Boss Products Catalog 2008

Total Page:16

File Type:pdf, Size:1020Kb

Boss Products Catalog 2008 BOSS PRODUCTS CATALOG 2008 COMPACT SERIES P3-8 The World’s Best-Selling Compact Effects LEGEND SERIES P9-10 TWIN PEDAL SERIES P11-12 Popular Fender® amps reproduced Twice the Size, Twice the Power via COSM® RC SERIES P15-16 Powerful Loop Recorders for TU SERIES P13 AD SERIES P14 Live Performance When I got my first guitar, my life changed. The Gold Standard in Tuning Unlock the Potential of A new passion was born, Acoustic Guitars and all I wanted to do was to play. There were guitarists I loved, and guitars I adored. And then I got my first BOSS pedal — my point of take-off. It was the driving force that made my musical dreams a reality. BOSS has a long, celebrated history of making dreams come true. Whether pro or beginner, guitarists throughout the world rely on BOSS for the very best in tone, expression, and reliability. GT-PRO P17-20 GT SERIES P21-24 Twin COSM® Engines Advanced Multi-Effects in a Single Rack Processors DR&DB SERIES P35-36 Small But Powerful Timekeeping Tools ME SERIES P25-28 BR SERIES P29-34 Multi-Effects with Pro-Quality Studios with Intuitive Operation Built-in Burners THE BOSS COMPACT EFFECTS STORY The World Leader in Compact Effects 10,000,000 pedals sold and going strong ... BOSS is the number one choice for musicians who want the best of the best. Carefully selected parts, uncompromised circuit design, road-tough construction-everything on a BOSS pedal is made with the professional in mind. Musicians who demand the best choose BOSS. Philosophy Breakthrough Pro Quality Bassists Welcome From the beginning, BOSS has built the best BOSS has laid claim to many “world firsts” Only the very best components and circuitry are Not just for guitarists, BOSS pedals by adhering to these key principles: during its illustrious history. Among the many used in BOSS pedals. No corners are cut, no has a range of effects built ➀ Reliable aluminum die cast bodies. ➁ Pedal BOSS highlights have been bringing to market compromises are made — these pedals are specifically for bass players. switches that withstand the 1,000,000-repetition the first-ever chorus, overdrive, digital delay, built to sound great and take a pounding. So plug in, and anchor your durability test. ➂ FET switches to eliminate the reverb, and pitch-shifter pedals. music with solid, clicking noise of conventional mechanical high-impact effects that are custom-tailored for switches. ➃ Non-slip rubber bases. ➄ Easy-to- low frequencies. install battery compartments. ➅ LED indicators. ➆ Battery and AC power. DD-7 RV-5 PS-5 ODB-3 GEB-7 CEB-3 Legend Originality Colorful Lineup Imagination The history of BOSS reads like the history of Beyond standard effects, BOSS is famous for BOSS offers an incredibly wide variety of effects Where will you take your tone? From subtle guitar effects. The famous compact pedal its unique and unusual stompboxes, such as that can take your sound to places it has never sweetening to complete audio transformation, line-up began in 1977 with the classic OD-1 the SG-1 Slow Gear, VB-2 Vibrato, and, most been before. Whether you need subtle polish or BOSS provides more tone-shaping options than Overdrive, which established the recently, the RC-2 Loop Station. full, sonic immersion, BOSS effects will do the any other compact-effects manufacturer in masterful design job reliably and professionally. industry. principle for all other BOSS effects pedals that followed. SG-1 VB-2 RC-2 Note: The OD-1 is no longer in production. Note: The SG-1 and VB-2 are no longer in production. 3-4 COMPACT SERIES ® SUPER OverDrive Metal Zone Metal Core Fuzz Bass OverDrive Explore Your Inner Rock Star Warm, Tube Drive Sounds BOSS’s Most Popular Extreme Metal in A Distorted Blast Crunchy Overdrive Uses BOSS’s asymmetric overdrive Pedal! a Compact Pedal from the Past Effects for Bass Warm, fatten, bake, or burn — BOSS overdrive and circuitry for warm, smooth Features dual-gain circuitry for The ML-2 delivers massive The FZ-5 uses COSM® technology to An overdrive effect designed to overdrive sounds that respond to thick, tube stack distortion with distortion and gain with heavy lows authentically reproduce three cover the entire frequency range of distortion pedals are world famous for their rich, your picking style just like a tube heavy mids and lows and for music that requires a crushing famous vintage fuzz effects of the bass guitars, including 5-string aggressive, and expressive sound. With nine compact amp. Includes a Tone control to dial long-lasting sustain. A 3-band EQ sound. The ML-2’s ferocious and ’60s and ’70s. Turn the FUZZ knob to basses. Overdriven sounds can be in just the right sound. with semi-parametric mids takes biting tone will slice through any BOOST and you’ll create an intense blended with dry bass signal for pedals in this category, guitarists have an expansive your sound to the extreme. blast beats your rhythm section can distortion that even exceeds the maximum clarity and punch. produce. range of power-tone tools to choose from. originals. OverDrive Blues Driver® OverDrive/Distortion Compression Sustainer Equalizer Bass Equalizer Natural Overdrive with The Perfect Tone Distortion and Overdrive Improves Your Powerful 7-Band EQ! Precise Tonal Control Endless Sustain! for Blues Together At Last! Overall Tone Shape your sound and With a frequency range from 50Hz to Classic BOSS overdrive, based on a Get the tone of a bluesy, vintage A flexible pedal capable of Compresses louder signals eliminate feedback with seven 10kHz, the GEB-7 is ideal for any dual-stage design for bigger, fuller tube amp in a compact pedal producing overdrive, distortion, or a while boosting lower signals bands of equalization. Includes bass guitar, including 5-string sounds. Variable Drive and Tone capable of anything from warm combination of both. Get “in your for smooth sustain without frequencies ranging from 100Hz to basses. Seven bands of EQ are controls create overdriven sounds overdriven sounds to full-on face” distortion while maintaining degrading the original sound 6.4kHz with a powerful 15dB available, affording greater control from mild to extreme with almost distortion. Leaves the subtle the subtle nuances of single-coil quality. Onboard EQ provides boost/cut per band. over the crucial midrange. endless sustain. nuances of your playing intact. guitar pickups. precise tonal control; low-noise design for super-quiet operation. Dyna Drive Distortion TURBO Distortion Mega Distortion Acoustic Simulator Chorus Ensemble SUPER Chorus An Overdrive Pedal that Used by Pros Everywhere Two Distortions Nu-School Distortion Advanced Electric-To- The Original Chorus A Unique Stereo Chorus Reacts to You A classic! Add some hard-edged for the Price of One with Massive Low End Acoustic Guitar Modeling Produces everything from mild, Delivers a clean chorus sound with natural chorusing to the penetrating crystal-clear highs and a unique Equipped with Roland’s Dyna Amp distortion while preserving the Features twin modes for an This pedal’s dual Distortion and The AC-3 is a new-generation stereo chorus popular in stereo effect, variable between the technology, this innovative overdrive subtle nuances of your playing expanded range of distortion — Gain Boost circuits take thick, compact pedal that employs ® contemporary music. Covers a wide left and right speakers. An EQ pedal reacts to your playing dynamics. A Tone control is taking you from blues-rock rhythms heavy distortion sounds to a whole COSM modeling technology frequency range and includes both function adjusts the tonality of the dynamics. Get a transparent, clean provided for easy sound shaping. to searing leads at the press of a new level. Special Gain Boost and to transform any electric guitar high- and low-cut filters. chorus sound. sound by playing softly, for example, pedal or twist of a knob. Bottom controls let you shape your into a variety of beautiful acoustics. and transition smoothly to a tone for maximum volume and powerful overdrive by picking low-end punch. aggressively. 5-6 COMPACT SERIES Bass Chorus Dynamic Wah SUPER Octave Digital Reverb Loop Station™ Noise Suppressor A Chorus Pedal with Unbelievable “Talking” The Ultimate Octave Pedal Pro-Quality Reverb — Mini Loop Station with A “Must-Have” Pedal! Built-in Crossover In Stereo Big Features Wah Effects! The OC-3 SUPER Octave puts new Eliminate unwanted noise and hum A split-frequency chorus capable of The world’s first compact pedal to polyphonic octave effects, a Drive The RV-5 Digital Reverb gives you Able to record 11 phrases for up to without altering your tone. A unique applying warm, rich chorus to produce human-voice type wah mode with distortion, and the six of BOSS’s best reverbs — 16 minutes, the RC-2 is ideal for noise detection circuit preserves higher frequencies without sounds using a “Humanizer” effect. original OC-2 effect in one including spring reverb emulation, sound-on-sound layering or as a the natural attack and envelope, muddying the lows. A space EXP Pedal mode allows foot convenient pedal that’s ideal for gate reverb, and an all-new backing machine, a basic sampler, leaving your playing and dynamics synthesis effect guarantees a control, plus dedicated Bass input bass, too. “Modulate” mode — in a true a phrase trainer, etc. Guide patterns intact. natural and spacious chorus effect. for processing bass guitar. stereo pedal. are provided for accompaniment. Tremolo Flanger Phase Shifter Digital Delay Line Selector Bass Limiter Enhancer Bass Synthesizer Chromatic Tuner Classic Tremolo Sounds! The Flanger Gets a Modern Phasing with Pro-Quality Delay in Simplifies Your Setup Smooth Tone, Every Time Synth Power Under Convenient Pedal-Based Reproduces the classic tremolo Face-Lift Tap Tempo Sync a Compact Pedal The easy way to switch Smoothes out your playing by Your Foot Tuning effects of vintage ’60s amps using a The thickest stereo flanging sounds Vintage BOSS phasing effects A powerful delay pedal with three settings among several effects or eliminating harsh volume peaks, Utilizing the latest in DSP Legendary BOSS tuning in a Low Frequency Oscillator (LFO).
Recommended publications
  • The Menstrual Cramps / Kiss Me, Killer
    [email protected] @NightshiftMag NightshiftMag nightshiftmag.co.uk Free every month NIGHTSHIFT Issue 279 October Oxford’s Music Magazine 2018 “What was it like getting Kate Bush’s approval? One of the best moments ever!” photo: Oli Williams CANDYCANDY SAYSSAYS Brexit, babies and Kate Bush with Oxford’s revitalised pop wonderkids Also in this issue: Introducing DOLLY MAVIES Wheatsheaf re-opens; Cellar fights on; Rock Barn closes plus All your Oxford music news, previews and reviews, and seven pages of local gigs for October NIGHTSHIFT: PO Box 312, Kidlington, OX5 1ZU. Phone: 01865 372255 NEWS Nightshift: PO Box 312, Kidlington, OX5 1ZU Phone: 01865 372255 email: [email protected] Online: nightshiftmag.co.uk host a free afternoon of music in the Wheatsheaf’s downstairs bar, starting at 3.30pm with sets from Adam & Elvis, Mark Atherton & Friends, Twizz Twangle, Zim Grady BEANIE TAPES and ALL WILL BE WELL are among the labels and Emma Hunter. releasing new tapes for Cassette Store Day this month. Both locally- The enduring monthly gig night, based labels will have special cassette-only releases available at Truck run by The Mighty Redox’s Sue Store on Saturday 13th October as a series of events takes place in record Smith and Phil Freizinger, along stores around the UK to celebrate the resurgence of the format. with Ainan Addison, began in Beanie Tapes release an EP by local teenage singer-songwriter Max October 1991 with the aim of Blansjaar, titled `Spit It Out’, as well as `Continuous Play’, a compilation recreating the spirit of free festivals of Oxford acts featuring 19 artists, including Candy Says; Gaz Coombes; in Oxford venues and has proudly Lucy Leave; Premium Leisure and Dolly Mavies (pictured).
    [Show full text]
  • The Dark Side User Manual
    USER MANUAL 1.0.2 EASTWEST | THE DARK SIDE IMPORTANT COMPATIBILITY NOTE! Our Revolutionary New Opus Software Engine Our brand new Opus software engine has been years in development, and replaces the Play engine. All EastWest Libraries (with the exception of the original Hollywood Orchestra, the original Hollywood Solo Instruments, and the MIDI Guitar Series) are supported in Opus, allowing them to take advantage of a faster, more powerful, more flexible, and better looking software engine. Opus comes with some incredible new features such as individual instrument down- loads, customized key-switches, new effects for the mixer page, scalable retina user interface upgrades for legacy products, a powerful new script language, and many more features that allow you to completely customize the sound of each instrument. It’s one of the most exciting developments in the history of our company and will be the launching pad for many exciting new products in the future. Using Opus and Play Together Opus and Play are two separate software products, anything you have saved in your projects will still load up inside the saved Play version of the plugins. You can update your current/existing projects to Opus if you so choose, or leave them saved within Play. After purchasing or upgrading to Opus you do not need to use Play, but it may be more convenient to make small adjustments to an older composition in your DAW loading the instruments saved in Play instead of replacing them with Opus. For any new composi- tion, just use Opus. A Note About User Manuals All EastWest Libraries have their own user manuals (like this one) that refer to instru- ments and controls that are specific to their respective libraries, as well as referencing the Play User Manual for controls that are common to all EastWest Libraries.
    [Show full text]
  • João Gilberto
    SEPTEMBER 2019 VOLUME 86 / NUMBER 9 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow; South Africa: Don Albert.
    [Show full text]
  • The Dark Side Virtuelles Instrument
    The Dark Side Virtuelles Instrument Benutzerhandbuch i THE DARK SIDE VIRTUELLES INSTRUMENT Die Informationen in diesem Dokument können sich jederzeit ohne Ankündigung ändern und stellen keine Verbindlichkeit seitens East West Sounds, Inc. dar. Die Software und die Klänge, auf das sich dieses Dokument bezieht, sind Gegenstand des Lizenzabkommens und dürfen nicht auf andere Medien kopiert werden. Kein Teil dieser Publikation darf kopiert oder reproduziert werden oder auf eine andere Art und Weise übertragen oder aufgenommen werden, egal für welchen Zweck, ohne vorherige schriftliche Erlaubnis von East West Sounds, Inc. Alle Produkt- und Firmennamen sind TM oder ® Warenzeichen seiner jeweiligen Eigentümer. PLAY TM ist ein Warenzeichen von East West Sounds Inc. © East West Sounds, Inc., 2010. Alle Rechte vorbehalten. Deutsche Übersetzung: Michael Reukauff East West Sounds, Inc. 6000 Sunset Blvd. Hollywood, CA 90028 USA 1-323-957-6969 Telefon 1-323-957-6966 Fax Für Fragen bezüglich der Lizenzierung des Produktes: [email protected] Für mehr generelle Informationen bezüglich des Produktes: [email protected] http.//support.soundsonline.com ii THE DARK SIDE VIRTUELLES INSTRUMENT 1. Willkommen 4 Produzent: Doug Rogers 5 Produzent: David Fridmann 7 Danksagung 8 Wie man dieses und andere Handbücher benutzt 8 Die Adobe Acrobat Besonderheiten nutzen 8 Das Hauptnavigationsdokument 9 Online Dokumentation und andere Hilfsquellen Klicken Sie hier, um das Haupt- navigationsdokument zu öffnen 3 THE DARK SIDE VIRTUELLES INSTRUMENT Willkommen Produzent: Doug Rogers Doug Rogers hat in der Musikbranche mehr als 30 Jahre Erfahrung und ist der Empfänger von vielen Auszeichnungen inklusive dem „Toningenieur des Jahres“. Im Jahre 2005 nannte „The Art of Digital Music“ ihn einen der „56 Visionary Artists & Insiders“ im gleichnamigen Buch.
    [Show full text]
  • First-Ever Vinyl Reissue of Chronolyse, the Moog and 70S Analogue
    Bio information: RICHARD PINHAS Title: CHRONOLYSE (Cuneiform Rune 30) Format: CD / LP / DIGITAL Cuneiform promotion dept: (301) 589-8894 / fax (301) 589-1819 email: joyce [-at-] cuneiformrecords.com (Press & world radio); radio [-at-] cuneiformrecords.com (North American & world radio) www.cuneiformrecords.com FILE UNDER: ROCK / ELECTRONIC MUSIC / EXPERIMENTAL First-Ever Vinyl Reissue of Chronolyse, The Moog and 70s Analogue Electronics Masterwork Created by Richard Pinhas, France’s Legendary Electronique Guerilla, in Tribute to Frank Herbert’s Sci-Fi Classic, Dune 2015 marks the 50th Anniversary of Dune Cuneiform Records is proud to announce the first-ever vinyl reissue of Chronolyse, the masterwork of 1970s analogue electronics that French electronic musician and guitarist Richard Pinhas created in tribute to Frank Herbert’s sci-fi classic, Dune. This special reissue, pressed on 180 gram white vinyl and featuring the original album artwork, celebrates Chronolyse’s conception nearly 40 years ago as well as the 50th anniversary of Dune, the first volume of which was published in 1965. Back in 1974, Pinhas received his PhD in Philosophy from the Sorbonne, where he had studied with French philosopher Gilles Deleuze and written his dissertation, “Science-Fiction, Inconscient et Autres Machins”, on the intersections of time, time manipulation, science fiction and analogue electronic music. That same year he founded Heldon. a band that fused his searing guitar with experimental electronics to revolutionize rock music in France. By 1976 Heldon had released several albums on Pinhas’ Disjuncta label (one of France’s first independent labels), and began working on a new album, Interface. Simultaneous with the Interface sessions, Pinhas immersed himself in a highly personal and heartfelt solo project.
    [Show full text]
  • It's All About Bass
    Knobs For Days With tons of knobs and pedals, you get maximum control with amazing simplicity. Warm, Punchy Tone Modeled Compressor/Limiter for smooth dynamics and natural sustain with no distortion. 3-band semi-parametric EQ for shaping your tone. Filter and Tone Effects Unique bass effects like Octave-up and favorites like Slow Gear, T-Wah and a Defretter. Special tone presets like Bottom Boost. Drive and Synth Sound On Sound Big overdrive/distortion models to give you some Record a riff and add to it each time it loops. grit and edge. Bass synth effects for signature Then, solo over the top as it plays back. sounds with perfect tracking. Stomp Your Beat Sound Hold Ever wished you could hold a pedal note while you Kick in your own bass drum, at your own tempo, play over the top? Now you can! With Sound Hold, and let the beat go on. you can sustain a single note indefinitely while you solo over it. It’s All About Bass , Your boots are made for rockin ! The BOSS ME-50B is a rugged bass effects unit with easy pedal-style control. Six effects sections—Compressor/Limiter, Master, Filter/Tone, Drive/Synth, Delay/Modulation and Expression Pedal—give bassists unique and powerful tones including new effects like Sound Hold, Octave Up and Kick Drum. 23 knobs, three built-in footswitches and an assignable expression pedal provide instant effects control and it can even run on batteries. ● World-class tone with essential bass effects. COSM® Compressor/Limiter and Transparent EQ The fundamentals of good bass tone are compression and EQ.
    [Show full text]
  • Bass Boost Fuzz in Conjunction with Our Mercially Available to Players and Studios Around the World
    POWER REQUIREMENTS *Utilizes standard 9V alkaline battery (not included). NOTE: Input jack activates battery. To conserve energy, unplug when not in use. Power Consumption: approx. 5mA, for battery life of approximately 100 hours. *USE DC POWER SUPPLY ONLY! Failure to do so may damage the unit and void warranty. DC Power Supply Specifications: -9V DC regulated or unregulated, 100mA minimum; -2.1mm female plug, center negative (-). Optional factory power supply is available: Tech 21 Model #DC2 . WARNINGS: * Attempting to repair unit is not recommended and may void warranty. * Missing or altered serial numbers automatically void warranty. For your own protection: be sure serial number labels on the unit’s back plate and exterior box are intact, and return your warranty registration card. ONE YEAR LIMITED WARRANTY. PROOF OF PURCHASE RE - QUIRED. Manufacturer warrants unit to be free from defects in materials and workmanship for one (1) year from date of purchase to the original purchaser and is not transferable. This warranty does not include damage resulting from accident, misuse, abuse, alteration, or incorrect current or voltage. If unit becomes defective within warranty period, Tech 21 will repair or replace it free of charge. After expi - ration, Tech 21 will repair defective unit for a fee. ALL REPAIRS for residents of U.S. and Canada: Call Tech 21 for Return Au - thorization Number . Manufacturer will not accept packages without prior authorization, pre-paid freight (UPS preferred) and proper insurance. FOR PERSONAL ASSISTANCE & SERVICE: Contact Tech 21 weekdays from 10:00 AM to 5:00 PM, EST. MADE IN THE U.S.A.
    [Show full text]
  • What the Press Has Said About Led Bib’S Sensible Shoes (Cuneiform) 2009
    WHAT THE PRESS HAS SAID ABOUT LED BIB’S SENSIBLE SHOES (CUNEIFORM) 2009 “...Led Bib are not a band to take home to meet your mother. They come roaring out of your iPod, give your eardrums a clattering and tread all over your furniture-and that’s just on the first track. Rarely have two saxes, keyboards, bass and drums sounded so dangerous yet so compelling.” – Stuart Nicholson, The Observer: Music Monthly, No. 68, April 2009 “This is the sound of a group having fun. It’s a glorious melange of styles, moods and sounds, and whilst various other genres are referenced, jazz is always in there somewhere… They evoke such worthy antecedents as Naked City, Dr Umezu and Xero Slingsby & The Works, or, in their calmer moments, nod in homage to John Surman and Delia Derbyshire. Some tracks obliquely chronicle the trials of modern post- civilisation, such as flatpacks and call centres, but rather than moan, Led Bib cuts into them like a hot chainsaw through butter.” – Barry Witherden, Wire, Issue 304, June 2009 “Once, this skronky uproar of serious brass introduced by some deceptively lovely piano would have had us screaming for mercy, but now, shifts in the zeitgeist…make this one cool mutha of a death-jazz-cum-math-punk freakout, as if Mike Patton had had his wicked way with John Zorn.” – Sharon O’Connell, Time Out: London, April 16 2009 “… The quintet is in the tradition of bands that owe as much to rock music as to jazz. Bursting with controlled power, Sensible Shoes should bring them the international recognition they deserve.
    [Show full text]
  • Always by Your Side. BOSS
    BOSS PRODUCTS CATALOG 2011 Experience the power of BOSS effects! Our website is filled with the latest information, including techniques that you can use in the real world. It also includes details on the latest products, www.boss.info interactive tours, videos, and more. Visit us now! BOSS iPhone website “BOSS SOUND TRIAL” See the BOSS effects in action with your iPhone! http://boss.mobi/iphone/ Always by your side. BOSS. Once a musical instrument generates sound vibrations, it reaches the human ear through various mediating objects, each of which significantly affects the sound. The material and configuration of the instrument, the electric/electronic/magnetic amplifying system, the air and the reverberation of the room all affect the final sound. Sound modeling, the latest DSP technology, “virtually” reconstructs these objects. Roland’s breakthrough Composite Object Sound Modeling (COSM) uses the advantages of multiple modeling methods and succeeds in accurately emulating existing sounds, as well as producing sounds that have never before been created. MIDI Visual Control is an internationally-used recommended practice that was added to the MIDI specification so that visual expression could be linked with musical performance. Video equipment that is compatible with MIDI Visual Control can be connected to electronic musical instruments via MIDI in order to control video equipment in tandem with a performance. Using V-LINK, musicians can “play” video from their electronic instrument — or even control a live video camera — when used with Edirol video products. With V-LINK, musicians have a powerful interface for realtime audio and video integration. All specifications and appearances are subject to change.
    [Show full text]
  • Apuntes Sobre El Rock
    Apuntes sobre el Rock Trabajo de investigación realizado por los alumnos de la materia Apreciación auditiva 1 dictada en Emu-Educación Dirección y Coordinación: Luis Aceto. Fuentes: http://es.wikipedia.org http://int.soyrock.com http://www.rock.com http://www.magicasruinas.com.ar/rock/revrock244.htm http://www.rincondelvago.com/ LA HISTORIA DEL ROCK ENCICLOPEDIA DIARIO LA NACION Publicada por el Diario La Nacion en 1993 Discografía existente de Las Bandas Definición: La Palabra rock se refiere a un lenguaje musical contemporáneo que engloba a diversos géneros musicales derivados del rock and roll, que a su vez proviene de una gran cantidad de fuentes, principalmente blues, rythm and blues y country, pero también del gospel y jazz INDICE Orígenes: 50´s pag.3 60´s, / 70´s pag.8 70´s / 80´s pag.10 80´s / 90´s pag.13 90´s pag.18 2000´s pag.19 géneros de música derivados del Rock & Roll pag.20 En la versión de Word presione Control + B para buscar el nombre de una banda Orígenes: Bluegrass Estractado De Wikipedia, la enciclopedia libre El bluegrass (literalmente, "hierba azul") es un estilo musical incluido en el country que, en la primera mitad del siglo XX, se conoció como Hillbilly. Tiene sus raíces en la música tradicional de Inglaterra, Irlanda y Escocia, llevada por los inmigrantes de las Islas Británicas a la región de los Apalaches Denominación El nombre bluegrass procede del nombre del área en que se originó, llamada "región Bluegrass" (Bluegrass region), que incluye el norte del estado de Kentucky y una pequeña parte del sur del estado de Ohio.
    [Show full text]
  • Ehx Satisfaction Fuzz Bass
    Ehx Satisfaction Fuzz Bass Diacid Parsifal never seised so bally or smirches any cattiness innoxiously. Generic and about Merry limed rustically and bachelors his caring irresponsibly and hermetically. Pensionary Hillard sue, his antidiuretic mix-up unshackling despondingly. Official ones featured in tune and cookies make music awards, ehx bass buried in bryanston, new parts so called the attack which is expected delivery of fuzz Please call gospel, bass big miles stones track my brand. Electro Harmonix Satisfaction Fuzz at Gear4music. New Gear Roundup Electro-Harmonix ProAudioLand. Perform allocated administrative tasks as ehx bass guitarists purchase to pick up to our use them. Save it is, photo of rig rundown weekends from a valid phone until pickup is all items. It's Fuzz Friday once again and get week we fell the Satisfaction Fuzz. Product to your support you from it. Electro Harmonix Electro Harmonix Satisfaction Fuzz Pedal. EHX Doctor Q Envelope Filter 590 730 EHX Satisfaction Fuzz Add to Cart remove from here Compare Items. The Satisfaction Fuzz features an elemental two-knob drawer with controls for Volume heart Attack fuzz. Electro-Harmonix Satisfaction Fuzz Love of Fuzz. PA DJ Installation Guitar Bass Guitars Amplifiers for Electric guitar Bass Guitar. Electro-Harmonix Satisfaction Fuzz Pedal Jimmy Egypt & Sons. You with true bypass circuitry for. This bass guitars. Not like what a happy with that i was originally made in your interest was out. We will fetch many people who can. We will be in. NPD EHX Satisfaction Fuzz The Canadian Guitar Forum. The Satisfaction Fuzz features an elemental two-knob punch with controls for rob and Attack fuzz.
    [Show full text]
  • Download[Pdf, 5.26
    the golden age — ctm.13 the golden age THE GOLDEN AGE CTM.13 FESTIVAL FOR ADVENTUROUS MUSIC & ART 28.1.–3.2.2013 BERLIN WWW.ctm-festival.DE the golden age ctm.13 – Festival For adventurous music & art 28.1.–3.2.2013 Berlin ¬ www.ctm-Festival.de 2 3 DISCOURSE PROGRAMME & EXHIBITION Friday ¬ 25.1. MONDAY ¬ 28.1. TUESDAY ¬ 29.1. WEDNESDAY ¬ 30.1. THURSDAY ¬ 31.1. FRIDAY ¬ 1.2. SATURDAY ¬ 2.2. 19.00 ¬ Kunstraum 12–22.00 ¬ Kunstraum 12–22.00 ¬ Kunstraum 12–22.00 ¬ Kunstraum 12–22.00 ¬ Kunstraum 12–22.00 ¬ Kunstraum 12–22.00 ¬ Kunstraum 18.00 ¬ KunstQuartier KreuzBerg/Bethanien KreuzBerg / Bethanien KreuzBerg / Bethanien KreuzBerg / Bethanien KreuzBerg / Bethanien KreuzBerg / Bethanien KreuzBerg / Bethanien Bethanien studio 1 oPening oF the in THAT weird AGE in THAT weird AGE in THAT weird AGE in THAT weird AGE in THAT weird AGE in THAT weird AGE collaPse oF time i: sonic CTM.13 eXhiBition – CTM.13 exhibition CTM.13 exhibition CTM.13 exhibition CTM.13 exhibition CTM.13 exhibition CTM.13 exhibition time MACHINE in THAT weird AGE wolfgang ernst, lecture works and contributions by lucas 12–20.00 ¬ KunstQuartier 12–20.00 ¬ KunstQuartier 12–20.00 ¬ KunstQuartier 12–20.00 ¬ KunstQuartier 12–20.00 ¬ KunstQuartier 12–18.00 ¬ FunKhaus moderation: andreas l. hofbauer abela; tabor robak; doppeldenk; Bethanien ProJeKtraum Bethanien ProJeKtraum Bethanien ProJeKtraum Bethanien ProJeKtraum Bethanien ProJeKtraum nalePASTRASSE tim tetzner; nam June Paik; net- musicmaKers HACKlaB musicmaKers HACKlaB musicmaKers HACKlaB musicmaKers HACKlaB musicmaKers HACKlaB
    [Show full text]