DOCSLIB.ORG

Morgenstern, Dan. [Record Review: Woody Herman: Brand New] Down

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Morgenstern, Dan. [Record Review: Woody Herman: Brand New] Down BENNYGOODMAN que~ce is ~o basically correct and logical that one is reminded of the great Armstrong at this gones; Frank Tiberi, Steve Lederer, Sal Nistico LONDON DATE-Philips 6308023: This Guy's ene _Sm_ookler,_reeds; Alan Broadbent iano' In Love With Me; Yesterday; Easy to Remember· most spectacular and harmonically per­ electric piano; Mike Bloomfield, guitar (t~a~ks 1' That M_yLove; Octopus's Garden; I Will Wait Fo~ ceptive. 3 , 4, 5); Alan Reed, electric bass; Ed Soph, drums'. You; Liza; You Took Advantage of Me; On A Clear . The l.ioodma_n ?f today has been strongly Rating:**** Day; What Can I Say Dear (After I Say I'm Sorry)· J Talk to the Trees. · influenced by his interest in classical clarinet Wood_(s_ first '.or Fantasy indicates that his Personnel: Kenny Baker, Bert Ezzard, Tommy literature. This is particularly evident in his new affihat1on might have happier results than McQuater, Derek Healey, trumpets; Lad Busby, sound: almost completely free of vibrato. Its the previous one. This album is well recorded Johnny Marshall, Jackie Armstrong, Chris Smith, statuesque imperturbability is utterly im­ and . produced and contains some excellent trombones; Goodman, clarinet; Bob Burns, Roy music. W1llcox, Tommy_ Whittle, Frank Reidy, Don Hon­ maculate, especially in the lower and middle eywell. reeds; Bill McGuffie, piano; Lennie Bush registers. It is an accomplishment that per­ . The_ emphasis is on blues and/or bass; Judd Proctor, guitar; Ronnie Stephenson' h~ps only another musician can fully appre­ r&b-on~nted material. and a guest artist, gui­ drums. · ciate. And, happily, it has all been beautifully tarist Mike Bloomfield. is heavily featured on Rating: **** recorded, with a cool translucence you can two of th_efour pieces on which he is present. There is a casual elegance about this collec­ almost see through. ~e acquits himself well in a jazz setting. but tion of recent Goodman performances, Ea.1"):and Adl'anta1-:e are played by Good­ his two long solo excursions (Sta11/ev and recorded in October and November 1969. man with rhythm section backing only. They Hitch H_ike ! are less interesting from ~ jazz Those hoping that the Master's latest session suffe_r from excessively heavy drumming, standpoint than his briefer outing on Si11ce/ would be a program of surging, pulsating swi­ relatively dead acoustics, and an attack that Fell, the old Buddy Johnson hit. Woody's ngers will find solace only in Liza a sparkling pushes too hard. Octopus is a pseudo- Dix­ v_ocal on this is one of his best in quite some arrangement in the Fletcher Henderson tradi­ ieland number included strictly for laughs. time. and he also sings well on Mind, the old tion with rich-sounding reed ensembles, agile This is a considerably more formal set than Ivory Joe Hunter tune that also was a hit for Nat King Cole. clarinet work, and crackling brass. The bal­ the recent double package from London It is a bit surprising (and disappointing) that ance of the album may seem at first a dis­ Records (SPB 21 ), but on its own level it is an album by a band long known for its strong appointment, but listen again. largely successful. It is scheduled for U.S. tenor players should feature only one brief Although most of the selections do not have release on Flying Dutchman. -McDonou1-:h tenor solo (Tiberi on Pro11dMarv). Sal Nis­ a strong jazz character to them, they never­ tico gets nothing to play at all. and I think the theless stand as a compendium of contempo­ long A.fier flours, featuring Broadbent\ nice rary and standard music played with unparal­ electric piano. would have been improved by leled physical beauty and occasionally with a horn solo. considerable feeling. Standouts along this line WOODYHERMAN Broadbent is responsible for five of the include This Guy's, My Love, Trees, Yester­ charts. and the outstanding iine is Lm·e in BRANDNEW-Fantasy 8414; Sidewalk Stanley; day, and particularly Sorry, which receives a After Hours; Since I Fell tor You; Proud Mary; Silent A mher, a beautiful ballad vehicle for controlled but emotional rendering heigh­ Hitch Hike on the Possum Trot Line; Love in Bobby Burgess' underrated trombone. His tened by an effective key change and a mag­ Silent Amber; I Almost Lost My Mind; Adam's playing here is the high point of the albtim. Apple. nificent flourish of melody in the rideout. In Personnel: Forrest Buchtel, Buddy Powers, To­ and he also contributes well to Ar1p/e, another his fleeting but brilliant cadenza, Goodman ny Klatka, Tom Harrell, Bill Byrne, trumpets; Broadbent opus. flings out a series of arpeggios whose se- Bobby Burgess, Ira Nepus, Don Switzer. tram- But almost the best chart in the album is OSIBUSA Dec 75285 MA RAINEY VARIOUS ARTIS'PS RASPUTON'S STASH Cot 9046 Down In The Basement Mil 2018 Core of Jazz MGM 4737 JOE YOUNG THE MOTHERS WOODY IIEUMAN Mighty Joe Young Del 629 Fillmore East--June 1971 Rep 2042 Woody Cad 845 BIG JOE WILLIAMS EARL HINES - At Home Del 212 BILLIE HOLIDAY Nine String Blues Del 627 HOWLIN'WOLF Lady Day Col 637 GEORGE BARNES & BUCKY PIZZARELLI The London Howlin' Wolf A&R 7100/077 Sessions Chs 60008TF ARETHA FRANKLIN CAROLE KING - Tapestry Ode 77099 Tape Recordings.If the recording listed has the letter "T" at the end of the record Aretha 1 s Greatest Hits Atl 8295TF EL CHICANO - Revolucio, Kap 3640 number, it is available in both Cassette and RAHSAAN ROLAND KIRK BOOKER T & THE MGs 8-Track tape. The letter "F" after "T" Stx 2035 11 Natural Black Inventions: Melting Pot indicated the list price is $6.98; letter G11 Root Strata Atl 1578 LIGHTHOUSE after "T" indicates the list price is $7.98. CHARLES TOLLIVER - Music Inc. S-E 1971 One Fine Morning Evo 3007 List price given for tape Applies to either KING CURTIS MILES DAVIS Cassette or 8.Track tape. Live At Fillmore West Ate 33-359 Sketches of Spain Col 8271 IRA SULLIVAN B.B. KING Note: Remember to indicate which configu• Nicky's Tune Del 422 Indianola Mississippi Seeds ABC 713TF ra t ion r.ou want. ~----------------------------------- 1 _Mail with your remittance to down beat/RECORDCLUB • 222 W. Adorns Street, Chicago, Illinois 60606 Order form list prices subject to change without notice.) db/RC Price Lobel No. {LPor CA or SD ~ a..0 0 Artist& Title ~ E w z -0 0 > <l'. -0 .... 0 0 Q. ...c ~ aJ -0 ~ ...c ~ 0 aJ ·;; List db/RC C ..Q 2 Price Price ~ 0 Q. ($ 4.98) ($3.33) >, -0 aJ u ($ 5.98) ($3.99) 0 O (Use O seporote sheet for oddilionol items) ($ 6.98) ($4.66) .... Q. :::, .,, 0 Send me free db/RC Catalog ($ 7.98) ($5.33) Totol db/RC P"'e 0 aJ [J Send me free db/MWPCatalog ($ 9.98) ($6.66) >, ...c .60 ($10.98) ($7.33) >< +­ Fill out if you ore a new subscriber or changing address. Postage ~ C ($11.98) ($7.99) '+- (lll1no,s residents D Nome odd 5°10 sole~ lc1x ($13.98) ($9.33) db/RC membl•r~h1p $3 so· Address or $9 sub Zip 'renew:'extend ,.__ ____ _ City State . · d ·f renew or Total Remittance: $;;::;:;==== * $3 50 membership fee ,s wo,ve , you f dsl ext~nd your current subscription ~r become o new (p_:_a:•_:~=-~~~s~: _ _, 12-23 subscriber ot the full subscription pn=---------- ~------ December23 D 29 trumpeter Tony Klatka's Proud Mary with its cooking section featuring Laws improvisation lowing two highly fruitful works for Apple interesting reed colorations. This track really and probing James (a hero throughout- what Records (no pun intended) touches many of gets off the ground and should appeal both to a touch!) the group's past musical cornerstones and jazz and soul fans. The other side disappoints mainly in its succeeds largely in injecting freshness and The leader gets quite a bit of instrumental 11.cademic stasis-convoluted cadenzas and vitality in what is after 20 years a familiar as well as vocal space and as usual sounds the usual chamber chatter obscuring the spe­ musical vocabulary. fine on all three horns. His soprano is heard cial magic Laws can evoke. Though the musi­ The program is a varied one. Watkin' is a on Hitch Hike, a groovy slow blues, and I cianship is impeccable, Concerto succumbs to charming and engaging fugue-like theme char­ only wish there had been more of it; to me, tedium. Syrinx (by Debussy), a gentle, over­ acterized by a conspicuous absence of synco­ Woody is one of the best on that difficult dubbed Laws tour de force, is somewhat more pation. Thematically and rhythmically, it sug­ instrument and doesn't feature it enough. His interesting. gests such past MJQ tunes as Versailles from clarinet on Amber is very pretty. Laws' purity of tone and ease of execution the F ontessa LP (SD 1231 of Blues N eek/ace The band is in good form, but on the whole from Jasmin Tree (Apple ST 3353). Lewis' not quite as exciting as it can be in person. In gingerly solo playing hints of Basie in its fact, I hope someday they'll do a live date spareness and simplicity. He tiptoes delicate­ with the Herd-without special guest stars. ly from note to note and gathers an The band is good enough to sell itself. ever-so-gently swinging momentum. Every -Morgenstern continue to amaze and his wide barrierless note counts in a Lewis solo of this sort. Un­ vision enables him to bring all aspects of his fortunately, the piece lacks resolution.
Load more

Recommended publications
  • Londonjazz: LP REVIEW: Hubert Laws – Afro Classic
    0 Mehr Nächster Blog» Blog erstellen Anmelden Diese Website verwendet Cookies von Google, um ihre Dienste bereitzustellen, Anzeigen zu personalisieren und Zugriffe zu analysieren. Informationen darüber, wie Sie die Website verwenden, werden an Google weitergegeben. Durch die Nutzung dieser Website erklären Sie sich damit einverstanden, dass sie Cookies verwendet. WEITERE INFORMATIONEN OK Home Venues Can We Help? Team London Latin Jazz Fest LP REVIEW: Hubert Laws – LondonJazz - Facebook Afro Classic Tweets Follow LondonJazz 48m Jeff Herr News @LondonJazz CD REVIEW: Lizz Wright - Freedom and Surrender londonjazznews.com/2015/09/cd-rev Expand LondonJazz 1h News @LondonJazz Does anyone know if this report on Wilton Felder passing away is true or false? Hubert Laws – Afro Classic houstonpress.com/music/legendar (Speakers Corner/CTI 6006. LP review by Andrew Cartmel) Show Summary LondonJazz Another classic from the CTI (Creed Taylor Incorporated) catalogue, revived on state 2h Broadbent Mancio Songbook News of the art vinyl by Speakers Corner. These are beautiful, lucid recordings engineered @LondonJazz by the great Rudy Van Gelder in December 1970, featuring flautist Hubert Laws as Newsweek feature about leader. Laws had begun recording his own albums at Atlantic (also the home of @gregoryporter Herbie Mann, the other leading exponent of jazz flute) before being lured away by newsweek.com/2015/10/09/rb- Creed Taylor. Laws’s jazz credentials are flawless, but he also had a considerable Show Summary presence in the world of classical music — having studied at Juilliard before playing orphy 9h with the New York Philharmonic and Metropolitan Opera orchestras. The ‘Classic’ in @Orphyvibes the title alludes to Laws’s interest in classical music, and in this pursuit he’s aided Magic Science Quartet - signifcantly by Don Sebesky, one of CTI’s cornerstone arrangers.
    [Show full text]
  • Academic Catalog 2000-2001
    TEACHERSCOLLEGE COLUMBIA UNIVERSITY 2000–2001 Contents 1 Teachers College. Defining the Work of Educators 4 An Introduction to Teachers College 36 Academic Calendar 39 Research and Service Activities 51 The Milbank Memorial Library 53 Computing and Information Services 55 Instruction and Research Support Services 56 Teacher Education Programs and Internships 59 Research Fellowships 59 Student Life and Student Services 62 Faculty 82 Special Term Faculty 92 Trustees and Officers 94 Programs of Study 275 Degree Requirements 278 Registration, Expenses and General Regulation plus Touchtone Services 284 Residence Halls Information 287 Admissions Application Information 290 Student Aid Information 293 Application for Admission 295 Letter of Reference 297 Residence Hall Application 299 Student Aid Application 301 Index Correspondence Directory Notice of Nondiscriminatory Policy How to Get to Teachers College Map TEACHERSCOLLEGE D EFINING THE W ORK OF E DUCATORS Soon after being named president of Teachers College, I received a letter from a well-known educator suggesting the College change its name. The author reasoned that Teachers College is the largest and most comprehensive graduate and professional school of education in the United States. Teachers College focuses on education in the broadest sense of the word—in and out of the classroom and across a lifespan. A third of our students are in teacher preparation programs. Arthur E. Levine, President, Teachers College, The rest are planning on careers in administra- Columbia University tion, policy, research, and teaching in fields rang- ing across education, health, and psychology. The proposal certainly had merit, but it was at the same time impossible. The most valuable possession we have at Teachers College is our name.
    [Show full text]
  • Vut 20140303 – Big Bands
    JAMU 20140305 – BIG BANDS (2) 10. Chicago Serenade (Eddie Harris) 3:55 Lalo Schifrin Orchestra: Ernie Royal, Bernie Glow, Jimmy Maxwell, Marky Markowitz, Snooky Young, Thad Jones-tp; Billy Byers, Jimmy Cleveland, Urbie Green-tb; Tony Studd-btb; Ray Alonge, Jim Buffington, Earl Chapin, Bill Correa-h; Don Butterfield-tu; Jimmy Smith-org; Kenny Burrell-g; George Duvivier-b; Grady Tate-dr; Phil Kraus-perc; Lalo Schifrin-arr,cond. Englewood Cliffs, NJ, April 27/29, 1964. Verve V6-8587. 11. A Genuine Tong Funeral – The Opening (Carla Bley) 2:14 Gary Burton Quartet with Orchestra: Gary Burton-vib; Larry Coryell-g; Steve Swallow-b; Bobby Moses-dr; Mike Mantler-tp; Jimmy Knepper-tb,btb; Howard Johnson-tu,bs; Leandro “Gato” Barbieri-ts; Steve Lacy-ss; Carla Bley-p,org,cond. New York, July 1967. RCA Victor LSP 3901. 12. Escalator Over the Hill (Carla Bley) 4:57 Michael Mantler-tp; Sam Burtis, Jimmy Knepper, Roswell Rudd-tb; Jack Jeffers-btb; Bob Carlisle, Sharon Freeman-h; John Buckingham-tu; Jimmy Lyons-as; Gato Barbieri-ts; Chris Woods-bs; Perry Robinson-cl; Nancy Newton-vla; Charlie Haden-b; Paul Motian-dr; Tod Papageorge, Bob Stewart, Rosalind Hupp, Karen Mantler, Jack Jeffers, Howard Johnson, Timothy Marquand, Jane Blackstone, Sheila Jordan, Phyllis Schneider, Pat Stewart-voc; Bill Leonard, Don Preston, Viva, Carla Bley- narrators. November 1968-June 1971, various places. JCOA 839310-2. 13. Adventures in Time – 3x3x2x2x2=72 (Johnny Richards) 4:29 Stan Kenton Orchestra: Dalton Smith, Bob Behrendt, Marvin Stamm, Keith Lamotte, Gary Slavo- tp; Bob Fitzpatrick, Bud Parker, Tom Ringo-tb; Jim Amlotte-btb; Ray Starlihg, Dwight Carver, Lou Gasca, Joe Burnett-mell; Dave Wheeler-tu,btb; Gabe Baltazar-as, Don Menza, Ray Florian-ts; Allan Beutler-bs; Joel Kaye-bass,bs; Stan Kenton-p; Bucky Calabrese-b; Dee Barton-dr; Steve Dweck- tympani,perc.
    [Show full text]
  • BEAR FAMILY RECORDS TEL +49(0)4748 - 82 16 16 • FAX +49(0)4748 - 82 16 20 • E-MAIL [email protected]
    BEAR FAMILY RECORDS TEL +49(0)4748 - 82 16 16 • FAX +49(0)4748 - 82 16 20 • E-MAIL [email protected] ARTIST Pat Boone TITLE The Ballads Of Pat Boone LABEL Bear Family Productions CATALOG # BCD 17327 PRICE-CODE AR EAN-CODE ÇxDTRBAMy173271z FORMAT 1 CD digipac with 40-page booklet GENRE Rock ’n’ Roll TRACKS 31 PLAYING TIME 80:42 G 31 essential tracks, recorded during Pat's golden era, 1955 to 1962. G Includes seven million-selling singles: I'll Be Home (UK #1), IAlmost Lost My Mind (US #1), Friendly Persusion/ Chains Of Love, Love Letters In The Sand (US #1), April Love (US #1), It's Too Soon To Know and Sugar Moon. G Also features memorable B-sides like There's A Moon Out Tonight, Pictures In The Fire and The Locket,as well as fabulous LP tracks like Wait For Me Mary, Unchained Melody, He'll Have To Go, My Queen In Calico and Tennessee Waltz. G The lavish, 40-page booklet comprises in-depth liner notes, rare photos and a detailed discography. INFORMATION Perhaps the most remarkable statistic of Pat Boone's career is that he was the biggest charting artist of the 1950s, with 39 US Top 100 entries, one more than Elvis (indeed Pat still holds the 'Billboard' record for spending 220 consecutive weeks on the US charts). Although he later became identified with big ballads and movies themes, Pat first exploded onto the US charts in March 1955 – a full year before Elvis – as a straightforward Rock 'n' Roller.
    [Show full text]
  • Jazz Workshop Dana Hall, Director Jazz Orchestra Thomas Matta, Director Jazz Ensemble Bob Lark, Director Program Jazz Workshop Dana Hall, Director
    Thursday, May 25, 2017 • 8:00 P.M. Jazz Workshop Dana Hall, director Jazz Orchestra Thomas Matta, director Jazz Ensemble Bob Lark, director DePaul Student Center 2250 North Sheffield Avenue • Chicago Thursday, May 25, 2017 • 8:00 P.M. DePaul Student Center JAZZ WORKSHOP Dana Hall, director JAZZ ORCHESTRA Thomas Matta, director JAZZ ENSEMBLE Bob Lark, director PROGRAM JAZZ WORKSHOP Dana Hall, director Dan Higgins A New Start Bob Meyer In The Moment Joel Adams Love Song Benjamin Phillips Little Warrior Dan Burke Living in the Existential Vacuum Sammy Galop and Peter DeRose; arr. Alex Blomarz Autumn Serenade Ben Voigt B’s Blues DEPAUL JAZZ ENSEMBLES • MAY 25, 2017 PROGRAM JAZZ ORCHESTRA Thomas Matta, director To be selected from the following: Bill Holman Told You So George and Ira Gershwin; arr. Ted Nash Our Love Is Here To Stay Matt Harris Cabeza De Carne Mike Crotty The Poet Jim McNeely Extra Credit Harry Warren & Al Dubin; arr. Frank Mantooth I Only Have Eyes For You Thelonius Monk; arr. Ryan Adamsons Epistophry JAZZ ENSEMBLE Bob Lark, director Juan Tizol & Duke Ellington; arr. John Wasson Caravan Bob Lark; arr. Chris Madsen Rum Point Phil Woods Randi Thomas Matta Another Shuffle DEPAUL JAZZ ENSEMBLES • MAY 25, 2017 PROGRAM Richard Rodgers & Lorenz Hart; arr. Thomas Matta It Never Entered My Mind Joseph Clark Blaze Sammy Mysels, Nelson Cogane & Dick Robertson; arr. Joseph Clark Yesterday’s Gardenias DEPAUL JAZZ ENSEMBLES • MAY 25, 2017 BIOGRAPHIES Drummer, composer, ethnomusicologist, and bandleader Dana Hall has been an important musician on the international music scene since 1992, after leaving aerospace engineering for a life in music.
    [Show full text]
  • Guest Artist Recital: Sara Caswell, Jazz Violin Sara Caswell
    Ithaca College Digital Commons @ IC All Concert & Recital Programs Concert & Recital Programs 4-22-2003 Guest Artist Recital: Sara Caswell, jazz violin Sara Caswell Follow this and additional works at: https://digitalcommons.ithaca.edu/music_programs Part of the Music Commons Recommended Citation Caswell, Sara, "Guest Artist Recital: Sara Caswell, jazz violin" (2003). All Concert & Recital Programs. 3044. https://digitalcommons.ithaca.edu/music_programs/3044 This Program is brought to you for free and open access by the Concert & Recital Programs at Digital Commons @ IC. It has been accepted for inclusion in All Concert & Recital Programs by an authorized administrator of Digital Commons @ IC. Improvisation and You Series "Brown Bag Jazz Lunch Concert" Sara Caswell, jazz violin and IC Rhythm Section Steve Brown, guitar Adam Kurland, piano Brian Krauss, bass Tom Kline, drums Swingin' At The Haven Ellis Marsalis Isfahan Edward Kennedy "Duke" Ellington/Billy Strayhorn Useless Landscape Antonio Carlos Jobim/Joao Gilberto Voyage Kenny Barron It Could Happen To You Johnny Burke/Jimmy Van Heusen Kentucky Oysters David Baker Sometime Ago Sergio Mihanovich First Song Charlie Haden Wail Bud Powell or e Fury Sara Caswell Theodore Presser Foundation Rehearsal Hall Tuesday, April 22, 2003 12:00 M. Sara Caswell is an award-winning classical and jazz violinist who spent her formative years under the tutelage of two internationally renowned teachers: Josef Gingold en classical violin and David Baker on jazz improvisation. Her success in both arenas has led Baker to refer to Ms. Caswell as "a brilliant world-class violinist en the threshold of a major career as a classical solo artist" as well as "one of the very best of the present generation of emerging young jazz stars." A graduate o~ Indiana University, which she attended under full scholarship as a Well's Scholar, Sara received Bachelor of Music degrees with High Distinction and an Artist Diploma in both classical violin performance and jazz studies.
    [Show full text]
  • Cobham Bellson.Sell.4
    Pre-order date: Feb. 20, 2007 DVD NEW RELEASES Street date: Mar. 6, 2007 TIMELESS JAZZ LEGENDS from V.I.E.W. GIL EVANS AND HIS ORCHESTRA GIL EVANS View DVD #2301 – List Price $19.98 Gil Evans, one of the most notable arrangers and composers of the 20th century, with Randy and Michael Brecker, lent his conducting talents to jazz great Miles Davis (creating the landmark Billy Cobham, Lew Soloff, Birth of Cool) and played with the “Who’s Who” of jazz history. From collab- Herb Geller, Howard Johnson orating with Charlie Parker and Cannonball Adderley, to Art Blakey and Gerry and Mike Manieri Mulligan, Evans’ name is synonymous with jazz excellence. In this exclusive concert performance on DVD, Gil Evans leads an all-star band, which includes Randy and Michael Brecker, Billy Cobham, Lew Soloff and Mike Manieri. Song selections include Hotel Me, Stone Free, Here Comes de Honey Man, DVD BONUS FEATURES Friday the 13th and more. ➤ Gil Evans Biography ➤ Michael Brecker Biography “Yes, he definitely is the best.” –Miles Davis ➤ Randy Brecker Biography ➤ Billy Cobham Biography 57 minutes plus Multiple Bonus Features ➤ Gil Goldstein Biography VIEW DVD #2301 $19.98 VIEW VHS #1301 $19.98 ➤ Howard Johnson Biography ➤ Mike Manieri Biography ➤ Lew Soloff Biography ISBN 0-8030-2301-4 ➤ Instant Access to Songs and Solos “Yes, he definitely is the best.” –Miles Davis ➤ Digitally Re-mastered Audio and Video ➤ Dolby Stereo Audio 0 33909 23019 3 ➤ DVD Recommendations 40 YEARS OF MJQ View DVD #2350 – List Price $19.98 The distinguished Modern Jazz Quartet traces its origins to the irrepressibly YEARS OF flamboyant Dizzy Gillespie and his brazzy, shouting bebop big band.
    [Show full text]
  • Robert GADEN: Slim GAILLARD
    This discography is automatically generated by The JazzOmat Database System written by Thomas Wagner For private use only! ------------------------------------------ Robert GADEN: Robert Gaden -v,ldr; H.O. McFarlane, Karl Emmerling, Karl Nierenz -tp; Eduard Krause, Paul Hartmann -tb; Kurt Arlt, Joe Alex, Wolf Gradies -ts,as,bs; Hans Becker, Alex Beregowsky, Adalbert Luczkowski -v; Horst Kudritzki -p; Harold M. Kirchstein -g; Karl Grassnick -tu,b; Waldi Luczkowski - d; recorded September 1933 in Berlin 65485 ORIENT EXPRESS 2.47 EOD1717-2 Elec EG2859 Robert Gaden und sein Orchester; recorded September 16, 1933 in Berlin 108044 ORIENTEXPRESS 2.45 OD1717-2 --- Robert Gaden mit seinem Orchester; recorded December 1936 in Berlin 105298 MEIN ENTZÜCKENDES FRÄULEIN 2.21 ORA 1653-1 HMV EG3821 Robert Gaden mit seinem Orchester; recorded October 1938 in Berlin 106900 ICH HAB DAS GLÜCK GESEHEN 2.12 ORA3296-2 Elec EG6519 Robert Gaden mit seinem Orchester; recorded November 1938 in Berlin 106902 SIGNORINA 2.40 ORA3571-2 Elec EG6567 106962 SPANISCHER ZIGEUNERTANZ 2.45 ORA 3370-1 --- Robert Gaden mit seinem Orchester; Refraingesang: Rudi Schuricke; recorded September 1939 in Berlin 106907 TAUSEND SCHÖNE MÄRCHEN 2.56 ORA4169-1 Elec EG7098 ------------------------------------------ Slim GAILLARD: "Swing Street" Slim Gaillard -g,vib,vo; Slam Stewart -b; Sam Allen -p; Pompey 'Guts' Dobson -d; recorded February 17, 1938 in New York 9079 FLAT FOOT FLOOGIE 2.51 22318-4 Voc 4021 Some sources say that Lionel Hampton plays vibraphone. 98874 CHINATOWN MY CHINATOWN
    [Show full text]
  • 1950S Playlist
    1/10/2005 MONTH YEAR TITLE ARTIST Jan 1950 RAG MOP AMES BROTHERS Jan 1950 WITH MY EYES WIDE OPEN I'M DREAMING PATTI PAGE Jan 1950 ENJOY YOURSELF (IT'S LATER THAN YOU THINK) GUY LOMBARDO Jan 1950 I ALMOST LOST MY MIND IVORY JOE HUNTER Jan 1950 THE WEDDING SAMBA EDMUNDO ROS Jan 1950 I SAID MY PAJAMAS (AND PUT ON MY PRAY'RS) TONY MARTIN/FRAN WARREN Jan 1950 SENTIMENTAL ME AMES BROTHERS Jan 1950 QUICKSILVER BING CROSBY/ANDREWS SISTERS Jan 1950 CHATTANOOGIE SHOE SHINE BOY RED FOLEY Jan 1950 BIBBIDI-BOBBIDI-BOO PERRY COMO Feb 1950 IT ISN'T FAIR SAMMY KAYE/DON CORNELL Feb 1950 RAG MOP LIONEL HAMPTON Feb 1950 THE THIRD MAN THEME ANTON KARAS Feb 1950 MY FOOLISH HEART GORDON JENKINS Feb 1950 THE CRY OF THE WILD GOOSE FRANKIE LAINE Feb 1950 THE FAT MAN FATS DOMINO Feb 1950 DADDY'S LITTLE GIRL MILLS BROTHERS Feb 1950 MUSIC MUSIC MUSIC TERESA BREWER Mar 1950 THE THIRD MAN THEME GUY LOMBARDO Mar 1950 CANDY AND CAKE MINDY CARSON Mar 1950 MY FOOLISH HEART BILLY ECKSTINE Mar 1950 IF I KNEW YOU WERE COMIN' I'D'VE BAKED A CAKE EILEEN BARTON Mar 1950 WANDERIN' SAMMY KAYE Mar 1950 DEARIE GUY LOMBARDO Apr 1950 COUNT EVERY STAR HUGO WINTERHALTER Apr 1950 HOOP-DEE-DOO PERRY COMO Apr 1950 BEWITCHED BILL SNYDER Apr 1950 PETER COTTONTAIL GENE AUTRY Apr 1950 ARE YOU LONESOME TONIGHT BLUE BARRON May 1950 THE OLD PIANO ROLL BLUES HOAGY CARMICHAEL/CASS DALEY May 1950 BEWITCHED DORIS DAY May 1950 VALENCIA TONY MARTIN May 1950 I DON'T CARE IF THE SUN DON'T SHINE PATTI PAGE May 1950 I WANNA BE LOVED ANDREWS SISTERS May 1950 BONAPARTE'S RETREAT KAY STARR Jun 1950 MONA
    [Show full text]
  • Oshman Family JCC Welcomes the John Pizzarelli Quartet
    MEDIA ALERT Oshman Family JCC Welcomes the John Pizzarelli Quartet Who: Famed jazz guitarist and singer John Pizzarelli, one of the prime interpreters of the Great American Songbook. What: Performing in concert When: Friday, December 11 | 8:00 PM Where: Schultz Cultural Arts Hall of the Oshman Family JCC in Palo Alto, CA Why: Pizzarelli has been called “madly creative” by the Los Angeles Times and “the genial genius of the guitar” by the Toronto Star. After his smash success with the Boston Pops, he was hailed by the Boston Globe for “reinvigorating the Great American Songbook and re-popularizing jazz.” The Seattle Times called him “a tour de force” and “a rare entertainer of the old school.” Using performers like Nat “King” Cole, Frank Sinatra and Joao Gilberto and the songs of composers from Richard Rodgers, George Gershwin to James Taylor, Antonio Carlos Jobim and Lennon & McCartney as touchstones, John Pizzarelli has established himself as one of the prime interpreters of the Great American Songbook and beyond, bringing to his work the cool jazz flavor of his brilliant guitar playing and singing. In addition to being a bandleader and solo performer, John has been a special guest on recordings for major pop artist such as James Taylor, Natalie Cole, Kristin Chenoweth, Tom Wopat, Rickie Lee Jones and Dave Von Ronk, as well as leading jazz artists like Rosemary Clooney, Ruby Braff, Johnny Frigo, Buddy DeFranco, Harry Allen and, of course, Bucky Pizzarelli. He was featured opposite Donna Summer, Jon Secada and Roberta Flack on the GRAMMY® Award-winning CD, Songs from the Neighborhood: The Music of Mr.
    [Show full text]
  • Michael Bloomfield & Friends
    Now here is something I haven't gotten to the bottom of yet!!! MICHAEL BLOOMFIELD & FRIENDS (These recordings have been released so many times on different LP’s and CD’s that I have given up trying to pin them down! Sorry. I know it’s a mess. Paul Thompson has tried to sort it out and I have used his numbering to the left. Anyway it’s fine music!) 1977 Recorded live at McCabe’s, Santa Monica, California - producer Denny Bruce - Mike Bloomfield, guitar, vocals - Mark Naftalin, piano - Buddy Helm, drums - Buell Neidlinger, bass Paul’s: 1 1. “Eyesight to the Blind” (4:11) band 2 14. “Women Lovin’ Each Other” (8.19) band 3 2. “Linda Lu” (3.51) band 4 3. “Kansas City Blues” (3:34) solo 5 1a. “Toilet story” (0.56) 6 2. “Frankie And Johnny” (4.38) 7 7. “Lord, Though I Am with Thee” (3:38) solo (“I’m With You Always”) 8 8. “Jockey Blues (3:50) piano + guitar (“My Father Was A Jockey”) 9 16. “Blues In B-flat” (5.56) piano + guitar 10 4. “Darktown Strutters' Ball/Mop Mop/Call Me A Dog” (3.59) solo 11 9. “Stagger Lee” (4.20) 12 5. “I'm Glad I'm Jewish” (3:02) solo 13 6. “Great Gifts From Heaven” (3:32) solo 14 9. “Between the Hard Place and the Ground” (6.56) band 15 17. “Don’t You Lie To Me” (3.30) band 16 15. “Cherry Red” (4.40) band 17 “We Love You” (6.08) 18 11.
    [Show full text]
  • The Jazz Record
    oCtober 2019—ISSUe 210 YO Ur Free GUide TO tHe NYC JaZZ sCene nyCJaZZreCord.Com BLAKEYART INDESTRUCTIBLE LEGACY david andrew akira DR. billy torn lamb sakata taylor on tHe Cover ART BLAKEY A INDESTRUCTIBLE LEGACY L A N N by russ musto A H I G I A N The final set of this year’s Charlie Parker Jazz Festival and rhythmic vitality of bebop, took on a gospel-tinged and former band pianist Walter Davis, Jr. With the was by Carl Allen’s Art Blakey Centennial Project, playing melodicism buoyed by polyrhythmic drumming, giving replacement of Hardman by Russian trumpeter Valery songs from the Jazz Messengers songbook. Allen recalls, the music a more accessible sound that was dubbed Ponomarev and the addition of alto saxophonist Bobby “It was an honor to present the project at the festival. For hardbop, a name that would be used to describe the Watson to the band, Blakey once again had a stable me it was very fitting because Charlie Parker changed the Jazz Messengers style throughout its long existence. unit, replenishing his spirit, as can be heard on the direction of jazz as we know it and Art Blakey changed By 1955, following a slew of trio recordings as a album Gypsy Folk Tales. The drummer was soon touring my conceptual approach to playing music and leading a sideman with the day’s most inventive players, Blakey regularly again, feeling his oats, as reflected in the titles band. They were both trailblazers…Art represented in had taken over leadership of the band with Dorham, of his next records, In My Prime and Album of the Year.
    [Show full text]