First woman, Frances Perkins, appointed to a U.S. president's cabinet, Secretary of the Department of Labor. 4 Great Depression (1929-1940) • 57. FRD’s “Fireside Chat” Microphone • 58. John L. Lewis’s Union Badge • 50. Combine Harvester • 59. Marion Anderson’s Mink Coat • 60. Dorothy’s Ruby Slippers • 61. Woody Guthrie’s “This Land Is Your Land” 5 57. FRD’s “Fireside Chat” Microphone A newly elected President reassures the Nation in the midst of economic collapse and war 6 The fireside chats were a series of 31 evening radio addresses given by President Roosevelt between 1933 and 1944. • “Fireside chats" were the first media developments that facilitated an intimate and direct communication between the President and the Nation. • Roosevelt's cheery voice and demeanor worked to his advantage with the citizenry and he soon became one of the most popular presidents ever — Here is the problem and this is what we are doing about it! • On radio, he was able to quell rumors and explain slowly and comprehensibly his reasons for social change. • Radio was especially convenient for Roosevelt because it enabled him to hide his polio from the public eye. 7 The Alphabet Soup of Government Agencies and Programs (Over 100) Formed by the FDR Administration AAA 1933 Agricultural Adjustment Act CCC 1933 Civilian Conservation Corps CCC 1933 Commodity Credit Corporation CWA 1933 Civil Works Administration DRS 1935 Drought Relief Service DSH 1933 Subsistence Homesteads Division EBA 1933 Emergency Banking Act FAA 1933 Federal Aviation Administration FAP 1935 Federal Art Project (part of WPA) FCA 1933 Farm Credit Administration FCC 1934 Federal Communications Commission FDIC 1933 Federal Deposit Insurance Corporation FERA 1933 Federal Emergency Relief Administration 8 FHA 1934 Federal Housing Administration FLSA 1938 Fair Labor Standards Act FMP 1935 Federal Music Project (part of WPA) FSA 1935 Farm Security Administration FSRC 1933 Federal Surplus Relief Corporation FTP 1935 Federal Theatre Project (part of WPA) FSA 1935 Farm Security Administration FSRC 1933 Federal Surplus Relief Corporation FTP 1935 Federal Theatre Project (part of WPA) FWA 1939 Federal Works Agency FHA 1934 Federal Housing Administration FLSA 1938 Fair Labor Standards Act FMP 1935 Federal Music Project (part of WPA) 9 FWP 1935 Federal Writers' Project (part of WPA) HOLC 1933 Home Owners' Loan Corporation NIRA 1933 National Industrial Recovery Act NLRA 1935 National Labor Relations Act NLRB 1934 National Labor Relations Board/The Wagner Act NRA 1933 National Recovery Administration NYA 1935 National Youth Administration PRRA 1933 Puerto Rico Reconstruction Administration PWA 1933 Public Works Administration RA 1935 Resettlement Administration Rural Electrification Administration (now Rural REA 1935 Utilities Service) SEC 1934 Securities and Exchange Commission SSA 1935 Social Security Administration Social Security Board (now Social Security SSB 1935 Administration) TVA 1933 Tennessee Valley Authority USHA 1937 United States Housing Authority USMC 1936 United States Maritime Commission WPA 1935 Works Progress Administration 10 Two early Profound Bills - 1935 • Wagner Labor Law: The right for Labor to organize, National Labor Relation Board, minimum wages, maximum hours and child labor limitations • Social Security program 11 58. John L. Lewis’s Union Badge John L. Lewis, one of America's foremost labor leaders, wore this badge at the 1936 United Mine Workers of America (UMWA) convention. Born in an Iowa coal-mining camp, Lewis went to work in the mines at age fifteen. He rose quickly as a labor leader, becoming president of the UMWA in 1920, and later helped found the Congress of Industrial Organizations. Lewis led a successful struggle to organize industrial workers, improving wages, safety, and benefits. 12 50. Combine Harvester The combine harvester mechanized the farm, and dramatically reduced the need for much farm labor. It both facilitated and for some crops caused the transformation of the US from a nation of rural agrarian small towns to one of big cities by eliminating jobs. This resulted in migration to the cities providing the labor for the industrial revolution. 13 50. Combine Harvester Unimaginable Bounty • A driver in Agra-business and the mega-farm • It industrialized agriculture • Expanding from the 1930s into the 1940s; it became the engine of the bread basket that supported and feed the allied efforts in WW II 14 59. Marion Anderson’s Mink Coat An event marred by racial prejudice is transformed into a moment of national acclaim and respect 15 “In this great auditorium under the sky, all of us are free.” Harold Ickes, Secretary of the Interior • Seventy-five years ago, on Easter Sunday, April 9, 1939, African-American contralto Marian Anderson performed an unprecedented open-air concert on the steps of the Lincoln Memorial to a huge live audience and to millions more over the radio • A mink coat—a recognized symbol of high status for women at the time—also illustrates that despite stereotypes and obstacles, an African-American woman could transcend entrenched social and cultural barriers to achieve fame, fortune, and success. 16 60. Dorothy’s Ruby Slippers From the 1939 Movie the Wizard of Oz A young girl’s fictional quest and her magical shoes remind America that there is “No place Like Home.” The Ruby Red slippers celebrate the glamor of Hollywood’s escapism, as relief from the troubles of daily life, while reminding us that plain old home isn’t so bad. MGM correctly sensed that the story would strike a resonant chord in a country struggling with despair and uncertainty in the wake of the dust bowl and the depression. 17 61. Woody Guthrie’s “This Land Is Your Land” 18 61. Woody Guthrie’s “This Land Is Your Land” • Some have called "This Land Is Your Land" an alternative national anthem. • Others say it's a Marxist response to "God Bless America." It was written and first sung by Woody Guthrie. Over time, it's been sung by everyone from Bruce Springsteen to the Mormon Tabernacle Choir. • Guthrie recorded "This Land Is Your Land" during a marathon April 1944 session in New York. Guthrie while on shore leave from the Merchant Marines, one of his many occupations during the Depression and war years. • One song: With very different interpretations — from President Obama’s campaign to anti Gay political activists. • That’s why “This Land Is Your Land” is still around. Because more than it being a song in reply to “God Bless America,” it is a song that is something for people to grab hold of no matter their background, no matter their beliefs; to keep all of us talking about what it means to be American. 19 History Timeline [1940-1945] Greatest Generation (1940-1945) • 1941 Japanese forces bomb U.S. military installations at Pearl Harbor, Hawaii; United States declares war on Japan; war with Germany and its allies follow declarations of war. • 1942 Navajo and Basque code talkers employed in the Pacific Theater to disguise communications; Rosie the Riveter popularized on the home front; Executive Order 9066 leads to forced relocation and internment of Japanese Americans; Manhattan Project to develop nuclear weapons begins. • 1943 Allies invade Italy. 20 History Timeline [1940-1945] Greatest Generation (1940-1945) • 1944 D-Day invasion of Normandy in Europe, major battles in the Pacific; World Bank and International Monetary Fund established; Roosevelt signs GI Bill of Rights. • 1945 Nazi Germany falls; Roosevelt dies; the Enola Gay drops atomic bomb on Hiroshima, Japan; a second is dropped on Nagasaki; World War II ends with more than 400,000 American war dead; United Nations is established; concentration camps liberated; Yalta Conference begins negotiations for postwar Europe. • 1946 Philippines becomes an independent republic from the United States. 21 Band 11 Greatest Generation (1941 to 1945) 22 Greatest Generation (1941 to 1945) • 62. U.S.S Oklahoma Postal Hand Stamp • 63. Spirit of Tuskegee • 64. “We Can Do It” Poster of Rosie the Riveter • 65. Japanese American WW II Internment Art • 66. Audie Murphy’s Eisenhower Jacket • 67. Enola Gay 23 24 Day of Infamy Pearl Harbor Speech December 8 1941 To the Congress of the United States Yesterday, Dec. 7, 1941 - a date which will live in infamy - the United States of America was suddenly and deliberately attacked by naval and air forces of the Empire of Japan. ••• No matter how long it may take us to overcome this premeditated invasion, the American people in their righteous might will win through to absolute victory.
Recommended publications
  • 2020 May June Newsletter
    MAY / JUNE NEWSLETTER CLUB COMMITTEE 2020 CONTENT President Karl Herman 2304946 President Report - 1 Secretary Clare Atkinson 2159441 Photos - 2 Treasurer Nicola Fleming 2304604 Club Notices - 3 Tuitions Cheryl Cross 0275120144 Jokes - 3-4 Pub Relations Wendy Butler 0273797227 Fundraising - 4 Hall Mgr James Phillipson 021929916 Demos - 5 Editor/Cleaner Jeanette Hope - Johnstone Birthdays - 5 0276233253 New Members - 5 Demo Co-Ord Izaak Sanders 0278943522 Member Profile - 6 Committee: Pauline Rodan, Brent Shirley & Evelyn Sooalo Rock n Roll Personalities History - 7-14 Sale and wanted - 15 THE PRESIDENTS BOOGIE WOOGIE Hi guys, it seems forever that I have seen you all in one way or another, 70 days to be exact!! Bit scary and I would say a number of you may have to go through beginner lessons again and also wear name tags lol. On the 9th of May the national association had their AGM with a number of clubs from throughout New Zealand that were involved. First time ever we had to run the meeting through zoom so talking to 40 odd people from around the country was quite weird but it worked. A number of remits were discussed and voted on with a collection of changes mostly good but a few I didn’t agree with but you all can see it all on the association website if you are interested in looking . Also senior and junior nationals were voted on where they should be hosted and that is also advertised on their website. Juniors next year will be in Porirua and Seniors will be in Wanganui.
    [Show full text]
  • Rolling Stone Magazine's Top 500 Songs
    Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35.
    [Show full text]
  • Kennolyn Guitar Songbook
    Kennolyn Guitar Songbook Updated Spring 2020 1 Ukulele Chords 2 Guitar Chords 3 Country Roads (John Denver) C Am Almost heaven, West Virginia, G F C Blue Ridge Mountains, Shenandoah River. C Am Life is old there, older than the trees, G F C Younger than the mountains, blowin' like a breeze. CHORUS: C G Country roads, take me home, Am F To the place I belong. C G West Virginia, mountain momma, F C Take me home, country roads. C Am All my mem'ries gather 'round her, G F C Miner's lady, stranger to blue water. C Am Dark and dusty, painted on the sky, G F C Misty taste of moonshine, tear drop in my eye. CHORUS Am G C I hear her voice, in the mornin' hour she calls me, F C G Radio reminds me of my home far away. Am Bb F C Drivin' down the road I get the feelin' that I should G G7 Have been home yesterday, yesterday. CHORUS 4 Honey You Can’t Love One C G7 Honey you cant love one, honey, you can’t love one. C C7 F You can’t love one and still have fun C G7 C So, I’m leavin’ on the midnight train, la de da, all aboard, toot toot! two…you cant love two and still be true three… you cant love three and still love me four… you cant love ofur and still love more five…you cant love five and still survive six… you cant love six and still play tricks seven… you cant love seven and still go to heaven eight… you cant love eight and still be my date nine… you cant love nine and still be mine… ten… you cant love ten so baby kiss me again and to heck with the midnight train.
    [Show full text]
  • Conflicting Images of Land, People, and Nature of Native Americans and Euro-Americans Robert H
    This Land Is Your Land, This Land Is My Land: Conflicting Images of Land, People, and Nature of Native Americans and Euro-Americans Robert H. Craig Abstract This paper explores varying dimensions of an enduring conflict between people of European origin and indigenous communities over land and land related issues. This means not only wrestling with differing understandings of land and natural world, especially as a visual landscape, but what we might learn from indigenous people that can lead to the creation of a common future that enhances both human and nonhuman life. Illustrative of some of the issues at the heart of white-Indian misunderstanding is a case-study of the conflict between Euro-Americans and the Lakota people over the Black Hills of South Dakota. The closing section of this paper concludes with an examination of the work of Wendell Berry and the myriad ways he can facilitate a needed dialogue between whites and Indians. 1. Introduction The title of this paper comes from a familiar American song composed by Woody Guthrie. The ballad was the theme song for George McGovern’s ill-fated 1972 presidential campaign and has been popularized by everyone from Pete Seeger and Peter, Paul, and Mary to United Airlines and the Ford Motor Company (Klein 1980:433). For many people this song is a romantic celebration of America that is embodied in refrains such as “from California to the New York Island, from the Redwood Forests, to the Gulf Stream waters, this land was made for you and me.” (Woody Guthrie Pages: 1).
    [Show full text]
  • (Pdf) Download
    Artist Song 2 Unlimited Maximum Overdrive 2 Unlimited Twilight Zone 2Pac All Eyez On Me 3 Doors Down When I'm Gone 3 Doors Down Away From The Sun 3 Doors Down Let Me Go 3 Doors Down Behind Those Eyes 3 Doors Down Here By Me 3 Doors Down Live For Today 3 Doors Down Citizen Soldier 3 Doors Down Train 3 Doors Down Let Me Be Myself 3 Doors Down Here Without You 3 Doors Down Be Like That 3 Doors Down The Road I'm On 3 Doors Down It's Not My Time (I Won't Go) 3 Doors Down Featuring Bob Seger Landing In London 38 Special If I'd Been The One 4him The Basics Of Life 98 Degrees Because Of You 98 Degrees This Gift 98 Degrees I Do (Cherish You) 98 Degrees Feat. Stevie Wonder True To Your Heart A Flock Of Seagulls The More You Live The More You Love A Flock Of Seagulls Wishing (If I Had A Photograph Of You) A Flock Of Seagulls I Ran (So Far Away) A Great Big World Say Something A Great Big World ft Chritina Aguilara Say Something A Great Big World ftg. Christina Aguilera Say Something A Taste Of Honey Boogie Oogie Oogie A.R. Rahman And The Pussycat Dolls Jai Ho Aaliyah Age Ain't Nothing But A Number Aaliyah I Can Be Aaliyah I Refuse Aaliyah Never No More Aaliyah Read Between The Lines Aaliyah What If Aaron Carter Oh Aaron Aaron Carter Aaron's Party (Come And Get It) Aaron Carter How I Beat Shaq Aaron Lines Love Changes Everything Aaron Neville Don't Take Away My Heaven Aaron Neville Everybody Plays The Fool Aaron Tippin Her Aaron Watson Outta Style ABC All Of My Heart ABC Poison Arrow Ad Libs The Boy From New York City Afroman Because I Got High Air
    [Show full text]
  • This Land Is Your Land © Jake Schlapfer a Mission to Preserve You Have Inherited Vast Treasures
    This Land Is Your Land © Jake Schlapfer A Mission to Preserve You have inherited vast treasures. Some of these are close at hand, and others are located at the far corners of the country. These treasures are a link to your past and a legacy to leave for the future. Every fellow citizen shares them. These treasures are your national parks—all 392 sites. They are gifts from earlier generations, set aside not for a privileged few, but for all Americans to enjoy. These varied lands hold stories that tell the tale of our nation’s development and how we have evolved. Our national parks are part of a legacy that you, too, will pass on to future generations. Two groups are among those that can help you do this: the National Park Service and the National Parks Conservation Association. The National Park Service (NPS) www.nps.gov is a government agency established in 1916 that operates under the Department of the Interior. Its purpose is to protect and preserve our National Park System. The National Parks Conservation Association (NPCA) www.npca.org is an independent voice outside of government. Established in 1919, NPCA works to protect and enhance America’s national parks for current and future generations. Melissa Blair, NPCA Alaska Field Representative, with a wild silver salmon. Kenai Fjords National Park. As you can see, the two organizations have similar missions. “The mission of the U.S. National Park Service (NPS) is to conserve the scenery, the natural and historic objects, and the wildlife in the United States’ national parks, and to provide for the public’s enjoyment of these features in a manner that will leave them unimpaired for the enjoyment of future generations.” Ponder the Parks: National Parks Conservation Association’s (NPCA) mission is “To protect and enhance America’s National Park System 1.
    [Show full text]
  • Crossing Over: from Black Rhythm Blues to White Rock 'N' Roll
    PART2 RHYTHM& BUSINESS:THE POLITICAL ECONOMY OF BLACKMUSIC Crossing Over: From Black Rhythm Blues . Publishers (ASCAP), a “performance rights” organization that recovers royalty pay- to WhiteRock ‘n’ Roll ments for the performance of copyrighted music. Until 1939,ASCAP was a closed BY REEBEEGAROFALO society with a virtual monopoly on all copyrighted music. As proprietor of the com- positions of its members, ASCAP could regulate the use of any selection in its cata- logue. The organization exercised considerable power in the shaping of public taste. Membership in the society was generally skewed toward writers of show tunes and The history of popular music in this country-at least, in the twentieth century-can semi-serious works such as Richard Rodgers and Lorenz Hart, Cole Porter, George be described in terms of a pattern of black innovation and white popularization, Gershwin, Irving Berlin, and George M. Cohan. Of the society’s 170 charter mem- which 1 have referred to elsewhere as “black roots, white fruits.’” The pattern is built bers, six were black: Harry Burleigh, Will Marion Cook, J. Rosamond and James not only on the wellspring of creativity that black artists bring to popular music but Weldon Johnson, Cecil Mack, and Will Tyers.’ While other “literate” black writers also on the systematic exclusion of black personnel from positions of power within and composers (W. C. Handy, Duke Ellington) would be able to gain entrance to the industry and on the artificial separation of black and white audiences. Because of ASCAP, the vast majority of “untutored” black artists were routinely excluded from industry and audience racism, black music has been relegated to a separate and the society and thereby systematically denied the full benefits of copyright protection.
    [Show full text]
  • “Bo Diddley” and “I'm a Man” (1955)
    “Bo Diddley” and “I’m a Man” (1955) Added to the National Registry: 2011 Essay by Ed Komara (guest post)* Bo Diddley While waiting in Bo Diddley’s house to conduct an interview for the February 12, 1987 issue of “Rolling Stone,” journalist Kurt Loder noticed a poster. “If You Think Rock and Roll Started With Elvis,” it proclaimed, “You Don’t Know Diddley.” This statement seems exaggerated, but upon listening to Diddley’s April 1955 debut 78 on Checker 814, “Bo Diddley” backed with “I’m A Man,” it becomes apt, perhaps even understated. Bo Diddley (1928-2008) described his own place in music history to Loder. “People wouldn’t even bother with no stuff like ‘Bo Diddley’ and ‘I’m A Man’ and stuff like that ten years earlier [circa 1945] or even a year earlier [1954]. Then Leonard and Phil Chess decided to take a chance, and suddenly a whole different scene, a different kind of music, came in. And that was the beginning of rock and roll.” The composer credit for Checker 814 reads “E. McDaniels,” and there begins the tale. Bo Diddley was born Ellas Otha Bates in McComb, Mississippi on December 30, 1928 to a teenage mother and her local boyfriend. He was raised, however, by his maternal first cousin, Gussie McDaniel, to whom he was taken to Chicago, and given her surname McDaniel. He grew up on the South Side of the city, where he learned violin, trombone and, at age 12, the guitar. Before long, he was playing for change on the local streets.
    [Show full text]
  • Simply Folk Sing-Along 2018 If I Had a Hammer If I Had a Hammer, I'd Hammer in the Morning, I'd Hammer in the Evening, All Over
    Simply Folk Sing-Along 2018 If I Had a Hammer If I had a hammer, I'd hammer in the morning, I'd hammer in the evening, all over this land I'd hammer out danger, I'd hammer out a warning I'd hammer out love between my brothers and my sisters, all over this land If I had a bell, I'd ring it in the morning, I'd ring it in the evening, all over this land I'd ring out danger, I'd ring out a warning I'd ring out love between my brothers and my sisters, all over this land If I had a song, I'd sing it in the morning, I'd sing it in the evening, all over this land I'd sing out danger, I'd sing out a warning I'd sing out love between my brothers and my sisters, all over this land Well I've got a hammer, and I've got a bell, and I've got a song to sing, all over this land It's the hammer of justice, it's the bell of freedom It's the song about love between my brothers and my sisters, all over this land You Are My Sunshine The other night dear as I lay sleeping, I dreamed I held you in my arms, But when I woke dear I was mistaken, and I hung my head and I cried You are my sunshine, my only sunshine, you make me happy when skies are gray, You'll never know dear, how much I love you, please don't take my sunshine away I'll always love you and make you happy, if you will only say the same, But if you leave me and love another, you’ll regret it all someday You told me once dear, you really loved me, and no one could come between, But now you've left me to love another, you have shattered all of my dreams In all my dreams, dear, you seem to leave me; when I awake my poor heart pains So won’t you come back and make me happy, I’ll forgive, dear, I’ll take all the blame City of New Orleans Riding on the City of New Orleans, Illinois Central Monday morning rail Fifteen cars and fifteen restless riders, three conductors and twenty-five sacks of mail.
    [Show full text]
  • Karaoke Book
    10 YEARS 3 DOORS DOWN 3OH!3 Beautiful Be Like That Follow Me Down (Duet w. Neon Hitch) Wasteland Behind Those Eyes My First Kiss (Solo w. Ke$ha) 10,000 MANIACS Better Life StarStrukk (Solo & Duet w. Katy Perry) Because The Night Citizen Soldier 3RD STRIKE Candy Everybody Wants Dangerous Game No Light These Are Days Duck & Run Redemption Trouble Me Every Time You Go 3RD TYME OUT 100 PROOF AGED IN SOUL Going Down In Flames Raining In LA Somebody's Been Sleeping Here By Me 3T 10CC Here Without You Anything Donna It's Not My Time Tease Me Dreadlock Holiday Kryptonite Why (w. Michael Jackson) I'm Mandy Fly Me Landing In London (w. Bob Seger) 4 NON BLONDES I'm Not In Love Let Me Be Myself What's Up Rubber Bullets Let Me Go What's Up (Acoustative) Things We Do For Love Life Of My Own 4 PM Wall Street Shuffle Live For Today Sukiyaki 110 DEGREES IN THE SHADE Loser 4 RUNNER Is It Really Me Road I'm On Cain's Blood 112 Smack Ripples Come See Me So I Need You That Was Him Cupid Ticket To Heaven 42ND STREET Dance With Me Train 42nd Street 4HIM It's Over Now When I'm Gone Basics Of Life Only You (w. Puff Daddy, Ma$e, Notorious When You're Young B.I.G.) 3 OF HEARTS For Future Generations Peaches & Cream Arizona Rain Measure Of A Man U Already Know Love Is Enough Sacred Hideaway 12 GAUGE 30 SECONDS TO MARS Where There Is Faith Dunkie Butt Closer To The Edge Who You Are 12 STONES Kill 5 SECONDS OF SUMMER Crash Rescue Me Amnesia Far Away 311 Don't Stop Way I Feel All Mixed Up Easier 1910 FRUITGUM CO.
    [Show full text]
  • Prophet Singer: the Voice and Vision of Woody Guthrie
    Prophet Singer Prophet Singer THE VOICE AND VISION OF WOODY GUTHRIE MARK ALLAN JACKSON UNIVERSITY PRESS OF MISSISSIPPI / JACKSON AMERICAN MADE MUSIC SERIES ADVISORY BOARD DAVID EVANS, GENERAL EDITOR JOHN EDWARD HASSE BARRY JEAN ANCELET KIP LORNELL EDWARD A. BERLIN FRANK MC ARTHUR JOYCE J. BOLDEN BILL MALONE ROB BOWMAN EDDIE S. MEADOWS SUSAN C. COOK MANUEL H. PEÑA CURTIS ELLISON DAVID SANJEK WILLIAM FERRIS WAYNE D. SHIRLEY MICHAEL HARRIS ROBERT WALSER www.upress.state.ms.us The University Press of Mississippi is a member of the Association of American University Presses. Frontis: An illustration of the vigilante actions of various “Citizens Committees,” c. 1946. Sketch by Woody Guthrie. Courtesy of the Ralph Rinzler Archives. Copyright © 2007 by University Press of Mississippi All rights reserved Manufactured in the United States of America First Edition 2007 ϱ Library of Congress Cataloging-in-Publication Data Jackson, Mark Allan. Prophet singer : the voice and vision of Woody Guthrie / Mark Allan Jackson. — 1st ed. p. cm. — (American made music series) Includes bibliographical references and index. ISBN-13: 978-1-57806-915-6 (cloth : alk. paper) ISBN-10: 1-57806-915-7 (cloth : alk. paper) 1. Guthrie, Woody, 1912–1967. 2. Folk singers—United States—Biography. 3. Folk music—Social aspects—United States. I. Title. ML410.G978J33 2007 782.42162Ј130092—dc22 [B] 2006020846 British Library Cataloging-in-Publication Data available Contents ACKNOWLEDGMENTS [ vii ] PROLOGUE [ 3 ] GIVING A VOICE TO LIVING SONGS CHAPTER ONE [ 19 ] Is This Song Your
    [Show full text]
  • British Aircraft in Russia Bombers and Boats
    SPRING 2004 - Volume 51, Number 1 British Aircraft in Russia Viktor Kulikov 4 Bombers and Boats: SB-17 and SB-29 Combat Operations in Korea Forrest L. Marion 16 Were There Strategic Oil Targets in Japan in 1945? Emanuel Horowitz 26 General Bernard A. Schriever: Technological Visionary Jacob Neufeld 36 Touch and Go in Uniforms of the Past JackWaid 44 Book Reviews 48 Fleet Operations in a Mobile War: September 1950 – June 1951 by Joseph H. Alexander Reviewed by William A. Nardo 48 B–24 Liberator by Martin Bowman Reviewed by John S. Chilstrom 48 Bombers over Berlin: The RAF Offensive, November 1943-March 1944 by Alan W. Cooper Reviewed by John S. Chilstrom 48 The Politics of Coercion: Toward A Theory of Coercive Airpower for Post-Cold War Conflict by Lt. Col. Ellwood P. “Skip” Hinman IV Reviewed by William A. Nardo 49 Ending the Vietnam War: A History of America’s Involvement and Extrication from the Vietnam War by Henry Kissinger Reviewed by Lawrence R. Benson 50 The Dynamics of Military Revolution, 1300-2050 by MacGregor Knox and Williamson Murray, eds. Reviewed by James R. FitzSimonds 50 To Reach the High Frontier: A History of U.S. Launch Vehicles by Roger D. Launius and Dennis R. Jenkins, eds. Reviewed by David F. Crosby 51 History of Rocketry and Astronautics: Proceedings of the Thirtieth History Symposium of the International Academy of Astronautics, Beijing, China, 1996 by Hervé Moulin and Donald C. Elder, eds. Reviewed by Rick W. Sturdevant 52 Secret Empire: Eisenhower, the CIA, and the Hidden Story of America’s Space Espionage by Philip Taubman Reviewed by Lawrence R.
    [Show full text]