BOSS PRODUCTS CATALOG 2011 Experience the power of BOSS effects!

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Once a musical instrument generates sound vibrations, it reaches the human ear through various mediating objects, each of which significantly affects the sound. The material and configuration of the instrument, the electric/electronic/magnetic amplifying system, the air and the reverberation of the room all affect the final sound. Sound modeling, the latest DSP technology, “virtually” reconstructs these objects. Roland’s breakthrough Composite Object Sound Modeling (COSM) uses the advantages of multiple modeling methods and succeeds in accurately emulating existing sounds, as well as producing sounds that have never before been created.

MIDI Visual Control is an internationally-used recommended practice that was added to the MIDI specification so that visual expression could be linked with musical performance. Video equipment that is compatible with MIDI Visual Control can be connected to electronic musical instruments via MIDI in order to control video equipment in tandem with a performance.

Using V-LINK, musicians can “play” video from their electronic instrument — or even control a live video camera — when used with Edirol video products. With V-LINK, musicians have a powerful interface for realtime audio and video integration.

All specifications and appearances are subject to change. All trademarks used in this catalog are the property of their respective companies. Roland, BOSS, Blues Driver, COSM, DYNA DRIVE, eBand, LOOP STATION, METAL ZONE, MICRO BR, RHYTHM COACH, ROTARY ENSEMBLE, SLICER, SPACE ECHO, TSC, V-WAH are either registered trademarks or trademarks of Roland Corporation in the United States and/or other countries. CAKEWALK is a registered trademark of Cakewalk, Inc. in the United States. ASIO and VST are trademarks of Steinberg Media Technologies GmbH. Gracenote® is a registered trademark of Gracenote, Inc. The Gracenote logo and logotype, and the “Powered by Gracenote” logo are trademarks of Gracenote. www.boss.info Printed in Japan May 2011 RAM-4693 GR-GEN-SS AFH2 Philosophy History From the beginning, BOSS has built the best pedals by The history of BOSS reads like the history of guitar adhering to these key principles: ➀ Reliable aluminum effects. The famous compact pedal line-up began in die cast bodies. ➁ Pedal switches that withstand the 1977 with the classic OD-1 1,000,000-repetition durability test. ➂ FET switches to Overdrive, which established eliminate the clicking the masterful design principle noise of conventional for all other BOSS effects mechanical switches. pedals that followed. ➃ Non-slip rubber bases. ➄ Easy-to-install battery compartments. ➅ LED indicators. ➆ Battery and AC power. Note: The OD-1 is no longer in production.

Breakthrough Originality BOSS has laid claim to many “world firsts” during its Beyond standard effects, BOSS is famous for its unique illustrious history. Among the many BOSS highlights and unusual stompboxes, such as the SG-1 Slow Gear, have been bringing to market the first-ever chorus, VB-2 Vibrato, and, most recently, the RC-3 Loop Station. overdrive, digital delay, reverb, and pitch-shifter pedals.

SG-1 VB-2 RC-3

DD-7 RV-5 PS-6 Note: The SG-1 and VB-2 are no longer in production.

Bassists Welcome Pro Quality Not just for guitarists, BOSS has a range Only the very best components and circuitry are used of effects built specifically for in BOSS pedals. No corners are cut, no compromises players. So plug in, and anchor your music are made — these with solid, high-impact effects that are pedals are built to custom-tailored for low frequencies. sound great and take a pounding.

ODB-3 GEB-7 CEB-3

Imagination Colorful Lineup Where will you take your tone? From subtle BOSS offers an incredibly wide variety of effects that sweetening to complete audio transformation, BOSS can take your sound to places it has never been provides more tone-shaping options than any other before. Whether you need subtle polish or full, sonic compact-effects manufacturer in industry. immersion, BOSS effects will do the job reliably and professionally.

Advantage The BOSS Compact Series avoid degradation and leave the essential characteristics of your guitar’s tone. We put the power in your performance All BOSS Compact-series pedals are equipped with FET electronic switches and buffer amps, which offer the following advantages: a) They do not cause sound cut-offs that mechanical and the fire in your soul switches do when switching effects, and b) are less susceptible to sound degradation that can result from long cable feeds.

■ No sound cut-offs or ■ Low-impedance signals are used to allow high-fidelity transmission. The BOSS compact series — a reputation for innovation switching noises. Guitar outputs use high-impedance* signals. ■ Comparison of sound In 1977, the OD-1 overdrive unit was launched as our first compact effects Simple mechanical switches cause sound Signals sent through long cables at high degradation after cut-offs when switching between contacts, impedance are not only susceptible to cables’ transmission (at 5m) unit. Its mellow and beautiful became an instant favorite among and they are susceptible to switching capacitance, but can affect the tone itself, for guitarists worldwide, and helped fuel the meteoric rise of the BOSS noises. FET switches eliminate such example as a loss in the high end. The buffer ●At high impedance: compact series. The history of BOSS is decorated with innovative undesired noises. amp in BOSS Compact-series pedals converts Sound is degraded world-firsts and many unique features that have been hailed as revolutionary. signal to low impedance right at the input. This helps maintain the quality of signal even ●Original waveform — As our brand reaches its 35th anniversary, we at BOSS vow to when using long cable feeds. The aim of this continue our quest to innovate, to set new standards, and to help design is to give musicians excellent tone in real-world situations. ●BOSS Compact Series: ●Mechanical switch: ●FET electronic switch: Almost no change at all guitarists soar to new creative heights. Sound cuts off Smooth switching *Guitars with typical passive electronics. ◆Drawings show actually measured waveforms.

2-3 SUPER OverDrive Compression Sustainer Wah Pedal

OverDrive Equalizer

Foot Volume/Expression

Blues Driver Bass Equalizer Foot Volume/Expression

Volume Pedal OverDrive/Distortion Digital Delay

Volume Pedal

Dyna Drive Digital Delay

Volume/Expression Pedal TURBO Distortion Flanger SUPER OverDrive Compression Sustainer Wah Pedal

Distortion Phase Shifter OverDrive Equalizer

Foot Volume/Expression

Mega Distortion Acoustic Simulator SUPER OverDrive CompressionBlues Sustainer Driver Bass Equalizer Wah Pedal Foot Volume/Expression

Volume Pedal Fuzz Harmonist OverDrive Equalizer OverDrive/Distortion Digital DelaySUPER OverDrive Compression Sustainer Wah Pedal

Foot Volume/Expression Volume Pedal

Metal Zone Digital Reverb Blues Driver Bass EqualizerDyna Drive Digital DelayOverDrive Equalizer Foot Volume/Expression Foot Volume/Expression

Volume Pedal Volume/Expression Pedal Bass OverDrive Loop Station OverDrive/Distortion Digital DelayTURBO Distortion Flanger Blues Driver Bass Equalizer Foot Volume/Expression

Volume Pedal Volume Pedal Metal Core Noise Suppressor Dyna Drive Digital DelayDistortion Phase ShifterOverDrive/Distortion Digital Delay

Volume Pedal Volume/Expression Pedal Chorus Ensemble Line Selector TURBO Distortion Flanger Mega Distortion Acoustic SimulatorDyna Drive Digital Delay SUPER OverDrive Compression Sustainer Wah Pedal

Volume/Expression Pedal SUPER Chorus Bass Limiter Enhancer Distortion Phase ShifterFuzz Harmonist TURBO Distortion Flanger OverDrive Equalizer

Foot Volume/Expression

Bass Chorus Bass Mega Distortion Acoustic SimulatorMetal Zone Digital ReverbDistortion Phase Shifter Blues Driver Bass Equalizer Foot Volume/Expression SUPER OverDrive Compression Sustainer Wah Pedal

Dynamic Wah Chromatic Tuner Fuzz Harmonist Bass OverDriveVolume Pedal Loop StationMega Distortion Acoustic Simulator OverDrive/Distortion Digital Delay SUPER OverDrive CompressionOverDrive Sustainer Equalizer Wah Pedal

Volume Pedal Foot Volume/Expression SUPER OverDrive SUPER Octave Compression Sustainer Power Stack Metal Zone Wah Pedal Digital ReverbMetal Core Noise SuppressorFuzz Harmonist Dyna Drive Digital Delay SUPER OverDrive CompressionOverDrive Sustainer Equalizer Blues Driver Wah PedalBass Equalizer Explore Your Inner Rock Star Warm, Tube Drive Sounds Authentic amp stack BOSS’s Most Popular in A Distorted Blast Foot Volume/Expression Uses BOSS’s asymmetric overdrive sounds from a stompbox Pedal! a Compact Pedal from the Past Digital Delay Foot Volume/Expression circuitry for warm, smooth The ML-2 delivers massive Warm, fatten, bake, or burn — BOSS overdrive and Tremolo Based on an extensive analysis of BassFeatures OverDrive dual-gain circuitry for Loop StationChorus Ensemble Volume/ExpressionLine Selector PedalThe FZ-5 uses COSM technology to OverDriveoverdrive sounds that respond to Equalizer distortion and gain with heavy lows Metal Zone Digital Reverb classicTURBO guitarDistortion amps, this pedal Flanger thick, tube stack distortion with authentically reproduce three Volume Pedal distortion pedals are world famous for their rich, your picking style just like a tube provides the ultimate in distortion OverDriveheavy mids and lows and Equalizer Bluesfor music Driver that requires a crushing Bass EqualizerfamousOverDrive/Distortion vintage fuzz effects of the Digital Delay aggressive, and expressive sound. With 13 compact amp. Includes a Tone control to dial tones. Simply twist the Sound knob Footlong-lasting Volume/Expression sustain. A 3-band EQ sound. The ML-2’s ferocious and ’60s and ’70s. Turn the FUZZ knob to Foot Volume/Expression in just the right sound. for super-dense crunches, intense with semi-parametric mids takes biting tone will slice through any BOOST andFoot you’ll Volume/Expression create an intense blast beats your rhythm section can pedals in this category, guitarists have an expansive drive, and powerful ultra high-gain your sound to the extreme. SUPER Chorus Bass Limiterdistortion Enhancer that even exceeds the Volume Pedal Blues Driver Bass Equalizer tones. Metal Core Noise Suppressorproduce. originals.Bass OverDrive Loop Station Distortion Phase ShifterFoot Volume/Expression Volume Pedal range of power-tone tools to choose from. Blues Driver Bass EqualizerOverDrive/Distortion Digital DelayDyna Drive Digital Delay Foot Volume/Expression

Volume Pedal Volume Pedal OverDrive/Distortion Digital Delay Chorus Ensemble Line SelectorBass Chorus Bass SynthesizerMetal Core Noise Suppressor SUPER OverDrive Compression Sustainer Mega Distortion Acoustic Simulator Wah Pedal Volume Pedal Volume/Expression Pedal OverDrive/Distortion Digital DelayDyna Drive Digital DelayTURBO Distortion Flanger

Volume Pedal Volume Pedal Dyna Drive Digital Delay SUPER Chorus Bass LimiterDynamic Enhancer Wah Chromatic TunerChorus Ensemble Line Selector SUPER OverDrive CompressionOverDrive Sustainer Equalizer Fuzz Wah Pedal Harmonist SUPER OverDrive Compression Sustainer Volume/ExpressionWah Pedal Pedal Dyna Drive Digital DelayTURBO Distortion Flanger Distortion Phase Shifter Foot Volume/Expression Volume/Expression Pedal TURBO Distortion Flanger Bass Chorus Bass SynthesizerSUPER Octave Power StackSUPER Chorus Bass Limiter Enhancer SUPER OverDrive CompressionOverDrive Sustainer Equalizer Blues Driver Wah PedalBass Equalizer Metal Zone Digital Reverb SUPER OverDrive CompressionOverDrive Sustainer Equalizer Volume/ExpressionWah Pedal Pedal SUPER OverDrive SUPER OverDrive Compression Sustainer Compression Sustainer FootTURBO Volume/Expression Distortion Wah Pedal FlangerWah PedalDistortion Phase ShifterMega Distortion Acoustic Simulator Foot Volume/Expression Foot Volume/Expression Digital Delay Distortion Phase Shifter VolumeDynamic Pedal Wah Chromatic TunerTremolo Bass Chorus Bass Synthesizer OverDrive Equalizer Blues Driver Bass EqualizerOverDrive/Distortion Digital Delay Bass OverDriveSUPER OverDrive Loop StationCompressionOverDrive Sustainer Equalizer Blues Driver Wah PedalBass Equalizer SUPER OverDrive Compression Sustainer OverDrive OverDriveWah Pedal Equalizer FootEqualizer Volume/Expression Distortion Phase ShifterMega Distortion Acoustic SimulatorFuzz Harmonist Foot Volume/Expression Natural Overdrive with The Perfect Tone DistortionFoot and Volume/Expression Overdrive Crunchy Overdrive Improves Your Powerful 7-Band EQ! Precise Tonal ControlFoot Volume/Expression Foot Volume/Expression Endless Sustain! for Blues Together At Last! Effects for Bass VolumeOverall Pedal Tone Foot Volume/Expression Shape your sound and With a frequency range from 50Hz to Classic BOSS overdrive, based on a Get the tone of a bluesy, vintage MegaA flexible Distortion pedal capable of Acoustic Simulator VolumeAn overdrive Pedal effect designed to CompressesSUPER Octave louder signals Power Stackeliminate feedback with seven Dynamic10kHz, the Wah GEB-7 is ideal for any Chromatic Tuner Volume Pedal Digital Delay OverDrive/Distortion Digital Delay Bluesdual-stage Driver design for bigger, fuller Bass EqualizerOverDrive/Distortiontube amp in a compact pedal Dyna Drive Digital Delay Metalcover Corethe OverDriveentire frequency range of Noise SuppressorwhileEqualizer boostingBlues lower Driver signals Bassbands Equalizer of equalization. Includes , including 5-string OverDrive Equalizer SUPER OverDrive CompressionBluesproducing Sustainer Driver Footoverdrive, Volume/Expression distortion,Blues Driver or a Bass Equalizer Bass Equalizer Wah Pedal Mega Distortion Acoustic SimulatorFuzz Harmonist Metal Zone Foot Volume/ExpressionDigital Reverb sounds. Variable Drive and Tone capable of anything from warm combination of both. Get “in your bass guitars, including 5-string Footfor Volume/Expressionsmooth sustain withoutFoot Volume/Expression frequencies ranging from 100Hz to basses. Seven bands of EQ are controls create overdriven sounds overdriven sounds to full-on face” distortion while maintaining basses. Overdriven sounds can be degrading the original sound 6.4kHz with a powerfulFoot 15dB Volume/Expression available, affording greater control from mild to extreme with almost distortion. Leaves the subtle the subtle Footnuances Volume/Expression of single-coil Volumeblended Pedal with dry bass signal for quality. Onboard EQ provides boost/cutDigital per Delayband. over the crucial midrange. Volume Pedal endless sustain. nuances of your playing intact. Fuzzguitar pickups.Volume Pedal Harmonist maximum clarity and punch. preciseTremolo tonal control;Volume/Expression low-noise Pedal SUPER Octave Volume Pedal Power Stack OverDrive/Distortion Digital Delay TURBO Distortion Flanger Chorus Ensemble Line SelectorVolume PedalOverDrive/Distortion Digital Delay Compression Sustainer Dyna Drive Digital Delay Blues Driver designBass Equalizer for super-quiet operation.Volume Pedal Dyna Drive Digital Delay SUPER OverDrive Blues Driver Bass EqualizerOverDrive Wah PedalEqualizer OverDrive/Distortion OverDrive/DistortionDigital Delay Digital Delay Fuzz Harmonist Metal Zone Foot Volume/ExpressionDigital ReverbBass OverDrive Loop Station Foot Volume/Expression Volume Pedal Foot Volume/Expression Volume Pedal Volume Pedal Volume Pedal Digital Delay Metal Zone Digital Reverb Volume/Expression Pedal Volume Pedal Tremolo Volume/Expression Pedal Dyna Drive Digital DelayTURBO Distortion Flanger Distortion Volume Pedal Phase Shifter SUPER ChorusOverDrive/Distortion Bass LimiterDigital Enhancer DelayDyna Drive Digital DelayTURBO Distortion Flanger OverDrive Equalizer OverDrive/Distortion Digital DelayBlues Driver Bass EqualizerDyna Drive Dyna Drive Digital Delay Digital Delay Metal Zone Digital ReverbBass OverDrive Loop StationMetal Core Noise Suppressor Foot Volume/Expression Foot Volume/Expression Volume Pedal Volume Pedal Bass OverDrive Volume/ExpressionLoop Station Pedal Volume/Expression Pedal TURBO Distortion Flanger Distortion Phase ShifterMega Distortion Acoustic Simulator VolumeBass Chorus PedalDyna Drive Bass SynthesizerDigital DelayTURBO DistortionVolume/Expression PedalVolume/ExpressionFlanger PedalDistortion Phase Shifter Blues Driver Bass EqualizerDyna Drive Digital DelayOverDrive/Distortion Digital DelayTURBO Distortion TURBO Distortion Flanger Flanger Bass OverDrive Loop StationMetal Core Noise SuppressorChorus Ensemble Line Selector Foot Volume/Expression

Volume Pedal Metal Core Noise Suppressor Volume/Expression Pedal Distortion Phase ShifterMega DistortionVolume Pedal Acoustic SimulatorFuzz Volume/ExpressionHarmonist Pedal Dynamic WahTURBO Distortion Chromatic FlangerTuner Distortion Phase ShifterMega Distortion Acoustic Simulator OverDrive/Distortion Digital DelayTURBO Distortion Flanger Dyna Drive Digital DelayDistortion Distortion Phase Shifter Phase Shifter Metal Core Noise SuppressorChorus Ensemble Line SelectorSUPER Chorus Bass Limiter Enhancer

Volume Pedal Chorus Ensemble Line Selector Mega Distortion Acoustic SimulatorFuzz Harmonist Metal Zone Digital Reverb SUPER OctaveDistortionVolume/Expression Pedal Power StackPhase ShifterMega Distortion Acoustic SimulatorFuzz Harmonist Dyna Drive Digital DelayDistortion Phase ShifterTURBO Distortion Flanger Mega Distortion Mega Distortion Acoustic Simulator Acoustic Simulator Chorus Ensemble Line SelectorSUPER Chorus Bass LimiterBass Enhancer Chorus Bass Synthesizer An Overdrive Pedal that Used by Pros Everywhere Two Nu-School Distortion Advanced Electric-To- The Original Chorus A Unique Stereo Chorus A Chorus Pedal with Reacts to You A classic! Add some hard-edged for the Price of One with Massive Low End Acoustic Guitar Modeling ProducesDigital everything Delay from mild, Delivers a clean chorus sound with Built-in Crossover Volume/Expression PedalSUPER Chorus Bass Limiter Enhancer Equipped with Roland’s Dyna Amp distortionFuzz while preserving the Harmonist FeaturesMetal Zone twin modes for an Digital ReverbThisBass pedal’s OverDrive dual Distortion and Loop Station TremoloThe AC-3 isMega a new-generation Distortion naturalAcoustic chorusing SimulatorFuzz to the penetrating Harmonistcrystal-clearMetal highs Zone and a unique DigitalA split-frequency Reverb chorus capable of TURBO Distortion Flanger Distortion Phase ShifterFuzz Fuzz Harmonist Harmonist SUPER Chorus Bass LimiterBass Enhancer Chorus Bass Synthesizer technology, this innovative overdrive subtleMega Distortionnuances of your playing Acoustic Simulatorexpanded range of distortion — Gain Boost circuits take thick, compact pedal that employs stereo chorus popular in stereo effect, variable between the applyingDynamic Wahwarm, rich chorus to Chromatic Tuner pedal reacts to your playing dynamics. A Tone control is taking you from blues-rock rhythms heavy distortion sounds to a whole COSM modeling technology to contemporary music. Covers a wide left and right speakers. An EQ higher frequencies without dynamics. Get a transparent, clean provided for easy sound shaping. to searing leads at the press of a new level. Special Gain Boost and transform any electric guitar into a frequency range and includes both function adjusts the tonality of the muddying the lows. A space sound by playing softly, for example, pedal or twist of a knob. Bottom controls let you shape your variety of beautiful acoustics. high- and low-cut filters. chorus sound. Bass Chorus Bass Synthesizer synthesis effect guarantees a and transition smoothly to a powerful Metal Zone Digital ReverbBass OverDrive Loop StationMetaltone for Core maximum volume and Noise Suppressor Fuzz HarmonistMetal Zone Digital ReverbBass OverDrive Loopnatural Station and spacious chorus effect. overdriveDistortion by picking aggressively. Phase ShifterFuzz Harmonist Mega Distortion Acoustic Simulatorlow-endMetal Zone punch. Metal Zone Digital Reverb Digital Reverb Bass Chorus Bass SynthesizerDynamic Wah Chromatic TunerSUPER Octave Power Stack

Dynamic Wah Chromatic Tuner Bass OverDrive Loop StationMetal Core Noise SuppressorChorus Ensemble Line Selector Metal Zone Digital ReverbBass OverDrive Loop StationMetal Core Noise Suppressor Digital Delay Mega Distortion Acoustic SimulatorMetal Zone Digital ReverbFuzz Harmonist Bass OverDrive Bass OverDrive Loop Station Loop Station Dynamic Wah Chromatic TunerSUPER Octave Power StackTremolo

SUPER Octave Power Stack Metal Core Noise SuppressorChorus Ensemble Line SelectorSUPER Chorus Bass Limiter Enhancer Bass OverDrive Loop StationMetal Core Noise SuppressorChorus Ensemble Line SelectorDigital Delay Fuzz HarmonistBass OverDrive Loop StationMetal Zone Digital ReverbMetal Core Metal Core Noise Suppressor Noise Suppressor SUPER Octave Power StackTremolo 4-5 Digital Delay Tremolo Chorus Ensemble Line SelectorSUPER Chorus Bass LimiterBass Enhancer Chorus Bass Synthesizer Metal Core Noise SuppressorChorus Ensemble Line SelectorDigitalSUPER Delay Chorus Bass Limiter Enhancer Metal Zone Digital ReverbMetal Core Noise SuppressorBass OverDrive Loop StationChorus Ensemble Chorus Ensemble Line Selector Line Selector Tremolo

SUPER Chorus Bass LimiterBass Enhancer Chorus Bass SynthesizerDynamic Wah Chromatic Tuner Chorus Ensemble Line SelectorSUPER Chorus Bass LimiterBass Enhancer Chorus Bass Synthesizer Bass OverDrive Loop StationChorus Ensemble Line SelectorMetal Core Noise SuppressorSUPER Chorus SUPER Chorus Bass Limiter Enhancer Bass Limiter Enhancer

Bass Chorus Bass SynthesizerDynamic Wah Chromatic TunerSUPER Octave Power Stack SUPER Chorus Bass LimiterBass Enhancer Chorus Bass SynthesizerDynamic Wah Chromatic Tuner Metal Core Noise SuppressorSUPER Chorus Bass LimiterChorus Enhancer Ensemble Line SelectorBass Chorus Bass Chorus Bass Synthesizer Bass Synthesizer

Digital Delay Dynamic Wah Chromatic TunerSUPER Octave Power StackTremolo Bass Chorus Bass SynthesizerDynamic Wah Chromatic TunerSUPER Octave Power Stack Chorus Ensemble Line SelectorBass Chorus Bass SynthesizerSUPER Chorus Bass LimiterDynamic Enhancer Wah Dynamic Wah Chromatic Tuner Chromatic Tuner

Digital Delay Digital Delay SUPER Octave Power StackTremolo Dynamic Wah Chromatic SUPERTuner Octave Power StackTremolo SUPER Chorus Bass LimiterDynamic Enhancer Wah Chromatic TunerBass Chorus Bass SynthesizerSUPER Octave SUPER Octave Power Stack Power Stack

Digital Delay Digital Delay Digital Delay Digital Delay Tremolo SUPER Octave Power StackTremolo Bass Chorus Bass SynthesizerSUPER Octave Power StackDynamic Wah Chromatic TunerTremolo Tremolo

Digital Delay Digital Delay Tremolo Dynamic Wah Chromatic TremoloTuner SUPER Octave Power Stack

Digital Delay SUPER Octave Power Stack Tremolo

Digital Delay Tremolo SUPER OverDrive Compression Sustainer Wah Pedal

SUPER OverDrive CompressionOverDrive Sustainer Equalizer Wah Pedal

Foot Volume/Expression

SUPER OverDrive CompressionOverDrive Sustainer Equalizer Blues Driver Wah PedalBass Equalizer Foot Volume/Expression Foot Volume/Expression

Volume Pedal OverDrive Equalizer Blues Driver Bass EqualizerOverDrive/Distortion Digital Delay SUPER OverDrive Compression Sustainer Wah Pedal Foot Volume/Expression Foot Volume/Expression Volume Pedal Volume Pedal Blues Driver Bass EqualizerOverDrive/Distortion Digital DelayDyna Drive Digital Delay SUPER OverDrive CompressionOverDrive Sustainer Equalizer Wah Pedal Foot Volume/Expression Foot Volume/Expression Volume Pedal Volume Pedal Volume/Expression Pedal OverDrive/Distortion Digital DelayDyna Drive Digital DelayTURBO Distortion Flanger OverDrive Equalizer Blues Driver Bass Equalizer Foot Volume/Expression Foot Volume/Expression Volume Pedal Volume/Expression Pedal Volume Pedal Dyna Drive Digital DelayTURBO Distortion Flanger Distortion Phase Shifter Blues Driver Bass EqualizerOverDrive/Distortion Digital Delay Foot Volume/Expression

Volume Pedal Volume/Expression Pedal Phase Shifter Volume Pedal TURBO Distortion Flanger Distortion Mega Distortion SUPER OverDrive Acoustic Simulator CompressionOverDrive/Distortion Sustainer Digital DelayDyna Drive Wah PedalDigital Delay

Volume Pedal Volume/Expression Pedal Distortion Phase ShifterMega Distortion Acoustic SimulatorFuzz OverDrive Harmonist Equalizer Dyna Drive Digital DelayTURBO Distortion Flanger SUPER OverDrive Compression Sustainer Wah Pedal Foot Volume/Expression

Volume/Expression Pedal Mega Distortion Acoustic SimulatorFuzz Harmonist Metal Zone Blues Driver Digital Reverb Bass EqualizerTURBO Distortion Flanger Distortion Phase Shifter OverDrive Foot Volume/Expression Equalizer

Foot Volume/Expression Volume Pedal Fuzz HarmonistMetal Zone Digital ReverbBass OverDrive OverDrive/DistortionLoop Station Digital DelayDistortion Phase ShifterMega Distortion Acoustic Simulator Blues Driver Bass Equalizer Foot Volume/Expression Volume Pedal

Metal Zone Digital ReverbBass OverDrive Loop StationMetal Core Dyna Drive Noise Suppressor Digital DelayMega Distortion Acoustic SimulatorFuzz Harmonist Volume Pedal SUPER OverDrive CompressionOverDrive/Distortion Sustainer Digital Delay Wah Pedal

Volume/Expression Pedal Volume Pedal Chorus Ensemble Bass OverDrive Loop StationMetal Core Noise Suppressor TURBO Distortion Line Selector Flanger Fuzz Harmonist Metal Zone Digital Reverb SUPER OverDrive CompressionOverDrive Sustainer Equalizer Dyna Drive Wah PedalDigital Delay

Foot Volume/Expression

Metal Core Noise SuppressorChorus Ensemble Line SelectorSUPER Chorus Distortion Bass Limiter Enhancer Phase ShifterMetal Zone Digital ReverbBass OverDrive Loop Station Volume/Expression Pedal OverDrive Equalizer Blues Driver Bass EqualizerTURBO Distortion Flanger Foot Volume/Expression Foot Volume/Expression

Chorus Ensemble Line SelectorSUPER Chorus Bass LimiterBass Enhancer Chorus Mega Distortion Bass Synthesizer Acoustic SimulatorBass OverDrive Loop StationMetal Core Noise Suppressor Volume Pedal Blues Driver Bass EqualizerOverDrive/Distortion Digital DelayDistortion Phase Shifter Foot Volume/Expression

Volume Pedal SUPER Chorus Bass LimiterBass Enhancer Chorus Bass SynthesizerDynamic Wah Fuzz Chromatic Tuner Harmonist Metal Core Noise SuppressorChorus EnsembleVolume Pedal Line Selector OverDrive/Distortion Digital DelayDyna Drive Digital DelayMega Distortion Acoustic Simulator

Volume Pedal Volume/Expression Pedal Bass Chorus Bass SynthesizerDynamic Wah Chromatic TunerSUPER Octave Metal Zone Power Stack Digital ReverbChorus Ensemble Line SelectorSUPER Chorus Bass Limiter Enhancer Dyna Drive Digital DelayTURBO Distortion Flanger Fuzz Harmonist

Digital Delay Dynamic Wah Chromatic SUPERTuner Octave Power StackTremolo Bass OverDrive Loop StationSUPER Chorus Bass LimiterBass Enhancer Chorus Volume/ExpressionBass Synthesizer Pedal SUPER OverDrive Compression Sustainer Wah Pedal TURBO Distortion Flanger Distortion Phase ShifterMetal Zone Digital Reverb Unbelievable “Talking” The Ultimate Octave Pedal Classic Tremolo Sounds! Stereo track looper with Smooth Tone, Every Time Synth Power Under Wah Effects! The OC-3 SUPER Octave puts new Reproduces the classic tremolo up to 3 hours of recording! Smoothes out your playing by Your Foot effectsDigital of vintage Delay ’60s amps using a The world’s first compact pedal to polyphonic octave effects, a Drive Diverse loop performances with up eliminating harsh volume peaks, Utilizing the latest in DSP SUPER Octave Power StackTremolo Low Frequency OscillatorMetal (LFO). Core LFO Noise SuppressorBass Chorus Bass SynthesizerDynamic Wah Chromatic Tuner SUPER OverDrive Compression Sustainer produceEqualizer human-voice type wah Wah Pedalmode with distortion, and the to 99 phrases and approximately evenAcoustic when Simulator using dynamic slap and technology, the SYB-5 faithfully OverDrive waveform is variable fromDistortion triangle Phase ShifterMega Distortion Bass OverDrive Loop Station sounds using a “Humanizer” effect. original OC-2 effect in one three hours of recording time. pop techniques. Ratio and reproduces the classic sound to square for producing a variety of EXP Pedal mode allows foot convenient pedal that’s ideal for True-stereo input and output. Threshold knobs allow precise characteristics of analog Foot Volume/Expression classic tones. control, plus dedicated Bass input bass, too. AUX IN accepts audio from MP3 control of limiting parameters. . The 11 internal for processing bass guitar. Digital Delay players. Connect to your PC via USB sounds are supercharged for thick, Tremolo Chorus Ensemble Lineto import Selector andDynamic export Wah phrases. Chromatic TunerSUPER Octave Power Stack OverDrive Equalizer Blues Driver Bass Equalizer SUPER OverDrive Compression Sustainer Mega Distortion Acoustic SimulatorFuzz Wah Pedal Harmonist Metal Core aggressiveNoise Suppressor tone. Foot Volume/Expression Foot Volume/Expression Digital Delay Volume Pedal SUPER Chorus Bass LimiterSUPER Enhancer Octave Power StackTremolo Blues Driver Bass EqualizerOverDrive/Distortion Digital DelaySUPER OverDrive CompressionOverDrive Sustainer Equalizer Fuzz Wah Pedal Harmonist Metal Zone Digital ReverbChorus Ensemble Line Selector SUPER OverDrive Compression SustainerFoot Volume/Expression Wah Pedal Foot Volume/Expression Volume Pedal Digital Delay Volume Pedal Bass Chorus Bass SynthesizerTremolo OverDrive/Distortion Digital DelayDyna Drive Digital DelayOverDrive Equalizer Blues Driver Bass Equalizer Metal Zone Digital ReverbBass OverDrive Loop StationSUPER Chorus Bass Limiter Enhancer SUPER OverDrive CompressionOverDrive Sustainer Equalizer Wah Pedal Foot Volume/Expression Foot Volume/Expression Volume Pedal Foot Volume/Expression Volume/Expression Pedal Dynamic Wah ChromaticVolume Tuner Pedal Dyna Drive Digital DelayTURBO Distortion Flanger Blues Driver Bass EqualizerOverDrive/Distortion Digital Delay Bass OverDrive Loop StationMetal Core Noise SuppressorBass Chorus Bass Synthesizer OverDrive Equalizer Blues Driver Bass Equalizer Foot Volume/Expression Foot Volume/Expression

Foot Volume/Expression Volume Pedal Volume/Expression Pedal VolumeSUPER OctavePedal Power Stack Chorus Ensemble TURBO Distortion Flanger Distortion Phase ShifterOverDrive/Distortion Digital DelayDyna Drive Volume Pedal Digital Delay Metal Core Noise Suppressor Line SelectorDynamic Wah Chromatic Tuner Blues Driver Bass EqualizerOverDrive/Distortion Digital Delay The Flanger Gets a Modern PhasingFoot with Volume/Expression Pro-Quality Delay in The Next Step in A “Must-Have” Pedal! Simplifies Your Setup The New World-Standard Face-Lift Tap Tempo Sync a Compact Pedal Compact Delay Volume Pedal Eliminate unwanted noise and hum The easy way to switch Tuner Has Arrived Volume Pedal Digital Delay The thickest stereo flanging sounds Vintage BOSS phasing effects A powerful delay pedal with three The DD-7 takes the bestTremolo features without altering your tone. A uniqueVolume/Expression Pedalsettings among several effects or Smooth 21-segment LED meter with Distortion Phase ShifterMega Distortion Acoustic SimulatorDyna DriveVolume Pedal Digital DelayTURBO Distortion Flanger Chorus Ensemble Linenoise Selector detectionSUPER circuit Chorus preserves Bassamplifiers, LimiterSUPER or Enhancer route Octave input and output Power Stack OverDrive/Distortion everDigital in Delaya BOSSDyna pedal. Drive Ultra mode Digitalincluding Delay 4-, 8-, 10-, and 12-stage distinct modes. A variable Delay from its predecessors and expands a High-Brightness mode that cuts produces BOSS’s deepest flanging phasers, plus new “Rise” and “Fall” Time control creates delays from the creative potential with the natural attack and envelope, signals. When used with an AC through the harshest outdoor glare. sounds ever, while Gate/Pan effects for unidirectional phasing. 12.5 ms to 800 ms, while a Hold Modulation Delay mode, classic leaving your playing and dynamics adaptor, the LS-2 can supply power Accu-Pitch Sign provides visual creates spacious flanging with a Tap tempo sync or realtime control function is capable of producing intact. to several BOSS compact pedals. Volume Pedal modeled Analog Delay mode, verification when tuning is complete. cool Slicer effect that seems to of rate via an Expression/Pedal repeats from here to infinity. external pedal control options, Volume/Expression Pedal Digital Delay Mega Distortion “swirl”Acoustic around SimulatorFuzz the listener. Harmonistinput. TURBO Distortion Flanger Distortion Volume/ExpressionPhase Shifter Pedal SUPER Chorus Bass LimiterBass Enhancer Chorus Bass SynthesizerTremolo Dyna Drive Digital DelayTURBO Distortion Flanger longer delay time, and more.

Fuzz Harmonist Metal Zone Digital ReverbDistortion Volume/ExpressionPhase ShifterPedalMega Distortion Acoustic Simulator Bass Chorus Bass SynthesizerDynamic Wah Chromatic Tuner TURBO Distortion Flanger Distortion Phase Shifter

Metal Zone Digital ReverbBass OverDrive Loop StationMega Distortion Acoustic SimulatorFuzz Harmonist Dynamic Wah Chromatic TunerSUPER Octave ThePower StackWorld’s First Modeling Wah Pedal! Distortion Phase ShifterMega Distortion Acoustic Simulator The amazing BOSS PW-10 V-Wah is likely to be the last wah pedal you’ll ever need or want. This Switches the effect selected Switches between Manual mode and first-of-its-kind programmable modeling wah uses COSM technology to recreate some of the most with the Type knob on or off. the PW-10’s three User memories. popular wah pedals in history. These include Digital Delay SUPER OverDrive Compression Sustainer“CBY-Wah” (the classic wah sound), “VO-Wah” (the Wah Pedal Bass OverDrive Loop StationMetal Core Noise SuppressorFuzz HarmonistMetal Zone Digital Reverb SUPER Octave Power StackTremolo Mega Distortion Acoustic SimulatorFuzz Harmonist British wah sound), “MO-Wah” (a popular new-school wah sound), and “Uni-V” (a vintage swirling rotary SUPER OverDriveeffect). But the PW-10 doesn’t justCompression do wah; itSustainer also Wah Pedal Digital Delay creates analog synth-like sounds via its “Double OverDrive Equalizer Metal Core Noise SuppressorChorus Ensemble Line SelectorMetal Zone Digital ReverbBass OverDrive Loop Station Tremolo Resonance” mode and cool “talking” sounds in “Voice” The PW-10’s infrared sensors deliver smooth wah sounds every time — Fuzz Harmonist Metal Zone Digital Reverb unlike analog pedals, which become noisy once dust settles inside. mode. Eight types of overdrive sounds are also included, SUPER OverDrive Compression Sustainer Wah Pedal Foot Volume/Expression Create three-part harmonies, Pro-Quality Reverb — which can be dialed in with the Drive knob. Special OverDrive Equalizer de-tune, and bend with ease! In Stereo infrared sensors give this wah smooth and noise-free ■COSM WAH TYPE ■OD/DS TYPE SUPER OverDrive Compression Sustainer Wah Pedal sound, while three digital memories make it easy to CUSTOM ADVANCED VOICE CBY-WAH METAL ZONE MUFF FUZZ VINTAGE OD GUV DIST Chorus Ensemble LineLatest Selector DSP SUPERdelivers Chorus high-quality, TheBass RV-5 Limiter DigitalBass Enhancer OverDriveReverb gives you Loop Station Blues Driver Bass Equalizer SUPERMetal OverDrive Core CompressionNoise Suppressor Sustainer Wah Pedal VO-WAHFoot Volume/Expression MO-WAH BLUES OD UNI-V FootDISTORTION Volume/Expression TURBO OD BLUES OD BOOSTER Metal Zone Digitalnatural Reverb sound.Bass Three-voice OverDrive harmony, sixLoop of Station BOSS’s best reverbs — recall your favorite settings. To try it is to love it! pitch-shifting, and de-tuning. including spring reverb emulation, OverDrive Equalizer Powerful super-bend effect enables gate reverb, and an all-new Blues Driver Bass Equalizer amazing multi-octave effects. Pitch “Modulate” mode — in a true Foot Volume/Expression Volume Pedal Foot Volume/Expression Equalizer High-Quality PedalsDigital Delay for Guitar and Keyboards SUPER Chorus Basscan also Limiter beBass controlledEnhancer Chorus with an EV-5 stereoBass Synthesizer pedal.Metal Core NoiseOverDrive Suppressor OverDrive/Distortion OverDriveChorus Ensemble EqualizerLine Selector Bass OverDrive Loopexternal Station pedalMetal (sold Core separately). Noise Suppressor Blues Driver Bass Equalizer Foot Volume/Expression Foot Volume/Expression Foot Volume/Expression Volume Pedal Volume Pedal OverDrive/Distortion Digital Delay Blues Driver Bass Equalizer Dyna DriveThe FV-500H (mono, Digital Delay The FV-500L (stereo, The high-impedance The low-impedance Bass Chorus Bass SynthesizerDynamic Wah Chromatic TunerChorus Ensemble Line SelectorSUPER Chorus Bass Limiter Enhancer Metal Core Noise SuppressorChorus Ensemble Line Selector Blues Driver Bass Equalizer high-impedance,Foot Volume/Expression inst. level) low-impedance) die-cast FV-50H is designed to FV-50L is designed for Foot Volume/Expression Volume Pedal Volume Pedal OverDrive/Distortion Digital Delay volume pedal offers a new volume pedal is built for be connected before connection after effects stylish design, a road-tough comfort and durability, ready guitar effect units in units or for use with Dyna Drive Digital Delay build,Volume and Pedal a comfortable, to meet the needs of the the signal chain. Volume/Expression Pedal keyboards. OverDrive/Distortion Digital Delay TURBO Distortion Flanger Dynamic Wah Chromatic TunerSUPER Octave Power StackSUPER Chorus Bass LimiterBass Enhancer Chorus Bass Synthesizer smoothVolume action. Pedal mostVolume demanding Pedal pros. Chorus Ensemble Line SelectorSUPER Chorus Bass Limiter Enhancer OverDrive/Distortion Digital Delay 6-7 Dyna Drive Digital Delay Volume Pedal Volume/Expression Pedal Volume Pedal TURBO Distortion Flanger Digital Delay Dyna Drive Digital Delay Distortion Phase Shifter SUPER Octave Power StackTremolo Bass Chorus Bass SynthesizerDynamic Wah Chromatic Tuner Dyna Drive Digital Delay SUPER Chorus Bass LimiterBass Enhancer Chorus Bass Synthesizer Volume/Expression Pedal TURBO Distortion Flanger Distortion Phase Shifter Digital Delay Volume/Expression Pedal TURBO Distortion Flanger Mega Distortion Volume/ExpressionAcoustic Pedal Simulator Tremolo Dynamic Wah Chromatic SUPERTuner Octave Power Stack Bass Chorus Bass SynthesizerDynamic Wah Chromatic Tuner TURBO Distortion Flanger Distortion Phase Shifter Mega Distortion Acoustic Simulator Distortion Phase Shifter Digital Delay Fuzz Harmonist SUPER Octave Power StackTremolo Dynamic Wah Chromatic TunerSUPER Octave Power Stack Distortion Phase Shifter Mega Distortion Acoustic Simulator Fuzz Harmonist Digital Delay TremoloDigital Delay Mega Distortion Acoustic Simulator Metal Zone Digital Reverb SUPER Octave Power StackTremolo Mega Distortion Acoustic Simulator Fuzz Harmonist Metal Zone Digital Reverb Digital Delay Fuzz Harmonist Bass OverDrive Loop Station Tremolo Fuzz Harmonist Metal Zone Digital Reverb Bass OverDrive Loop Station Metal Zone Digital Reverb Metal Core Noise Suppressor Metal Zone Digital Reverb Bass OverDrive Loop Station Metal Core Noise Suppressor Bass OverDrive Loop Station Chorus Ensemble Line Selector Bass OverDrive Loop Station Metal Core Noise Suppressor Chorus Ensemble Line Selector Metal Core Noise Suppressor SUPER Chorus Bass Limiter Enhancer Metal Core Noise Suppressor Chorus Ensemble Line Selector SUPER Chorus Bass Limiter Enhancer Chorus Ensemble Line Selector Bass Chorus Bass Synthesizer Chorus Ensemble Line Selector SUPER Chorus Bass Limiter Enhancer Bass Chorus Bass Synthesizer SUPER Chorus Bass Limiter Enhancer Dynamic Wah Chromatic Tuner SUPER Chorus Bass Limiter Enhancer Bass Chorus Bass Synthesizer Dynamic Wah Chromatic Tuner Bass Chorus Bass Synthesizer SUPER Octave Power Stack Bass Chorus Bass Synthesizer Dynamic Wah Chromatic Tuner Power Stack SUPER Octave Digital Delay Dynamic Wah Chromatic Tuner Tremolo Dynamic Wah Chromatic Tuner

SUPER Octave Power Stack Digital Delay Tremolo SUPER Octave Power Stack Power Stack SUPER Octave Digital Delay Tremolo

Digital Delay Tremolo Digital Delay Tremolo Popular Vintage Fender ® Amps and Reverb Unit Reproduced via COSM! Fender® Bassman® Pedal The tube amps and reverb unit produced by Fender® during the 50s Fender® amps of the ’50s and ’60s are beloved and coveted ●Recreates the legendary tone of the 1959 Fender® by guitarists around the world. Thanks to BOSS’ technology Bassman® amp ●Additional BRIGHT IN provides the and 60s, and their subsequent reissues, are highly prized by and tone know-how, the new FBM-1 brings the natural, fat, classic bright sound, similar to the original Bassman® guitarists all over the world. rich, bright tone of the Fender® Bassman® to a BOSS pedal. ●Presence, Treble, Mid, and Bass EQ controls Approved by Fender®, the BOSS Legend Series employs COSM Features include the same controls of the original Bassman®. ●Road-tough BOSS metal construction ●Pre-gain pedal for adding or retaining Fender® tone color technology to reproduce the true tone of the ‘59 Bassman®, ® ® the ‘65 Deluxe Reverb , and the ‘63 Fender Reverb. I Used as a pre-gain amp By using the FBM-1 as a pre-gain pedal, the unique Proudly brought to you by BOSS, these pedals represent an exciting sound of the Bassman® can be combined with a clean guitar amp or tube amp. new concept in retro-modern compact effects. The gorgeous tone characteristic of the Bassman® can Combined with a clean guitar amp be easily reproduced with control knobs and the JC-120 FBM-1 Electric guitar BRIGHT IN — just like the original. I Used as a booster FENDER® and BASSMAN® are the trademarks of FMIC. Combined with a All rights reserved. tube amp FBM-1 Electric guitar

Fender® Deluxe Reverb® Amp Pedal The FDR-1 is based on the Fender® 1965-era Deluxe Reverb® ●Recreates the legendary tone of the 1965 Fender® — a coveted tube amp known for its natural Deluxe Reverb® guitar amp ●Level, Gain, Treble, Bass, touch-responsive and distinctive snappy overdriven sound. Vibrato, and Reverb controls ●Road-tough BOSS metal This Legend-series pedal contains the same controls as the construction ●Perfect pre-gain pedal for adding or original Deluxe Reverb®. retaining Fender® tone color

I Used as a pre-gain amp With the FDR-1 employed as a pre-gain pedal, the classic sound of the Deluxe Reverb® can be combined with a clean guitar amp or tube amp.

Combined with a Equipped with control knobs just like the original, the clean guitar amp FDR-1 perfectly simulates the characteristic spring JC-120 FDR-1 Electric guitar reverb and vibrato of the beloved Deluxe Reverb®. I Used as a booster

FENDER® and DELUXE REVERB® Combined with a are the trademarks tube amp of FMIC. FDR-1 Electric guitar All rights reserved.

® Timeless Classics — Fender® Vintage Models Fender Reverb Pedal A classic reborn — the legendary sound of the1963 Fender® ●Recreates the legendary sound of the 1963 Fender® Spring Reverb returns as a modern stompbox. BOSS and Reverb via COSM technology ●Easy operation with Fender® USA have collaborated to create the FRV-1, a three classic controls for Dwell, Tone, and Mixer for Officially licensed stunning recreation of the legendary ’63 Fender® Reverb via creating sounds from buttery warmth to sparkling twang by Fender® COSM technology. The FRV-1 puts that timeless tube-driven ●Cool, retro appearance ●Road-tough BOSS metal Fender® Corporation licensed the use of reverb sound under your foot in a tough, reliable compact construction “Fender® Bassman®” to the BOSS FBM-1, pedal. “Fender® Deluxe Reverb®” to the BOSS ® FDR-1, and “Fender Reverb” to the BOSS I Setting Samples FRV-1. No other pedals carry this official Surf Sound Blues Sound license. This setting delivers deep, DWELL and TONE are rich reverb. You can hear turned down slightly to the unique sound of the blend with the lightly ® ® ® springs twanging when distorted blues-type With its rich, fat, and present tone, The ’65 Fender Deluxe Reverb has The Fender Spring Reverb is the sound you play hard. guitar sound. Fender’s classic ’59 Bassman® is a been an icon of rock, country, and blues that launched the surf-music staple of rock, country, and blues. for decades. This famous tube amp phenomenon, and is a staple of I Setup Example Combined with a distortion pedal Originally designed for bass, the all-tube provides excellent picking response, rockabilly, country, and blues. Later, it FENDER® is the Tweed amp became a hit with guitarists natural overdrive, supreme spring became commonplace in and trademark of FMIC. as well. reverb, and vibrato. other modern genres. All rights reserved. The spring reverb unit of the original Fender® Reverb Fender®, Bassman® and Deluxe Reverb® are the trademark of FMIC. All rights reserved. Guitar Amp FRV-1 BD-2 Electric guitar

8-9 OVERDRIVE/DISTORTION

GRAPHIC EQUALIZER

DIMENSIONAL PROCESSOR OVERDRIVE/DISTORTION Double-barrel power, creativity, OVERDRIVE/DISTORTION

DIGITAL DELAY and control! GRAPHIC EQUALIZER GRAPHIC EQUALIZER The RE-20 and RT-20OVERDRIVE/DISTORTION faithfully reproduce the expressive

sound and characteristics of vintage masterpiece effects. ROTARY SOUND PROCESSOR The Revolutionary SL-20 and VE-20 open the door to a DIMENSIONAL PROCESSOR DIMENSIONAL PROCESSOR colorful new worldGRAPHIC of EQUALIZERperformance. The DD-20 delivers the highest level of sound quality and expressive control. Also Great DUAL TRACK LOOPER for VOCAL DIGITAL DELAY Announcing the RC-30 Loop Station, the latest in a DIGITAL DELAY celebrated seriesDIMENSIONAL of time-based PROCESSOR effects that have sparked a global movement in live loop performance. Dramatically enhance your power as a player with these unique tools! AUDIO PATTERN PROCESSOR ROTARY SOUND PROCESSOR ROTARY SOUND PROCESSOR DIGITAL DELAY Instant Groove and Melody Maker Supreme Rotary-Speaker Simulator Inject a shot of high-octane fuel into your music with the SL-20 Slicer. With its powerful COSM-modeling core, the RT-20 authentically recreates legendary Also Great Also Great Instantly transform a guitar, bass, keyboard, or vocal into a pulsating rotary-speaker sounds. It offers adjustable Rise Time, Hornfor and VOCAL Bass speed, Overdrive, ROLAND SPACE ECHO RE-201 DUAL TRACK LOOPER for VOCAL groove instrument. Choose from 50 onboard Slice patterns or experiment and more. And not just for classic spin, the RT-20 canDUAL be TRACK used to LOOPER create unique overdrive ROTARY SOUND PROCESSOR with the SL-20’s innovative Harmonic and pulsating effects as well. This pedal sounds Slicer feature, which generates amazing, and offers a stunning graphical view of the percussive melodies, Loop Record, virtual rotors on its built-in display. AUDIO PATTERN PROCESSOR Also Great and unique 3D Panning. AUDIO PATTERN PROCESSOR DUAL TRACK LOOPER for VOCAL

Double your creativity with this innovative twin pedal. VOCAL PROCESSOR 2-track looper with support for battery power. ROLAND SPACE ECHO RE-201 ROLAND SPACE ECHO RE-201 Create amazing one-person performances by loop-recording your phrases one on top of another. AUDIO PATTERN PROCESSOR The Essential Stompbox for Vocalists Store up to 99 phrases. Ultra-long recording time of up to three hours with built-in memory. Two stereo tracks for recording, looping, and layering. Two stereo channels for input and output. Easy-to-use tempo-synced effects. Mic jack* for recording voices and instruments. AUX IN jack for recording audio from your MP3 OVERDRIVE/DISTORTIONplayer or other device. Connect to your PC via USB to save phrasesROLAND or import SPACE WAV ECHO files. RE-201 Two-mode power with support for AC adaptor** and size-AA batteries. *Supports condenser mics as well. ** PSA series sold separately. VOCAL PROCESSOR VOCAL PROCESSOR GRAPHIC EQUALIZER Built-In Loop Effect Simple set up. All you have to do is BEND DOWN This effect bends the pitch down rapidly. connect a mic and sing. STEP PHASER This phaser varies the tone in a step-wise fashion. SWEEP FILTER This effect varies the frequency in sync with the tempo. Mic TEMPO DELAY Tempo-synced delays. DIMENSIONAL PROCESSOR VOCALLo-Fi PROCESSORUnique lo-fi effect.

DIGITAL DELAY

Headphones PA Mixer

ROTARY SOUND PROCESSOR OVERDRIVE/DISTORTION A gold mine of vocal effects in a single unit! No. Sound Name Features From high-quality reverbs and delay to pitch correction, 01 A powerful preset suited for hard rock Also Great dynamic effects, distortion, and special effects to its 02 POP Great for pop songs with clear vocal distinction 03 Ideal for ballads with rich resonance Mode DUAL TRACK LOOPER for VOCAL auto layering and harmony functions, BALLAD 04 OLDIES Suited for oldies from the ’50s GRAPHIC EQUALIZER SOS TWIST the VE-20 is packed with the top effects 05 ROCK Direct and full sound tailored for rock WARP TAPE 06 JAZZ Create an intimate sound as if you’re singing in a jazz club ANALOG STANDARD that vocalists crave. This is truly an 07 ECHO An echo effect that makes great use of short delays DUAL PAN all-in-one system that can run on 08 ARENA The sound of singing in a spacious arena SMOOTH MODULATE AUDIO PATTERN PROCESSOR batteries or an optional AC adaptor.* 09 CATHEDRAL The grand, stately reverberation you’d get in a cathedral DIMENSIONAL PROCESSOR REVERSE * PSA series sold separately. 10 HIP HOP A great hip-hop sound with a touch of distortion 11 VOICE PERC A crisp sound that’s great for voice percussion Take your voice to a new level with ease! 12 HARMONICA Pleasant distortion for blues and rock harmonica 13 DOUBLE VOICE Stack your vocals with this realistic double-track effect The VE-20 is powerful yet incredibly easy to use. Simply dial 14 TRIPLE VOICE Add another voice to create a 3-part harmony DIGITAL DELAY ROLAND SPACE ECHO RE-201 up your favorite setting and sing — no programming required. 15 6 VOICE Combination of double-track and delay creates a 6-part sound BOSS’s Next-Generation Delay The Rebirth of a Roland Classic It’s easy enough for first-timers, but if you want to roll up 16 5th HARMONY Harmony in 5ths suited for a broad range of songs your sleeves and create, a variety of editing tools are onboard. 17 3rd HARMONY Beautiful harmonies in 3rds The DD-20 Giga Delay provides up to 23 seconds of delay with easy Roland’s legendary RE-201 Space Echo is reborn through COSM technology 18 5th + DOUBLE Harmony in 5ths + double-track effect There are 50 user-memory locations to save your settings. adjustment via push-button knob or tap tempo. With a choice of 11 modes — in the RE-20. The classic chorus effect produced through tape speed, 19 3rd + DOUBLE Harmony in 3rds + double-track effect including new “Smooth”ROTARY and SOUND “Twist” PROCESSOR delays and compression, and saturation are meticulously reproduced. Features include 20 3rd + 5th LOW Harmony in 3rds and 5ths (two lower parts) Phrase Loop 21 3rd + 5th Harmony in 3rds and 5ths (lower part and higher part) sound-on-sound recording — this is BOSS’s finest 11 types of echo and reverb effects, Sing, record, loop, and overdub with the onboard Phrase 22 3rd + 5th HIGH Harmony in 3rds and 5ths (two higher parts) delay pedal to date. a virtual tape display, tap tempo, and Looper, derived from BOSS’s popular Loop Station. 23 DISTORTION Wild distortion effects VOCALparameter PROCESSOR control via expression pedal. 24 RADIO Retro-sounding radio voice Also Great You get 38 seconds of mono record DUAL TRACK LOOPER for VOCAL 25 STROBE Great for rhythmic phrases such as in rap time to loop and layer phrases, and 26 CHORUS Chorus effects add a pleasant thickness to your sound you can do it all in realtime onstage. 27 FLANGER With its unique undulating effect, this was designed specifically for vocals 28 PitchCorrect Natural pitch correction in half-tone increments From doo-wop to human-beatbox, this 29 CHROMATIC Pitch-corrected sound that’s a staple of modern pop tool will wow audiences! 30 ROBOT Robotic voice, a techno staple AUDIO PATTERN PROCESSOR

10-11

ROLAND SPACE ECHO RE-201

VOCAL PROCESSOR STAGE TUNER ACOUSTIC GUITAR PROCESSOR

STAGE TUNER ACOUSTIC GUITAR PROCESSOR CHROMATIC TUNER ACOUSTIC INSTRUMENT PROCESSOR

CHROMATIC TUNER CHROMATIC TUNER ACOUSTIC INSTRUMENT PROCESSOR

CHROMATIC TUNER MICRO MONITOR & TUNER

CHROMATIC TUNER TU-80 MICRO MONITOR & TUNER Available in black or white

TU-80-WH

CHROMATIC TUNER TUNER & METRONOME The New World-Standard Tuner The Ultra-thin TU-80 Provides Has Arrived Tuning + Metronome BOSS Has Just the Right Tuner for You! ●21-segment LED meter with brightness control ●High-Brightness ●Wide tuning range supports guitar and bass, orchestral ● instruments, vocalists, etc. ●Supports 7-string guitar and mode enhances meter visibilityTUNER & outdoorsMETRONOME Accu-Pitch Sign function BOSS tuners are world-renowned for their reliability, accuracy, and provides visual verification when tuning is complete ●Chromatic and 6-string bass as well as flat tuning of up to 5-steps down user friendliness. Since 1983, the TU-12 has been an industry Guitar/Bass mode (tune by string number, with support for 7-string ●Accu-Pitch beeps when tuning is complete ●Reference guitars and 6-string basses) ●Flat tuning is supported with Guitar Flat Pitch provides audible comparison ●Available in two standard. Today’s family of BOSS tuners melds the essence of the mode, which allows for “drop” tunings up to six semitones below colors: bold black or stylish white TU-12 with modern technology in a wide variety of models. standard pitch ●Signal is automatically muted when the tuner is on ●Supplies power for up to 7 BOSS compact effect pedals

Enhance the Clarity, Warmth, & Richness of Your Acoustic Instrument Acoustic-guitar pickups often diminish the full-bodied sound of the instrument. Through COSM modeling, the BOSS AD-series gives piezo-equipped acoustic guitars the warmth and purity of a properly miked guitar in the studio.

Illuminated blue BOSS logo

STAGE TUNER ACOUSTIC GUITAR PROCESSOR STAGE TUNER ACOUSTIC GUITAR PROCESSOR Stage Tuner with Outstanding Visibility in Dark Venues and Outdoors STAGE TUNER ●Large, high-intensity LED meter, great for dark stages and outdoor gigs ●Easy user interface for hassle-free tuning ●Chromatic, Guitar, and ACOUSTIC GUITAR PROCESSOR Unlock Your Instrument’s True Potential Bass modes, plus Open Tuning Mode for DADGAD, Open D/E/G/A, Drop D tunings, etc. ●Flat Tuning support of up to six half-steps ●Fluid light ● STAGE TUNER The AD-8 can enhance any piezo-equipped steel-string with the motion shows when tuning is complete ●Power can be turned on/off remotely via footswitch ●Illuminated blue BOSS logo on the rear panel ACOUSTIC GUITAR PROCESSOR tonality of the world’s finest acoustic guitars via COSM modeling. Six guitar models are provided, with controls for body resonance and CHROMATIC TUNER ACOUSTIC INSTRUMENT PROCESSOR string enhancement, plus 4-band EQ, auto feedback elimination, CHROMATIC TUNER ACOUSTIC INSTRUMENT PROCESSOR high-quality reverb, chromatic tuning, and more.

CHROMATIC TUNER ACOUSTIC INSTRUMENT PROCESSOR STAGE TUNER ACOUSTIC GUITAR PROCESSOR CHROMATIC TUNER ACOUSTIC INSTRUMENT PROCESSOR CHROMATIC TUNER CHROMATIC TUNER

TU-88BK CHROMATIC TUNER STAGE TUNER Available in ACOUSTIC GUITAR PROCESSOR black or white CHROMATIC TUNER CHROMATIC TUNER ACOUSTIC INSTRUMENT PROCESSOR TU-88WH MICRO MONITOR & TUNER Famous TU-12 Features with Designed Exclusively for Brass MICRO MONITOR & TUNER Exciting Enhancements and Wind Instruments MICRO MONITOR & TUNER ●Oversized needle indicator for superb visibility ●High-visibility needle and LED tuning guide for CHROMATIC TUNER plus LED tuning guide ●23.9 mm thick body for easy instant pitch verification ●Includes high-sensitivity ACOUSTIC INSTRUMENT PROCESSOR CHROMATIC TUNER MICRO MONITOR & TUNER Triple-function Tuner for Guitar CHROMATICstorage in guitar TUNER cases ●Flat Tuning of up to six ● internal mic Reference Pitch allows for long-tone and Bass CHROMATIC TUNER half-steps down ●Extended tuning range of E0-C8 practice ●Quick Response Mode offers faster Floor-Based Acoustic Processing ●Three tuning modes (Chromatic, Guitar, Bass), Flat ●Offers many of the AD-5’s outstanding features (such as for a variety of instruments ●High-sensitivity needle response ●Accu-Pitch verification CHROMATIC TUNER internal mic provides accurate and stable tuning for Tuning function, and Accu-Pitch verification with anti-feedback processing and reverb) in a rugged, floor-based unit an audible beep ●Built-in headphone amp lets you with stompbox simplicity. acoustic instruments ●Auto-off prolongs battery life CHROMATIC TUNER tune, warm up, and check your effects in private CHROMATIC TUNER TUNER & METRONOME MICRO MONITOR & TUNER ●Built-in metronome with selectable rhythmic TUNER & METRONOME patterns and volume control ●MIX IN allows jamming with an externalTUNER music-playback & METRONOME device (MICRO BR, etc.) Holder attached to music standTUNER Clip-on & METRONOME contact mic attaches to CHROMATIC TUNER the bell of the instrument MICRO MONITOR & TUNER 12-13

CHROMATIC TUNER TUNER & METRONOME

TUNER & METRONOME Accelerate your creativity with Stereo 2-track looper with effects and support for battery power. a BOSS Loop Station! Mic input for recording vocals and acoustic instruments. Loop performances are taking the world by storm, and BOSS Loop Stations are leading the charge. BOSS proudly announces the next-generation RC-series Loop Stations, with storage for 99 phrases Also Great DUAL TRACK LOOPER for VOCAL and up to three hours of recording time! With the most innovative, Create amazing one-person performances by loop-recording your phrases creative loop features on the planet, BOSS Loop Stations are a dream one on top of another. Store up to 99 phrases. Ultra-long recording time of up for guitarists, vocalists, and all instrumentalists! to three hours with built-in memory. Two stereo tracks for recording, looping, and layering. Two stereo LOOPchannels STATION for input and output. Easy-to-use tempo-synced effects. Mic jack* for recording voices and instruments. AUX IN jack for recording audio from your MP3 player or other device. Connect to your PC via USB to save phrases or import WAV files. Two-mode power with support for AC adaptor** and size-AA batteries. * Supports condenser mics as well. ** PSA series sold separately.

Built-In Loop Effect BEND DOWN This effect bends the pitch down rapidly. STEP PHASER This phaser varies the tone in a step-wise fashion. SWEEP FILTER This effect varies the frequency in sync with the tempo. TEMPO DELAY Tempo-synced delays. Lo-Fi Unique lo-fi effect.

Mic Audio player Computer

Stereo track looper with up to three hours of recording time. USB port connects to your PC; Also Great AUX IN letsDUAL you TRACK LOOPE incorporateR for VOCAL external devices.

LOOP STATION State-of-the-art looper in a compact body. Store up to 99 phrases. Ultra-long recording time of up to three hours with built-in memory. Two stereo channels for input and output. AUX IN jack for recording audio from your MP3 player or other device. First in the compact class to feature a USB port; import WAV files from PC. Onboard rhythm types that span a broad range of genres; use as guides for making your loops. Two-mode power with support for alkaline batteries and AC adaptor.* * PSA series sold separately.

Audio player Computer

Create dramatic solo performances by overlaying phrases one on top of the other!

Start recording by stepping Play back the recorded Overlay phrases one on top of on the REC pedal! phrase and record another the other and create a dramatic on top of it! ensemble sound!

14-15 Advanced Processors for High-Impact Performance Trusted by the world’s greatest musicians onstage and in the studio, BOSS’s flagship multi-effects processors deliver great sound quality with advanced COSM modeling technology and programming flexibility.

lEffects Excellence. Meet the Next Generation GT! lPowerful Multi-Effects ME with Stompbox Simplicity

The color, character, and expression of BOSS multi-effects combined with one-of-a-kind COSM . . . welcome to the pinnacle of modeling technology

We have meticulously modeled every nuance and characteristic of nMeasuring sound in an anechoic chamber nCharacteristics of each of the amp’s components are analyzed The GT-10 flagship model of BOSS multi-effects comes with customization features for virtually re-engineering guitar-amp circuitry, which enables each modeled amp to react and the original amps. Distortion can be controlled in split-frequency zones, for example, and tone control is respond naturally and authentically. With COSM, enjoy a wide variety of available for specific frequency ranges. In addition, the classic amps or sink your teeth into COSM’s unique power by creating GT-10 supports detailed emulation of speaker types and configurations, and even microphone types or setting custom sounds that soar beyond the limits of the vintage world! positions. This is the COSM’s advantage! nCOSM preamp screen on the GT-10 To create meticulous models of all circuit behavior, authentic model of each of these individual sections using our research begins with individual components. COSM technology. This is how we build modeling amps that The obsessive attention to detail that goes into the deliver the same behavior and characters of the originals. development of COSM starts with the selection of amps on Living sound. COSM reproduces the ever-changing bottom closely resemble each other. State shows the COSM reproduces the detailed characteristics of speakers which the models are based. In many cases, historical gear nuances and natural variations in sound as the amp BASS and TREBLE tone controls turned up all the way. and cabinets, and even the changes in sound that are is chosen, and we scrutinize every detail. Our extensive settings are changed, just like the original amp. You can see that the way in which the sound varies introduced by different mic setups. testing covers the sound, character, and variations in tone Based on such an extensive process, how faithfully does matches the variations you would get on the original Electrical circuitry is not the only factor in determining an COSM preamp-settings screen when the amp is played under a variety of conditions, COSM’s modeled amp sound reproduce these original amp during your sound-design process. amp’s sound. The number of speakers, the character of the ensuring that the amp is in perfect condition. The amps that sounds and behavior? Let’s take a look at illustrations of we select amps are exceptional, world-class examples. speakers, as well as cabinet resonance all affect the its actual characteristics. COSM also offers custom sound-creation options that outcome. Additionally, the choice and placement of We then take the chosen amp and perform detailed soar beyond the vintage world. microphones colors the sound in live performances and Tone controls are used to customize the sound of an verifications of the characteristics and behavior of each of recording sessions. amp. State shows all tone controls set flat. You can Since the COSM modeling accurately emulates the its parts, including every tube and capacitor. We dissect all see that the frequency response curves reproduced on circuitry of original amps and their behavioral In creating our models, we perform extensive testing in circuitry between the amp’s input and output into their the original amp on the top and the COSM amp on the characteristics, it provides great advantages. smallest units, and perform thorough analysis of their anechoic chambers where large amounts of detailed data is Speaker- and mic-settings screen characteristics. gathered. In the same way that it reproduces the electronic characteristics of circuitry, COSM modeling delivers nComparison of tone-circuitry behavior between the original and COSM amp Finally, through meticulous reconstruction, we create an realistic variations in physical characteristics as well.

nCOSM meticulously models all aspects of the circuitry — every component, every path Once a musical instrument generates sound vibrations, it reaches the human ear through various mediating objects, each of which significantly affects the sound. The material and configuration of the instrument, the electric/electronic/magnetic Original amp’s frequency response (all tone controls set to flat) Original amp’s frequency response (all tone controls set to max) amplifying system, and the air and reverberation of the room all affect the final sound. Sound modeling with DSP technology “virtually” reconstructs these objects. Roland’s breakthrough Composite Object Sound Modeling (COSM) uses the advantages of multiple modeling methods to accurately emulate existing sounds, as well as to produce sounds that have never before been created. Roland was the first music manufacturer to introduce “modeling” technology to the guitar world in 1994/95 with COSM amp’s frequency response (all tone controls set to flat) COSM amp’s frequency response (all tone controls set to max) the launch of the VG-8 V-Guitar system.

*All of the above illustrations are based on actual data.

16-17 Effects Excellence. Meet the Next Generation GT! Driven by BOSS’s latest DSP engine, the GT-10 and GT-10B offer amazing new COSM amp models and effects, plus EZ TONE, for intuitive editing, Phrase Loop, Parallel Effects Chain, and more.

GUITAR EFFECTS PROCESSOR PROCESSOR GUITAR EFFECTS PROCESSOR BASS EFFECTS PROCESSOR

Amazing Sound, Incredible Effects, High-powered Performance Top-of-the-Line Bass Station ■Advanced Sound, Natural Feel be manipulated and recorded as part of the loop. Used in ■Connectivity for Studio and Stage ■Best of Both Worlds: Authentic Bass ■New Creativity with Phrase Looping Powered by BOSS new-generation processor and the pre position, Loop Record captures the raw incoming A simple USB connection to a Tone & Radical Sound Shaping Phrase Loop lets you record a bass performance and play proprietary COSM sound-modeling method, the GT-10 performance, allowing you to experiment with a variety of computer is all it takes to Bass players can enjoy the same core processing muscle along with it, sound-on-sound style. The recorded loop can ushers in a new era of audio quality for guitarists, effects during playback. directly record high-quality GT and flexibility of the GT-10 in the GT-10B, optimized for the be up to 38 seconds long (in mono). You can create the STEP 1: Select sound style and STEP 2: On the Tone Grid screen, featuring tone quality that’s significantly higher and performances to your favorite low-frequency domain. The massive power of BOSS’s latest phrase loop either before or after the effects chain for type of variation. adjust the Distortion Character along ■ the Soft/Hard and Smooth/Edge axis. performance response that’s more natural and musical. EZ TONE for Quick Sound Creation DAW software. The GT-10 also DSP engine and COSM sound modeling are included to creative sonic control. Impress your audiences with The GT-10 is a pro player’s dream, but it’s also friendly offers a wide variety of audio provide the most creative and essential features for bass, multi-layered performances! ■Double Power with Two Signal Paths enough for first timers. The innovative EZ TONE wizard helps inputs and outputs for creative including finely tuned compression, limiting, and EQ. With Effects Chain ■Flexible I/O The GT-10’s Parallel Chain feature provides two separate you create great sounds quickly with its intuitive approach signal routing, such as amp- Parallel Chain, Phrase Loop, and EZ TONE onboard, the to sound design based on icons. Simply move the cursor left, A simple USB connection to effects paths, including COSM amp models for seamless control outputs, a send and GT-10B takesEFFECTS its LISTplace as the most advanced-yet-friendlyI PREAMP TYPE I right, up, and down along the Tone Grid matrix. The GT-10 OD/DS TYPE computer is SLOWall it takesGEAR to SOUND HOLD PAN switching between clean tone and lead, and vice versa. return, and digital output. A pair bassCOMPRESSOR station on FX-2the market. FOOT VOLUME BOSS Clean VO Lead R-FIER Mdn Mid Boost Warm OD Stack DEFRETTER AC.PROCESSOR SLICER Phrase Loop placed after the effects chain: You can record the loop while switching effects directly record high-quality GT The two channels can be used simultaneously, blended by makes it easier than ever to achieve your dream sound. of control pedals enables OD/DS DELAY PEDAL WAH JC-120 VO Clean R-FIER Cln Clean Boost Distortion Loud WAVE SYNTH FEEDBACKER VIBRATO on and off, making it possible to create a loop with any number of interesting FX variations. performances with your favorite expression pedal, or even switched based on your playing additional real-time expression. ■PREAMPTwo DimensionsCHORUS ofPEDAL Expression BEND Jazz Combo MATCH Drive T-AMP Lead Treble Bst Mild DS Metal Zone GUITAR SYNTH ANTI-FEEDBACK RING MOD. EQUALIZER REVERB NOISE SUPPRESSOR 1 Full Range Fat MATCH T-AMP Crnch Blues OD Mid DS Lead SITAR SIM. PHASER HUMANIZER dynamics. The GT-10B’s Parallel Chain provides two discrete signal Effects Chain DAW software. The GT-10B also FX-1 MASTER NOISE SUPPRESSOR 2 Clean TWIN MATCH Lead T-AMP Clean Crunch RAT '60s offersFUZZ a wideOCTAVE variety of inputsFLANGER 2X2 CHORUS ■Special Librarian Software, Available paths. Shape your sound by freely allocating a variety of Natural OD GUV DS Oct FUZZ PITCH SHIFTER TREMOLO SUB DELAY Pro Crunch BG Lead BOSS Drive and outputs for creative signal via BOSS Web amazing effects, including a COSM amp channel.Tweed With two BG Drive SLDN OD-1 DST+ MUFF FUZZ HARMONIST ROTARY AMP routing, such as the amp-control Download the free GT software librarian from discrete channels instantly available, you can switchDELUX Crnch BGPhrase Rhythm Loop placed beforeLead the Stack effects chain: ThisT-Scream makes it possible to recordModern the raw DS AUTO RIFF UNI-V STEP 1: Select pick-up type and STEP 2: Select sound style and BOSS Crunch MS1959performance I and add orHeavy change Lead effects after theTurbo fact. OD Solid DS outputs, a sendI WAH and TYPEreturn, and AMP output destination. type of variation. www.boss.info. It’s a simple, convenient way to transfer between or blend the two paths according to your playing Blues MS1959 I+II BOSS Metal I FX-1/FX-2 CRY WAH Fat WAH 7String WAH your effects settings to computer, and easily back up and dynamics for incredibly expressive bass performances. digital output. A pair of control Wild Crunch MS■ HiGainQuickly 5150Create Drive CustomT.WAH SoundsADV.COMP PARApedals EQ enablesVO WAH additional Light WAH Reso WAH ■ manage your collection of sounds. StackCrunch MS Scoop Metal Lead AUTO WAH LIMITER TONE MODIFY Flexible Phrase Looping VO Drive R-FIER with Vnt EZ TONEEdge Lead SUB WAH GRAPHIC EQ GUITARreal-time SIM. expression.

Use the GT-10’s Phrase Loop feature for sound-on-sound FX1 EZ TONE is a notable new feature that provides fast and AMP EQ performance. Recording has been extended to 38 seconds (PHASER) friendly control of sound design. Simply turn the knobs On the Tone Grid screen, (mono mode). Phrase Loop can be placed before or after STEP 3: STEP 4: On the Tone Grid screen, FX2 adjust the Distortion Character along adjust EFX Character along the (T.WAH) CHORUS while viewing the graphical Tone Grid on the large LCD. It’s the effect chain. In the post position, the effect patch can the Soft/Hard and Solo/Backing axis. Short/Long and Dry/Wet axis. as simple as using a compact-effects pedal!

EFFECTS LIST I PREAMP TYPE I OD/DS TYPE SLOW GEAR SOUND HOLD PAN EFFECTS LIST I PREAMP TYPE Bass Driver Bass MT SOUND HOLD SLICER COMPRESSOR FX-2 FOOT VOLUME BOSS Clean VO Lead R-FIER Mdn Mid Boost Warm OD Stack DEFRETTER AC.PROCESSOR SLICER COMPRESSOR/LIMITER REVERB SUPER FLAT SESSION Bass OD Metal Zone PHASER VIBRATO OD/DS DELAY PEDAL WAH JC-120 VO Clean R-FIER Cln Clean Boost Distortion Loud WAVE SYNTH FEEDBACKER VIBRATO OD/DS MASTER FLIP TOP AC BASS Blues OD Bass FUZZ FLANGER RING MOD. PREAMP CHORUS PEDAL BEND Jazz Combo MATCH Drive T-AMP Lead Treble Bst Mild DS Metal Zone GUITAR SYNTH ANTI-FEEDBACK RING MOD. PREAMP FOOT VOLUME B MAN GTR Clean Bass DS MUFF FUZZ TREMOLO HUMANIZER EQUALIZER REVERB NOISE SUPPRESSOR 1 Full Range Fat MATCH T-AMP Crnch Blues OD Mid DS Lead SITAR SIM. PHASER HUMANIZER EQUALIZER PEDAL WAH CONCERT 810 GTR Crunch GUV DS HiBandDrive ROTARY 2X2 CHORUS FX-1 MASTER NOISE SUPPRESSOR 2 Clean TWIN MATCH Lead T-AMP Clean Crunch RAT '60s FUZZ OCTAVE FLANGER 2X2 CHORUS FX-1 PEDAL BEND BASS 360 GTR Drive I FX-1/FX-2 UNI-V SUB DELAY Pro Crunch BG Lead BOSS Drive Natural OD GUV DS Oct FUZZ PITCH SHIFTER TREMOLO SUB DELAY FX-2 NOISE SUPPRESSOR 1 T.E. GTR Metal T.WAH TONE MODIFY PAN Tweed BG Drive SLDN OD-1 DST+ MUFF FUZZ HARMONIST ROTARY DELAY NOISE SUPPRESSOR 2 I COMPRESSOR/LIMITER TYPE AUTO WAH BASS SIM. I WAH TYPE DELUX Crnch BG Rhythm Lead Stack T-Scream Modern DS AUTO RIFF UNI-V CHORUS BOSS Comp Vtg Rack U SUB WAH SLOW GEAR CRY WAH Bass WAH BOSS Crunch MS1959 I Heavy Lead Turbo OD Solid DS I WAH TYPE D-Comp Multi Band SUB COMP DEFRETTER VO WAH Reso WAH Blues MS1959 I+II BOSS Metal I FX-1/FX-2 CRY WAH Fat WAH 7String WAH BOSS Limiter Natural SUB LIMITER BASS SYNTH Wild Crunch MS HiGain 5150 Drive T.WAH ADV.COMP PARA EQ VO WAH Light WAH Reso WAH Rack 160D GRAPHIC EQ OCTAVE StackCrunch MS Scoop Metal Lead AUTO WAH LIMITER TONE MODIFY I OD/DS TYPE PARA EQ PITCH SHIFTER VO Drive R-FIER Vnt Edge Lead SUB WAH GRAPHIC EQ GUITAR SIM. Booster Natural ENHANCER HARMONIST 18-19

EFFECTS LIST I PREAMP TYPE Bass Driver Bass MT SOUND HOLD SLICER COMPRESSOR/LIMITER REVERB SUPER FLAT SESSION Bass OD Metal Zone PHASER VIBRATO OD/DS MASTER FLIP TOP AC BASS Blues OD Bass FUZZ FLANGER RING MOD. PREAMP FOOT VOLUME B MAN GTR Clean Bass DS MUFF FUZZ TREMOLO HUMANIZER EQUALIZER PEDAL WAH CONCERT 810 GTR Crunch GUV DS HiBandDrive ROTARY 2X2 CHORUS FX-1 PEDAL BEND BASS 360 GTR Drive I FX-1/FX-2 UNI-V SUB DELAY FX-2 NOISE SUPPRESSOR 1 T.E. GTR Metal T.WAH TONE MODIFY PAN DELAY NOISE SUPPRESSOR 2 I COMPRESSOR/LIMITER TYPE AUTO WAH BASS SIM. I WAH TYPE CHORUS BOSS Comp Vtg Rack U SUB WAH SLOW GEAR CRY WAH Bass WAH D-Comp Multi Band SUB COMP DEFRETTER VO WAH Reso WAH BOSS Limiter Natural SUB LIMITER BASS SYNTH Rack 160D GRAPHIC EQ OCTAVE I OD/DS TYPE PARA EQ PITCH SHIFTER Booster Natural ENHANCER HARMONIST Powerhouse FX with Stompbox Simplicity

The affordable ME-25 is powerful and potent yet easy as a stompbox. The built-in sound library gives you instant access to dozens of classic and modern effects, and you can customize your sound with simple knob twists. With COSM amp models onboard, plus Super Stack and Phrase Loop, the ME-25 is a dream for guitarists who want great sound and ease of use.

■Powerful Pedal Effects! ■Jam Along with Songs In addition to wah and pitch bend effects, the ME-25 comes You can connect external audio devices (MP3/CD players, with “Freeze,” a new effect that lets you sustain a tone etc.) to the AUX input and jam along with your favorite indefinitely. You can freeze a chord, for example, and play songs. a solo over it. Use this for maximum impact in live shows! PEDAL FX ■Battery-Power Support WAH +1 OCTAVE -1 OCTAVE FREEZE Set up and play anywhere on battery power (AA size), or plug ■ in with an AC adaptor.* Ultimate Density with Super Stack * PSA series sold separately. Massive lows and cabinet resonance that will make larger amps blush — Super Stack ■USB Support Lets You Connect to a delivers ultra-heavy Computer sounds from any amp, The ME-25 can function as a USB audio interface.* Use it large or small. with a DAW program to record original songs or practice with backing tracks. You can also record songs with the ■Solo Power Boost authentic guitar sounds created with the ME-25. Step on the Solo switch to instantly boost to your tone for * The ME-25’s USB driver supports both Windows and Macintosh. solos. Make your presence felt onstage!

■Memory for 60 Original Sounds Store your customized sounds in memory. During live performance, you can activate the sounds with simple pedal control. Song PC Making GUITAR MULTIPLE EFFECTS ■Dramatic Phrase Looping Recording Practice Layer phrases to create sound-on-sound loop performances up to 38 seconds!

■Perfect Tuning with the Chromatic Create Great Sounds Instantly! Tuner ■Get Great Sounds Fast with the ■Six Categories with 10 Variations Each ■Coveted Guitar Amps Onboard with Activate the built-in tuner with Onboard Sound Library for a Total of 60 Powerful Sounds! COSM Modeling a simple pedal click. Just play your guitar; the tuner will Select a performance category and a variation. That’s it! The Sound Library lets you find sounds intuitively. If you’re The ME-25 is loaded with COSM amps derived from the GT display the note, and guide you These simple steps let you quickly find the perfect sound looking for something ultra-heavy, for example, choose series. Distortion responds fluidly to picking dynamics, to perfect tuning! quickly. If you want to refine the tone, use the three HEAVY and feel the power of ULTRA METAL! yielding an exceptional playing feel. Now available: dedicated knobs to tweak the sound you’ve selected. ULTRA METAL, a new amp for crushing metallic sound! CLEAN CRUNCH DRIVE HEAVY LEAD EXTREME 1 Standard Clean Bright Crunch Tweed Drive Heavy Metal Blues Lead Super HiGain COSM PREAMP 2 TWIN Clean Warm Crunch VO Drive Pop Metal Rock Lead PdlBend +1oct CLEAN MS VINTAGE 3 Warm Clean Wild Crunch MS Drive Fat Metal OD Lead PdlBend -1oct TWIN MS MODERN 4 Comp Clean Blues Crunch Vintage Drive Dark Metal Metal Lead Harmo Lead Am TWEED 5150 DRIVE 5 Mellow Clean VO Crunch Double Drive HiGain Lead T-Wah Metal VO DRIVE R-FIER 6 Clean Chorus MS Crunch MS Scream Ultra Metal Latin Lead Echo Delay BG LEAD ULTRA METAL Guitar Audio player Guitar amp Headphones 7 Clean Delay Crunch Chorus Hard Drive Ballad Lead Psyche Vibe PC for Windows® 7, 8 Clean Ch+Dly Crunch Tremolo Dist Drive Core Metal Chorus Lead Heavy Reverb Windows Vista®,Windows® XP 9 Phase Clean Crunch Wah Fuzz Drive Double Track Wah Lead Slice 10 Acoustic Crunch Delay Chorus Drive Jet Flange Octave Lead Freeze ■Packed with BOSS’s Best FX! Bundled with SONAR 8.5 LE for PC Choose a Category Select a Variation Record your ME-25 performances Enjoy world-class AC adaptor COMP/FX MODERN HARMONIST directly into SONAR LE. compressors, acoustic COMP METAL OCTAVE simulators, wah, CORE You can play back rhythm or backing tracks from T.WAH DELAY overdrive/distortion AC SIM FUZZ SONAR LE and practice as if playing with a band. 1-99 ms effects derived from OD/DS MODULATION 100-990 ms Visit the classic amps, BOOST CHORUS 1000-6000 ms Rhythm and Backing Tracks BOSS website! modulation effects OD-1 PHASER TAP The included DVD-ROM is loaded with audio files (including rotary, T-SCREAM FLANGER BLUES ROTARY REVERB consisting of backing and rhythm tracks that are Librarian software and harmony, and octave), DIST UNI-V ROOM compatible with SONAR LE. additional SOUND LIBRARY are as well as an CLASSIC TREMOLO downloadable! HALL For details on SONAR 8.5 LE, extensive range of visit www.roland.com delays and reverbs. 444 www.bosscorp.co.jp/sound/ME-25

20-21 Experience new levels of creative expression World-Class Tone with Essential You’ll want to experiment with sounds as soon as you touch the BASS MULTIPLE EFFECTS ME-series. Create sounds intuitively and instantly with the Bass Effects easy-to-use knob controls and footswitches. These multifaceted ■Powerful COSM Compressor/Limiter and EQ processors provide a wide range of great effects to all guitarists The ME-50B’s compressor/limiter uses advanced COSM modeling, including and . “Natural” compression for a tight, punchy tone. 3-band EQ with sweepable mids is also provided.

■Get Creative with Filter/Tone and Drive/Synth Features The ME-50B includes a variety of unique effects designed for bass, such as Octave Up, T-Wah, and Defretter for instant fretless sounds. Muff Fuzz, Bass Driver, and Metal provide a colorful range of overdriven/distorted sounds. Four types of Synth Bass sounds are included as well.

■High-Quality Delay/Modulation and Powerful Pedal FX l11 types of Delay/Modulation lPedal effects with sound-on-sound looping l24 custom sounds can be stored lConvenient tuner function onboard lRuns on battery power or optional AC adaptor

I EFFECTS LIST

COMPRESSOR/ FILTER/TONE DRIVE DELAY/MODULATION PEDAL LIMITER T.WAH UP NATURAL • TAP DLY FOOT VOLUME NATURAL T.WAH DOWN BASS DRIVER HOLD DLY WAH LIMITER T.WAH EDGE OVER DRIVE ANALOG DLY RESONANCE 160D SOFT OCTAVE UP DISTORTION 0-400 ms DLY +1 OCTAVE 160D HARD OCTAVE DOWN MUFF FUZZ 300-1400 ms DLY –1 OCTAVE D-COMP SLOW GEAR METAL PHASER SOUND HOLD MASTER EQ DEFRETTER HI-BAND DRIVE FLANGER KICK DRUM LOW ENHANCER SYNTH CHORUS SQUARE MID BOTTOM BOOST SAW LEAD CHO+DELAY MID FREQ MID SHAPE MILD FILTER CHO+REVERB HIGH HOLLOW DEEP FILTER REVERB SQUARE

GUITAR MULTIPLE EFFECTS Stompbox Ease with Advanced COSM Creativity ■ ■Phrase Looper with 38 Seconds of ■Other Features Performance-Based Effects New COSM Preamp BASS MULTIPLE EFFECTS The ME-70 comes equipped with a new COSM Preamp Recording Time lAUX IN allows jamming with a digital audio player for Bass section derived from the The ME-70 is equipped lBuilt-in tuner lBattery or AC powered GT-10 series, which models with a Phrase Looper that ■EZ EDIT for Quick Sound Creation six types of guitar amps. In can capture and repeat EZ EDIT lets you create sounds quickly and intuitively, with incredible ease addition to their accurate phrases you play. With a and speed like no other multieffects unit on the market. sound, COSM Preamp models maximum recording time of are beloved for their ability 38 seconds, it gives you the ■FX for Bassists to convey picking nuances ability to dramatically I EFFECTS LIST subtly and faithfully. express yourself onstage. Mix, match, and customize a wide variety of effects for bass, including OD/DS PREAMP/EQ OCTAVE compressor, overdrive, distortion, T-Wah, phaser, flanger, chorus, delay, BOOST CLEAN DELAY reverb, defretter, synth, and more. ■Stombox Ease NATURAL COMBO DELAY OD-1 TWEED It’s powerful and potent, yet the ME-70 offers the ease of a 1-99ms BLUES STACK ■BASS ENHANCE Function ■Choose from a Variety of 100-990ms stompbox. The simple knob-based controls for each effect DIST LEAD STK 1000-6000ms This function strengthens bass dynamics with a simple button press, adding Expression-Pedal Effects CLASSIC R-FIER section makes dialing in tone easier than ever, especially ANALOG MODERN 4-BAND EQ richness and impact to the tone. You can also activate the effect with an with the innovative EZ TONE In addition to providing MODULATE METAL optional pedal — great for instantly activating a “bass solo” tone. feature. And when you want classic Wah, the ME-70’s REVERB REVERSE CORE ROOM CHO+DELAY to kick in an effect, just step expression pedal lets you FUZZ control effects such as HALL MOMENTARY ■Other Features on one of the four COMP/FX TAP MODULATION footswitches. Think of it as +1 Octave and –1 Octave COMP PHRASE LOOP l30 user memory locations lAUX IN allows jamming with a digital audio CHORUS T.WAH UP l l an array of stompboxes Pitch Bend, Voice, and PHASER PEDAL FX player Battery or AC powered Built-in tuner T.WAH DOWN melded into one convenient Mod Rate. FLANGER WAH SLOW GEAR ROTARY VOICE I EFFECTS LIST pedalboard. DEFRETTER UNI-V +1 OCTAVE SFX COMPRESSOR/DRIVE DELAY/MODULATION EQUALIZER Single Hum TREMOLO –1 OCTAVE T.WAH UP COMPRESSOR 0-99ms DELAY Hum Single NOISE SUPPRESSOR VIBRATO MOD RATE T.WAH DOWN OVERDRIVE 100-700ms DELAY SOLO BASS ENHANCE HARMONIST DELAY LEV T.WAH EDGE DISTORTION PHASER WAH DEFRETTER OD+DIRECT FLANGER OCTAVE SYNTH 1 CHORUS FOOT VOLUME SYNTH 2 CHO+DELAY MASTER LEVEL REVERB

22-23 The Ultimate Jam-Along Companion Jam with Your Own Backing Band! for Guitarists A Guitar and a Cable Is All You Need to Play with eBand ■ If you enjoy playing along with your favorite songs, the ultimate A New-Concept Audio Player for Guitarists For practice and performance, eBand makes the experience more musical companion has arrived. eBand lets you load and play WAV enjoyable and real. With eBand you can enjoy playing your guitar and MP3 files, and change the tempo and pitch. Plug in your guitar along with MP3 and WAV files stored on an SD card. and play along using the onboard COSM preamp and BOSS effects. ■Save Up to 4,000 Songs for Playback Minimize pre-recorded vocals or guitar parts with Center Cancel, and With support for SDHC memory cards of up to 32GB storage capacity, record and save your jams. There’s even a library of backing tracks eBand gives you instant access to approximately 4,000 music files. and rhythms, plus a built-in tuner and metronome. Include all your favorite songs and enjoy jamming along. ■Import Audio CD Tracks from Your PC eBand comes with a Song List Editor program. Connect eBand to your PC via USB and rip files from your audio CD. Song List Editor automatically extracts info such as artist name and song title Plug in Choose Play (supports Gracenote® Music ID), which will show on eBand’s display. the song ■Speedy Access to a Huge Library of Songs eBand’s search feature lets you ■Song List quickly find songs with its user-definable search criteria. It also comes with a “Best 30” function that gives you instant access to your favorites.

High-quality BOSS Effects Onboard! eBand Gives Guitarists a New Way to Learn and Play

■World-Class Guitar and Bass Effects Derived from BOSS’s Acclaimed GT-10 ■Useful Features for Practicing Guitar Experience first-class guitar and bass tones using 42 types of You can record as you play along with your songs, and COSM amps and BOSS effects. Choose from the library of check your performance afterward. Use the Center Cancel great presets or create your own with the EZ Edit function. function to reduce pre-recorded guitar parts so you can You can also save your effects settings with each song. play along as if you’re in the band!

■EZ Edit function

■AB Repeat and Variable Speed Are Great Practice Tools ■Built-in Tuner and Metronome The AB Repeat function lets you repeat a portion of a song over and over. The Variable Speed eBand has a built-in chromatic tuner that makes tuning your guitar function varies the playback tempo without changing the pitch. There’s also a Variable Pitch a snap. It also has a metronome for developing a solid sense of time. function that lets you transpose the key signature of the original song. eBand is your all-in-one partner for practicing guitar effectively.

External Enhancements with AUX In and USB

■Play Audio Files Directly from USB Stick ■Use eBand As a DAW Audio Interface ■More Fun with External Input Drag and drop your favorite play-along songs from your PC / Mac eBand also functions as a USB audio interface, which eBand’s AUX In jack lets you connect an audio player to a USB flash memory, then plug it into eBand’s USB port. means you can record authentic guitar tones directly to for playing back and recording external audio along eBand lets you access and play the songs directly from the USB your DAW program on your PC / Mac. with your guitar performance. And not just for stick — fast and convenient! guitarists — eBand also lets you connect a microphone for vocal sing-along and practice sessions.

Stereo speakers specially tuned for guitar.

AUDIO PLAYER with GUITAR EFFECTS Footswitch / Expression Pedal USB Computer Connector USB Memory Connector SD Memory Card Included SD CARD Connector AUX IN Jack LINE OUT Jacks Guitar / Mic Input Jack Headphone Jack

24-25 Use eBand Mode for Phrase Training JammingJamming and Play-along Sessions [eBand mode]

■Store Up to 4,000 Songs on an SD ■Diverse Range of Built-in Backing Files ■Playback Functions for Practice and Card, Practice and Jam Along Over 300 types of backing and rhythm files are onboard, Performance You can import MP3 or WAV files of your favorite songs to which can be used as realistic backing track for your Use the Center Cancel function to minimize the guitar or practice with. A custom software app is included for songs. They’re also useful as backing patterns for practice main vocal parts from pre-recorded songs. You can also importing music CDs from a PC or Mac. You can also sessions. change the playback tempo without changing the pitch display the song title*. The “Best 30” function lets you — very useful for practicing solos and fast passages. instantly access your favorite songs. There’s also a function for changing pitch, as well as AB * Supports Gracenote® Music ID. Repeat for repeating a specific section of the song.

This Is a Handy Tool for Recording Your Band RecordRecord Performances, as well as Phrases and Ideas [LIVE REC mode]

■Simple Operations Let You Record ■Equipped with a High-quality Stereo ■With Support for 3 ways of Power, Instantly When Inspiration Strikes Condenser Mic You Can Use It Anywhere For instant capture, simply press the Live Rec button, and Thanks to the built-in stereo Ultra-compact and ready to travel, the BR-80 is a guitarist’s never lose a great song idea again. Choose between MP3 microphone, you can instantly record dream. It supports three types of power sources — size- and WAV formats for recording. vocals, acoustic guitars, or the entire AA batteries, AC adaptor*, and USB bus power from your band. The BR-80 accepts SDHC cards computer — so you can use it anywhere. up to 32GB for long recordings. * PSA series sold separately.

ComposeCompose Create Fully Produced Songs [MTR mode]

■64 V-Tracks with Support for ■Operating Environment Designed for Ease of Use 8-track Simultaneous Playback The BR-80 features a large display that provides a large amount of The MICRO BR BR-80 packs 64 V-Tracks into its compact information, including level meters for eight tracks on a single screen. body. It supports simultaneous playback of eight tracks You’ll also find easy-to-use dedicated buttons and rotary encoder to plus an independent rhythm track with a wide range of ensure a speedy workflow. Its compact body is equipped with full-fledged built-in rhythm patterns. Additionally, a diverse lineup of MTR operations, including a mixer screen that displays all parameters for effects for guitars and vocals are onboard for spicing up a single track. The Ultimate Micro Studio your productions.

for Guitarists Extensive Range of Multi-effects for Specific Instruments

Tap into the MICRO BR BR-80’s three modes for lWith built-in COSM amps and effects that are widely creating, recording, and performing your music. popular around the world, the BR-80 lets electric guitar Instantly record a phrase with Live Rec mode. and bass players create authentic and expressive sounds lCOSM body modeling delivers natural and rich tones for Import the phrase into MTR mode and build a electric and acoustic guitars lThe BR-80’s vocal effects song. Once the song is complete, play it back in are directly inherited from the VE-20 lOnboard mastering effects for polishing your mixes eBand mode and jam along. All three modes work together seamlessly to transform your ideas into reality. This is the ultimate multi-use Compatible with PC-based Music Production tool for guitarists and bassists. lUSB audio interface onboard. You can digitally transfer the dynamic guitar sounds and vocals that you produce with the BR-80 directly to your PC or Mac lImport and export audio files between the BR-80 and your PC or Mac via USB* Mixer screen DIGITAL RECORDER lBundled with SONAR X1 LE software for producing music on your PC * For details on SONAR X1 LE, Check all settings for a single track with visit www.cakewalk.com simple scrolling. * Bundled with BR Wave Converter software.

SD Memory Card Included ■Options

DC IN Jack BA-BR80S BA-PC15 Earphones/Guitar Cable Set USB Connector Silicone Case/Pouch Set for BR-80 PHONES / LINE OUT Jack (Stereo) GUITAR / MIC IN Jack LINE IN Jack (Stereo)

26-27 ■Digital Recording, Non-destructive Editing For recording flexibility, the BR-1200CD provides 192 V-Tracks. Once finished, you can select any 12 tracks for playback, plenty of room for all your instruments and overdubs. Enjoy pristine sound quality and the benefit of non-destructive editing.

■Multi-effects & COSM Models A variety of COSM amp models are onboard, including Roland’s JC-120, R-Fier, Metal Stack, and BOSS Compact Pedal models such as OD-1 and MT-2, and more. COSM mic modeling effects are included as well.

■High-quality Rhythm Section and Vocal Tool Box A world-class bass and drum programmer is built in, packed with instruments and patterns to suit a variety of styles. The EZ Compose feature makes ultra-realistic custom programming a snap. The Vocal Tool Box can be used to fix pitch errors and create realistic harmony parts.

■CD Burning The BR-1200CD provides CD burning with pro-quality effects for mastering your music. DIGITAL RECORDING STUDIO

The Versatile, Power-Packed 12-Track DIGITAL RECORDER Complete Recording, from Guitar Pick to Compact Disc USB FOOT SW Jack MIC 2 Jack (TRS 1/4" phone type) SD Memory Card Included MIDI OUT EXP PEDAL Jack MIC 2 Jack (XLR balanced) MIDI IN LINE OUT Jacks (RCA phono type) MIC 1 Jack (TRS 1/4" phone type) DIGITAL OUT (optical type) LINE IN Jacks (RCA phono type) MIC 1 Jack (XLR balanced) For Guitarists, for Vocalists The Hands-on Music-Production Solution ■Multi-mic Recording ■Recording Made Easy with EZ REC ■Built-in Effects for a Variety of ■A Perfect Fit for PC-based Music The BR-1600CD includes eight XLR microphone inputs Simply select an input source from the list of instrument Instruments Production! with phantom power. The multi-track recording mode and mic icons shown on the display, and select a lPacked with BOSS’s top-of-the-line GT-10/10B-class lUSB audio-interface functionality for recording eliminates confusing routing concepts, and includes performance category of your choice. COSM amps and effects for electric guitar and bass directly from the BR-800 to PC/Mac lControl-surface essential channel effects such as a compressor, The BR-800 takes care of the rest, lCOSM acoustic-body modeling also onboard; create functionality for operating a DAW program with the 3-band EQ, and low-cut filter. choosing the best effects and rhythm pure, live tones that sound as if they were recorded BR-800 faders and buttons lBundled with the SONAR 8.5 tracks for your song. with a condenser mic lFantastic vocal effects derived LE DAW program (for Windows only) lBundled DVD ■Hassle-free Recording ■Source and category combinations. Examples follow: from the VE-20, including double voice includes a variety of backing tracks for jam-along Record on up to 256 V-Tracks. Once finished, you can sessions * The BR-800’s USB driver supports both PC and Mac. select any 16 tracks for simultaneous playback; there’s 80GB of room for your tracks and overdubs. And since the BR-1600CD is digital, you get pristine sound quality and the benefit of non-destructive editing.

* For details on SONAR 8.5 LE, ■Pro-quality COSM Amps and Effects AMP visit www.roland.com BOSS CLEAN WILD CRNCH BG RHYTHM T-AMP CLEAN FLIP TOP ■SONAR 8.5 LE lPowerful COSM amp models, distortion/overdrive, JC-120 STACK CRNCH MS1959 I BOSS DRIVE B MAN JAZZ COMBO VO DRIVE MS1959 I+II SLDN CONCERT 810 and microphone modeling onboard, plus modeling FULL RANGE VO LEAD MS HIGAIN LEAD STACK BASS 360 ■3-way Power Supply, effects optimized for bass and acoustic guitar CLEAN TWIN VO CLEAN MS SCOOP HEAVY LEAD T.E. l l PRO CRNCH MATCH DRIVE R-FIER VNT BOSS METAL SESSION Advanced Features High-quality rhythm section built in Vocal Tool Box TWEED FAT MATCH R-FIER MDN 5150 DRIVE AC BASS lets you create realistic harmony parts lCD-burning DELUX CRNCH MATCH LEAD R-FIER CLN METAL LEAD lHigh-performance built-in ■ BOSS CRNCH BG LEAD T-AMP LEAD EDGE LEAD capability Diverse Range of Recording Functions BLUES BG DRIVE T-AMP CRNCH SUPER FLAT stereo microphone for making high-quality recordings lFront lSong Sketch function makes the recording process as VOCAL SOFT DISTORTION DOUBLE panel features futuristic easy as taking a memo: Instantly record song ideas and DOUBLE/ PITCH HARD RADIO HARMONY -1OCT +1OCT l phrases to a WAV file, and import them into your CORRECT ELECTRIC TONE/SFX STROBE UNISON touch-sensor buttons Supports multi-track productions lLoop Recording function is a ROBOT CHORUS LOW CUT three modes of power: size-AA DYNAMICS FLANGER RADIO convenient tool for songwriting, as it lets you develop LO-FI VINYL batteries, AC adaptor, and USB ideas as you jam over the top of your prerecorded phrases. DIGITAL bus power from your PC Record different loops to each track, and create multi-part songs quickly lRetry function makes it easy to fix ■Hi-quality Rhythm Generator mistakes: Even if you make an error while recording, you Version 2 and Editor DIGITAL RECORDING STUDIO can instantly jump back to the record start point and do Built into the BR-800 is a powerful rhythm generator a retake (derived from the DR series) with its own dedicated stereo rhythm track. Also Head of The Family included is an easy-to-use LINE OUT Jacks (RCA phono type) MIDI OUT DIGITAL IN/OUT (coaxial type) LINE OUT Jacks (RCA phono type) Footswitch / Expression Pedal Jack Pro Features Meet Ease of Use MIDI IN FOOT SW Jack INPUT 1–8 Jacks (unbalanced, 1/4" phone type) Rhythm Editor that lets you LINE IN Jack USB EXP PEDAL Jack MIC 1–8 Jacks (XLR balanced) graphically edit your INPUT Jacks (XLR) patterns on a PC. INPUT Jacks (TRS) USB Connector ■Rhythm Editor screen

28-29 Dr. Rhythm

Dr. Rhythm Essential Session & Practice Partners BOSS’s famous Dr. Beat and Dr. Rhythm series live on with Dr. Beat a new line that’s more compact and powerful than ever before. Whether your needs are for simple, play-along timekeeping or full-blown rhythm programming,

the world’s best tools are right here. Dr. Beat The Do-EverythingDr. Rhythm Dr. Beat Practice in style with the flagship of the Dr. Beat Metronome line. The DB-90 is loaded with qualityDr. sounds Beat and drum patterns, a Rhythm Coach function with onboard microphone, a reference-tone for tuning, an Instrument input, MIDI input, and a Note Mixing function for customizing the play-alongDr. Rhythm rhythms.

Dr. Rhythm

Dr. Rhythm Dr. Beat More Than a Metronome The DB-60 is a deluxe metronome that can lay down the click in style. Program your own beats or choose from a variety of patterns. Tap in your Dr.tempo, Beat and Dr.clock Beat your practice with the Dr. Rhythm Stop Watch and Timer features. World’s Best Rhythm Machine Dr. Beat The DR-880 is a rhythm-programming powerhouse that’s loaded with world-class drum, Dr. Beat percussion, and bass sounds. You can get microscopic with the DR-880 or use the EZ Compose and Groove Modify features, which allow complex patterns to be constructed without note-by-note programming hassles. Guitar and bass players can join the action by plugging directly to the DR-880’s Guitar/Bass Input jack, and playing through the built-in COSM Drive/Amp models and multi-effects. Dr. Beat

Dr. Rhythm The Take-Along Timekeeper More than just a simple timekeeper, this pocket-sized metronome can lay down a variety of rhythm patterns and time feels. It offers tap tempo, internal reference tones (12 semitones), and other timekeeping features to make practicing fun.

EZ compose EZDr. Beatcompose Guitar Effects (Pattern) (Chord Progression) Various types of guitar effects are You can create your own backing Realistic bass phrases can be included, such as powerful COSM rhythms by simply selecting easily created with chord amps, and acoustic and bass preset patterns for each progression templates. guitar effects. instrument.

Dr.Dr. Rhythm Beat

Dr. Beat

Dr. Rhythm Your Own Personal Drummer BOSS’s most affordable drum machine for jamming or practice offers realistic drum, percussion, and bass sounds. Rhythm Progressions with variations also provide intuitive track arranging. There are 100 preset styles and 100 user stylesDr. Beat onboard; user patterns can be programmed via realtime record or step entry. A footswitch input provides easy live control. The DR-3 runs on AC or battery power.

Dr. Beat

30-31 Dr. Beat Essential Tools LEGEND SERIES [Legend Series Specifications] G Nominal Input Level -20 dBu G Nominal Output Level -20 dBu G Power for The Working Musician Supply DC 9 V: Dry Battery <6F22/6LR61 type>, AC Adaptor (PSA series: CH-1 5 Optional) G Dimensions 73 (W) x 129 (D) x 59 (H) mm (2-7/8" x 5-1/8" x 2-3/8") G Accessory Dry Battery G Option AC Adaptor (PSA series) GControls E.LEVEL, EQ, RATE, DEPTH GCurrent Draw 22 mA (DC 9 V) 8–9 CEB-3 5 FBM-1 G Controls PRESENCE, MIDDLE, BASS, TREBLE, GAIN, LEVEL G Controls E.LEVEL, LOW FILTER, RATE, DEPTH G Current Draw 36 mA G Weight 440 g/1 lb (incl. battery) G Current Draw 22 mA (DC 9 V) BCB-30 FDR-1 8–9 Pedal Board Pedal Board AW-3 6 G Controls GAIN, LEVEL, TREBLE, BASS, VIBRATO, REVERB G Controls DECAY, MANUAL/VOWEL 2, SENS/VOWEL 1, MODE lLightweight and tough pedal board lHolds up to three BOSS compact G Current Draw 40 mA G Weight 440 g/1 lb (incl. battery) for transporting a range of compact pedals lComes with audio cables G Current Draw 50 mA (DC 9 V) pedals and effects lPadded interior for connection between pedals 8–9 OC-3 6 FRV-1 can be customized to fit anything from lComes with parallel DC cord to G Controls MIXER, TONE, DWELL G Current Draw 37 mA COMPACT SERIES G Controls DIRECT LEVEL, OCT 1 LEVEL, CONTROL (RANGE, OCT2, a compact pedal to Twin Pedal power three compact pedals (with G Weight 420 g/15 oz (incl. battery) DRIVE), MODE (POLY, OCT2, DRIVE) G Current Draw 50 mA (DC 9 V) lOnboard AC adaptor optional AC adaptor: PSA-series) [Compact Pedal Effects Specifications] for powering up to 7 G Nominal Input Level -20 dBu G Nominal Output Level -20 dBu G Power Supply DC 9 V: Dry Battery <6F22/6LR61 type>, AC Adaptor (PSA TR-2 6 *Compact pedals and tuner are not included. devices; includes all *Compact pedals are not included. series: Optional) GDimensions 73 (W) x 129 (D) x 59 (H) mm (2-7/8" x 5-1/8" G Controls RATE, WAVE, DEPTH G Current Draw 20 mA (DC 9 V) TWIN PEDAL SERIES cabling x 2-3/8") G Weight (depending on the model) 400 to 450 g/15 oz to 1 lb G Accessory Dry Battery G Option AC Adaptor (PSA series) BF-3 6 [Twin Pedal Specifications] G Power Supply DC 9 V: Dry Battery x 6, AC Adaptor G Controls RES, MANUAL, DEPTH, RATE, MODE (ULTRA, STANDARD, G Dimensions 173 (W) x 158 (D) x 57 (H) mm (6-13/16" x 6-1/4" x 2-1/4") Parallel DC cord Audio cables SD-1 4 GATE/PAN, MOMENTARY) G Current Draw 40 mA (DC 9 V) G Controls LEVEL, TONE, DRIVE G Current Draw 6 mA (DC 9 V) 10 PH-3 6 DD-20 G Memories 4 G Nominal Input Level GUITAR/BASS: -20 dBu, GUITAR AMP 4 G Controls RATE, DEPTH, RES (Resonance), STAGE (STEP, RISE, FALL, 12, OD-3 SEND/RETURN: +4 dBu G Nominal Output Level GUITAR/BASS: -20 dBu, 10, 8, 4) G Current Draw 50 mA (DC 9 V) G Controls LEVEL, TONE, DRIVE G Current Draw 9 mA (DC 9 V) GUITAR AMP SEND/RETURN: +4 dBu G Current Draw 200 mA G Weight 1.2 kg/2 lbs 11 oz (incl. batteries) G Accessories Dry Battery x 6 G Option AC Adaptor (PSA series) G Controls LEVEL, TONE, GAIN G Current Draw 13 mA (DC 9 V) G Controls E.LEVEL, F.BACK, D.TIME, MODE (HOLD, L.800ms, M.200ms, S.50ms) G Current Draw 35mA (DC 9 V) RE-20 10 OS-2 4 G Nominal Input Level -20 dBu (INPUT VOLUME knob: center), max +4 dBu G Controls LEVEL, TONE, DRIVE, COLOR (OD, DS) DD-7 6 G Nominal Output Level -20 dBu G Current Draw 75 mA G Weight 1.2 kg/ *BR-80 is not included. G Current Draw 12 mA (DC 9 V) G Controls E.LEVEL, F.BACK, D.TIME, MODE (3200ms, 800ms, 200ms, 50ms, 2 lbs 11 oz (incl. batteries) G Accessories Dry Battery x 6 HOLD, MODULATE, ANALOG, REVERSE) G Current Draw 55 mA (DC 9 V) G Options AC Adaptor (PSA series), Expression Pedal (Roland EV-5) DN-2 4 BA-CB3 BA-CB1 BA-BR80S BA-PC15 G Controls LEVEL, TONE, DRIVE G Current Draw 36 mA (DC 9 V) PS-6 6 SL-20 11 Carrying Bag Gig Bag Silicone Case/Pouch Set for BR-80 Earphones/Guitar Cable Set G Controls BALANCE/RISE TIME, SHIFT/HARMONY, KEY/FALL TIME, MODE G Nominal Input Level -20 dBu G Nominal Output Level -20 dBu G Current Draw 45 mA (DC 9 V) G Current Draw 110 mA G Weight 1.1 kg/2 lbs 7 oz (incl. batteries) lIdeal for transporting BOSS products such l lMade of soft silicone rubber, this case lTwo essential items for MICRO BR BR-80 DS-1 4 Perfectly sized for BOSS gears such as the G Accessories Dry Battery x 6 G Options AC Adaptor owners for recording on the go: high-quality G Controls TONE, LEVEL, DIST G Current Draw 4 mA (DC 9 V) as the GT-10, GT-10B and BR-1200CD ME-70, ME-25, ME-50B, ME-20B and BR-800 guards against dirt and scratches, and keeps RV-5 6 (PSA-series), Expression Pedal (Roland EV-5) lFeatures internal compartments for power lFeatures handles, side compartments, a the MICRO BR BR-80 from slipping on smooth in-ear stereo headphones and a 5" guitar DS-2 4 G Controls E. LEVEL, TONE, TIME, MODE (SPRING, PLATE, HALL, ROOM, adaptors and cables, a shoulder strap and shoulder strap, and internal cushioning surfaces lCushion-lined to absorb impact cable with gold-plated connectors G Controls LEVEL, TONE, DIST, TURBO [I, II (REMOTE)] GATE, MODULATE) G Current Draw 50 mA (DC 9 V) RT-20 11 hand-carry handles G Current Draw 12 mA (DC 9 V) G Nominal Input Level -20 dBu G Current Draw 85 mA G Weight 1.1 kg/ LMB-3 7 2 lbs 7 oz (incl. batteries) G Accessories Dry Battery x 6 G MD-2 4 G Controls LEVEL, ENHANCE, RATIO, THSHD (Threshold) Option AC Adaptor (PSA series) G Controls LEVEL, TONE, BOTTOM, DIST, GAIN BOOST G Current Draw 17 mA (DC 9 V) G Current Draw 18 mA (DC 9 V) VE-20 11 SYB-5 7 G Nominal Input Level -40 dBu (Mic Sens = 40) G Nominal Output Level -40 dBu, PHONES/LINE: -25 dBu G Memory Sound 30 (Preset) + 50 (User) 5 G Controls EFFECT, DIRECT, FREQ, RES, DECAY/RATE, MODE ST-2 G Current Draw 190 mA G Weight 1.1 kg/2 lbs 7 oz (incl. batteries) G G Current Draw 50 mA (DC 9 V) Controls LEVEL, BASS, TREBLE, SOUND (CRUNCH–DRIVE–ULTRA) G Accessories Dry Battery x 6 G Option AC Adaptor (PSA G Current Draw 36 mA (DC 9 V) NS-2 7 series) MT-2 5 G Controls THRESHOLD, DECAY, MODE (MUTE, REDUCTION) G Controls LEVEL, EQ (HIGH, LOW, MIDDLE, MID FREQ), DIST G Current Draw 20 mA (DC 9 V) G Current Draw 20 mA (DC 9 V) LS-2 7 FS-6 FS-5U FS-5L ML-2 5 G Controls MODE, LEVEL (A, B) G Current Draw 25 mA (DC 9 V) Dual Footswitch 2-way Selector Footswitch Footswitch G Controls LEVEL, LOW, HIGH, DIST G Current Draw 36 mA (DC 9 V) lCombines latch- and momentary-type lAffordable A/B selector with 1-click lA metal-cased momentary “unlatch”-type lA metal-cased latch-type footswitch with switching into one unit lEach footswitch operation and silent switching l2-way footswitch lCan be connected using an a LED to indicate status lCan be connected FZ-5 5 FOOT PEDAL can be assigned latch- or momentary-type selector for using A/B input with one output, ordinary guitar cable with a standard guitar cable G Controls LEVEL, MODE, FUZZ G Current Draw 36 mA (DC 9 V) lCan be connected to other footswitches or vice-versa lInstantly change guitars, 7 ODB-3 5 PW-10 (FS-5L/FS-5U/FS-6/AB-2) for extension effects setups or amplifiers, or switch G Nominal Input Level -20 dBu G Nominal Output Level -20 dBu G Power G LEVEL, HIGH EQ, LOW EQ, BALANCE, GAIN between an amp and tuner Controls Supply DC 9 V: Dry Battery x 6, AC Adaptor (PSA series: G 15 mA (DC 9 V) Current Draw Optional) G Current Draw 55 mA G Dimensions 100 (W) x 270 (D) x 100 (H; max.) mm (3-15/16" x 10-11/16" x 3-15/16") G Weight 1.3 kg/2 lbs 14 oz CS-3 5 (incl. batteries) G Accessories Dry Battery x 6 G Option G Controls LEVEL, TONE, ATTACK, SUSTAIN G Current Draw 11 mA (DC 9 V) AC Adaptor (PSA series) GE-7 5 FV-500H 7 G Controls Equalizer Control Sliders (100 Hz, 200 Hz, 400 Hz, 800 Hz, 1.6 GControl MINIMUM VOLUME Knob GDimensions 110 (W) x 289 (D) x 72 (H) PCS-20A kHz, 3.2 kHz, 6.4 kHz), LEVEL G Current Draw 10 mA (DC 9 V) mm (4-3/8" x 11-7/16" x 2-7/8") G Weight 1.6 kg/3 lbs 9 oz 8-pin Parallel DC Cable (8 x DC Plug; 1 m) GEB-7 5 FV-500L 7 G Controls Equalizer Control Sliders (50 Hz, 120 Hz, 400 Hz, 500 Hz, 800 Hz, GControl MINIMUM VOLUME Knob GDimensions 110 (W) x 289 (D) x 72 (H) PCS-31L 4.5 kHz, 10 kHz), LEVEL G Current Draw 16 mA (DC 9 V) mm (4-3/8" x 11-7/16" x 2-7/8") G Weight 1.6 kg/3 lbs 9 oz Audio Cable EV-5 DI-1 RH-300 (Stereo 1/4" 2 x 1/4"; 2.2 m) AC-3 5 FV-50H 7 Expression Pedal Direct Box Stereo Headphones G Controls LEVEL, REVERB, BODY, TOP, MODE (STANDARD, JUMBO, G Control MINIMUM VOLUME Knob G Dimensions 86 (W) x 200 (D) x 54 (H) ENHANCE, PIEZO) G Current Draw 39 mA (DC 9 V) mm (3-3/8" x 7-7/8" x 2-1/8") G Weight 400 g/15 oz lCan be used to control a range of functions lHigh-quality direct box with crystal-clear lRoland’s top-of-the-line headphones for the MSC-50/25/15 and effects parameters in real time sound for transforming high-impedance, ultimate in sound quality lNewly developed MIDI Cables 5 7 (5.0/2.5/1.5 m) CE-5 FV-50L lCompact, travel-friendly body fits perfectly unbalanced instrument outputs to the driver provides ultra-wide frequency range G Controls E.LEVEL, RATE, DEPTH, FILTER (HIGH, LOW) G Control MINIMUM VOLUME Knob G Dimensions 86 (W) x 200 (D) x 54 (H) onto guitar pedalboards low-impedance, balanced inputs of a mixing lSnug fit shuts out external sound G Current Draw 22 mA (DC 9 V) mm (3-3/8" x 7-7/8" x 2-1/8") G Weight 400 g/15 oz console PSA-series • 0 dBu = 0.775 Vrms AC Adaptor *AF method (Adaptive Focus method): This is a proprietary method from Roland that vastly improves the signal-to-noise (S/N) ratio of the AD and DA converters. 32-33 BR SERIES (Optical type), USB (B type) G Power Supply DC 12 V: AC Adaptor (Roland DB-30 31 PSB-7U) G Power Consumption 3 A G Dimensions 478 (W) x 297 (D) x 95 G Metronome Tempo: 30 to 250 (Accuracy: ± 0.1%), Beat: 0–9, 2+3, 3+2, (H) mm (18-7/8" x 11-3/4" x 3-3/4") G Weight 4.1 kg/9 lbs 1 oz 3+4, 4+3, 4+5, 5+4, 5+6, 6+5, 6+7, 7+6, 7+8, 8+7, 8+9, 9+8 (24 kinds), MICRO BR BR-80 26–27 G Accessories AC Adaptor (PSB-7U), DISCRETE DRUMS (CD-ROM) Rhythm: Quarter note, Eighth note, Eighth rest and eighth note, Triple, Triple G Tracks Tracks: 8, Simultaneously recording track: 2, G System Requirements (USB Connection) Please refer to the BOSS website V-Track: 64 (8 V-Tracks per each Track) Tracks: 2 (stereo), www.boss.info with center rest, Sixteenth note, Sixteenth note with sixteenth rest, Clave 1, Simultaneously recording track: 2 (stereo) Tracks: 2 Clave 2 (9 kinds) G Reference Tone Reference Pitch: A4 = 438 Hz to 445 Hz (stereo), Simultaneously recording track: 2 (stereo) * Either the playback or (1 Hz step), Reference Tone Range: C4 to B4 (Accuracy: ±1 cent) G Auto BR-1600CD Version 2 29 the recording. G Recording Media SD Memory Card: 1 GB to 2 GB, SDHC Power Off function Turns unit off after 60 min. G Memory function Stores G Tracks Track: 16, V-Track: 256 (16 V-Tracks per primary Track), Up to 8 Memory Card: 4 GB to 32 GB G Data Type Linear (Bit Depth: the settings when the power is turned off. (The Mute status is not stored in tracks can be recorded simultaneously, and up to 16 tracks can be played 16-bit) eBand Songs (Recording/Playback), WAV (Bit Depth: memory.) G Indicators LCD Display, Tempo Indicator LED x 2 G Power back simultaneously. G Maximum Usable Capacity/ Recording Time 16-bit, Playback only), MP3 (Bit Rates: 64 kbps to 320 kbps, Playback only) Supply Lithium Battery G Dimensions 61 (W) x 90 (D) x 20 (H) Internal Hard Disk: 80 GB *The maximum recording time of the original units WAV (Bit Depth: 16-bit, Recording/Playback), MP3 (Bit mm (2-7/16" x 3-9/16" x 13/16") G Weight 70 g/3 oz (incl. battery) (80 GB) is about 240 hours. The listed recording time is approximate. Time Rates: 64 kbps to 320 kbps, Recording/Playback) G AD Conversion 24-bit G Accessory Lithium Battery < CR2032> may be slightly shorter depending on the number of songs and size of G DA Conversion 24-bit G Sample Rate 44.1 kHz G Recording Time imported loop phrase that were created. The listed recording time is the total (conversion in one track) 1 GB: 3 hours, 32 GB: 100 hours for all the tracks that are used. If each of the sixteen tracks contain an equal [eBand Song] 1 GB: 4 hours, 32 GB: 130 hours [WAV 16-bit, stereo] 1 GB: 1.5 hours, 32 GB: 50 hours OPTIONS the time shown. G Signal Processing : [24-bit, AF method* [MP3 128 kbps, stereo] 1 GB: 16 hours, 32 GB: 550 hours * The above-listed (Guitar/Bass)], [24-bit, Modulation (VOCAL)], [24-bit, Modulation recording times are approximate. Times may be slightly shorter depending on ∆∑ ∆∑ BCB-60 32 (MULTI-TRACK)], [24-bit, ∆∑ Modulation (STEREO TRACKS)], the number of songs that were created. * The above number of the MTR G G : 24-bit, ∆∑ Modulation, : 24-bit Power Supply DC 9 V: AC Adaptor (PSC series) Dimensions 670 (W) x ME SERIES mode is the total for all the tracks that are used. If each of the eight tracks G (digital mixer section), : 16-bit linear G Sample Rate 44.1 370 (D) x 100 (H) mm (26-7/16" x 14-5/8" x 3-15/16") Weight 3.8 kg/8 lbs 7 oz contain an equal amount of data, the length of the resulting song will be G kHz G Frequency Response 20 Hz to 20 kHz (+1/-3 dB) G Total Distortion Accessories AC Adaptor (PSC series), Pre-cut Insert x 3, Spare Insert x 1, 20–21 approximately 1/8 of the above. G Nominal Input Level GUITAR/MIC IN jack: ME-25 0.02 % or less (INPUT SENS: CENTER, 1 kHz at nominal output level) 8-pin Parallel DC Cord, L-L Cable (short) x 5, L-L Cable (long) x 3 G G G -20 dBu (GUITAR/MIC SW = GUITAR), -40 dBu (GUITAR/MIC SW = MIC), AD Conversion 24-bit + AF method* DA Conversion 24-bit Sampling G Nominal Input Level (Variable) GUITAR/BASS jack: -10 dBu, MIC 1–8 jacks LOOP STATION G G G LINE IN jack: -10 dBu G Input Impedance GUITAR/MIC IN jack: 1 MΩ Frequency 44.1 kHz Memory 60 Sound Library 60 Nominal Input (XLR): -40 dBu, INPUT 1–8 jacks: -10 dBu G Input Impedance BCB-30 32 Level INPUT: -10 dBu, AUX IN: -18 dBu G Input Impedance INPUT:1 MΩ, (GUITAR/MIC SW = GUITAR), 6 kΩ (GUITAR/MIC SW = MIC), LINE IN jack: [GUITAR/BASS jack: 1 MΩ], [MIC 1–8 jacks (XLR): 12.5 kΩ (HOT-COLD), G Dimensions 330 (W) x 300 (D) x 81 (H) mm (13" x 3-3/16" x 11-13/16") RC-30 10•14–15 AUX IN: 22 kΩ G Nominal Output Level -10 dBu G Output Impedance 2 kΩ 10 kΩ G Nominal Output Level PHONES/LINE OUT jack: -14 dBu G Output 6.5 kΩ (HOT-GND, COLD-GND)], [INPUT 1–8 jacks: 22 kΩ] G Nominal G Weight 1.2 kg/2 lbs 11 oz G Accessories 4-pin Parallel DC Cord, L-L G Nominal Input Level MIC IN: -40 dBu (variable), INST IN: -20 dBu, G Power Supply DC 9 V, Dry Battery x 6, AC Adaptor Impedance PHONES/LINE OUT jack: 22 Ω G USB Functions 24-bit/44.1 kHz Output Level LINE OUT jack: -10 dBu G Output Impedance LINE OUT jack: Cable (130 mm) x 2 G Option AC Adaptor (PSA series) TU SERIES AUX IN: -10 dBu G Nominal Output Level -20 dBu G Recording/Playback (PSA series: Optional) G Current Draw 150 mA, G Dimensions 300 (W) x USB-AUDIO (Hi-Speed USB), USB Mass Storage Class (Hi-Speed USB), BUS 2 kΩ, PHONES 1, 2 jack: 100 Ω G Recommended Load Impedance LINE OUT Maximum Recording Time: Approximately 3 hours, Maximum Phrase 191 (D) x 72 (H) mm, (11-13/16" x 7-9/16" x 2-7/8"), Maximum height: 300 (W) Power operation G Power Supply DC 9 V: AC Adaptor (PSA series: Optional), jack: 20 kΩ or greater, PHONES 1, 2 jack: 8 to 50 Ω G Residual Noise Level G Dry battery x 2, Rechargeable Ni-MH battery FS-6 32 TU-1000 12 Memory: 99 phrases, Number of tracks: 2, Data Format: WAV (44.1 kHz, x 191 (D) x 93 (H) mm, (11-13/16" x 7-9/16" x 3-11/16") Weight 1.9 kg/ LINE OUT jack: -90 dBu or less (INPUT SELECT: GUITAR/BASS, input G G 16-bit linear, stereo) G USB Interface Hi-Speed USB mass storage device 4 lbs 4 oz G Accessories ME-25 DVD-ROM, Dry Battery x 6 x 2, or USB Bus Power G Current Draw 130 mA (DC IN) *Alkaline dry cell G Controls Pedal Switch A, Pedal Switch B, POLARITY Switch A, POLARITY Reference Pitch A4 = 436 to 445 Hz (1 Hz step) Tuning Range C0 terminated with 1 kΩ, INPUT SENS: CENTER, IHF-A, typ.) G Interface G G G batteries: Approximately 6 hours (with continuous playback of 8 tracks, power Switch B, Mode Switch A, Mode Switch B G Power Supply DC 9 V: Dry (16.35 Hz) to C8 (4,186.0 Hz) G Tuning Accuracy ±1 cent G Power Supply class Power Supply DC 9 V: Dry Battery x 6, AC Adaptor Options AC Adaptor (PSA series) System Requirements (USB Connection) DIGITAL IN: S/PDIF 16-bit/24-bit (coaxial type), DIGITAL OUT: S/PDIF save function) * May vary according to usage conditions, batteries used, and Battery <6F22/6LR61 type> G Current Draw 8 mA (max.) G Dimensions DC 9 V: AC Adaptor (Roland PSB-1U) G Current Draw 350 mA G Dimensions (PSA series: Optional) * Rechargeable Ni-MH batteries cannot be used. Please refer to the BOSS website www.boss.info 16-bit/24-bit (coaxial type), USB (B type) G Power Supply DC 12 V: AC G G type of SD Memory card used. G Dimensions 138 (W) x 86 (D) x 22 (H) mm 188 (W) x 91(D) x 43 (H) mm (7-7/16" x 3-5/8" x 1-3/4") G Weight 470 g/1 414 (W) x 160 (D) x 61 (H) mm (16-5/16" x 6-5/16" x 2-7/16") G Weight Current Draw Maximum 195 mA (DC 9 V) Dimensions 173 (W) x Adaptor (Roland PSB-7U) G Power Consumption 3 A G Dimensions 494 G (5-7/16" x 3-7/16" x 7/8") G Weight 140 g/5 oz G Accessories SD Memory lbs 1 oz (incl. battery) G Accessory Dry Battery <6F22 type> 2.2 kg/4 lbs 14 oz (excl. AC Adaptor) G Accessories AC Adaptor (Roland 158 (D) x 57 (H) mm (6-13/16" x 6-1/4" x 2-1/4") Weight 1.2 kg/2 lbs ME-70 22 (W) x 339 (D) x 99 (H) mm (19-1/2" x 13-3/8" x 3-15/16") G Weight 4.9 kg/ 11 oz (incl. batteries) G Accessories Dry battery x 6 Card, SONAR X1 LE DVD-ROM, USB Cable (mini-B type), Dry battery x 2 G Options AC Adaptor (PSA series), Silicone Case/Pouch Set for Frequency 44.1 kHz G Patch 36 (User) + 36 (Preset) G Nominal Input Level (CD-ROM) G System Requirements (USB Connection) Please refer to the DI-1 32 BR-80 (BA-BR80S) G System Requirements (USB Connection) Please refer TU-12EX 12 GUITAR INPUT: -10 dBu, AUX IN: -18 dBu G Input Impedance GUITAR INPUT: BOSS website www.boss.info G Frequency Response 20 Hz to 40 kHz (+0.5/-1 dB) G Nominal Input Level to the BOSS website www.boss.info G Reference Pitch A4 = 438 to 445 Hz G Tuning Range E0 (20.6 Hz) to C8 RC-3 7•14–15 1 MΩ, AUX IN: 22 kΩ G Nominal Output Level -10 dBu G Output Impedance -20/0/+20 dBu (selectable) G Max. Input Level +45 dBu (1 kHz), 390 Vp-p (4,186.0 Hz) G Tuning Accuracy ±1 cent G Power Supply DC 3 V: Dry Battery G Nominal Input Level INPUT: -20 dBu, AUX IN: -10 dBu G Nominal Output 2 kΩ G Power Supply DC 9 V: Dry Battery x 6, G Max. Output Level +8 dBu (Balanced: 600 Ω load, Unbalanced: 50 kΩ) x 2, DC 9 V: AC Adaptor (PSA series: Optional) Level -20 dBu G Recording/Playback Maximum Recording Time: AC Adaptor (PSA series: Optional) G Current Draw 130 mA G Dimensions BR-800 28 G Residual Noise -110 dBu or less (IHF-A) G Total Harmonic Distortion G Current Draw 12 mA G Dimensions 148 (W) x 54 (D) x 24 (H) mm Approximately 3 hours, Maximum Phrase Memory: 99 phrases, Number of 384 (W) x 229 (D) x 74 (H) mm (15-1/8" x 9-1/16" x 2-15/16"), Maximum G Tracks Track: 8, V-Track: 64 (8 V-Tracks per each Track), Up to 4 tracks DR &DB SERIES 0.05 % or less G Current Draw 6 mA G Power Supply DC 9 V: Dry Battery (5-13/16" x 2-1/8" x 1") G Weight 138 g/5 oz G Accessories Dry Battery tracks: 1, Data Format: WAV (44.1 kHz, 16-bit linear, stereo) G USB Interface height: 384 (W) x 229 (D) x 100 (H) mm (15-1/8" x 9-1/16" x 3-15/16") can be recorded simultaneously, and up to 8 tracks can be played back <6F22/6LR61 type>, Phantom Power 24 V to 48 V DC G Dimensions 97 (W) x 2, Soft Case Hi-Speed USB mass storage device class G Power Supply DC 9 V: <6LR61 G Weight 3.5 kg/7 lbs 12 oz (incl. batteries) G Accessories Dry Battery simultaneously. G Sample Rate 44.1 kHz G Frequency Response 20 Hz to DR-880 30 x 125 (D) x 46 (H) mm (3-13/16" x 4-15/16" x 1-13/16") GWeight 480 g/1 lbs 1 oz G type>, AC Adaptor (PSA series: Optional) * Rechargeable Ni-MH batteries < LR6 (AA) type> x 6 G Options AC Adaptor (PSA series), Footswitch (FS-5U, 20 kHz (+1/-3 dB) AD Conversion 24-bit, 24-bit + AF method* (GUITAR/ G Max. Polyphony 32 voices; Depending on the bass sound selected, max. G G G G TU-12BW 12 cannot be used. Current Draw 70 mA (DC 9 V) Dimensions 73 (W) x FS-6), Footswitch Cable (Roland PCS-31L) BASS input) DA Conversion 24-bit Compatible Card Capacity SD Memory polyphony may be lower G Instruments Drums: 440, Bass: 40 G Kits User: RH-300 32 129 (D) x 59 (H) mm (2-7/8" x 5-1/8" x 2-3/8") G Weight 450 g/1 lb (incl. Card: 1 GB to 2 GB, SDHC Memory Card: 4 GB to 32 GB G Data Type HiFi G Reference Pitch A4 = 438 to 445 Hz G Tuning Range E0 (20.6 Hz) to C8 100, Preset: 100 G Rhythm Patterns User: 500, Preset: 500 G Songs User: G Type of Construction Closed Type; Dynamic G Driver 45 mm in Diameter; battery) G Accessory Dry battery <6LR61 type> G Options AC Adaptor (PSA (MT2) Roland/BOSS original format, 16-bit linear stereo WAV format (SONG (4,186.0 Hz) G Tuning Accuracy ±1 cent G Power Supply DC 3 V: Dry Battery ME-50B 23 100 G Power Supply AC Adaptor (BRC series) G Dimensions 273 (W) x 242 Neodymium Magnet G Sensitivity 101 dB/mW G Maximum Input 1600 mW series), Footswitch (FS-5U, FS-6) SKETCH only) G Recording Time (for multi-track recording) Conversion in x 2, DC 9 V: AC adaptor (PSA series: Optional) G AD Conversion 24-bit + AF method* G DA Conversion 24-bit G Sampling (D) x 72 (H) mm (10-3/4" x 9-9/16" x 2-7/8") G Weight 1.4 kg/3 lbs 2 oz G Frequency Response 10 to 25,000 Hz G Cord 3.4 m (11')/OFC litz wire one track,1 GB: 8 hours 40 minutes, 32 GB: 272 hours * The above-listed G Current Draw 12 mA G Dimensions 148 (W) x 54 (D) x 24 (H) mm Frequency 44.1 kHz G Patches 24 (User) G Nominal Input Level INPUT: G Accessories AC Adaptor (BRC series), DR-880 Driver CD-ROM G Options G Plug Stereo Mini (gold-plated)/Plug Adapter (mini plug -> 1/4" phone plug) recording times are approximate. Times may be slightly shorter depending on (5-13/16" x 2-1/8" x 1") G Weight 205 g/8 oz G Accessories Dry Battery -10 dBu, AUX IN: -10 dBu G Input Impedance INPUT: 1 MΩ, AUX IN: 100 kΩ Footswitch (FS-5U, FS-6), Expression Pedal (Roland EV-5) G Accessory Carrying Pouch the number of songs that were created. * The above number is the total for x 2, Piezo Microphone, Soft Case, Holder G Nominal Output Level -10 dBu G Output Impedance 2 kΩ G Power all the tracks that are used. If each of the eight tracks contain an equal GT SERIES Supply DC 9 V: Dry Battery x 6, AC Adaptor (PSA series: amount of data, the length of the resulting song will be approximately 1/8 of DR-3 30 Optional) G Current Draw 140 mA G Dimensions 384 (W) x 225 (D) x 78 (H) TU-88 12 the above. G Recording Time (for SONG SKETCH) Stereo recording, 1 GB: G Max. Polyphony 12 voices G Instruments Drum and Perc: 120, Bass: 12 GT-10 18 mm (15-1/8" x 8-7/8" x 3-1/8") G Weight 3.2 kg/7 lbs (incl. batteries) G Reference Pitch A4 = 435 to 446 Hz G Tuning Range E0 (20.6 Hz) to C8 90 minutes, 32 GB: 48 hours G Nominal Input Level GUITAR/BASS jack: G Styles User Style: 100 styles, Preset Style: 100 styles; 11 patterns for a style G AD Conversion 24-bit + AF method* G DA Conversion 24-bit G Sampling G Accessories Dry Battery x 6 G Options AC Adaptor (PSA (4,186.0 Hz) G Tuning Accuracy ±1 cent G Power Supply DC 9 V: Dry Battery -10 dBu, INPUT 1–4 jacks: -50 to -20 dBu (XLR type), -26 to +4 dBu (1/4" G Songs Songs: 100, Song Length: Max. 250 patterns for a song G Power Frequency 44.1 kHz G Program Memories 400: 200 (user) + 200 (preset) series), Footswitch (FS-5U, FS-6), Footswitch Cable (Roland PCS-31L) <6F22/6LR61 type>, AC Adaptor DC 9 V (PSA series: Optional) G Current Draw TRS phone type), LINE IN jack: -10 dBu G Input Impedance GUITAR/BASS Supply DC 9 V: Dry Battery x 6, AC Adaptor (PSA series: G Nominal Input Level INPUT: -10 dBu, RETURN: -10 dBu G Input 30 mA G Dimensions 140 (W) x 80 (D) x 30 (H) mm (5-9/16" x 3-3/16" x 1-3/16") jack: 1 MΩ, INPUT 1–4 jacks: 3 kΩ (XLR type), 47 kΩ (1/4" TRS phone type), Optional) G Dimensions 213(W) x 185 (D) x 53 (H) mm (8-7/16" x 7-5/16" x Impedance INPUT: 1 MΩ, RETURN: 220 kΩ G Nominal Output Level 23 G Weight 190 g/7 oz (incl. battery) G Accessory Dry Battery <6F22 type> ME-20B LINE IN jack: 10 kΩ G Nominal Output Level LINE OUT jacks: -10 dBu 2-1/8") G Weight 710 g/1 lbs 10 oz G Power Consumption 200 mA OUTPUT: -10 dBu / +4 dBu, SEND: -10 dBu G Output Impedance OUTPUT: G G G AD Conversion 24-bit + AF method* DA Conversion 24-bit Sampling G Output Impedance LINE OUT jacks: 1 kΩ G Recommended Load G Accessories Dry Battery x 6 G Option AC Adaptor (PSA 2 kΩ, SEND: 3 kΩ G Dynamic Range 100 dB or greater (IHF-A) G Power G G TU-3 7•13 Frequency 44.1 kHz Patches 30 (user) Nominal Input Level INPUT: Impedance LINE OUT jacks: 20 kΩ or greater, PHONES jack: 32 to 100 Ω series) Supply DC 9 V (AC Adaptor: Roland PSB-1U) G Current Draw 800 mA -10 dBu, AUX IN: -18 dBu G Input Impedance INPUT: 1 M , AUX IN: 22 k GReference Pitch A4 = 436 to 445 Hz (1Hz step) GTuning Range C0 (16.35Hz) Ω Ω G Residual Noise Level LINE OUT jacks: -85 dBu or less (IHF-A, typ.) G Dimensions 542 (W) x 272 (D) x 77 (H) mm (21-3/8" x 10-3/4" x 3-1/16"), G Nominal Output Level -10 dBu G Output Impedance 2 k G Power to C8 (4,186.0 Hz) G Power Supply DC 9 V: Dry Battery <6F22/6LR61 type>, Ω G Power Supply DC 9 V: AC Adaptor, Size AA Dry Battery x 6 (Alkaline DB-90 31 Maximum height: 542 (W) x 272 (D) x 104 (H) mm (21-3/8" x 10-3/4" x Supply DC 9 V: Dry Battery x 6, AC Adaptor (PSA series: AC Adaptor (PSA series: Optional) G Current Draw 30 mA (High Brightness batteries recommended), USB Bus Power G Current Draw 280 mA (DC IN), GMetronome Tempo: 30 to 250 (Accuracy: ± 0.1%), Beat 1: 1–9, Beat 2: OFF, 4-1/8") G Weight 4.9 kg/10 lbs 13 oz G Accessory AC Adaptor (Roland Optional) G Current Draw 90 mA G Dimensions 294 (W) x 179 (D) x 54 (H) mode: 85 mA) G Dimensions 73 (W) x 129 (D) x 59 (H) mm (2-7/8" x 5-1/8" x 480 mA (USB Bus Power) G Dimensions 289 (W) x 184 (D) x 58 (H) mm, 1–9, Pattern: 8-Beat x 4, 16-Beat x 3, Shuffle x 3, x 2, Jazz x 2, Blues, PSB-1U) G Options Footswitch (FS-5U, FS-6), Footswitch Cable (Roland mm (11-5/8" x 7-1/16" x 2-1/8"), Maximum height: 294 (W) x 179 (D) x 74 (H) 2-3/8") G Weight 390 g/14 oz (incl. battery) G Accessory Dry Battery <6F22 (11-7/16" x 7-1/4" x 2-5/16") G Weight 890 g/2 lbs (incl. batteries) Techno, House, Country, Reggae, Clave 3-2, Clave 2-3, Salsa, Rumba, PCS-31L) G System Requirements (USB Connection) Please refer to the mm (11-5/8" x 7-1/16" x 2-15/16") G Weight 1.6 kg/3 lbs 9 oz (incl. batteries) type> G Accessories SD Memory Card, AC Adaptor, USB Cable, BR-800 DVD-ROM Bossa Nova, Samba, Waltz, Tango, Mambo, Chachacha, March (30 kinds) BOSS website www.boss.info G Accessories Dry Battery x 6 G Options AC Adaptor G System Requirements (USB Connection) Please refer to the BOSS website GRhythm Coach Time Check, Quiet Count, Gradual Up/Down, Step Up/Down (PSA series), Footswitch (FS-5U, FS-6), Footswitch Cable (Roland PCS-31L) TU-80 13 GT-10B 19 www.boss.info GReference Tone Reference Pitch: A4 = 438 Hz to 445 Hz (1 Hz step), G G Reference Tone Range: C2 to B6 (5 octave, 12 semitone) G Memory Reference Pitch A4 = 435 to 446 Hz (1 Hz step) Tuning Range E0 (20.6 G AD Conversion 24-bit + AF method* G DA Conversion 24-bit G Sampling G 29 Metronome: 50, Reference Tone: 10 G Auto Power Off function Turns unit off Hz) to C8 (4,186.0 Hz) Power Supply Dry Battery x 2 Frequency 44.1 kHz G Program Memories 400: 200 (user) + 200 (preset) BR-1200CD G G after 60 min. GIndicators LCD Display, Tempo Indicator LED x 2 GPower Current Draw 3 mA (Metronome mode), 8 mA (Tuner mode) Dimensions G Nominal Input Level INPUT: -10 dBu, RETURN: -10 dBu G Input eBand G Tracks Track: 12, V-Track: 192 (16 V-Tracks per each Track), Up to 2 tracks 122 (W) x 68 (D) x 21 (H) mm (4-13/16" x 2-11/16" x 7/8") G Weight 117 g/ Supply DC 9 V: Dry Battery <6F22/6LR61 type>, AC Adaptor (PSA series: Impedance INPUT: 1 MΩ, RETURN: 220 kΩ G Nominal Output Level can be recorded simultaneously, and up to 12 tracks can be played back 5 oz (incl. batteries) G Accessories Dry Battery x 2 Optional) G Current Draw 85 mA or less (with reference tone sounding), 190 OUTPUT: -10 dBu / +4 dBu, SEND: -10 dBu, SUB OUTPUT: +4 dBu G Output simultaneously. G Maximum Usable Capacity/ Recording Time Internal Hard JS-8 24–25 mA or less (with signals inputting to the INPUT jack) GDimensions 122 (W) Impedance OUTPUT: 2 kΩ, SEND: 3 kΩ, SUB OUTPUT: 600 Ω G Dynamic Disk: 80 GB *The maximum recording time of the original units (80 GB) is about G Compatible Card Capacity SD Memory Card: 128 MB to 2 GB, SDHC x 164 (D) x 38 (H) mm (4-3/4" x 6-1/2" x 1-1/2") GWeight 450 g/14 oz (incl. Range 100 dB or greater (IHF-A) G Power Supply DC 9 V (AC Adaptor: 240 hours. The listed recording time is approximate. Time may be slightly shorter Memory Card: 4 GB to 32 GB G Data Type JS-8 Songs (Recording/Playback), battery) GAccessories Dry Battery <6LR61 type>, Soft Case Roland PSB-1U) G Current Draw 800 mA G Dimensions 542 (W) x 272 (D) MP3 (Bit Rate: 64 kbps to 320 kbps, playback only), WAV (Quantization Bit depending on the number of songs and size of imported loop phrase that were AD SERIES created. The listed recording time is the total for all the tracks that are used. x 77 (H) mm (21-3/8" x 10-3/4" x 3-1/16"), Maximum height: 542 (W) x 272 Rate: 8/16/24-bit, playback only) G External Memory USB Flash Memory DB-60 31 (D) x 104 (H) mm (21-3/8" x 10-3/4" x 4-1/8") G Weight 4.9 kg/10 lbs 13 oz G AD Conversion 24-bit + AF method* (GUITAR/MIC IN), 24-bit (AUX IN) If each of the twelve tracks contain an equal amount of data, the length of the 13 G G AD-8 G Accessory AC Adaptor (Roland PSB-1U) G Options Footswitch (FS-5U, G DA Conversion 24-bit G Sampling Frequency 44.1 kHz G Effect Patch resulting song will be approximately 1/12 of the above. Signal Processing Metronome Tempo: 30 to 250 (Accuracy: ± 0.1 %), Beat: 1–9, 2+3, 3+2, G G G Nominal Input Level -20 dBu Nominal Output Level -20 dBu Tuner FS-6), Footswitch Cable (Roland PCS-31L) G System Requirements (USB Memories Preset= 130, User= 100 G Recording Time JS-8 Songs= 250 min. : [24-bit, AF method* (Guitar/Bass)], [24-bit, ∆∑ Modulation 3+4, 4+3, 4+5, 5+4, 5+6, 6+5, 6+7, 7+6, 7+8, 8+7, 8+9, 9+8 (23 kinds), G Reference Pitch A4 = 438 to 445 Hz (1 Hz step) Tuning Accuracy ±3 cents Connection) Please refer to the BOSS website www.boss.info (1 GB), 8,060 min. (32 GB), WAV/16-bit/Stereo= 90 min. (1 GB), 3,020 min. (VOCAL)], [24-bit, ∆∑ Modulation (LINE)], [24-bit, ∆∑ Modulation (SIMUL)], Pattern: 8 Beat x 3, 16 Beat x 2, Shuffle x 2, Funk, Dance x 2, Country, Reggae, G Power Supply DC 9 V: Dry Battery x 6, AC Adaptor (32 GB), MP3/128 kbps/Stereo=1,040 min. (1 GB), 33,330 min. (32 GB) : 24-bit, ∆∑ Modulation, : 24-bit (digital Clave x 2, Rumba, Bossa Nova, Waltz, Tango, Mambo, March (20 kinds) G G G G (PSA series: Optional) Current Draw 120 mA Dimensions 250 (W) x 180 * The above-listed capacities are approximate. Times may be slightly shorter mixer section), : 16-bit linear Sample Rate 44.1 kHz Reference Tone Reference Pitch: A4 = 438 Hz to 445 Hz (1Hz step), G G G G (D) x 60 (H) mm (9-7/8" x 7-1/8" x 2-3/8") Weight 1.9 kg/4 lbs 4 oz (incl. depending on the number of songs that were created. G Nominal Input Level Frequency Response 20 Hz to 20 kHz (+1/-3 dB) Total Distortion 0.05 % Reference Tone Range: C4 to B4 (Accuracy: ±1 cent) Timer Setting Range: G G G G batteries) Accessories Dry Battery x 6 Option AC GUITAR/MIC IN= -20 dBu (INPUT GAIN=GUITAR), -32 dBu (INPUT GAIN=MIC), or less (INPUT SENS: CENTER, 1 kHz at nominal output level) Nominal Input 1 to 60 minutes Indicators LCD Display, Tempo Indicator LED x 2 G G Adaptor (PSA series) AUX IN= -15 dBu G Nominal Output Level PHONES= -10 dBu, LINE OUT= Level (Variable) GUITAR/BASS jack: -20 dBu, MIC 1/2 jacks (TRS balanced/ Power Supply Dry Battery x 2 Dimensions 129 (W) G G -10 dBu G USB Supports file transfer (mass storage class) and audio XLR): -40 dBu, LINE IN jacks: -10 dBu Input Impedance [GUITAR/BASS x 84 (D) x 22 (H) mm (5-1/8" x 3-5/16" x 7/8") Weight 156 g/6 oz (incl. AD-3 13 G Current Draw 400 mA G Dimensions 264 (W) x 166 (D) x 201 (H) mm, jack: 1 MΩ], [MIC 1/2 jacks (TRS balanced/ XLR): 12.5 kΩ (HOT-COLD) 6.5 kΩ batteries) G G Nominal Input Level -10 dBu G Nominal Output Level -10 dBu G Power (10-7/16" x 6-9/16" x 7-15/16") G Weight 1.7 kg/3 lbs 12 oz G Accessories (HOT-GND, COLD-GND)], [LINE IN jacks: 22 kΩ] Nominal Output Level LINE G Supply DC 9 V: Dry Battery x 6, AC Adaptor (PSA series: AC Adaptor (Roland PSB-1U), SD Memory Card, USB Cable G Options OUT jack: -10 dBu Output Impedance LINE OUT jack: 2 kΩ, PHONES jack: G Optional) G Current Draw 90 mA G Dimensions 170 (W) x 156 (D) x 70 (H) Footswitch (FS-5U, FS-6), Expression Pedal (Roland EV-5), Footswitch Cable 100 Ω Recommended Load Impedance LINE OUT jack: 20 kΩ or greater, G mm (6-3/4" x 6-3/16" x 2-13/16") G Weight 1.0 kg/2 lbs 4 oz (incl. batteries) (Roland PCS-31L) G System Requirements (USB Connection) Please refer PHONES jack: 8 to 50 Ω Residual Noise Level LINE OUT jack: -87 dBu or less (INPUT SELECT: GUITAR/BASS, input terminated with 1 k , INPUT G Accessories Dry Battery x 6 G Option AC Adaptor (PSA to the BOSS website www.boss.info Ω G series) SENS: CENTER, IHF-A, typ.) Interface DIGITAL OUT: S/PDIF 16-bit/24-bit

• 0 dBu = 0.775 Vrms 34-35 *AF method (Adaptive Focus method): This is a proprietary method from Roland that vastly improves the signal-to-noise (S/N) ratio of the AD and DA converters.

BOSS PRODUCTS CATALOG 2011 Experience the power of BOSS effects!

Our website is filled with the latest information, including techniques that you can use in the real world. It also includes details on the latest products, www.boss.info interactive tours, videos, and more. Visit us now!

BOSS iPhone website “BOSS SOUND TRIAL” See the BOSS effects in action with your iPhone! http://boss.mobi/iphone/ Always by your side. BOSS.

Once a musical instrument generates sound vibrations, it reaches the human ear through various mediating objects, each of which significantly affects the sound. The material and configuration of the instrument, the electric/electronic/magnetic amplifying system, the air and the reverberation of the room all affect the final sound. Sound modeling, the latest DSP technology, “virtually” reconstructs these objects. Roland’s breakthrough Composite Object Sound Modeling (COSM) uses the advantages of multiple modeling methods and succeeds in accurately emulating existing sounds, as well as producing sounds that have never before been created.

MIDI Visual Control is an internationally-used recommended practice that was added to the MIDI specification so that visual expression could be linked with musical performance. Video equipment that is compatible with MIDI Visual Control can be connected to electronic musical instruments via MIDI in order to control video equipment in tandem with a performance.

Using V-LINK, musicians can “play” video from their electronic instrument — or even control a live video camera — when used with Edirol video products. With V-LINK, musicians have a powerful interface for realtime audio and video integration.

All specifications and appearances are subject to change. All trademarks used in this catalog are the property of their respective companies. Roland, BOSS, Blues Driver, COSM, DYNA DRIVE, eBand, LOOP STATION, METAL ZONE, MICRO BR, RHYTHM COACH, ROTARY ENSEMBLE, SLICER, SPACE ECHO, TSC, V-WAH are either registered trademarks or trademarks of Roland Corporation in the United States and/or other countries. CAKEWALK is a registered trademark of Cakewalk, Inc. in the United States. ASIO and VST are trademarks of Steinberg Media Technologies GmbH. Gracenote® is a registered trademark of Gracenote, Inc. The Gracenote logo and logotype, and the “Powered by Gracenote” logo are trademarks of Gracenote. www.boss.info Printed in Japan May 2011 RAM-4693 GR-GEN-SS AFH2