The Mangrove Trial Is Over with Five Acquitted and Four on Suspended Sentences
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Self-Determination Activist and Writer Darcus Howe
In Memoriam: Self-Determination Activist and Writer Darcus Howe The broadcaster and writer Darcus Howe, who has died aged 74, once described himself as having come from Trinidad on a “civilizing mission”, to teach Britons to live in a harmonious and diverse society. His aims were radical, and he brought them into the mainstream by articulating fundamental principles in a strikingly outspoken way. After his initial experience of racial tension in Britain at the start of the 1960s, Howe became active in the Black Power movement in the US and the Caribbean. In August 1970, having returned to London, he organized, with Althea Jones-Lecointe and the British Black Panthers, a campaign in defense of the Mangrove restaurant. Established and run by Frank Crichlow, the Mangrove was a small piece of decolonized territory in Notting Hill, west London. When police attempted to close it, Howe came to his friend’s aid, organizing a march. Entirely peaceful until the police intervened in overwhelming numbers, it led to a spontaneous melee, the melee to arrests, and the arrests to the biggest Black Power trial in British history. 2 Africology: The Journal of Pan African Studies, vol.10, no.3, May 2017 For 55 days Howe and Jones-Lecointe led the defense of the Mangrove nine – themselves, Crichlow and six others – from the dock of the Old Bailey. Howe demanded an all-Black jury, a claim he rooted in the Magna Carta. The judge rejected this, but the nine had stamped their authority on the case. Howe subjected the prosecution to forensic scrutiny. -
Table of Contents
National Discourse on Carnival Arts Report by Ansel Wong, October 2009 1 2 © Carnival Village, Tabernacle 2009 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form, or by any means, electronic, mechanical, photocopying, recorded or otherwise, without the prior permission of the author. Contact details for further information: Shabaka Thompson CEO Carnival Village, Tabernacle Powis Square London W11 2AY Tel: +44 (0) 20 7286 1656 [email protected] www.Carnivalvillage.org.uk 3 This report is dedicated to the memory of David Roussel-Milner (Kwesi Bachra) 18 February 1938 – 28 October 2009 4 Executive Summary Introduction The Carnival Village, The ELIMU Paddington Arts Carnival Band, the Victoria and Albert Museum and HISTORYtalk hosted the National Discourse on Carnival from Friday 2 October to Sunday 4 October 2009 with a number of post-conference events lasting for the duration of the month of October. The programme was delivered through two strands – ROOTS (a historical review and critical analysis of Carnival in London from 1969) and ROUTES (mapping the journey to artistic and performance excellence for Carnival and its related industries) - to achieve the following objectives: Inform Carnival Village‟s development plans Formulate an approach to and build a consensus on Carnival Arts Identify and develop a strategic forum of stakeholders, performers and artists Recognise and celebrate artistic excellence in Carnival Arts Build on the legacies of Claudia Jones and other Carnival Pioneers The Programme For the duration of the event, there were two keynote presentations; the first was the inaugural Claudia Jones Carnival Memorial Lecture delivered by Dr Pat Bishop and the second was delivered by Pax Nindi on the future of Carnival. -
Production Notes
PRODUCTION NOTES A Note from the Director The seed of Small Axe was sown 11 years ago, soon after my first film, Hunger. Initially, I had conceived of it as a TV series, but as it developed, I realized these stories had to stand alone as original films yet at the same time be part of a collective. After all, Small Axe refers to an African proverb that means together we are strong. The anthology, anchored in the West Indian experience in London, is a celebration of all that that community has succeeded in achieving against the odds. To me, it is a love letter to Black resilience, triumph, hope, music, joy and love as well as to friendship and family. Oh, and let’s not forget about food too! I recall each of these stories being told to me either by my parents, my aunt, and by experiencing racial discrimination myself growing up in the 70s and 80s. These are all our stories. I feel personally touched by each and every one of them. My five senses were awoken writing with Courttia Newland and Alastair Siddons. Images, smells, textures and old customs came flooding back. All five films take place between the late 60s and mid 80s. They are just as much a comment on the present moment as they were then. Although they are about the past, they are very much concerned with the present. A commentary on where we were, where we are and where we want to go. When the Cannes Film Festival selected Mangrove and Lovers Rock earlier this year, I dedicated both to George Floyd and all the other Black people that have been murdered, seen or unseen, because of who they are in the US, UK and elsewhere. -
Inside out 772.Pdf
Miscarriages of JusticeUK (MOJUK) 22 Berners St, Birmingham B19 2DR people on the street’. It was Howe’s organisational skills which meant that on that August day Tele: 0121- 507 0844 Email: [email protected] Web: www.mojuk.org.uk in 1970, the 150 protesters marched peacefully on police stations in Notting Hill. The mood was celebratory, some protesters echoing the Black Panthers’ style, many carrying placards bearing MOJUK: Newsletter ‘Inside Out’ No 772 (18/12/2019) - Cost £1 slogans like ‘Calling All Pigs, Freak Out or Get Out’ and ‘Power to the People’. They were out- numbered by a force of over 200 officers, standing five deep, with another 500 held in reserve. Mangrove Nine: When Black Power Took On the British Establishment This was force intent on inciting violence, and prepared to inflict it. Nicholas Reed Langen, Justice Gap: On the August 9, 1970, 150 black protesters marched The police had calculated that the best response was to overwhelm them with sheer weight against the Metropolitan Police, challenging the campaign of intimidation that had been waged of personnel, hoping that their numbers would spark a conflict, giving the officers the right to against their community. This protest set in motion the train of events that led to the trial of the arrest, charge and prosecute the demonstrators. A brief struggle at Portnall Road provided the Mangrove Nine where the power of the British state went up against black power and lost. The trial police all the justification they needed, with Howe later writing that they descended on the of the Mangrove Nine was a historical event. -
James Kelman's Interview with John La Rose
The full interview with John La Rose1 More than twenty five years ago I was asked to interview John La Rose for the arts and culture journal Variant 19. Malcolm Dickson was then editor. The interview took place in John’s house in Finsbury Park. Malcolm organized the recording apparatus and also jumped about taking photographs. I had known John for a few years by then and had been in his company quite often; my only plan, therefore, was to start talking. He was a very strong and experienced orator, and with a tremendous breadth of knowledge. He was used to the toughest forms of meetings, those that began in confrontation and moved towards negotiation. I knew he would go where he thought necessary and return near enough to the starting point: my job was to resist interfering. The general population are unaware of the depth and complexity of the struggle of black people and other minorities in the United Kingdom. This transcription of a talk by John La Rose allows an insight into that and of the richness of the Caribbean side of its social and intellectual tradition. Insight here is gained into the inseparable nature of the culture and the political. There is also the matter of John's own centrality to some of the more crucial political interventions in his time. It should be a matter of concern how easily such a figure can be airbrushed from the political and cultural history of the UK, and the fundamental role played by John La Rose, his peers and contemporaries. -
Black Oppressed People All Over the World Are One’: the British Black Panthers’ Grassroots Internationalism, 19691973
`Black oppressed people all over the world are one': the British Black Panthers' grassroots internationalism, 1969-1973 Article (Accepted Version) Angelo, Anne-Marie (2018) ‘Black oppressed people all over the world are one’: the British Black Panthers’ grassroots internationalism, 1969-1973. Journal of Civil and Human Rights, 4 (1). pp. 64-97. ISSN 2378-4245 This version is available from Sussex Research Online: http://sro.sussex.ac.uk/id/eprint/65918/ This document is made available in accordance with publisher policies and may differ from the published version or from the version of record. If you wish to cite this item you are advised to consult the publisher’s version. Please see the URL above for details on accessing the published version. Copyright and reuse: Sussex Research Online is a digital repository of the research output of the University. Copyright and all moral rights to the version of the paper presented here belong to the individual author(s) and/or other copyright owners. To the extent reasonable and practicable, the material made available in SRO has been checked for eligibility before being made available. Copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational, or not-for-profit purposes without prior permission or charge, provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. http://sro.sussex.ac.uk ‘Black Oppressed People All Over the World Are One’: The British Black Panthers’ Grassroots Internationalism, 1969-1973 Anne-Marie Angelo University of Sussex Under review with The Journal of Civil and Human Rights August 2016 On March 21, 1971, over 4,500 people opposing a proposed UK government Immigration Bill marched from Speakers’ Corner in Hyde Park, London to Whitehall. -
French and British Anti-Racists Since the 1960S: a Rendez-Vous Manque
XML Template (2015) [23.2.2015–12:43pm] [1–26] //blrnas3.glyph.com/cenpro/ApplicationFiles/Journals/SAGE/3B2/JCHJ/Vol00000/140054/APPFile/SG- JCHJ140054.3d (JCH) [PREPRINTER stage] View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Edge Hill University Research Information Repository Article Journal of Contemporary History 0(0) 1–26 French and British ! The Author(s) 2015 Reprints and permissions: sagepub.co.uk/journalsPermissions.nav Anti-Racists Since the DOI: 10.1177/0022009414559615 1960s: A rendez-vous jch.sagepub.com manque´? Daniel A. Gordon Edge Hill University, UK Abstract While immigration situations in France and Britain are often contrasted to each other, they are not mutually closed systems. This article asks to what extent anti-racist move- ments in the two countries interacted with each other between the 1960s and 1990s. Although one could be forgiven for thinking that the two operate in parallel and mutu- ally incomprehensible universes, it suggests that there has been more exchange than meets the eye, by examining case studies ranging from the Mouvement Contre le Racisme et Pour l’Amitie´ entre les Peuples to the magazine Race Today, and the trajec- tories of individuals from Mogniss Abdallah to John La Rose. Though less immediately apparent than those from across the Atlantic, influences occasionally, at times surrep- titiously, crept across the Channel. Nevertheless it concludes that this specifically Anglo-French form of transnationalism became more developed after, rather than during, what is classically considered the heyday of transnational protest in the 1960s and 1970s. It also argues that despite the much-vaunted French resistance to the ‘Anglo-Saxons’, influences in anti-racism in fact flowed more readily southwards than northwards across the Channel. -
Subject Guide
Subject Guide Protest and Campaigns Background This guide aims to provide an overview of the history of protest and campaigns amongst Black communities since the First World War, rather than a definitive guide to the history of all Black British protest movements Protest has and continues to take many forms, whether this has been through direct activism, writing or the arts. After the First World War, members of the forces decided to settle in Britain, particularly from the Navy. However, many found that jobs were hard to retain, and were often subject to racial abuses from white men particularly after demobilisation. As tensions continued to rise amongst groups the result was a number of Uprisings. These took place across various cities in Liverpool, Cardiff, and London throughout June 1919. In response the Government proposed a variety of repatriation schemes. For those that remained in Britain, unemployment persisted during the inter-war period, combined with continued discrimination by employers. The increased distress and poverty felt amongst the Black communities resulted in another uprising riot in Cardiff in 1935. During the 1920s and ‘30s a number of forwarding-thinking men formed groups that provided support and a meeting place for Black communities. These included Ladipo Solanke, who founded the West African Student’s Union and Dr Harold Moody who founded the League of Coloured People. Both of these men strongly protested against the injustices of the ‘colour bar’. This was a social and legal system in which people of different races were separated. This particularly occurred when many African, Caribbean and individuals from other ethnic groups, were seeking employment and accommodation in Britain. -
Darcus Howe: a Political Biography
Bunce, Robin, and Paul Field. "Bibliography." Darcus Howe: A Political Biography. London: Bloomsbury Academic, 2014. 267–284. Bloomsbury Collections. Web. 30 Sep. 2021. <http:// dx.doi.org/10.5040/9781472544407.0006>. Downloaded from Bloomsbury Collections, www.bloomsburycollections.com, 30 September 2021, 09:41 UTC. Copyright © Robin Bunce and Paul Field 2014. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher, and provide a link to the Creative Commons licence. Bibliography Archival material Th e National Archives (NA) CRIM 1/4962/1 Central Criminal Court papers: Regina v. Peter Martin, GKT Dolo, Benedict Obi Egbuna CRIM 1/4962/2 Central Criminal Court papers: Regina v. Peter Martin, GKT Dolo, Benedict Obi Egbuna CRIM 1/5522/1 Central Criminal Court papers: Mangrove Nine CRIM 1/5522/2 Central Criminal Court papers: Mangrove Nine CRIM 1/5522/3 Central Criminal Court papers: Mangrove Nine DPP 2/4827 Department of Public Prosecutions: ‘ Free Bobby ’ Demonstration 2 March 1970 DPP 2/4889 Department of Public Prosecutions: Oval Youth Club incident DPP 2/4889 Department of Public Prosecutions: Oval Youth Club incident DPP 2/5059 Department of Public Prosecutions: Mangrove Nine Contempt of Court HO 325/143 Home Offi ce Papers: Reports on Black Power and the Mangrove March MEPO 2/11409 Metropolitan Police Papers: Evidence against Peter Martin, GKT Dolo, Benedict Obi Egbuna MEPO 31/20 Metropolitan Police Papers: Evidence against the Mangrove Nine MEPO 31/21 Metropolitan -
Small Axe and the Big Tree of 2020 Roshi Naidoo Black Stories Matter - in Mainstream History and in Primetime Broadcasting
Small Axe and the big tree of 2020 Roshi Naidoo Black stories matter - in mainstream history and in primetime broadcasting t was the sense of time - intense shots with the camera refusing to pan away; stretched silences interrupted only by repressed sobs; music played on repeat I in the foreground. It felt as though there was time to contemplate things that everyday bare survival ill afforded. The rage, frustration and bafflement at the wounds inflicted by the racist state; hard-to-reach internal, visceral pain; subtle emotions that require an expansiveness to unpack and expose to the light of day. This was big picture historical narrative, but told through stories of interpersonal relationships, conflicted identities and individual agency - anger and suffering existing alongside a sense of exuberance and presence in the moment. Here, as in life, joy and pain were given equal billing. In one sense this is simply the essence of good filmmaking, and Steve McQueen in his Small Axe season of films is obviously not the first director to gift these spaces to black audiences. Comparable images that first spring to mind are from feature films, such as the long, languid shots in Isaac Julien’sYoung Soul Rebels (1991), and this is not surprising given the cinematic feel of these small screen offerings. But make no mistake: this is television - the medium which developed in tandem with post-war migration from Britain’s former colonies in the Caribbean and elsewhere, and which bore witness to, and shaped, changing attitudes to that presence. It is the fact that this is television which has made Small Axe an event. -
Darcus Howe: a Political Biography
Bunce, Robin, and Paul Field. "A Resting Place in Babylon: Frank Crichlow and the Mangrove." Darcus Howe: A Political Biography. London: Bloomsbury Academic, 2014. 93–104. Bloomsbury Collections. Web. 1 Oct. 2021. <http://dx.doi.org/10.5040/9781472544407.ch-007>. Downloaded from Bloomsbury Collections, www.bloomsburycollections.com, 1 October 2021, 14:14 UTC. Copyright © Robin Bunce and Paul Field 2014. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher, and provide a link to the Creative Commons licence. 7 A Resting Place in Babylon: Frank Crichlow and the Mangrove Th e Mangrove Restaurant was part of no master plan. It was not set up by government fi at, funded by the GLC or founded on the initiative of the Race Relations Board. Black people who wanted to fi nd a place to live or who were having trouble with pig-headed landlords went to the Mangrove. Recent arrivals who wanted to know where to source the ingredients for their favourite dishes went there too, as did black radicals who wanted to discuss the revolution in the Caribbean, or the fortunes of Angela Davis, Stokely Carmichael or Huey P. Newton. ‘ Whitebeats ’ dissatisfi ed with square English culture sought out the Mangrove in search of the best music, good food and radical politics. And so, organically and spontaneously, the Mangrove became the centre of the black community in Notting Hill as well as a hub for London ’ s counterculture. Th e emergence of the Mangrove did not go unnoticed. -
"'Thirteen Dead and Nothing Said'." Darcus Howe
Bunce, Robin, and Paul Field. "‘Thirteen Dead and Nothing Said’." Darcus Howe: A Political Biography. London: Bloomsbury Academic, 2014. 187–202. Bloomsbury Collections. Web. 23 Sep. 2021. <http://dx.doi.org/10.5040/9781472544407.ch-014>. Downloaded from Bloomsbury Collections, www.bloomsburycollections.com, 23 September 2021, 10:47 UTC. Copyright © Robin Bunce and Paul Field 2014. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher, and provide a link to the Creative Commons licence. 1 4 ‘ Th irteen Dead and Nothing Said ’ Th e early 1980s were a turning point in British politics. Th e post-war consensus, which had been under strain for some time, fi nally gave way to political polarization and the politics of confrontation. Anti-immigrant sentiment gained new legitimacy with the election of Margaret Th atcher ’ s government in 1979. Th e Tories had overtaken Callahan ’ s government in the polls soon aft er Th atcher ’ s 1978 interview for Granada TV ’ s World in Action. Th e interview tackled the subject of immigration head on. Speaking to Gordon Burns, Th atcher made a point of seeking to address the purported grievances of those driven to voting National Front. Th atcher said she understood ‘ that people are really rather afraid that this country might be swamped with a diff erent culture ’ and declared that she would not allow ‘ false accusations of racial prejudice ’ to stop her from tackling the ‘ problem ’ of immigration ( World in Action , 1978). True to her word, a white paper was produced within a year of her election and a new British Nationality Act hit the statute book in 1981, further restricting the right of Commonwealth citizens to settle in the United Kingdom.