2015.05.23 Charleston 79 Songs, 3.2 Hours, 343.6 MB

Total Page:16

File Type:pdf, Size:1020Kb

2015.05.23 Charleston 79 Songs, 3.2 Hours, 343.6 MB Page 1 of 3 2015.05.23 Charleston 79 songs, 3.2 hours, 343.6 MB Name Artist Album Artist Year Genre Tormenta Francisco Canaro Ernesto Fama 1939 Tango Todo Te Nombra Francisco Canaro Ernesto Fama 1939 Tango El Vino Triste Francisco Canaro Ernesto Fama 1939 Tango Cortina - Brass in Pocket (SHORT) -… Cortina El Flete Juan D'Arienzo 1936 Tango Qué noche Juan d'Arienzo 1937 Tango La Payanca Juan d'Arienzo 1938 Tango Cortina - Heart of Glass (Short) - Blonde Cortina Pedacito de Cielo Miguel Calo Alberto Podesta 1942 Vals El vals soñador Miguel Caló Alberto Podestá 1963 Vals Paisaje Pedro Laurenz Alberto Podesta 1943 Vals Cortina - Obssession (SHORT) Cortina Como Se Pianta La Vida Enrique Rodriguez Armando Moreno 1940 Tango En La Buena Y En La Mala Enrique Rodriguez Armando Moreno 1940 Tango La Gayola Enrique Rodriguez Armando Moreno 1941 Tango Cortina - Died in Your Arms (Short) Cortina Necesito Olvidar Carlos Di Sarli Roberto Rufino 1942 Tango Noche de Carnaval (Otra Vez Carnaval) Carlos Di Sarli Roberto Rufino 1942 Tango Tarareando Carlos Di Sarli Roberto Rufino 1942 Tango Cortina - Startin Somethin - Michael J… Cortina La Milonga De Mis Tiempos Francisco Canaro 1938 Milonga Milonga Brava Francisco Canaro Roberto Maida 1938 Milonga No Hay Tierra Como La Mía Francisco Canaro Ernesto Famå 1939 Milonga Cortina - Shake It Up - The Cars Cortina Marión Miguel Calo Raúl Iriarte 1943 Tango Rebeldía Miguel Calo Raul Iriarte 1947 Tango A Mí Me Llaman Juan Tango Miguel Caló Raul Iriarte 1943 Tango Cortina - Billie Jean - Michael Jackson Cortina La Maleva Rodolfo Biagi 1939 Tango Son Cosas Del Bandoneon Rodolfo Biagi Andres Falgas 1939 Tango 2015.05.23 Charleston Page 2 of 3 Name Artist Album Artist Year Genre El Yaguarón Rodolfo Biagi 1940 Tango Billie Jean Michael Jackson 1983 Rock Un Placer Los Provincianos Carlos Lafuente 1933 Vals Volvió la princesita Los Provincianos Luis Díaz 1932 Vals A Tu Memoria Madrecita Los Provincianos Luis Díaz 1934 Vals Amor Con Amor Raul Paz Raul Paz 2003 iTunes Latino Buscándote Osvaldo Fresedo Ricardo Ruiz 1941 Tango Vamos Corazón Osvaldo Fresedo Ricardo Ruiz 1941 Tango Si no me engaña el corazón Osvaldo Fresedo Ricardo Ruiz 1939 Tango All Shook Up Elvis Presley Elvis Presley 2002 Rock Como Dos Extraños / Like Two Stran… Pedro Laurenz Juan Carlos Casas 1940 Tango No Me Extraña Pedro Laurenz Juan Carlos Casas 1940 Tango Amurado Pedro Laurenz Juan Carlos Casas 1940 Tango Everybody Loves to Cha Cha Cha Sam Cooke Sam Cooke 1997 R&B/Soul La Puñalada Juan d'Arienzo 1937 Milonga De Pura Cepa Juan d'Arienzo 1935 Milonga El Esquinazo Juan d'Arienzo 1938 Milonga Let's Dance David Bowie 1983 Rock Bahía Blanca Carlos Di Sarli 1957 Tango Indio Manso Carlos Di Sarli 1958 Tango El Jaguel Carlos Di Sarli 1956 Tango Cortina - Heart of Glass - Blonde Cortina Dominio Orquesta Típica Víctor (… Elvino Vardaro 1928 Tango: Guardia… Porteñito Orquesta Típica Víctor (… 1928 Tango: Guardia… Mi último trago Orquesta Típica Víctor (… Teofilo Ibañez 1931 Tango: Guardia… Cortina - We Got The Beat - Go-Go's Cortina Qué será de ti Ricardo Tanturi Enrique Campos 1945 Tango Que Nunca Me Falte Ricardo Tanturi Enrique Campos 1943 Tango La abandoné y no sabía Ricardo Tanturi Enrique Campos 1944 Tango Cortina - Tide is High - Blondie Cortina Amor Y Vals Rodolfo Biagi Alberto Lago 1942 Vals Tu melodía Rodolfo Biagi Jorge Ortiz 1945 Vals Lagrimas y Sonrisas Rodolfo Biagi Various Artists 1941 Vals 2015.05.23 Charleston Page 3 of 3 Name Artist Album Artist Year Genre Mambo Italiano - Club des Belugas Cortina El Acomodo Edgardo Donato 1933 Tango Pasión Criolla Edgardo Donato 1939 Tango El Chamuyo Edgardo Donato 1938 Tango La Soledad Ismael Rivera Con Cortij… Various Artists 2010 Latino Poema Francisco Canaro Roberto Maida 1935 Tango Aunque No Lo Crean Francisco Canaro Roberto Maida 1935 Tango Cambalache Francisco Canaro Roberto Maida 1935 Tango: Guardia… gentle with me Cortina Nido Gaucho Carlos Di Sarli Alberto Podesta 1942 Tango Junto A Tu Corazon Carlos Di Sarli Alberto Podestá 1942 Tango Vamos!... Carlos Di Sarli Alberto Podesta 1944 Tango Cortina - Don't You Want Me - Human… Cortina Rondando Tu Esquina Osvaldo Pugliese Roberto Chanel 1945 Tango Corrientes y Esmeralda Osvaldo Pugliese Roberto Chanel 1944 Tango Muchachos comienza la ronda Osvaldo Pugliese Roberto Chanel 1943 Tango.
Recommended publications
  • Inventario De Seis Milongas De Buenos Aires: Experiencia Piloto De Participación Comunitaria Índice
    INVENTARIO DE SEIS MILONGAS DE BUENOS AIRES: EXPERIENCIA PILOTO DE PARTICIPACIÓN COMUNITARIA ÍNDICE Prólogo 4 Introducción 6 Presentación 12 Asociación de Fomento Mariano Acosta (“La Tierrita”) 38 1. Presentación 39 2. Espacio 39 3. Elemento “Códigos sociales de pista” 40 4. Comunidad 43 5. Salvaguardia y transmisión 45 Club Atlético Milonguero (Huracán) 46 1. Presentación 47 2. Espacio 48 3. Elemento “Códigos sociales de pista” 48 4. Comunidad 51 5. Salvaguardia y transmisión 54 La Milonguita 55 1. Presentación 56 2. Espacio 57 3. Elemento “Códigos sociales de pista” 58 4. Comunidad 63 5. Salvaguardia y transmisión 66 Lo de Celia 67 1. Presentación 68 2. Espacio 69 3. Elemento “Códigos sociales de pista” 70 4. Comunidad 74 5. Salvaguardia y transmisión 75 Sin Rumbo 76 1. Presentación 77 2. Espacio 77 3. Elemento “Códigos sociales de pista” 79 4. Comunidad 81 5. Salvaguardia y transmisión 83 Sunderland Club (Milonga Malena) 84 1. Presentación 85 2. Espacio 86 3. Elemento “Códigos sociales de pista” 86 4. Comunidad 91 5. Salvaguardia y transmisión 93 Síntesis sobre las milongas inventariadas 94 Conclusiones 96 PRÓLOGO El ritmo extremadamente rápido con que se ha venido ratificando en el mundo entero la Convención para la Salvaguardia del Patrimonio Cultural Inmaterial (PCI) es un testimonio de la preocupación de la comunidad in- ternacional por el tema, especialmente en un momento de rápida transfor- mación social y globalización, donde el patrimonio vivo se enfrenta a graves riesgos de deterioro, desaparición y destrucción. Consciente de la necesidad de brindar herramientas a los Estados y en res- puesta a un contexto global que día a día presenta nuevos retos, la UNESCO ha puesto en marcha una estrategia global con vistas al fortalecimiento de las capacidades nacionales para la salvaguardia del PCI.
    [Show full text]
  • Policies for Tango Colorado Djs 1. Keep the Dancers Dancing the DJ's Primary Job Is to Keep the Dancers Happy and Dancing, Se
    Policies for Tango Colorado DJs 1. Keep the Dancers Dancing The DJ’s primary job is to keep the dancers happy and dancing, selecting mixes that serve the community’s needs as directed by the Board of Directors. This means knowing the music and understanding the conventions for how to combine music for tandas. The quantity of music you have is secondary to the quality. We appreciate the many of you who continually work hard to improve your music selections. Please make sure that you can maintain flexibility in your tandas based on crowd participation for each tanda. We expect your focus to be on the dancers and though this does not mean you cannot dance on a night you are DJing, we strongly encourage careful attention to the crowd. Teaching lessons or having meetings during a Practica for which you are the DJ is discouraged. The board will continue to monitor DJs and feedback from dancers and reserves the right to schedule DJs accordingly via the DJ coordinator. The expectations for the music at a Practica are not the same as at a Milonga. The main focus should be to enhance retention of both new dancers and more experienced dancers and create and maintain good energy in the room and on the dance floor. 2. Tandas and Cortinas at Practicas DJ’s will play the following tanda structure during the practicas. Tango, Tango, Vals, Tango Tango Milonga. the exception of the first 30 minutes after the class, when only tangos with simple, strong rhythms should be played so that the beginners from the beginner lessons have a chance to practice more effectively.
    [Show full text]
  • Tango Levels: the 22 Techniques of Tango
    Tango Levels: The 22 Techniques of Tango A proposed framework to support growth and learning by Mitra Martin "Chaos can't sustain itself. It's too easy, and it's too unsatisfying." ­ Jon Stewart 1. Introduction 2. Tango’s Techniques 3. How Is My Technique? 4. How to Improve: Technique and Movement 5. Tango Process 6. A Note to Teachers 7. Next Steps 8. Assessment Tool 1. Introduction This text exists to provide help to dancers who want to know what they need to do in order to improve their skills in Tango, and teachers who want ideas on how to help their students. In the process of endeavoring to establish a Tango school we have noticed many students of Tango being confused about what to focus on, and as a result losing motivation. In the absence of clear, objective, trustworthy frameworks for growth provided by experienced dancers, learners will often invent their own, which can be misleading or incoherent, and lead to wasted energy. When we (somewhat hesitantly) instituted our first objective test of skills, the “200 level exam,” it was interesting to notice how productive, engaged, and curious learners became in the process of preparing for the exam. They would attend classes and take lessons more often, ask more thoughtful questions, ask people to practice with them, engage more deeply with teacher’s feedback. Defining, maintaining and defending class levels has been a conundrum for teachers. Most students are not able to accurately self­assess, so they go to the wrong classes. Classes cannot be taught at an “Advanced” level if they are filled up with dancers who are beginners.
    [Show full text]
  • Interrelationality In/Between Dancing Bodies A
    TO MOVE AND BE MOVED: INTERRELATIONALITY IN/BETWEEN DANCING BODIES A DISSERTATION SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN THE GRADUATE SCHOOL OF THE TEXAS WOMAN’S UNIVERSITY DEPARTMENT OF DANCE COLLEGE OF ARTS AND SCIENCES BY ROBIN CONRAD, M.F.A. DENTON, TEXAS MAY 2019 Copyright © 2019 by Robin Conrad DEDICATION To Matty Ward for making my life beautiful. ii ACKNOWLEDGMENTS First and foremost, my most heartfelt thank you to my advisor, Dr. Matthew Henley whose mentorship, advice, and insight shaped this process and product and helped me grow as a scholar and person. I am deeply grateful for his kindness and support, for his faith in me, and for meeting me where I was in all the various moments— the twists, turns, challenges, and triumphs. I also submit my warmest gratitude to Dr. Rosemary Candelario for her teaching, guidance, and support. She provided me with a foundation and also an aspiration. I thank her for challenging me and making me a more articulate human. Thank you to SaraH Gamblin for sustaining a calm presence throughout my doctoral experience. I am so appreciative of her support as well as her willingness to join my committee so late in the process. I am here as a result of a confluence of life events, one of which is the real chance that the late Dr. Linda Caldwell took on me. I remember her for her faith in me and for all the students like me that she taught, mentored, and shared her contagious joy of learning.
    [Show full text]
  • The Queer Tango Book Ideas, Images and Inspiration in the 21St Century
    1 Colophon and Copyright Statement Selection and editorial matter © 2015 Birthe Havmoeller, Ray Batchelor and Olaya Aramo Written materials © 2015 the individual authors All images and artworks © 2015 the individual artists and photographers. This publication is protected by copyright. Apart from any fair dealing for the purpose of private research, criticism or reviews, no part of this text may be reproduced, decompiled, stored in or introduced into any website, or online information storage, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without written permission by the publisher. This publication is Free and Non Commercial. When you download this e-book, you have been granted the non-exclusive right to access and read the book using any kind of e-book reader software and hardware or via personal text-to-speech computer systems. You may also share/distribute it for free as long as you give appropriate credit to the editors and do not modify the book. You may not use the materials of this book for commercial purposes. If you remix, transform, or build upon the materials you may NOT distribute the modified material without permission by the individual copyright holders. ISBN 978-87-998024-0-1 (HTML) ISBN 978-87-998024-1-8 (PDF) Published: 2015 by Birthe Havmoeller / Queertangobook.org E-book and cover design © Birthe Havmoeller Text on the cover is designed with 'MISO', a free font made by Mårten Nettelbladt. 2 The Queer Tango Book Ideas, Images and Inspiration in the 21st Century Edited by Birthe Havmoeller, Ray Batchelor and Olaya Aramo In the memory of Ekatarina 'Kot' Khomenko We dedicate this work to the dancers who came before us and to those who will come after.
    [Show full text]
  • Spring Summer Autumn Winter This Guide Is a Publication of Modern Tango World Magazine It Is Part of a Series of Publica- Tions Proguced by the Magazine
    Wodern Tango World Festival Guide 2016 Spring Summer Autumn Winter This guide is a publication of Modern Tango World magazine It is part of a series of publica- tions proguced by the magazine. Printed copies are available for 20€ on the the magazines website - http://www.moderntangoworld.com Modern Tango World also maintains several Facebook groups. Among them are : Modern Tango World https://www.facebook.com/groups/moderntangoworld/ Modern Tango Dance — This group specializes in examples of modern tango dancing. The group promotes and distributes information about danc- ing to 21st Century tango music. https://www.facebook.com/groups/milonguerrillas/ Modern Tango Fashion — This group specializes in modern tango fashion, the dresses, the trousers, the jewelry and of course, the shoes from mod- ern designers around the world. https://www.facebook.com/groups/moderntangofashion/ Modern Tango Art & Photography — This group specializes in visual arts related to the modern tango, and presents the work of painters, sculptors, illustrators and photographers. https://www.facebook.com/groups/1652601954955310/ Modern Tango Motion Pictures & Books — This group specializes in literary and storytelling about modern tango. Both new and old films and books are presented for review. https://www.facebook.com/groups/889051234488857/ Spring Argentina Leyendas Tango Festival Buenos Aires Myrna Gil Quintero https://www.facebook.com/Leyendas-Tango-Festival-Tango-y-Cultura-Argenti- na-273989612764210/ Festival de Tango de Zárate Buenos Aires https://www.facebook.com/festivalzarate
    [Show full text]
  • Tango DJ 101 Presentation
    Tango DJ 101 "A Long Dark Night in Dabney Hall" guided by Homer G Ladas Through a reality based situation we will explore the good, better, not so good, and worst ways to tango DJ. Let Us Begin: ------------------------------ You are the guest DJ tonight at Dabney Hall! The milonga is about to start (class is ending) and you just arrived... As a 'mental DJ exercise' before set-up: While the teachers are wrapping up, you hear from a trusted source that they played only late 50's Carlos Di Sarli instrumentals for the entire class. What music do you start the evening with? A. Juan D'Arienzo early Instr &/or w/ Echague B. Carlos Di Sarli - instrumentals C. Tango Fusion - alternative set D. a Milonga or Vals tanda E. Edgardo Donato (mixed 30's & 40's) w/ lyrics F. Juan D'Arienzo with Maure You have about 3 minutes to decide... Time Out: Let's Briefly Talk DJ Equipment 1. Laptop(s), iPhone, etc, vs. CD's - What equipment to use? 2. Sound Cards & Cleaning Software - Do they make a difference? 3. Headphones (& thus previewing) - Does this help your DJing or not? 4. Any other questions? Tango DJ 101: Tandas What is a Tanda? Why do we use Tandas? (Listen to Examples) How Many Songs (2, 3, 4)? A-List vs B-List Songs? Power Songs - The What, Why, and When! & Jinx Songs... Exercise: Let's build two tanda's together... A. Traditional B. Alternative Back to Reality: The Initial Set-Up Some Questions to Ask Yourself include... 1. - Do you know your sound-system & environment? (amp quality, room/speaker layout & height rule, etc) 2.
    [Show full text]
  • UC Riverside Electronic Theses and Dissertations
    UC Riverside UC Riverside Electronic Theses and Dissertations Title Social Tango Dancing in the Age of Neoliberal Competition Permalink https://escholarship.org/uc/item/6fc7h18z Author Shafie, Radman Publication Date 2019 License CC BY 4.0 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA RIVERSIDE Social Tango Dancing in the Age of Neoliberal Competition A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Critical Dance Studies by Radman Shafie June 2019 Dissertation Committee: Dr. Anthea Kraut, Chairperson Dr. Marta Savigliano Dr. Jose Reynoso i Copyright by Radman Shafie 2019 ii The Dissertation of Radman Shafie is approved: Committee Chairperson University of California, Riverside iii Acknowledgments I have deep gratitude for all the people who made this research possible. I would like to first thank Dr. Anthea Kraut, whose tireless and endless support carried me through the ups and downs of this journey. I am indebted to all the social tango dancers who inspired me, particularly in Buenos Aires, and to those who generously gave me their time and attention. I am grateful for my kind mother, Oranous, who always had my back. And lastly, but far from least, I thank my wife Oldřiška, who whenever I am stuck, magically has a solution. iv To all beings who strive to connect on multiple levels, and find words insufficient to express themselves. v ABSTRACT OF THE DISSERTATION Social Tango Dancing in the Age of Neoliberal Competition by Radman Shafie Doctor of Philosophy, Graduate Program in Critical Dance Studies University of California, Riverside, June 2019 Dr.
    [Show full text]
  • Redalyc.El Giro Patrimonial Del Tango: Políticas Oficiales, Turismo Y
    Cuadernos de Antropología Social ISSN: 0327-3776 [email protected] Universidad de Buenos Aires Argentina Morel, Hernán El giro patrimonial del tango: políticas oficiales, turismo y campeonatos de baile en la ciudad de Buenos Aires Cuadernos de Antropología Social, núm. 30, 2009, pp. 155-172 Universidad de Buenos Aires Buenos Aires, Argentina Disponible en: http://www.redalyc.org/articulo.oa?id=180913916009 Cómo citar el artículo Número completo Sistema de Información Científica Más información del artículo Red de Revistas Científicas de América Latina, el Caribe, España y Portugal Página de la revista en redalyc.org Proyecto académico sin fines de lucro, desarrollado bajo la iniciativa de acceso abierto Cuadernos de Antropología Social Nº 30, pp. 155–172, 2009 © FFyL – UBA – ISSN: 0327-3776 El giro patrimonial del tango: políticas oficiales, turismo y campeonatos de baile en la ciudad de Buenos Aires Hernán Morel* RESUMEN En este artículo nos proponemos analizar algunos aspectos del proceso de activación patri- monial del tango en base a la intervención del Estado local a fi nes de los años ’90. Luego de analizar ciertos aspectos que caracterizan y rigen los procesos de patrimonialización contem- poráneos, relevamos las principales normativas y actividades culturales instituidas en torno al tango. Posteriormente, nos concentramos en el desarrollo de una sucesión de políticas públicas y actividades vinculadas a festivales y campeonatos de baile en la ciudad de Buenos Aires. Asimismo, exploramos las construcciones y los sentidos de “autenticidad” en distintas dimensiones culturales. Por un lado, nos enfocamos en el “turismo cultural” vinculado al tango en la ciudad, mientras que, por otro lado, analizamos los sentidos otorgados a las performances de tango-danza de salón en el contexto de los campeonatos ofi ciales.
    [Show full text]
  • Vortrag / Workshop – Edo Für Tänzer
    argentango Zürich, September 2013 Dear organisers of Argentine tango, recently an interested organiser said that he is quite enthusiastic about Argentangos weekend on the Gran Orquestas of the Epoca de Oro, but has organised Joaquin Amenábar already. He could not imagine that it would make sense to schedule Argentango as well as Amenábar. Besides, since autumn 2012 there has been a book from Michael Lavocah on the market about the Gran Orquestas. We are sure that in short time we will hear that Argentangos lecture weekend does not make sense anymore, because now one can read Michael Lavocah’s book. This view of the topic is too one dimensional for Argentango. The workshop GOs of the EdO has as its key element dancing with the music instead of against it for 90% of dances. This is something that few can achieve in one or two weekend events and/or a book. Once introduced, this topic keeps dancers occupied for years, on different levels of knowledge – and in our opinion for the rest of the dancing life. It is not a coincidence that in Europe there now exists a chance on three different paths to introduce concepts which in most common classes are missed out. For two or three years now Europe has finally been ready for this central topic in Argentine tango, this catalyst in the development of dance. The different concepts and exercises, pictures and words from the three complementary paths will increase the prospects of dancers which use these offers together. That is why we from Argentango recommend warmly to organisers in every local scene, not to decide between Amenábar or Argentango, but to realise both offers and in parallel to recommend the book of Lavocah over and over again to their dancers and to have it always on stock for selling.
    [Show full text]
  • Floorcraft Notes for Ventura
    Floor Craft Tips & Notes for Tuesdays in Ventura – Stephen Bauer, QuantumTango.net As the Tuesday Night Tango scene in Ventura becomes more popular and more widely known, it is likely we will continue to draw ever more dancers to Grapes & Hops – both newer faces and more experienced tangueros alike. It is always wonderful when more dancers come and enjoy tango ... but unfortunately the restaurant and the lovely area where we dance will not be getting bigger any time soon. So in order to maximize the enjoyment for everyone, it helps when we all work together to make the best use of our shared and limited space. Below, a few guidelines and suggestions that are widely used by other tango communities when facing similar challenges: How best to manage a bigger crowd on a smaller dance floor: Keep it simple – a closer embrace and smaller shapes / sequences / figures work best on crowded dance floors when space it at a premium – if you don't know how, ask a teacher or a more experienced dancer for suggestions – or stick to basic / musical walking and your most contained & accessible turns ... If you aren't able to keep it small, then it's best to wait until the floor is less crowded to begin using longer/bigger movements, practicing your latest moves from class, and/or trying more complex sequences, salidas, or other ideas that take up a lot of space. Maintain a good flow – respect and stay with the ronda or "Line of Dance" – the counter-clockwise flow that moves around the room.
    [Show full text]
  • ¿Popular, Pop, Populachera?
    Actas del IX Congreso de la Rama Latinoamericana de la IASPM Caracas, Venezuela, 1-5 de junio de 2010 ¿Popular, pop, populachera? Asociación Internacional para el Estudio de El dilema de las músicas populares en América Latina la Música Popular Editores: Carolina Santamaría-Delgado, Heloísa de Araújo Duarte Valente, Herom Vargas y Oscar Hernández Institución editora: IASPM-AL y EUM Actas del IX Congreso de la Rama Latinoamericana de la IASPM Caracas, Venezuela, 1-5 de junio de 2010 ¿Popular, pop, populachera? Asociación Internacional para el Estudio de El dilema de las músicas populares en América Latina la Música Popular Editores: Carolina Santamaría-Delgado, Heloísa de Araújo Duarte Valente, Herom Vargas y Oscar Hernández Institución editora: IASPM-AL y EUM Coordinación de edición: Rubén López Cano Cómo citar el libro/Como citar o livro: Araújo Duarte Valente, Heloísa de; Hernández, Oscar; Santamaría-Delgado, Carolina y Vargas Herom. 2011. ¿Popular, pop, populachera? El dilema de las músicas populares en América Latina. Actas del IX Congreso de la IASPM-AL. Montevideo: IASPM-AL y EUM. ISBN 978-9974-98-282-6. ISBN 978-9974-98-282-6. ¿Popular, pop, populachera? El dilema de las músicas populares en Amércia Latina Directorio IASPM-AL (2010-2012) Organización del IX Congreso IASPM-AL Marita Fornaro – Presidente Directorio IASPM-AL (2008-2010) Felipe Trorra – Vicepresidente Julio Mendivil – Secretario Adalberto Paranhos – Presidente Mercedes Liska – Tesorera Diego Madoery – Secretario Christian Spencer – Editor Agustín Ruiz – Editor IASPM-AL
    [Show full text]