The Guess Who Loosen Things up Psyc ~Week-Features Lecture, Panel
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FOR IMMEDIATE RELEASE the Guess Who
FOR IMMEDIATE RELEASE The Guess Who will rock Tulalip Resort Casino in May 2019 TULALIP, WA – (January 25, 2019) – The Canadian rock band, The Guess Who, will be performing live in Tulalip Resort Casino’s Orca Ballroom on Friday, May 10. Formed in Winnipeg, The Guess Who initially gained recognition throughout Canada before becoming an international success in the late 1960s and 1970s. The Guess Who has enjoyed 14 Top 40 hits, including "These Eyes," "Clap For the Wolfman," "Hand Me Down World," "No Time," "Star Baby" and "Share the Land.” Additional classics include their number one rock anthem, "American Woman" and "No Sugar Tonight," plus "Laughing" and "Undun." The Guess Who are amongst music's most enduring bands and are eternally etched within the very fabric of pop culture history. Get up-close seating in the Orca Ballroom, an intimate 1,200-seat entertainment venue at Tulalip Resort Casino. Tickets go on sale Friday, March 15, at 10AM PST and start at $50. Tickets will be available for purchase on Ticketmaster.com or service charge free at the Tulalip Box Office. Must be 21+ to attend. About Tulalip Resort Casino Award-winning Tulalip Resort Casino is the most distinctive gaming, dining, meeting, entertainment and shopping destination in Washington State. The AAA Four-Diamond resort’s world-class amenities have ensured its place on the Condé Nast Traveler Gold and Traveler Top 100 Resorts lists. The property includes 192,000 square feet of gaming excitement; a luxury hotel featuring 370 guest rooms and suites; 30,000 square feet of premier meeting, convention and wedding space; the full-service T Spa; and eight dining venues. -
The Arts Page 8, the Retriever, April 28, 1975 / Cummings Laments on a Decade of 'Guess Who'
,.. The Arts Page 8, The Retriever, April 28, 1975 / Cummings laments on a decade of 'Guess Who' BY NEAL McGARITY Burton Cummings is the last original member writing better, more honest songs; of The Guess Who which began in the early whereas before we were writing songs 1960's. The band first came to prominence geared to the market more specifically. in 1965, when their song "Shakin' All Over" RETRIEVER: When the band first hit the Billboard top 20, Unable to follow formed, were there any intended goals? the latter songs' success, the band under· CUMMINGS: Well, I joined this group went some personnel changes, and toured when I was seventeen, and all I wanted throughout Canada widely, tightening them selves in the process_ The group re-appeared was a gold recoFd. Now I have a whole at the top of the charts in 1967 when house full of them. But I like going on the Cummings teamed with guitarist Rand~ Bach road and playing. There's a buzz that you man to write "These Eyes". After the success get from playing a really good gig that you of "These Eyes". Cummings found that every can't buy; and you can't get it from chicks song he touched turned to gold. "American or drugs or alcohol. Woman", "No Sugar Tonight", "No Time", RETRIEVER: Did you get a good buzz "Share the Land" and "Laughing" were just tonight? a few of the hits that followed. CUMMINGS: Oh yeah, definitely. We The band chugged easily "7Ilong on the played to twice as many as this last night, combination of Cummings' driving vocals and and they were just as receptive here Bachman) searing guitar work. -
THE GUESS WHO BIOGRAPHY As the House Lights Fade Down and The
THE GUESS WHO BIOGRAPHY As the house lights fade down and the stage spots flair up, the sounds of rock and roll with classic sensibilities and progressive nuances permeate the crowd. At first a familiar chord strikes everyone's attention, then comes a catchy chorus followed by a memorable solo or remarkable moment of improvisation. Such an ear-pleasing arsenal carries into a non-stop evening of precise performance taking fans on a roller coaster ride of electric instrumentation, timeless balladry, unpredictable Jamming and the ultimate sing-a-long experience. It's a position held by a troupe of true musical luminaries who through over five decades in show business have been loaded with more hits than members can count, record sales well into the multi- millions and more drama than a VH1 "Behind the Music" episode and an E! "True Hollywood Story" documentary combined. The name is none other than The Guess Who, a group that's connected with the masses throughout a exultant hit parade spanning fourteen Top 40 hits, including "These Eyes," "Clap For the Wolfman," "Hand Me Down World," "No Time," "Star Baby" and "Share the Land." Add in fellow classics and double sided singles like their #1 rock anthem "American Woman" and "No Sugar Tonight," plus "Laughing" and "Undun," and the Canadian bred stateside conquerors are amongst music's most indelible treasures who are eternally etched within the very fabric of pop culture history. "You're going to see an excellent version of the songs and hear exactly how they should sound or be played," verifies founding member and original drummer/songwriter Garry Peterson. -
Burton Cummings Mccallum Theatre Monday – February 24 – 7:00Pm
FOR IMMEDIATE RELEASE January 29, 2020 CONTACT: DeAnn Lubell-Ames – (760) 831-3090 Note: Photos available at http://mccallumtheatre.com/index.php/media Burton Cummings McCallum Theatre Monday – February 24 – 7:00pm Palm Desert, CA – Burton Cummings, one of the most successful music artists in Canadian history, will head down south to the McCallum Theatre for a special performance at 7:00pm, Monday, Feb. 24. Cummings is best known as the former lead singer of and songwriter for The Guess Who. He is a member of the Canadian Music Hall of Fame, Canadian Songwriters Hall of Fame, Canadian Music Industry Hall of Fame, Canadian Walk of Fame, Canadian Music Industry Hall of Fame and the Prairie Music Hall of Fame. He’s won multiple Juno Awards, and is a recipient of the Order of Canada, the Order of Manitoba, the Governor- General’s Performance Arts Award, and several BMI (Broadcast Music Industry) awards for more than 1 million airplays of his songs. With Canada’s original rock ’n’ roll superstars The Guess Who, Burton scored an unprecedented string of international hit singles, including “These Eyes,” “Laughing,” “No Time,” “American Woman,” “Share the Land,” “Hang on to Your Life,” “Albert Flasher,” “Sour Suite,” “Glamour Boy,” “Star Baby,” “Clap for the Wolfman” and “Dancin’ Fool”—all written or co-written by Burton. By 1970, The Guess Who had sold more records than the entire Canadian music industry combined to that point, and the band’s achievements remain unparalleled. The group notched up a long list of firsts, including being the first Canadian group to reach No. -
Marking 50 Years Since the Niverville Pop Festival
LOCAL NEWS The Party of the Century: Marking 50 Years Since the Niverville Pop Festival May 07, 2020 @ 12:30am Brenda Sawatzky [email protected] Crowds gather for the infamous Niverville Pop Festival in May 1970. On stage: Dianne Heatherington. Photo: Hans Sipma The hippie movement was alive and well in 1970, riding on the waves of the 1967 Summer of Love where more than a hundred thousand hippies converged on San Francisco’s Haight-Ashbury district to celebrate counterculture music, drugs, free love, and anti-war sentiment. In 1969, Woodstock, New York became famous for its three days of peace and music. Nine months later, hippies would once again amass—this time at a setting much closer to home. This local music event would go down in history not just for the calibre of bands scheduled to play but the memorable events that followed. Sunday, May 24, 1970 was the day of the Niverville Pop Festival. Niverville’s Woodstock During the 1960s and 70s, Winnipeg was a hotbed of young musical talent. One of those bands, called Brother, was quickly rising in notoriety. Its members included Bill Wallace, Kurt Winter, and Vance Masters, and their talent established them as one of the city’s hottest supergroups. Harold Wiebe, formerly of the Niverville area, recalls a night spent in the pub of the Westminster Hotel. There, friend and band member Bill Wallace joined him for a drink between sets. Wallace shared with him an idea to recreate Woodstock right here at home. But unlike Woodstock, Wallace wanted this event to have a charitable purpose. -
'69 Bryan Adams 2 New Orleans Is Sinking the Tragically Hip 3 Life Is
1 Summer of '69 Bryan Adams 2 New Orleans Is Sinking The Tragically Hip 3 Life Is A Highway Tom Cochrane 4 Takin' Care of Business Bachman Turner Overdrive 5 Tom Sawyer Rush 6 Working For The Weekend Loverboy 7 American Woman The Guess Who 8 Bobcaygeon The Tragically Hip 9 Roll On Down the Highway Bachman Turner Overdrive 10 Heart Of Gold Neil Young 11 Rock and Roll Duty Kim Mitchell 12 38 Years Old The Tragically Hip 13 New World Man Rush 14 Wheat Kings The Tragically Hip 15 The Weight The Band 16 These Eyes The Guess Who 17 Everything I Do (I Do IT For You) Bryan Adams 18 Born To Be Wild Steppenwolf 19 Run To You Bryan Adams 20 Tonight is a Wonderful Time to Fall in Love April Wine 21 Turn Me Loose Loverboy 22 Rock You Helix 23 We're Here For A Good Time Trooper 24 Ahead By A Century The Tragically Hip 25 Go For Soda Kim Mitchell 26 Whatcha gonna Do (When I'm Gone) Chilliwack 27 Closer To The Heart Rush 28 Sweet City Woman The Stampeders 29 Chicks ‘N Cars (And the Third World War) Colin James 30 Rockin' In The Free World Neil Young 31 Black Velvet Alannah Myles 32 Heaven Bryan Adams 33 Feel it Again Honeymoon Suite 34 You Could Have Been A Lady April Wine 35 Gimme Good Lovin' Helix 36 The Spirit Of Radio Rush 37 Sundown Gordon Lightfoot 38 This Beat Goes on/ Switchin' To Glide The Kings 39 Sunny Days Lighthouse 40 Courage The Tragically Hip 41 At the Hundreth Meridian The Tragically Hip 42 The Kid Is Hot Tonite Loverboy 43 Life is a Carnival The Band 44 Don't It Make You Feel The Headpins 45 Eyes Of A Stranger Payolas 46 Big League -
Burton Cummings Friday, June 3
FOR IMMEDIATE RELEASE MARCH 1, 2011 RIVER ROCK CASINO RESORT & CLASSIC ROCK 101 PRESENT BURTON CUMMINGS FRIDAY, JUNE 3 Richmond, BC – Burton Cummings, one of Canada’s rock legends, first played with The Devrons before joining The Guess Who in 1965. Cummings, who was born in Winnipeg, spent ten years with the band where he wrote and with Randy Bachman, he co-wrote most of the band’s biggest hits including “These Eyes”, “Laughing” and “American Woman”. After leaving for a solo career, he released a self-titled album in 1976. The single, "Stand Tall" was an international hit reaching #2 on The Billboard Hot 100 and selling over a million copies. The album along with its follow-up the next year, My Own Way To Rock both reached Double Platinum. His third solo album, Dream Of A Child became the first Canadian album to achieve Triple Platinum. His numerous hits include “My Own Way To Rock”, “Break It To Them Gently” and “I Will Play A Rhapsody”. He has received several Juno Awards including “Most Promising Male Singer” in 1977 and “Best Male Singer” that same year as well as in 1980. Cummings has also ventured into acting having starred in the 1982 feature film, Melanie which co-starred Don Johnson, Glynnis O’Connor and Paul Sorvino. In recognition of his work with The Guess Who and under his own name, he was the recipient of the William Harold Moon Award for International Achievement in 1989. Although he now resides in Sherman Oaks, California, he still retains ties in Winnipeg appearing at several functions including the 1997 Flood Relief concert. -
Chapters in Canadian Popular Music
UNIVERZITA PALACKÉHO V OLOMOUCI FILOZOFICKÁ FAKULTA Katedra anglistiky a amerikanistiky Ilona Šoukalová Chapters in Canadian Popular Music Diplomová práce Vedoucí práce: Mgr. Jiří Flajšar, Ph.D. Olomouc 2015 Filozofická fakulta Univerzity Palackého Katedra anglistiky a amerikanistiky Chapters in Canadian Popular Music (Diplomová práce) Autor: Ilona Šoukalová Studijní obor: Anglická filologie Vedoucí práce: Mgr. Jiří Flajšar, Ph.D. Počet stran: 72 Počet znaků: 138 919 Olomouc 2015 Prohlašuji, že jsem diplomovou práci na téma "Chapters in Canadian Popular Music" vypracovala samostatně pod odborným dohledem vedoucího práce a uvedla jsem všechny použité podklady a literaturu. V Olomouci dne 3.5.2015 Ilona Šoukalová Děkuji vedoucímu mé diplomové práce panu Mgr. Jiřímu Flajšarovi, Ph.D. za odborné vedení práce, poskytování rad a materiálových podkladů k práci. Poděkování patří také pracovníkům Ústřední knihovny Univerzity Palackého v Olomouci za pomoc při obstarávání pramenů a literatury nezbytné k vypracování diplomové práce. Děkuji také své rodině a kamarádům za veškerou podporu v době mého studia. Abstract The diploma thesis deals with the emergence of Canadian popular music and the development of music genres that enjoyed the greatest popularity in Canada. A significant part of the thesis is devoted to an investigation of conditions connected to the relation of Canadian music and Canadian sense of identity and uniqueness. Further, an account of Canadian radio broadcasting and induction of regulating acts which influenced music production in Canada in the second half of the twentieth century are given. Moreover, the effectiveness and contributions of these regulating acts are summarized and evaluated. Last but not least, the main characteristics of the music style of a female singer songwriter Joni Mitchell are examined. -
Welcome to the CD Series That Has Now Lived Nine Lives, Rock 'N Roll Roots Volume 9! with Your Help, We've Assembled Another
Welcome to the CD series that has now lived nine lives, Rock ’N Roll Roots Volume 9! With your help, we’ve assembled another dozen dazzlers with a savory shot of hometown heroes. This year we’re proud to partner with Children’s Home + Aid. This 124-year- old organization is involved in every aspect of helping children’s lives, especially in the education arena where music classes are just one of the many programs offered to those families who need the help. For more information on this outstanding agency, log onto www.childrenshomeandaid.org. As I go kicking and screaming into the future refusing to download music as a source of entertainment, I say long live the CD and our record collections! Thank you once again for coming along on this ride of keeping our music alive and giving a little help along the way to those who need it. Viva la You! Bob Stroud BLACK BACK 1 THE RASPBERRIES – GO ALL THE WAY At approximately 1:30 into The Buckinghams’ sixth hit their first. Chicago was a captive audience for this east 8 CLASSICS IV – SPOOKY From the ashes of Spirit came this quartet who took Taking what had been a charming Drifters release (CARMEN) of 1967, something happens that stunned the band coast quartet who scored a second smash with this (BUIE/COBB/MIDDLEBROOK/SHAPIRO) their name from a Chuck Berry song. Lead by Jay and rearranging it into something truly unique and Published by Universal–Songs Of Polygram o/b/o the first time they heard the finished product at a slick, jazzy tale of two streetwise misfits. -
Fishing Report
2020 Far Beyond Concert Series: Meet the Dock Rockers January 23, 2020 The West Coast Fishing Club is pleased to present a brand-new music trip to The Clubhouse that features live music nightly by our house band The Dock Rockers. The band consists of some of Canada’s most sought-after professional musicians who have recorded and performed with a long list of international artists – from Shania Twain and Cher to Bon Jovi and Motley Crue – and countless musical points in between. They’ve also recorded and/or performed with Canadian rock icons Loverboy, Trooper, Prism, Chilliwack, Barney Bentall and have for many years been the backing band for music legend Randy Bachman and the frame of Bachman-Turner, whose long list of global hit singles include Takin’ Care of Business and Roll on Down the Highway. Introducing The Dock Rockers: The band members are Marc LaFrance (drums, vocals); Mick Dalla-Vee (guitar, keyboards, vocals); Brent Knudsen (bass, guitar, vocals), and Ian Cameron (guitar, violin, vocals). Read below for band member’s full bios. MARC LAFRANCE Marc has been involved in the music industry for over four decades and is a well-known and highly regarded industry professional. He has performed as a drummer and/or singer on over 100 albums, and countless sessions and live performances. In addition to playing drums and singing in the band Bachman Turner and as a member of Randy Bachman’s touring band, some of Marc’s past and present accomplishments include recordings with a vast array of prominent artists including Canadian groups Crowcuss, Chilliwack, Payolas, Loverboy, Trooper, Prism, Shari Ulrich, Bruce Miller, Straight Lines and Glass Tiger and international stars such as Long John Baldry, Alice Cooper, Motley Crue, Bon Jovi, Cher, Carly Simon, Blue Murder, The Cult, David Lee Roth, Scorpions, Black Veil Brides, “Michael Bublé’s Christmas in New York,” and many others. -
How Is Rush Canadian?
Rush and Philosophy 2nd pages 3/11/11 1:56 PM Page 287 21 How Is Rush Canadian? DURRELL BOWMAN Given Canada’s relatively small population (twenty-one million in 1969, thirty-four million in 2009), many—but certainly not all—of the nation’s more ambitious musicians have pursued at least some of their career activities in the US and other foreign parts. Rush mainly demonstrates “Canadianness” by combining such British and American influences as progressive rock, hard rock, and indi- vidualism. However, the band has also included more specifically Canadian references across its long career. CanCon The Canadian government implemented specific content—or “CanCon”—regulations in 1971, and broadcasters were then required to include certain percentages of Canadian material. For music, at least two of a song recording’s four main categories of Music, Artist, Production, and Lyrics (“M-A-P-L”) must be “Canadian” according to citizenship or location. The interpretation of this changed after 1991, due to a “scandal” involving Bryan Adams failing to qualify as Canadian because of co-writing certain songs, such as “(Everything I Do) I Do it For You” ( Waking up the Neighbours and Robin Hood: Prince of Thieves , both 1991), with such non-Canadians as Mutt Lange and Michael Kamen. (Spelling the word “neighbours” in the Canadian way apparently didn’t help.) The outcome is that even though Shania Twain similarly co- wrote the songs on Come on Over (1997) with her then-husband Mutt Lange and did not record any of this music in Canada, her album and its songs by that point qualified as Canadian. -
Mark Doble's Authori
Ambassador Theatre, St Louis, MO; June 5, 1974 Thanks to Cyrus for sharing the show at Dime. Cyrus noted: Mark Doble’s authoritative and comprehensive essay “Burton Through The Boot- legs” has the following to say about this particular recording: “The Live At The Ambassador Theatre bootleg may in fact be the finest bootleg of the Guess Who in existence. Recorded from a stereo FM Broadcast, the recording includes 19 songs, all of the hits as well as some notable gems such as an impromptu rendition of Bobby Darin’s “Artificial Flowers” by Burton while Bill’s bass amp was being repaired. (One wonders if it was opportunities like this that provided Burt with the idea of performing in his UP CLOSE AND ALONE format of the mid-1990s.) The performances on this recording are outstanding. Of particular note are the versions of “Straighten Out”, “Self Pity” and “Orly”, where Burton lets loose as only Burton can. At the conclusion of the broadcast, the announcer played back a short a cappella excerpt of the “Leave It To Beaver” television theme sung by Burton and the boys in the studio the previous day. Overall, the sound quality of this bootleg is spectacular. If there is a “Must Have” in the collection of Guess Who bootlegs, this is it! This show was also one of the last concerts the Guess Who would play with Kurt Winter and Donnie McDougall in the lineup. The pressures between the folks had been boiling over for a while now, and they would shortly depart from the band to be replaced by guitarist extraordinaire Domenic Troiano...” - Info thanks to “rocksteady1” + + + + + Lineage: KSHE FM Radio Broadcast > ? > CDR > EAC Secure > FLAC Frontend 8 MP3 Version Disc 1 Disc 2 01.