Mens Dress Shirt Size Guide
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Know Your Body Know Your Style
KNOW YOUR BODY KNOW YOUR STYLE Our bodies are classified according to certain specific types of silhouettes. You will learn about your body type, the clothes that favor each silhouette and those that should definitely be avoided. Your body shape may have traits of two types of silhouettes. Stand in front of a full-length mirror in your underwear and carefully study your body shape. Regardless of whether you are slim or plump, your body will tend to predominantly conform to one of the body types described below. Knowing your silhouette, you will be able to know what type of outfits that will make you look great, and which ones you should avoid as they throw the shape of your body off balance. 2020 Playfication Learning, LLC © PagePage 1 of 1 8 of 8 HOURGLASS SHAPE This type of female figure is typically considered the perfect figure because it is the most proportionate. It is the most versatile body shape and practically everything that women with this figure wear looks good on them. However, you should avoid falling into exaggerations that unbalance your body. You have an hourglass figure, when your shoulders and hips measure the same, and your waist is narrower. You have a balanced and symmetrical body. Clothes that lengthen your body will accentuate your figure and make you look great. What to wear: 1. Wrap dresses and “A” shaped skirts 2. Dresses with a defined waist and knee-length skirts highlighting your curves 3. Solid colors 4. Two-piece dresses 5. Shirt dresses with a waist belt 6. -
Convertible Collar Construction
Convertible Collar Construction Directory Click any image to go to that section Yoke/Facing Options: Intro and Gallery By far the most common set-up for a The purpose of this introductory section is to convertible-collar shirt is that it has front facings feature and compare the range of other options and a yoke, and that these two details don’t touch, also, if less commonly, in use beyond this classic as in the example at right. one, before I proceed to work step-by-step through a handful of useful variants . Many other possible That is, the facings don’t extend far enough combinations, and of course, variations on the towards the shoulders at the neckline that they’ll ones here, are conceiveable and may suit your meet with or join to the fronts of the yoke layers. As project better, so feel free to experiment. a result, the yoke construction steps aren’t integrated into the collar steps and are completed, in front at least, before the collar is begun, so the options for using the yoke as a back facing are eliminated. The steps for this classic arrangement are described below in Variation #5, in the Front Facing Only category. Collar Insertion Options Step-By-Step No Yoke or Facings Required Front facings Only Front and Back Facings, or Yoke Used as Facing Variation 1: Collar Applied as Band Variation 3: Collar’s Back Neckline Edge-Stitched Variation 6: Back Facings 1 3 and Facings Secured at Shoulder Seams 6 Options: Options: 1. Edge-stitched neckline 2. -
Business Professional Dress Code
Business Professional Dress Code The way you dress can play a big role in your professional career. Part of the culture of a company is the dress code of its employees. Some companies prefer a business casual approach, while other companies require a business professional dress code. BUSINESS PROFESSIONAL ATTIRE FOR MEN Men should wear business suits if possible; however, blazers can be worn with dress slacks or nice khaki pants. Wearing a tie is a requirement for men in a business professional dress code. Sweaters worn with a shirt and tie are an option as well. BUSINESS PROFESSIONAL ATTIRE FOR WOMEN Women should wear business suits or skirt-and-blouse combinations. Women adhering to the business professional dress code can wear slacks, shirts and other formal combinations. Women dressing for a business professional dress code should try to be conservative. Revealing clothing should be avoided, and body art should be covered. Jewelry should be conservative and tasteful. COLORS AND FOOTWEAR When choosing color schemes for your business professional wardrobe, it's advisable to stay conservative. Wear "power" colors such as black, navy, dark gray and earth tones. Avoid bright colors that attract attention. Men should wear dark‐colored dress shoes. Women can wear heels or flats. Women should avoid open‐toe shoes and strapless shoes that expose the heel of the foot. GOOD HYGIENE Always practice good hygiene. For men adhering to a business professional dress code, this means good grooming habits. Facial hair should be either shaved off or well groomed. Clothing should be neat and always pressed. -
16 Textiles in Defence* Richard a Scott Defence Clothing and Textiles Agency, Science and Technology Division, Flagstaff Road, Colchester, Essex CO2 7SS, UK
16 Textiles in defence* Richard A Scott Defence Clothing and Textiles Agency, Science and Technology Division, Flagstaff Road, Colchester, Essex CO2 7SS, UK 16.1 Introduction To be prepared for War is one of the most effectual means of preserving Peace (George Washington, 1790)1 Defence forces on land, sea, or air throughout the world are heavily reliant on tech- nical textiles of all types – whether woven, knitted, nonwoven, coated, laminated, or other composite forms. Technical textiles offer invaluable properties for military land forces in particular, who are required to move, live, survive and fight in hostile environments. They have to carry or wear all the necessities for comfort and sur- vival and thus need the most lightweight, compact, durable, and high performance personal clothing and equipment. The life-critical requirements for protecting indi- viduals from both environmental and battlefield threats have ensured that the major nations of the world expend significant resources in developing and providing the most advanced technical textiles for military use. 16.2 Historical background Military textile science is not new, and one of the earliest documented studies can probably be credited to Count Rumford, or Benjamin Thompson. Rumford was an American army colonel and scientist who issued a paper in 1792 entitled ‘Philo- sophical Transactions’, which reported on the importance of internally trapped air in a range of textile fabrics to the thermal insulation provided by those fabrics.2 He was awarded the Copley Medal for his paper, as the significance of his discovery was recognised immediately. * Copyright MOD (1997) DCTA, Colchester, Essex CO2 7SS 426 Handbook of technical textiles 16.2.1 Pre-Twentieth century Up until the end of the 19th century military land battles were fought at close quar- ters by individual engagements. -
T-SHIRT DESIGN B
EQUIPMENT AND MATERIALS 1. Supplied by the technical committee: a. Time keeper and judges T-SHIRT DESIGN b. All necessary information for the judges and technical committee 2. Supplied by the contestant: a. Rendering of the T-shirt design PURPOSE b. Supporting materials for the To evaluate a contestant’s creative, technical presentation portions of the contest and oral presentation skills and recognize i. Visual presentation materials should outstanding students for excellence and be on a standard tri-fold table display professionalism. ii. Additional materials to provide context are optional; ex. Printed T-shirt, First, download and review the General props, etc. but display should not Regulations at: http://updates.skillsusa.org. exceed the width of the standard tri- fold display. ELIGIBILITY c. All competitors must create a one-page Open to active SkillsUSA members enrolled in résumé and submit a hard copy to the career and technical programs. technical committee chair at orientation. Failure to do so will result in a penalty designated by the official CLOTHING REQUIREMENTS scorecard. Class A: SkillsUSA Attire: • Red SkillsUSA blazer, windbreaker or Note: Your contest may also require a hard sweater, or black or red SkillsUSA jacket copy of your résumé as part of the actual • Button-up, collared, white dress shirt contest. Check the Contest Guidelines (accompanied by a plain, solid black tie), and/or the updates page on the SkillsUSA white blouse (collarless or small-collared) website at: http://updates.skillsusa.org. or white turtleneck, with any collar not to extend into the lapel area or the blazer, SCOPE OF THE CONTEST sweater, windbreaker or jacket The contest consists of two parts: • Black dress slacks (accompanied by black 1. -
Approximate Weight of Goods PARCL
PARCL Education center Approximate weight of goods When you make your offer to a shopper, you need to specify the shipping cost. Usually carrier’s shipping pricing depends on the weight of the items being shipped. We designed this table with approximate weight of various items to help you specify the shipping costs. You can use these numbers at your carrier’s website to calculate the shipping price for the particular destinations. MEN’S CLOTHES Item Weight in grams Item Weight in grams Underpants 70 - 100 Jacket 1000 - 1200 Sports shirt, T-shirt 220 - 300 Coat, duster 900 - 1500 UnderpantsShirt 70120 - -100 180 JacketWind-breaker 1000800 - -1200 1200 SportsBusiness shirt, suit T-shirt 2201200 - -300 1800 Coat,Autumn duster jacket 9001200 - -1500 1400 Sports suit 1000 - 1300 Winter jacket 1400 - 1800 Pants 600 - 700 Fur coat 3000 - 8000 Jeans 650 - 800 Hat 60 - 150 Shorts 250 - 350 Scarf 90 - 250 UnderpantsJersey 70450 - -100 600 JacketGloves 100080 - 140 - 1200 SportsHoodie shirt, T-shirt 220270 - 300400 Coat, duster 900 - 1500 WOMEN’S CLOTHES Item Weight in grams Item Weight in grams Underpants 15 - 30 Shorts 150 - 250 Bra 40 - 70 Skirt 200 - 300 Swimming suit 90 - 120 Sweater 300 - 400 Tube top 70 - 85 Hoodie 400 - 500 T-shirt 100 - 140 Jacket 230 - 400 Shirt 100 - 250 Coat 600 - 900 Dress 120 - 350 Wind-breaker 400 - 600 Evening dress 120 - 500 Autumn jacket 600 - 800 Wedding dress 800 - 2000 Winter jacket 800 - 1000 Business suit 800 - 950 Fur coat 3000 - 4000 Sports suit 650 - 750 Hat 60 - 120 Pants 300 - 400 Scarf 90 - 150 Leggings -
Standard of Dress Manual
Standard of Dress TABLE OF CONTENTS Rationale ...............................................................................................................................2 Female Students Pk-6th Grade ............................................................................................3 Male Students Pk-6th Grade ................................................................................................7 Female Students 7th-12th Grade ..........................................................................................10 Male Students 7th-12th Grade ..............................................................................................13 Discipline of Dress Code ......................................................................................................16 Athletic/Event Function Attire ...........................................................................................17 Formal Dress Policy .............................................................................................................17 2 RATIONALE The following positions have been formulated to give insight into GCA’s Standard of Dress. While not trying to be unkind to those who have adopted different standards, GCA has applied these guidelines in an effort to standardize and simplify our school dress code while following biblical principles. While the Bible does not stipulate how we should dress, it does provide guiding principles. The expectations for GCA’s Standard of Dress are designed to reflect three guiding principles: -
Principles of Design
Principles of Design Balance Proportion/Scale Emphasis Rhythm Introduction The principles of design are essential to the development and production of clothing used by individuals and families around the world. Each principle has a specific role in creating an aesthetically pleasing garment or ensemble. The principles of design consist of: balance, proportion (also referred to as scale), emphasis, and rhythm. When a garment or ensemble uses the elements and principles of design to create a visual unity, harmony is achieved. Garments often integrate more than one principle, while drawing from the elements of design to create a cohesive look. The following discussion will present background information on each of the principles of design and applications to clothing design and construction. Balance According to Wolfe (2011) balance implies that there is an equilibrium or uniformity among the parts of a design (p. 205). To achieve balance, a garment or ensemble should have equal visual weight throughout the design. The use of structural features, added embellishments, or decorations to a garment contribute to the appearance of a garment or ensemble being balanced or not. A clothing designer can utilize surface designs on fabric to construct a garment creating visual balance. Further, color, line, and texture can impact the balance of a design. For example, cool and light colors have less visual weight than dark, warm colors. If an individual is wearing a small amount of a dark, warm color it can be balanced out with a larger amount of cool, light colors. Balance used in clothing design can be categorized into two groups: Formal and Informal Balance. -
How to Dress for Success
HOW TO DRESS FOR SUCCESS Expanding Your Wardrobe Wherever your business takes you, it’s important to look great and make a positive first impression. So whether it’s the boardroom, a golf outing, or a black tie event, you need to be prepared with a well-rounded wardrobe that’s as stylish and professional as you are. That’s where Men’s Wearhouse comes in. For over 35 years, we’ve been helping men look their best, with comfortable, great-fitting clothes for every occasion. You can count on us for quality clothing and expert style tips to help you make great choices that reflect who you are—and where you’re headed next. AT WORK It all starts with the suit In today’s big Since the suit is the foundation for your entire wardrobe, meeting, you’re it’s important to make sure you have a range of looks — not just for around the office, but for power lunches, representing your off-site meetings, and special presentations where all company. Do you eyes are upon you. have what it takes When considering a new suit, remember that your best to make the right look begins with comfort and fit. That’s why we offer Traditional, Athletic, and Modern cuts to work best with statement? your build and give you room to express your own sense of style. Once you know what looks and feels great, we’ll • Classic two-button suit help you choose from a variety of designer brands to with a great fit round out your wardrobe with a mix of solids, pinstripes, and two- or three-button styles. -
What They Wear the Observer | FEBRUARY 2020 | 1 in the Habit
SPECIAL SECTION FEBRUARY 2020 Inside Poor Clare Colettines ....... 2 Benedictines of Marmion Abbey What .............................. 4 Everyday Wear for Priests ......... 6 Priests’ Vestments ...... 8 Deacons’ Attire .......................... 10 Monsignors’ They Attire .............. 12 Bishops’ Attire ........................... 14 — Text and photos by Amanda Hudson, news editor; design by Sharon Boehlefeld, features editor Wear Learn the names of the everyday and liturgical attire worn by bishops, monsignors, priests, deacons and religious in the Rockford Diocese. And learn what each piece of clothing means in the lives of those who have given themselves to the service of God. What They Wear The Observer | FEBRUARY 2020 | 1 In the Habit Mother Habits Span Centuries Dominica Stein, PCC he wearing n The hood — of habits in humility; religious com- n The belt — purity; munities goes and Tback to the early 300s. n The scapular — The Armenian manual labor. monks founded by For women, a veil Eustatius in 318 was part of the habit, were the first to originating from the have their entire rite of consecrated community virgins as a bride of dress alike. Belt placement Christ. Using a veil was Having “the members an adaptation of the societal practice (dress) the same,” says where married women covered their Mother Dominica Stein, hair when in public. Poor Clare Colettines, “was a Putting on the habit was an symbol of unity. The wearing of outward sign of profession in a the habit was a symbol of leaving religious order. Early on, those the secular life to give oneself to joining an order were clothed in the God.” order’s habit almost immediately. -
Black Tie by Ar Gurney
Black Tie.qxd 5/16/2011 2:36 PM Page i BLACK TIE BY A.R. GURNEY ★ ★ DRAMATISTS PLAY SERVICE INC. Black Tie.qxd 5/16/2011 2:36 PM Page 2 BLACK TIE Copyright © 2011, A.R. Gurney All Rights Reserved CAUTION: Professionals and amateurs are hereby warned that performance of BLACK TIE is subject to payment of a royalty. It is fully protected under the copy- right laws of the United States of America, and of all countries covered by the International Copyright Union (including the Dominion of Canada and the rest of the British Commonwealth), and of all countries covered by the Pan-American Copyright Convention, the Universal Copyright Convention, the Berne Convention, and of all countries with which the United States has reciprocal copy- right relations. All rights, including without limitation professional/amateur stage rights, motion picture, recitation, lecturing, public reading, radio broadcasting, tel- evision, video or sound recording, all other forms of mechanical, electronic and digital reproduction, transmission and distribution, such as CD, DVD, the Internet, private and file-sharing networks, information storage and retrieval sys- tems, photocopying, and the rights of translation into foreign languages are strict- ly reserved. Particular emphasis is placed upon the matter of readings, permission for which must be secured from the Author’s agent in writing. The English language stock and amateur stage performance rights in the United States, its territories, possessions and Canada for BLACK TIE are controlled exclusively by DRAMATISTS PLAY SERVICE, INC., 440 Park Avenue South, New York, NY 10016. No professional or nonprofessional performance of the Play may be given without obtaining in advance the written permission of DRAMATISTS PLAY SERVICE, INC., and paying the requisite fee. -
Guide to a Perfect Men's Shirt
GUIDE TO A PERFECT MEN’S SHIRT FIT We value quality and perfection. We know that every man is different. Your size, posture, figure, and the shape of your body all change the way a shirt fits. This is why we have prepared a comprehensive guide to help you take the perfect measurements for your bespoke dress shirts. We know that taking measurements can be a chore, so we have worked hard to make it as easy and quickly as possible for you. What you will need: A fabric measuring tape (fabric only). Assistance from a friend A well fitting shirt, pair of trousers (not jeans), and a pair of shoes. When taking measurements: Keep the measuring tape comfortably snug, but not tight. All measurements should be made to nearest inch / centimeter. The following sections provide instructions on how you can create your own perfect bespoke shirt. These four (4) measurement methods are completely different from each other but should yield the same result. The steps within each of these methods are not to be interchanged: SHIRT MEASUREMENT METHOD. Measure your best fitting shirt. “RECOMMENDED” o Measure the shirt the fits you well and enter the shirt measurements through the control panel. BODY MEASUREMENT METHOD. Measure your body. o Ask someone to take your own measurements then create your body measurements profile online. Many customers get this wrong the first time, so if you do not have experience doing this, please use “Shirt Measurements Method”. SELECT FROM OUR STANDARD-SIZED SHIRTS. o Refer to our measurement table to select standard-sized shirt.