The Political Ecology of Imagination
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Volume 18 Number 5 Issue 218 October 2005 from THE
Volume 18 Number 5 Issue 218 October 2005 FROM THE CONCHAIR ...so the realization still comes as a shock: I look over at a group of people standing in a corner, talking amongst them- I find S.F. conventions to be a joy and a wonder. selves, and think, "I've never met them before, but if I walked up and listed off a half-dozen of my favorite fannish interests, things that might cause Joe Normal to look at me oddly and back away We take a moment to immerse ourselves in our chosen fandom slowly, I *know* those folks would see nothing odd about those and surround ourselves with other S.F. fans. The critical mass of overlapping interests creates a unique environment that allows us interest and we'd have at least a couple in common." to transcend the normal social interactions we experience in the mundane world. We become part of a much larger community. That's my moment. There are typically others during a con, but that's always the most profound for me. The moment where I realize that while I was walking about, distracted, the lobby of An enormous amount of work goes into a good convention. Consider for a moment what each of us did together last year, be the nice-but-mundane hotel is no longer mundane. I didn't just it planning, promoting, preparing, setting up, working at-con, or go to the con. It sprang to life around me. tearing down. And each year's convention builds upon the year before. -
Paolo Bacigalupi
Paolo Bacigalupi Author, The Water Knife Council Member Lorelei Cloud is a member of the Southern Paolo Bacigalupi’s writing has appeared in WIRED Magazine, High Country News, Salon.com, OnEarth Magazine, The Magazine of Fantasy and Science Fiction, and Asimov’s Science Fiction Magazine. His short fiction been anthologized in various “Year’s Best” collections of short science fiction and fantasy, nominated for three Nebula Awards, four Hugo Awards, and won the Theodore Sturgeon Memorial Award for best science fiction short story of the year. His short story collection Pump Six and Other Stories was a 2008 Locus Award winner for Best Collection and also named a Best Book of the Year by Publishers Weekly. His debut novel, The Windup Girl, was named by TIME Magazine as one of the ten best novels of 2009, and also won the Hugo, Nebula, Locus, Compton Crook, and John W. Campbell Memorial Awards. Internationally, it has won the Seiun Award (Japan), The Ignotus Award (Spain), The Kurd‐ Laßwitz‐Preis (Germany), and the Grand Prix de l’Imaginaire (France). His debut young adult novel, Ship Breaker, was a Micheal L. Printz Award Winner, and a National Book Award Finalist, and its sequel, THE DROWNED CITIES, was a 2012 Kirkus Reviews Best of YA Book, A 2012 VOYA Perfect Ten Book, and 2012 Los Angeles Times Book Prize Finalist. He has also written Zombie Baseball Beatdown for middle‐ grade children, about zombies, baseball, and, of all things, meatpacking plants. Another novel for teens, The Doubt Factory, a contemporary thriller about public relations and the product defense industry was a both an Edgar Award and Locus Award Finalist. -
13Th Valley John M. Del Vecchio Fiction 25.00 ABC of Architecture
13th Valley John M. Del Vecchio Fiction 25.00 ABC of Architecture James F. O’Gorman Non-fiction 38.65 ACROSS THE SEA OF GREGORY BENFORD SF 9.95 SUNS Affluent Society John Kenneth Galbraith 13.99 African Exodus: The Origins Christopher Stringer and Non-fiction 6.49 of Modern Humanity Robin McKie AGAINST INFINITY GREGORY BENFORD SF 25.00 Age of Anxiety: A Baroque W. H. Auden Eclogue Alabanza: New and Selected Martin Espada Poetry 24.95 Poems, 1982-2002 Alexandria Quartet Lawrence Durell ALIEN LIGHT NANCY KRESS SF Alva & Irva: The Twins Who Edward Carey Fiction Saved a City And Quiet Flows the Don Mikhail Sholokhov Fiction AND ETERNITY PIERS ANTHONY SF ANDROMEDA STRAIN MICHAEL CRICHTON SF Annotated Mona Lisa: A Carol Strickland and Non-fiction Crash Course in Art History John Boswell From Prehistoric to Post- Modern ANTHONOLOGY PIERS ANTHONY SF Appointment in Samarra John O’Hara ARSLAN M. J. ENGH SF Art of Living: The Classic Epictetus and Sharon Lebell Non-fiction Manual on Virtue, Happiness, and Effectiveness Art Attack: A Short Cultural Marc Aronson Non-fiction History of the Avant-Garde AT WINTER’S END ROBERT SILVERBERG SF Austerlitz W.G. Sebald Auto biography of Miss Jane Ernest Gaines Fiction Pittman Backlash: The Undeclared Susan Faludi Non-fiction War Against American Women Bad Publicity Jeffrey Frank Bad Land Jonathan Raban Badenheim 1939 Aharon Appelfeld Fiction Ball Four: My Life and Hard Jim Bouton Time Throwing the Knuckleball in the Big Leagues Barefoot to Balanchine: How Mary Kerner Non-fiction to Watch Dance Battle with the Slum Jacob Riis Bear William Faulkner Fiction Beauty Robin McKinley Fiction BEGGARS IN SPAIN NANCY KRESS SF BEHOLD THE MAN MICHAEL MOORCOCK SF Being Dead Jim Crace Bend in the River V. -
The Hugo Awards for Best Novel Jon D
The Hugo Awards for Best Novel Jon D. Swartz Game Design 2013 Officers George Phillies PRESIDENT David Speakman Kaymar Award Ruth Davidson DIRECTORATE Denny Davis Sarah E Harder Ruth Davidson N3F Bookworms Holly Wilson Heath Row Jon D. Swartz N’APA George Phillies Jean Lamb TREASURER William Center HISTORIAN Jon D Swartz SECRETARY Ruth Davidson (acting) Neffy Awards David Speakman ACTIVITY BUREAUS Artists Bureau Round Robins Sarah Harder Patricia King Birthday Cards Short Story Contest R-Laurraine Tutihasi Jefferson Swycaffer Con Coordinator Welcommittee Heath Row Heath Row David Speakman Initial distribution free to members of BayCon 31 and the National Fantasy Fan Federation. Text © 2012 by Jon D. Swartz; cover art © 2012 by Sarah Lynn Griffith; publication designed and edited by David Speakman. A somewhat different version of this appeared in the fanzine, Ultraverse, also by Jon D. Swartz. This non-commercial Fandbook is published through volunteer effort of the National Fantasy Fan Federation’s Editoral Cabal’s Special Publication committee. The National Fantasy Fan Federation First Edition: July 2013 Page 2 Fandbook No. 6: The Hugo Awards for Best Novel by Jon D. Swartz The Hugo Awards originally were called the Science Fiction Achievement Awards and first were given out at Philcon II, the World Science Fiction Con- vention of 1953, held in Philadelphia, Pennsylvania. The second oldest--and most prestigious--awards in the field, they quickly were nicknamed the Hugos (officially since 1958), in honor of Hugo Gernsback (1884 -1967), founder of Amazing Stories, the first professional magazine devoted entirely to science fiction. No awards were given in 1954 at the World Science Fiction Con in San Francisco, but they were restored in 1955 at the Clevention (in Cleveland) and included six categories: novel, novelette, short story, magazine, artist, and fan magazine. -
The Drink Tank 252 the Hugo Award for Best Novel
The Drink Tank 252 The Hugo Award for Best Novel [email protected] Rob Shields (http://robshields.deviantart.com/ This is an issue that James thought of us doing Contents and I have to say that I thought it was a great idea large- Page 2 - Best Novel Winners: The Good, The ly because I had such a good time with the Clarkes is- Bad & The Ugly by Chris Garcia sue. The Hugo for Best Novel is what I’ve always called Page 5 - A Quick Look Back by James Bacon The Main Event. It’s the one that people care about, Page 8 - The Forgotten: 2010 by Chris Garcia though I always tend to look at Best Fanzine as the one Page - 10 Lists and Lists for 2009 by James Bacon I always hold closest to my heart. The Best Novel nomi- Page 13 - Joe Major Ranks the Shortlist nees tend to be where the biggest arguments happen, Page 14 - The 2010 Best Novel Shortlist by James Bacon possibly because Novels are the ones that require the biggest donation of your time to experience. There’s This Year’s Nominees Considered nothing worse than spending hours and hours reading a novel and then have it turn out to be pure crap. The Wake by Robert J. Sawyer flip-side is pretty awesome, when by just giving a bit of Page 16 - Blogging the Hugos: Wake by Paul Kincaid your time, you get an amazing story that moves you Page 17 - reviewed by Russ Allbery and brings you such amazing enjoyment. -
Award Winners
Award Winners Agatha Awards 1992 Boot Legger’s Daughter 2005 Dread in the Beast Best Contemporary Novel by Margaret Maron by Charlee Jacob (Formerly Best Novel) 1991 I.O.U. by Nancy Pickard 2005 Creepers by David Morrell 1990 Bum Steer by Nancy Pickard 2004 In the Night Room by Peter 2019 The Long Call by Ann 1989 Naked Once More Straub Cleeves by Elizabeth Peters 2003 Lost Boy Lost Girl by Peter 2018 Mardi Gras Murder by Ellen 1988 Something Wicked Straub Byron by Carolyn G. Hart 2002 The Night Class by Tom 2017 Glass Houses by Louise Piccirilli Penny Best Historical Mystery 2001 American Gods by Neil 2016 A Great Reckoning by Louise Gaiman Penny 2019 Charity’s Burden by Edith 2000 The Traveling Vampire Show 2015 Long Upon the Land Maxwell by Richard Laymon by Margaret Maron 2018 The Widows of Malabar Hill 1999 Mr. X by Peter Straub 2014 Truth be Told by Hank by Sujata Massey 1998 Bag of Bones by Stephen Philippi Ryan 2017 In Farleigh Field by Rhys King 2013 The Wrong Girl by Hank Bowen 1997 Children of the Dusk Philippi Ryan 2016 The Reek of Red Herrings by Janet Berliner 2012 The Beautiful Mystery by by Catriona McPherson 1996 The Green Mile by Stephen Louise Penny 2015 Dreaming Spies by Laurie R. King 2011 Three-Day Town by Margaret King 1995 Zombie by Joyce Carol Oates Maron 2014 Queen of Hearts by Rhys 1994 Dead in the Water by Nancy 2010 Bury Your Dead by Louise Bowen Holder Penny 2013 A Question of Honor 1993 The Throat by Peter Straub 2009 The Brutal Telling by Louise by Charles Todd 1992 Blood of the Lamb by Penny 2012 Dandy Gilver and an Thomas F. -
SF Commentary 106
SF Commentary 106 May 2021 80 pages A Tribute to Yvonne Rousseau (1945–2021) Bruce Gillespie with help from Vida Weiss, Elaine Cochrane, and Dave Langford plus Yvonne’s own bibliography and the story of how she met everybody Perry Middlemiss The Hugo Awards of 1961 Andrew Darlington Early John Brunner Jennifer Bryce’s Ten best novels of 2020 Tony Thomas and Jennifer Bryce The Booker Awards of 2020 Plus letters and comments from 40 friends Elaine Cochrane: ‘Yvonne Rousseau, 1987’. SSFF CCOOMMMMEENNTTAARRYY 110066 May 2021 80 pages SF COMMENTARY No. 106, May 2021, is edited and published by Bruce Gillespie, 5 Howard Street, Greensborough, VIC 3088, Australia. Email: [email protected]. Phone: 61-3-9435 7786. .PDF FILE FROM EFANZINES.COM. For both print (portrait) and landscape (widescreen) editions, go to https://efanzines.com/SFC/index.html FRONT COVER: Elaine Cochrane: Photo of Yvonne Rousseau, at one of those picnics that Roger Weddall arranged in the Botanical Gardens, held in 1987 or thereabouts. BACK COVER: Jeanette Gillespie: ‘Back Window Bright Day’. PHOTOGRAPHS: Jenny Blackford (p. 3); Sally Yeoland (p. 4); John Foyster (p. 8); Helena Binns (pp. 8, 10); Jane Tisell (p. 9); Andrew Porter (p. 25); P. Clement via Wikipedia (p. 46); Leck Keller-Krawczyk (p. 51); Joy Window (p. 76); Daniel Farmer, ABC News (p. 79). ILLUSTRATION: Denny Marshall (p. 67). 3 I MUST BE TALKING TO MY FRIENDS, PART 1 34 TONY THOMAS TO MY FRIENDS, PART 1 THE BOOKER PRIZE 2020 READING EXPERIENCE 3, 7 41 JENNIFER BRYCE A TRIBUTE TO YVONNNE THE 2020 BOOKER PRIZE -
Progress Report Four
World Fantasy Convention 2014 6 November - 9 November 2014 Washington, D.C. Progress Report Four World Fantasy Convention 2014 6 November - 9 November 2014 Our gathering — the 40th World Fanasy Convention – will take place at the Hyatt Regen- cy Crystal City in Arlington, Virginia, and will culminate in a banquet where the 2014 World Fantasy Awards will be presented. Guests of Honor Guy Gavriel Kay Les Edwards Stuart David Schiff Special Guest Lail Finlay Toastmaster Mary Robinette Kowal World Fantasy Convention 2014 Post Office Box 314 Annapolis Junction, MD 20701-0314 worldfantasy2014.org • [email protected] Facebook: WorldFantasy40 • Twitter: @WorldFantasy40 Contact Sam Lubell at [email protected] to volunteer 1 Jane Yolen We regret to report Jane Yolen will not be able to be the Toastmaster for this year’s World Fantasy Convention. She is undergoing major back surgery that will have a six-month recovery period followed by six months of physical therapy. Jane had to cancel all of her 2014 travel plans and she is very sorry since she was looking forward to joining everyone at WFC 2014. Hugo-Award winning author, professional puppeteer, voice actor, and Emergency Holographic Toastmaster. In addition to co-hosting our Wednesday evening Scotch Tasting with Guy Gavriel Kay, Mary Robinette Kowal has kindly agreed take over Jane Yolen’s toast mastering duties for WFC 2014. Jane Yolen Exhibit There will be a special exhibit of Jane Yolen’s work featuring international editions and cover artwork for many of her novels. 2014 World Fantasy Lifetime Achievement Award Our heartfelt congratulations to Ellen Datlow and Chelsea Quinn Yarbro for winning the 2014 World Fantasy Lifetime Achievement Award! We will post the nominees for the other awards to our web site once the list has been published. -
Vector 5 the CRITICAL JOURNAL of the BSFA £2.25 September/October 1995
1 Vector 8 5 THE CRITICAL JOURNAL OF THE BSFA £2.25 September/October 1995 John Brunner Remembered ‘Sci-Fi’ on Channel 4 The Centenary of Interzone 2 Editorial Vector 185 Our debut issue as features editor of Vector is Contents overshadowed, as indeed was the Worldcon, by the death of John Brunner. Brunner had collapsed early in the convention and was then taken to 3 Happy Centenary, Interzone hospital. A giant card was pinned up in the fan An appreciation by Gary Dalkin room for well-wishers to sign, but he never saw 4 Tomorrow May Be Even Worse: this. He died in hospital. Samuel R. Delany John Kilian Houston Brunner (1934-1995) prefaced his Guest of Honour speech with a With contributions from Robert Edgar, Bob minute's silence and Robert Silverberg led a Ford, Neyir Cenk Gokce and Andy Sawyer standing ovation before the Hugo award ceremony. 9 Some Looking Glass Reflections on The Mainstream Perception of SF: Part 1 My only meeting with Brunner was at the 1989 The Channel 4 Sci-Fi Weekend Novacon, where a rather nervous and tongue-tied fan asked him to sign his introduction to The by Gary Dalkin Collected Stories of Philip K. Dick Volume 3. It was 11 First Impressions just a snatched conversation in a corridor, but it Reviews of hardback and paperback originals was gratefully received. We’d like to thank all edited by Paul Kincaid those others who were able to share their thoughts 30 Paperback Graffitti about John Brunner. The features within this Reviews edited by Stephen Payne magazine were put together in less than a month. -
Paolo Bacigalupi's "The Gambler"
Johnson & Wales University ScholarsArchive@JWU Academic Symposium of Undergraduate College of Arts & Sciences Scholarship 3-31-2011 Maelstrom; or, Life After the Woods: Paolo Bacigalupi's "The aG mbler" Otto Neubauer Johnson & Wales University - Providence, [email protected] Follow this and additional works at: https://scholarsarchive.jwu.edu/ac_symposium Part of the Arts and Humanities Commons, Physical Sciences and Mathematics Commons, and the Social and Behavioral Sciences Commons Repository Citation Neubauer, Otto, "Maelstrom; or, Life After the Woods: Paolo Bacigalupi's "The aG mbler"" (2011). Academic Symposium of Undergraduate Scholarship. 12. https://scholarsarchive.jwu.edu/ac_symposium/12 This Research Paper is brought to you for free and open access by the College of Arts & Sciences at ScholarsArchive@JWU. It has been accepted for inclusion in Academic Symposium of Undergraduate Scholarship by an authorized administrator of ScholarsArchive@JWU. For more information, please contact [email protected]. Maelstrom; or, Life After the Woods: Paolo Bacigalupi’s “The Gambler” Otto Neubauer LIT 4010: Science Fiction March 31, 2011 Much of contemporary space-based science fiction tends to ignore nature completely, with food replicators and life support systems eliminating the need for plants as anything but decoration. In contrast, Earth-based science fiction stories often center on a conflict between man and nature. Yet though the primary themes in Paolo Bacigalupi’s “The Gambler”, Bruce Sterling’s “We See Things Differently”, and Harlan Ellison’s “‘Repent, Harlequin!’ Said the Ticktockman” are political (with “The Gambler” being a critical portrayal of the fourth estate), each offers a small window into how man ought or ought not to relate to nature. -
W a S T E L a N D S
NIGHT SHADE BOOKS 1423 33rd Avenue | San Francisco, CA 94122 | Phone: 415-759-8901 | Fax: 603-590-2754 _____________________________________________________________________________________ CONTACT: James Foster, [email protected] What will life be like after the end of the world as we know it? W A S T E L A N D S S T O R I E S O F T H E A P O C A L Y P S E SCHEDULED FOR A JANUARY 1, 2008 RELEASE Famine. Death. War. Pestilence. These are said to be the harbingers of the biblical apocalypse— Armageddon, The End of The World. In science fiction, the end of the world is usually triggered by more specific means: nuclear warfare, biological disaster (or warfare), ecological/geological disaster, or cosmological disaster. But in the wake of any great cataclysm, there are survivors—and post-apocalyptic science fiction speculates what life would be like for them. WASTELANDS (Night Shade Books trade paperback; January 1, 2008; $15.95) gathers 22 of the finest works of post-apocalyptic fiction ever written, including fiction from the likes of Stephen King, George R. R. Martin, Jonathan Lethem, Orson Scott Card, Gene Wolfe, Octavia E. Butler, and many others. Post-apocalyptic SF first rose to prominence in the aftermath World War II—no doubt due in large part to the world having witnessed the devastating destructive power of the atomic bomb—and reached the height of its popularity during Cold War, when the threat of worldwide nuclear annihilation seemed a very real possibility. So why the resurgence in popularity now? Is it because the political climate now is reminiscent of the climate during the Cold War? During times of war and global unease, is it that much easier to imagine a depopulated world, a world destroyed by humanity's own hand? In WASTELANDS , you will find 22 different science fictional apocalyptic scenarios. -
Introduction Imagining the Future of Climate Change
Introduction Imagining the Future of Climate Change In Bong Joon-Ho’s 2013 international blockbuster Snowpiercer, a single train traverses the globe, protecting the fi nal remnant of humanity from an Ice Age that made the planet seemingly unin- habitable. Set in 2031, the fi lm begins by squarely placing the blame on humans for this catastrophic climate change. As the opening credits roll over dark, starry space, we hear crackling, fuzzy excerpts of news broadcasts from all over the world telling how, despite protests from environmental groups and “developing coun- tries,” on 1 July 2014, seventy countries dispersed the artifi cial cool- ing substance CW-7 into the upper layers of the atmosphere. Because “global warming can no longer be ignored,” one of the dis- embodied voices explains, seeding the skies with CW-7 was a last- ditch eff ort “to bring average global temperatures down to man- ageable levels as a revolutionary solution to mankind’s warming of the planet.” But before the real action of the fi lm even starts, we learn the grim outcome of this desperate international scientifi c experiment. Two short sentences loom large on the screen: “Soon after dispersing CW-7 the world froze. All life became extinct.” 1 2 / Introduction In imagining a geo-engineering experiment gone wrong in response to the disaster of global warming, Bong is asking us to think critically about the solution to the problem of climate change that is favored by many people, states, and corporations invested in fi nding alternatives to curbing carbon emissions.1 In addition, since the mid-2000s, some prominent scientists, such as Dutch Nobel Prize-winning atmospheric chemist Paul Crut- zen, have also advocated exploring geo-engineering out of fears that states will not take the necessary actions to curb global warming in time and that we are on the brink of locking in dys- topian climate change that will render unsustainable life on Earth as we know it.