Papers of Hannah Arendt
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Situating Systems Thinking Between Past & Future: Hannah
A Multicultural Interdisciplinary Inquiry Situating Systems Thinking between Past & Future Hannah Arendt’s Discourse on the Multicultural “World” Chanthou Thoeun There is by now a devastating cata- Lupinacci, 2011). What can be no longer promote a network of interrelationships logue of evidence revealing the depth and hidden from public consciousness is that among developed and underdeveloped breadth of corporate sponsored, govern- the earth’s natural resources cannot sus- nations, functioning instead as an exten- ment sanctioned acts of violence against tain the excessive consumption habits, sion of corporations’ and governments’ the environment across the globe. British persistent exploitation of human labor, expansion through acts of neo-imperial- Petroleum’s (BP) oil spill, for instance, is a and willful degradation and depletion of ism. The systemic nature of the assault testament to large-scale catastrophic eco- resources, particularly in underdeveloped on the environment and its testimony to logical damages resulting from corporate nations: the world is collapsing. That the the rise of mammoth-like corporations overexpansion and systemic ecological ecological crisis continues to be rendered has been largely underestimated by ignorance (Martusewicz, Edmundsun, & inconsequential at the structural level mainstream media and politics. Given depicts a disturbing image of our society; the urgency of the ecological crisis that all we are a society stuck in the midst of an levels of society face, a paradigmatic shift Chanthou Thoeun is a teacher ecological crisis that tests our values, toward restructuring politics, economics, of advanced placement English ideology, politics, and education. Beyond and education must take place to ensure and English language development exposing the corruption of a society that episodes such as the BP oil spill can be in the Stockton Unified School District privileges capitalism and progress and eradicated. -
{TEXTBOOK} the Portable Hannah Arendt Ebook
THE PORTABLE HANNAH ARENDT PDF, EPUB, EBOOK Hannah Arendt | 640 pages | 25 Sep 2003 | Penguin Books Ltd | 9780142437568 | English | London, United Kingdom The Portable Hannah Arendt: Arendt, Hannah: : Books Professor Hannah. On Revolution. Usually dispatched within 3 to 4 days. Next page. About the Author Hannah Arendt was born in Hanover, Germany, in , and received her doctorate in philosophy from the University of Heidelberg. In , she was briefly imprisoned by the Gestapo, after which she fled Germany for Paris, where she worked on behalf of Jewish refugee children. In , she was stripped of her German citizenship, and in she left France for the United States. Her many books include The Origins of Totalitarianism , The Human Condition and Eichmann in Jerusalem , in which she coined the famous phrase 'the banality of evil'. She died in What other items do customers buy after viewing this item? Only 2 left in stock. No customer reviews. How are ratings calculated? To calculate the overall star rating and percentage breakdown by star, we do not use a simple average. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. It also analyses reviews to verify trustworthiness. Review this product Share your thoughts with other customers. Learn how to enable JavaScript on your browser. Overview: What Remains? What Remains? Jewess and Shlemihl Writing Rahel Varnhagen. What Is Authority? Home 1 Books 2. Add to Wishlist. Sign in to Purchase Instantly. Members save with free shipping everyday! See details. After the rise of the Nazis, she emigrated to America where she proceeded to write some of the most searching, hard-hitting reflections on the agonizing issues of the time: totalitarianism in both Nazi and Stalinist garb; Zionism and the legacy of the Holocaust; federally mandated school desegregation and civil rights in the United States; and the nature of evil. -
THE COUDENHOVE-KALERGI PLAN – the GENOCIDE of the PEOPLES of EUROPE? (Excerpts) Identità News Team
RUNNYMEDE GAZETTE A Journal of the Democratic Resistance FEBRUARY 2016 EDITORIAL THE PROPHET REVEALED CONTENTS ENGLISH TRANSLATION OF SELECTIONS OF PRACTICAL IDEALISM (PRAKTISCHER IDEALISMUS) Count Richard Nicolaus Coudenhove-Kalergi; via Balder Blog RICHARD NIKOLAUS VON COUDENHOVE-KALERGI Wikipedia THE COUDENHOVE-KALERGI PLAN – THE GENOCIDE OF THE PEOPLES OF EUROPE? (Excerpts) Identità News Team TACKLING THE EU EMPIRE: A HANDBOOK FOR EUROPE’S DEMOCRATS, WHETHER ON THE POLITICAL RIGHT, LEFT OR CENTRE The Bruges Group WHO REALLY CONTROLS THE WORLD? Prof. Dr. Mujahid Kamran; Global Research; New Dawn Magazine 12 METHODS TO UNPLUG FROM THE MATRIX Phillip J. Watt; Waking Times; via Libertarian Alliance Blog GETTING THE IDEA OF GOVERNMENT AND POLITICAL AUTHORITY OUT OF YOUR MIND Makia Freeman; Activist Post “NEGATIVE” INTEREST RATES AND THE WAR ON CASH Liquidity Watch; Prof. Richard A. Werner; Rawjapan; via Critical Thinking GERMANY JOINS TREND TOWARD CASHLESS SOCIETY: “CASH CONTROLS” BAN TRANSACTIONS OVER €5,000, €500 EURO NOTE Tyler Durden; Activist Post THE COLLAPSE OF THE TOO BIG TO FAIL BANKS IN EUROPE IS HERE Michael Snyder; Activist Post -------------------------------------------------------------------------------- EDITORIAL THE PROPHET REVEALED We often recognise things we cannot name … a sound, a shape, a smell, an idea … Then suddenly, as if from the ether, a name for that perception suddenly appears. Then it is instant recognition … deja vu writ large. It was thus with Coudenhove-Kalergi. Having spent half a lifetime watching an unnamed influence at work … as if I was aware of some underground river undercutting the ground beneath our feet … last year I was at long last able to give it a name. -
ENCANTAMENTO” E DESENCANTAMENTO DO MUNDO No Universo Criativo De BREAKING the WAVES De LARS VON TRIER
UNIVERSIDADE ESTADUAL DE CAMPINAS INSTITUTO DE FILOSOFIA E CIÊNCIAS HUMANAS LARISSA MALFATTI VIEIRA “ENCANTAMENTO” E DESENCANTAMENTO DO MUNDO no universo criativo de BREAKING THE WAVES de LARS VON TRIER CAMPINAS 2018 LARISSA MALFATTI VIEIRA “ENCANTAMENTO” E DESENCANTAMENTO DO MUNDO no universo criativo de BREAKING THE WAVES de LARS VON TRIER Dissertação apresentada ao Instituto de Filosofia e Ciências Sociais, como parte dos requisitos exigidos para obtenção de título de Mestra em Sociologia. Orientador: MÁRIO AUGUSTO MEDEIROS DA SILVA ESTE EXEMPLAR CORRESPONDE À VERSÃO FINAL DA DISSERTAÇÃO DEFENDIDA PELA ALUNA LARISSA MALFATTI VIEIRA, E ORIENTADA PELO PROF. DR. MÁRIO AUGUSTO MEDEIROS DA SILVA. CAMPINAS 2018 Agência(s) de fomento e nº(s) de processo(s): CNPq, 131773/2015-1 ORCID: https://orcid.org/0000-0002-5374-1959 Ficha catalográfica Universidade Estadual de Campinas Biblioteca do Instituto de Filosofia e Ciências Humanas Paulo Roberto de Oliveira - CRB 8/6272 Vieira, Larissa Malfatti, 1989- V673e Vie"Encantamento" e desencantamento do mundo no universo criativo de Breaking the waves de Lars von Trier / Larissa Malfatti Vieira. – Campinas, SP : [s.n.], 2018. VieOrientador: Mário Augusto Medeiros da Silva. VieDissertação (mestrado) – Universidade Estadual de Campinas, Instituto de Filosofia e Ciências Humanas. Vie1. Weber, Max, 1864-1920. 2. Trier, Lars von, 1956-. 3. Cinema. 4. Racionalização. 5. Teoria Social. I. Silva, Mário Augusto Medeiros da, 1982-. II. Universidade Estadual de Campinas. Instituto de Filosofia e Ciências Humanas. -
Award Ceremony Program
%e J. 'Wi{fiam :Ju{6rigftt Prize I for Intemationa{ 'llnderstancfing .9lwarcf Ceremony o/acfav J{ave[ Presicfent of tfie. Czech 2?.g,pu6 fie 1997 :Ju{6riglit Prize Laureate October 3, 1997 Sponsored by The Fulbright Association With Support of The Coca-Cola Foundation Program Welcome Philip 0. Geier President, Fulbright Association Tribute to Vaclav Havel The Honorable Madeleine Albright Secretary of State Presentation of Fulbright Prize and of "Tribute" (Sculpture by Ser,gio Dolfi) Philip O. Geier Neville Isdell Fulbright Prize Address President Vaclav Havel 1997 Laureate Closing Philip O. Geier 'Vdcfav J-lave[ Born in Prague on October 5, 1936, into the family of a prominent businessman, 1997 !fu[6right Prize Laureate Vaclav Havel completed his primary schooling in 1951. His "bourgeois" background limited his educational options, and he worked as a chemical laboratory technician while attending evening classes at a college preparatory school, graduating in 1954. 'Vaclav J-lave[ From 1955 to 1957, he studied at the Economics Faculty of the Czech Technical University in Prague. After finishing his compulsory military service, Vaclav Havel Presiaent of- the Czech 1?.fpu6lic worked as a stagehand at Prague's ABC Theater. In 1960, he began work as a stagehand and then later as an assistant director and dramaturge at Prague's Theater on the Balustrade, where his first plays were produced, including The Garden Party ( 1963), his first major international success. The Fulbright Prize honors President Havel for his promotion of From 1962 to 1966, Vaclav Havel studied dramaturgy at the Academy of Performing Arts in Prague. He was active in the democratization and renewal of culture during the liberty and human dignity in all countries through his writings, his "Prague Spring," which ended with the Warsaw Pact invasion in August 1968. -
A Film by Kasper Holten Based on Mozart's Don Giovanni
Pressekontakt Filmbüro, Valerio Bonadei, Seefeldstrasse 229, 8008 Zürich, [email protected] , 079 653 65 03 Blenkov & Schønnemann present JUAN A film by Kasper Holten Based on Mozart’s Don Giovanni A visually breathtaking drama; a story of passion, sex, guilt and destruction. Take the journey into the hidden depths of the 21st century Man Pressekontakt Filmbüro, Valerio Bonadei, Seefeldstrasse 229, 8008 Zürich, [email protected] , 079 653 65 03 Title: Juan Director: Kasper Holten Screenplay: Kasper Holten & Mogens Rukov, based on Mozart´s "Don Giovanni" English translation: Christopher Maltman & Henrik Engelbrecht after Lorenzo da Ponte Music: Wolfgang Amadeus Mozart Conductor: Lars Ulrik Mortensen Orchestra: Concerto Copenhagen Production Company: Blenkov & Schønnemann with Eurofilm and Zentropa Producers: Malene Blenkov & Michel Schønnemann Sales Company: Trust Nordisk Cast: Juan: Christopher Maltman- United Kingdom Leporello: Mikhail Petrenko - Russia Donna Anna: Maria Bengtsson - Sweden Elvira: Elizabeth Futral - USA Zerlina: Katija Dragojevic - Sweden Police Chief: Eric Halfvarson - USA Ottavio: Peter Lodahl - Denmark Masetto: Ludvig Lindström - Sweden Principal Photography: July 15th. 2009 Shooting Location: Budapest, Hungary. Budget: 29 mill. DKK / 4 mill Euro Duration: 105 minutes Shooting Format: 16mm Language: Contemporary English Pressekontakt Filmbüro, Valerio Bonadei, Seefeldstrasse 229, 8008 Zürich, [email protected] , 079 653 65 03 Pitch Juan is a famous artist and notorious playboy, thanks to his ability to become just what any woman dreams of. He turns his own life into a megalomanic work of art, playing the game of seduction like no other, driven by a manic restlessness that pushes him forward through an endless stream of conquests, betrayals, sex and eventually murder, with death lurking as the only possible outcome. -
Hannah-Arendt-What-Is-Freedom.Pdf
WHAT IS FREEDOM? Mrio raise the question, what is freedom? seems to be a hopeless JL enterprise. It is as though age-old contradictions and antino- mies were lying in wait to force the mind into dilemmas of logical impossibility so that, depending which horn of the dilemma you are holding on to, it becomes as impossible to conceive of freedom or its opposite as it is to realize the notion of a square circle. In its the as the contradic- simplest form, difficulty may be summed up tion between our consciousness and conscience, telling us that we are free and hence responsible, and our everyday experience in the outer world, in which we orient ourselves according to the principle of causality. In all practical and especially in political matters we hold human freedom to be a self-evident truth, and it is upon this axiomatic assumption that laws are laid down in human com- munities, that decisions are taken, that judgments are passed. In all fields of scientific and theoretical endeavor, on the contrary, we proceed according to the no less self-evident truth of 'ruful ex "our nihilo, of nihil sine causa, that is, on the assumption that even to that if own lives are, in the last analysis, subject causation" and 143 144 Between Past and Future there should be an ultimately free ego in ourselves, it certainly never makes its unequivocal appearance in the phenomenal world, and therefore can never become the subject of theoretical ascer- tainment. Hence freedom turns out to be a mirage the moment psychology looks into what is supposedly its innermost -
Arendt's Critical Dialogue with Heidegger KOISHIKAWA Kazue
Thinking and Transcendence: Arendt’s Critical Dialogue with Heidegger KOISHIKAWA Kazue Adjunct Faculty, University of Tsukuba Abstract : In the introduction to The Life of the Mind: Thinking (1977), Hannah Arendt explains that it was her observation of Adolf Eichmann’s “thoughtlessness” — his inability to think — at his trial in Jerusalem that led her to reexamine the human faculty of thinking, particularly in respect to its relation to moral judgment. Yet, it is not an easy task for her readers to follow how Arendt actually constructs her arguments on this topic in this text. The purpose of this paper is to delineate Arendt’s criticisms of Heidegger in order to articulate the characteristics of her own account of thinking in relation to morality. The paper first suggests the parallelism between Heidegger’s “wonder” and Arendt’s “love” as the beginning of philosophizing, i.e., thinking, and point out a peculiar circularity in Heidegger’s account of thinking. Secondly, the paper traces Arendt’s criticism of Heidegger’s account of thinking in §18 of the LM 1. Thirdly, the paper discusses why Arendt thinks Heidegger’s account of thinking is problematic by examining Kant and the Problem of Metaphysics (1929). Finally, based on the above analyses and discussions, the paper explores the nature of Arendt’s account of thinking to show how her conception of thinking provides a basis for moral judgment. In the introduction to The Life of the Mind: Thinking (1977), Hannah Arendt explains that it was her observation of Adolf Eichmann’s “thoughtlessness” — his inability to think — at his trial in Jerusalem that led her to reexamine the human faculty of thinking, particularly in respect to its relation to moral judgment. -
Introduction 1
Notes Introduction 1 . Seyla Benhabib, The Reluctant Modernism of Hannah Arendt, Thousand Oaks, CA: Sage Publications, 1996, p. xxv. 2 . M a r g a r e t C a n o v a n , Hannah Arendt: A Reinterpretation of Her Political Thought, Cambridge: Cambridge University Press, 1992, p. 109. 3 . D a n a V i l l a , Arendt and Heidegger: The Fate of the Political, Princeton, NJ: Princeton University Press, 1996, p. 8. 4 . B e n h a b i b , The Reluctant Modernism, p. 197. 5 . see, for example, Dana Villa, Arendt and Heidegger, p. 9. 6 . A m o s E l o n , The Pity of it All: A History of Jews in Germany, 1743–1933, New York: Metropolitan Books, 2002, p. 353. 7 . There is, of course, a significant literature that picks up this theme; to develop this in more detail here would take us too far from the task at hand. 8 . Peter Wagner, A Sociology of Modernity: Liberty and Discipline, London: Routledge, 1994, p. xii. 9 . S t e p h e n E r i c B r o n n e r , Reclaiming the Enlightenment: Toward a Politics of Radical Engagement, New York: Columbia University Press, 2004, pp. 97–98. 1 0 . C a n o v a n , Hannah Arendt: A Reinterpretation, p. 25. 1 1 . D a n a V i l l a , Public Freedom, Princeton, NJ: Princeton University Press, 2008, pp. 215–16. 1 2 . M a r g a r e t C a n o v a n , The Political Thought of Hannah Arendt, New York and London: Harcourt Brace Jovanovich, 1974, p. -
Love, Religion, and Hannah Arendt
Aliosha Bielenberg 19 December 2018 Love, Religion, and Hannah Arendt In 1929, Hannah Arendt (then just 23 years old) received her PhD in philosophy at the University of Heidelberg under Karl Jaspers. Her thesis was entitled Der Liebesbegriff bei Augustin (On the Concept of Love in the Thought of Saint Augustine). In it, Arendt announced that she would tackle “the question of the meaning and importance of neighborly love … [as] a simultaneous critique of the prevailing concept of love and of man’s attitude toward himself and toward God.”1 She split her work into three sections which reflect her understanding of the three contexts in which Augustine articulates his understanding of love: the material world, the realm of human activity, and in community. Arendt’s analysis in 1929 laid the groundwork for many of the themes that she would later discuss at length in The Origins of Totalitarianism (1951), The Human Condition (1958), Eichmann in Jerusalem (1963), On Revolution (1965), and The Life of the Mind (published posthumously in 1978).2 Arendt’s understanding of natality, the public and private realms, and the unworldliness of love all owe something to her early treatment of Augustine. This essay starts from Arendt’s dissertation to think about what it means to take her seriously as a religious thinker. What motivates my writing is thus a desire to think actively about Arendt’s relationship with Christianity and Jewishness as it both figures in and influences her thought. I begin by attempting to closely trace Arendt’s thought regarding Augustine in her dissertation. -
Ld1 in PURSUIT of TRUTH
IN PURSUIT OF TRUTH Essays on the Philosophy of Karl Popper on the Occasion of His 80th Birthday Edited by PA UL LEVINSON \ with Fore words by (t 21). Isaac Asimov and Helmut Schmidt Chancellor, Federal Republic of Germany I1b2. f'.- t4 z;-Ld1 HUMANITIES PRESS INC. Atlantic Highlands, NJ 248 liv PURSUIT OP TROT/I hope and no proof is Stoicism and Judeo-Christian religion, in which irrationalism and stoicism alternate. Yet there is no inconsistency in the philosophy of hope without proof, especially as a moral injunction to oiler the benefit of doubt wherever at all possible. Now, the philosophy of hope without proof is not exactly Popper's. It began with T. H. Huxley, the famous militant Darwinian, and H. C. Wells. Its best expression is in Bertrand Russell's Free A Popperian Harvest0 Man's Worship," the manifesto of hope born out of despair, clinging to both despair and reason most heroically. This famous paper, published in Russell's W. W. BARTLEY, III Philosophical Essays of 1910, is a sleeper. It was hardly noticed by It is by its methods rather than its subject-matter that philosophy contemporaries and followers, yet now it is the expression of current religion, is to be distinguished from other arts or sciences. ofcurrent scientific ethos. Here, I think, Popper's philosophy of science gave it A. J. Ayer, 1955' substance. Philosophers arc as free as others to use any method in searching Or perhaps Russell's "Free Man's Worship" gives Popper's philosophy of truth. There is no tnethod peculiar to philosophy. -
Musicians from Marlboro Joseph Lin, Violin Francisco Fullana, Violin Pei-Ling Lin, Viola Ahrim Kim, Cello Jay Campbell, Cello Zoltán Fejévári, Piano
THE GERTRUDE CLARKE WHITTALL FOUNDATION iN tHE LIBRARY oF CONGRESS MUSICIANS FROM MARLBORO JOSEPH LIN, VIOLIN FRANCISCO FULLANA, VIOLIN PEI-LING LIN, vIOLA AHRIM KIM, cELLO JAY CAMPBELL, cELLO zOLTÁn FEJÉVÁRI, PIANO Friday, May 6, 2016 ~ 8 pm Coolidge Auditorium Library of Congress, Thomas Jefferson Building In 1935 Gertrude Clarke Whittall gave the Library of Congress five Stradivari instruments and three years later built the Whittall Pavilion in which to house them. The GERTRUDE CLARKE WHITTALL FOUNDATION was established to provide for the maintenance of the instruments, to support concerts (especially those that feature her donated instruments), and to add to the collection of rare manuscripts that she had additionally given to the Library. This concert is co-presented with THE BILL AND MARY MEYER CONCERT SERIES FREER GALLERY OF ART AND ARTHUR M. SACKLER GALLERY PART OF NATIONAL CHAMBER MUSIC MONTH & EUROPEAN MONTH OF CULTURE PRESENTED IN ASSOCIATION WITH THE EMBASSY OF FINLAND & THE DELEGATION OF THE EUROPEAN UNION TO THE UNITED STATES Please request ASL and ADA accommodations five days in advance of the concert at 202-707-6362 or [email protected]. Latecomers will be seated at a time determined by the artists for each concert. Children must be at least seven years old for admittance to the concerts. Other events are open to all ages. Please take note: Unauthorized use of photographic and sound recording equipment is strictly prohibited. Patrons are requested to turn off their cellular phones, alarm watches, and any other noise-making devices that would disrupt the performance. Reserved tickets not claimed by five minutes before the beginning of the event will be distributed to stand-by patrons.