Frank Martin's Interpretation of the Tristan and Isolde Myth
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Taking the Cure: a Stay at Thomas Mann's "The Magic Mountain" Philip Bmntingham
Taking the Cure: A Stay at Thomas Mann's "The Magic Mountain" Philip Bmntingham THERE ARE THOSE who say that the human The subject of Shakespeare's play is race is infected by two sicknesses: the the spiritual malaise of one man. In Tho- sickness of the body and the sickness of mas Mann's 1924 novel, The Magic Moun- the spirit. In fact, both afflictions are po- tain, the subject, as so many critics have tentially fatal. The first sickness can be told us, is the malaise of an entire group traced to a number of causes: namely, an of people, indeed a generation. These outside intrusion (infection), or an inner critics—too numerous to mention—have failure (malfunction). The second sick- suggested that Mann's intent was to use ness comes solely from within: emotional illness as a metaphor for the condition of distress, deep anxiety, or that decline pre-World War I European society. sometimes called failure of the will. A Such a theme would be an ambitious mixture of the two sicknesses sometimes one, to be sure. Novels normally do not happens; and it has been proven that the attempt to describe the decay of an entire sickness of the mind often can affect the society—how could they? Novels are not health of the body—and cause what is tracts or scientific reports, and whenever called psychosomatic illness. they attempt to become either of these In Shakespeare's Hamlet, the hero suf- things, such as we find in as Robert Musil's fers from the second sickness, and it de- The Man Without Qualities (1930-43), they bilitates him so much that he contem- are no longer fiction but prose seminars. -
An Arthurian Drama
EXCALIBUR: AN ARTHURIAN DRAMA RALPH ADAMS CRAM EXCALIBUR: AN ARTHURIAN DRAMA Table of Contents EXCALIBUR: AN ARTHURIAN DRAMA...........................................................................................................1 RALPH ADAMS CRAM..............................................................................................................................1 Advertisement:...............................................................................................................................................1 Prologue.........................................................................................................................................................2 Act I................................................................................................................................................................6 ACT II..........................................................................................................................................................44 i EXCALIBUR: AN ARTHURIAN DRAMA RALPH ADAMS CRAM This page copyright © 2002 Blackmask Online. http://www.blackmask.com • Advertisement: • Prologue • Act I • ACT II Advertisement: Excalibur is the introductory drama of a contemplated trilogy founded on the Arthurian legends as the perfect embodiment of the spirit and impulse of that great Christian epoch we call Mediævalism. The attempt is again madehowever inadequately to do for the epic of our own race, and in a form adapted to dramatic presentation, a small measure of that which -
Iknights 2021 Background Guide
iMUNC 2021 Background Guide iKnights Chair: Kate Montano Crisis Director: Elly Tuffey Saturday, April 10 | NYC iSchool Letters From The Dias Hello Delegates, My name is Kate Montano, and I am super excited to be the chair for iKnights! I joined Model UN at the beginning of my freshman year at iSchool and am now a Junior. This is my first time chairing for iMUNC-- something that I’m excited (and nervous) for. At iSchool, Model UN is a pretty popular club so I thought I would try it out. When I began Model UN, I honestly had no idea how to conduct myself. I was incredibly intimidated by my more experienced peers, and I hardly participated. After lots of practice and lots of learning though, I found my voice and really began to love Model UN. Something that I appreciate about Model UN is the innumerable ways in which a delegate can act or lead the conference; it can start out really serious, but can also be really silly or have many unexpected endings. Model UN also intensified my love for my school; the iSchool never puts pressure on the club to be overly formal or serious. During my first conferences, I was always so worried about saying or doing something that was incorrect, but I’ve learned that you really can’t do anything incorrect in Model UN because making choices is a part of the fun. Be creative with your characters and the way you portray them-- it's all up to you! This committee in particular is based on a myth, so you really can’t go wrong with it. -
Arthurian Legend
Nugent: English 11 Fall What do you know about King Arthur, Camelot and the Knights of the Round Table? Do you know about any Knights? If so, who? If you know anything about King Arthur, why did you learn about King Arthur? If you don’t know anything, what can you guess King Arthur, Camelot, or Knights. A LEGEND is a story told about extraordinary deeds that has been told and retold for generations among a group of people. Legends are thought to have a historical basis, but may also contain elements of magic and myth. MYTH: a story that a particular culture believes to be true, using the supernatural to interpret natural events & to explain the nature of the universe and humanity. An ARCHETYPE is a reoccurring character type, setting, or action that is recognizable across literature and cultures that elicits a certain feeling or reaction from the reader. GOOD EVIL • The Hero • Doppelganger • The Mother The Sage • The Monster • The Scapegoat or sacrificial • The Trickster lamb • Outlaw/destroyer • The Star-crossed lovers • The Rebel • The Orphan • The Tyrant • The Fool • The Hag/Witch/Shaman • The Sadist A ROMANCE is an imaginative story concerned with noble heroes, chivalric codes of honor, passionate love, daring deeds, & supernatural events. Writers of romances tend to idealize their heroes as well as the eras in which the heroes live. Romances typically include these MOTIFS: adventure, quests, wicked adversaries, & magic. Motif: an idea, object, place, or statement that appears frequently throughout a piece of writing, which helps contribute to the work’s overall theme 1. -
Mordred, a Tragedy
MORDRED, A TRAGEDY HENRY NEWBOLT MORDRED, A TRAGEDY Table of Contents MORDRED, A TRAGEDY......................................................................................................................................1 HENRY NEWBOLT.....................................................................................................................................1 ACT I..........................................................................................................................................................................2 SCENE I.........................................................................................................................................................2 SCENE II.......................................................................................................................................................6 ACT II.......................................................................................................................................................................11 SCENE I.......................................................................................................................................................11 SCENE II.....................................................................................................................................................15 SCENE III....................................................................................................................................................18 SCENE IV....................................................................................................................................................22 -
Reflections on the Work of Colin Wilson
Reflections on the Work of Colin Wilson Reflections on the Work of Colin Wilson Proceedings of the Second International Colin Wilson Conference University of Nottingham July 6-8, 2018 Edited by Colin Stanley Reflections on the Work of Colin Wilson Edited by Colin Stanley This book first published 2019 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2019 by Colin Stanley and contributors All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-5275-2774-3 ISBN (13): 978-1-5275-2774-4 CONTENTS Acknowledgement .................................................................................... vii Preface ....................................................................................................... ix Colin Stanley Introduction ................................................................................................ 1 John Morgan Voyager and Dreamer:’s Autobiographical Colin Wilson.......... Writing 7 .. Nicolas Tredell The Evolutionaryhors of Metap Colin Wilson..................... .................... 27 David J. Moore The Outsider and the Work: Coliny ..... Wilson, 41 Gurdjieff and Ouspensk Gary Lachman Consistent Patternsations in of -
Sir Lancelot Knights of the Round Table
Sir Lancelot Knights Of The Round Table When Alaa affront his sycamines cripple not soonest enough, is Gerri stabbing? Floristic and sunproof Otis espies his racoon desegregated diversified ambitiously. Shurlocke methodize petrographically. This page look for the sir lancelot, was summoned as planned, the isle in Outside the kingdom, however, Lancelot runs into Marhaus and uncovers an evil plot. Arthur and the Sovereignty of Britain: King and Goddess in the Mabinogion. Sir Tristram, and he jumped back on his horse. Life that sir lancelot appears as trustworthy and does merlin created his knights of it could not notice of the court by the fountain of. Swiss Army knife appears from the lake. Lady of the Lake in an underwater kingdom. Arthurian legend, the body of stories and medieval romances centering on the legendary king Arthur. This item is part of a JSTOR Collection. Lancelot must then win her back by first losing to unworthy opponents at a tournament and then winning when Guinevere tells him to. Arthur by the name Aristes. These being driven back, their false allies treacherously made war upon their friends, laying waste the country with fire and sword. Although different lists provide different lists and numbers of knights, some notable knights figure in most of the Arthurian legends. Agravain and he thrusts excalibur to be included in single combat and bore for the table of sir lancelot knights. Two months later, on Easter, they tried again and still no one could remove the sword. Caliburn, best of swords, that was forged within the Isle of Avallon; and the lance that did grace his right hand was called by the name Ron, a tall lance and stout, full meet to do slaughter withal. -
Modernism, Fiction and Mathematics
MODERNISM, FICTION AND MATHEMATICS JOHANN A. MAKOWSKY July 15, 2019 Review of: Nina Engelhardt, Modernism, Fiction and Mathematics, Edinburgh Critical Studies in Modernist Culture, Edinburgh University Press, Published June 2018 (Hardback), November 2019 (Paperback) ISBN Paperback: 9781474454841, Hardback: 9781474416238 1. The Book Under Review Nina Engelhardt's book is a study of four novels by three authors, Hermann Broch's trilogy The Sleepwalkers [2, 3], Robert Musil's The Man without Qualities [21, 23, 24], and Thomas Pynchon's Gravity's Rainbow and Against the Day [27, 28]. Her choice of authors and their novels is motivated by the impact the mathe- matics of the interwar period had on their writing fiction. It is customary in the humanities to describe the cultural ambiance of the interwar period between World War I and World War II as modernism. Hence the title of Engelhardt's book: Mod- ernism, Mathematics and Fiction. Broch and Musil are indeed modernist authors par excellence. Pynchon is a contemporary American author, usually classified by the literary experts as postmodern. arXiv:1907.05787v1 [math.HO] 12 Jul 2019 Hermann Broch in 1909 Robert Musil in 1900 1 2 JOHANN A. MAKOWSKY Thomas Pynchon ca. 1957 Works produced by employees of the United States federal government in the scope of their employment are public domain by statute. Engelhard's book is interesting for the literary minded mathematician for two reasons: First of all it draws attention to three authors who spent a lot of time and thoughts in studying the mathematics of the interwar period and used this experience in the shaping of their respective novels. -
Ein Kleiner, Schwarzer Punkt Am Weisslichen Himmel: Antarctica & Ice in German Expressionism
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Masters Theses Graduate School 8-2010 Ein kleiner, schwarzer Punkt am weisslichen Himmel: Antarctica & Ice in German Expressionism Joy M. Essigmann University of Tennessee - Knoxville, [email protected] Follow this and additional works at: https://trace.tennessee.edu/utk_gradthes Part of the German Literature Commons Recommended Citation Essigmann, Joy M., "Ein kleiner, schwarzer Punkt am weisslichen Himmel: Antarctica & Ice in German Expressionism. " Master's Thesis, University of Tennessee, 2010. https://trace.tennessee.edu/utk_gradthes/703 This Thesis is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Masters Theses by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a thesis written by Joy M. Essigmann entitled "Ein kleiner, schwarzer Punkt am weisslichen Himmel: Antarctica & Ice in German Expressionism." I have examined the final electronic copy of this thesis for form and content and recommend that it be accepted in partial fulfillment of the equirr ements for the degree of Master of Arts, with a major in German. Daniel H. Magilow, Major Professor We have read this thesis and recommend its acceptance: Elisa Schoenbach, Maria Stehle Accepted for the Council: Carolyn R. Hodges Vice Provost and Dean of the Graduate School (Original signatures are on file with official studentecor r ds.) To the Graduate Council: I am submitting herewith a thesis written by Joy M. Essigmann entitled “Ein kleiner, schwarzer Punkt am weisslichen Himmel: Antarctica & Ice in German Expressionism.” I have examined the final electronic copy of this thesis for form and content and recommend that it be accepted in partial fulfillment of the requirements for the degree of Master of Arts with a major in German. -
The Literary City: Between System and Sensation
THE LITERARY CITY: BETWEEN SYSTEM AND SENSATION FREDERIK TYGSTRUP Representing the city or urban representation? Questions concerning literary cities not only arise when the object of study is the impact of modern urban culture on the human intellectual and sensory apparatus and the various literary representations of this impact. You do not have to focus directly on problems related to the study of modern urban life to realize how greatly the modern city has influenced twentieth-century literature. Even the most cursory examination of the early twentieth-century novel shows that an astonishing number of the great works from this period are intimately linked to the image of the city; we all possess an imaginary literary Baedecker with reminiscences of Marcel Proust’s Paris, James Joyce’s Dublin, Robert Musil’s Vienna, Franz Kafka’s Prague, Alfred Döblin’s Berlin, Virginia Woolf’s London, John Dos Passos’s New York, Alexander Bely’s Petersburg, and so on. Franco Moretti has observed that the image of the novel in the nineteenth century was closely related to the idea of the nation state, and that it was the nation state that formed the proper space of the novel, materially as well as mentally.1 This space included the city as an element, and often as a crucial one, but still only as one of many interrelated parts, as we see it indicated in the metaphorical image of the capital as the head of the national organism. The protagonists of the nineteenth-century novels were French, Russians, English, and so forth. By contrast, their heirs in the twentieth-century novel do not live in national capitals, but in metropolizes in a radicalized and far more isolated sense. -
Robert Musil: Literature As Experience
Studies in 20th Century Literature Volume 18 Issue 2 Article 7 6-1-1994 Robert Musil: Literature as Experience Burton Pike CUNY Graduate School Follow this and additional works at: https://newprairiepress.org/sttcl Part of the German Literature Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Pike, Burton (1994) "Robert Musil: Literature as Experience," Studies in 20th Century Literature: Vol. 18: Iss. 2, Article 7. https://doi.org/10.4148/2334-4415.1351 This Article is brought to you for free and open access by New Prairie Press. It has been accepted for inclusion in Studies in 20th Century Literature by an authorized administrator of New Prairie Press. For more information, please contact [email protected]. Robert Musil: Literature as Experience Abstract Trained as a scientist and empirical psychologist, Robert Musil offers an illuminating instance of a post- Nietzschean modernist writer whose endeavor was to develop an experimental literary language that would more adequately represent experience as psychology and philosophy were coming to understand it. Musil's enterprise, based on regarding literature as experience rather than as a formal construct of language only, is not best examined by structurally-based language or discourse analysis and criticism. Like Mach and William James coming along at the end of the idealistic tradition in European thought, Musil wanted to fashion a language that would permit objective communication of the whole complex flow of experience from person to person and within society as a whole, and thus make true communication possible. -
Atrean Incest and Ethical Relations in Musil's Der Mann Ohne Eigenschaften
160 OEDIPUS ENDANGERED: ATREAN INCEST AND ETHICAL RELATIONS IN MUSIL’S DER MANN OHNE EIGENSCHAFTEN Jill Scott University of Toronto In his 1931 essay, “Der bedrohte Oedipus,” Robert Musil provokes the ire of the psychoanalytical establishment with this bold prediction: “Soweit ich weiß, steht heute der vorhin erwähnte Oedipuskomplex mehr denn je im Mittelpunkt der Theorie; fast alle Erscheinungen werden auf ihn zurückgeführt, und ich befürchte, daß es nach ein bis zwei Menschenfolgen keinen Oedipus mehr geben wird!” (504). Oedipus, it would seem, is the Everyman of human psychological development, an archetype, an icon, a bastion of our collective mythology.1 The stain of this master narrative appears to seep to the very core of twentieth-century cultural consciousness. This paper argues, however, that Musil’s narrative masterpiece, Mann ohne Eigenschaften, threatens the privilege of the psychological autocracy of the Oedipus myth. The myth of Electra runs through the novel like a musical leitmotif, and the sibling incest mimed by Ulrich and Agathe provides the framework for the first threads of a new relational ethics as a space of intersubjectivity. I propose that Musil invokes Ernst Mach’s theories of the provisional ego and sensation body in his interpretation of the Atrean myth to challenge the singular, masculine-gendered subject position of the Oedipal model. The novel’s narrative trajectory eventually transcends Mach’s “unrettbares Ich” and moves beyond the cliché of a Viennese crisis of identity. Through an investigation of Körpersemiotik and experimentation with gender in the form of androgyny, hermaphrodism, and the “new woman,” Musil engages in a larger argument with modernity and the culture of militarism and morality.