Biography Carice Van Houten
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NEDERLANDS FILMFONDS JAARVERSLAG 2011 INHOUDSOPGAVE INHOUDSOPGAVE PAGINA 4 PAGINA 60 inleiding 5 Bijlagen HET JAAR KERNCIJFERS PAGINA 64 PAGINA 12 BIJLAGE 1 1 Beleid RAAD VAN TOEZICHT, ADVISEURS EN FONDSbuREAU PROFESSIONALISERING PAGINA 67 TALENTONTWIKKELING BIJLAGE 2 INNOVATIE KERNCIJFERS PROJECTEN INTERNATIONALISERING PAGINA 71 BIJLAGE 3 PAGINA 24 2 JAAROVERZiCHT TOEGEWEZEN BIJDRAGEN FILMPROJECTEN 2011 (€) SPEELFILM PAGINA 99 DOCUMENTAIRE BIJLAGE 4 ANIMATIE TOEGEWEZEN BIJDRAGEN ACTIVITEITEN 2011 (€) jaarverslag 2011 jaarverslag EXPERIMENTELE FILM PAGINA 104 nederlands filmfonds nederlands DISTRIBUTIE BIJLAGE 5 ACTIVITEITEN FINANCIERINGSOVERZICHTEN PAGINA 111 PAGINA 42 BIJLAGE 6 3 WerKWijZe IN ROULATIE/IN PREMIÈRE PAGINA 117 PAGINA 48 BIJLAGE 7 4 BESTUUr en ORGANISATie BEHANDELDE BEZWAARSCHRIFTEN 2011 ORGANOGRAM ADMINISTRATIEVE ORGANISATIE EN REGELGEVING CULTURAL GOVERNANCE BEZWAARPROCEduRE COMMUNICATIE EN VERANTWOORDING 2 3 INLEIDING HET JAAR 2011 gedraaide films bedraagt 75 miljoen, een stijging van inleiding 24% ten opzichte van het voorgaande jaar. Zo’n 90% van de Nederlandse filmproducties komt tot stand met een bijdrage van het Filmfonds. 1 euro Filmfondsinvestering genereert daarbij het drievoudige aan productie-investe- ringen en levert tevens 3,20 euro aan inkomsten op. Dit blijkt uit de Quickscan economische kerncijfers Nederlandse filmsector en filmproductie, in de zomer uitgevoerd door Stichting Filmonderzoek in samenwerking met Paul Verstraeten Communicatie, in opdracht van het Nederlands Filmfonds en EYE Filminstituut Nederland. Na een intensief jaar van voorbereiding en afstemming met de sector en het ministerie implementeert het Fonds medio 2011 de nieuwe regelgeving. Daarnaast voert het Fonds verbeteringen door in de interne organisatie, wordt een nieuw subsidiemanagementsysteem in gebruik genomen HET JAAR en kunnen aanvragen sinds het najaar van 2011 digitaal 2011 is een jaar van records voor de Nederlandse film. -
Untitled Warrior Olympics Project, for Neal Moritz and Sony; San Andreas 2, with New Line; and Rampage, Also Through New Line, with Dwayne Johnson Attached to Star
Short Synopsis After a single-mother (Carice van Houten) witnesses terrifying symptoms of demonic possession in her 11-year-old son (David Mazouz), a Vatican representative (Catalina Sandino Moreno) calls on wheelchair-bound scientist Dr. Seth Ember (Aaron Eckhart) to rid him of the evil spirit. Driven by a personal agenda rooted in his own tragic past, Ember enters the boy’s unconscious mind where he confronts a demon as ferocious as it is ingenious. Long Synopsis Eleven-year-old Cameron (David Mazouz) alarms his single mother Lindsay (Carice van Houten) when he begins isolating himself on the floor of his dark room, speaking in ancient languages and displaying other symptoms of demonic possession. Alerted to the situation, Vatican representative Camilla (Catalina Sandino Moreno) recruits wheelchair- bound scientist Dr. Seth Ember (Aaron Eckhart) to extract the evil spirit from the boy. A non-believer who drinks, smokes and prefers to think of his work as “eviction” rather than exorcism, Ember sets up shop with high-tech assistants Riley (Emily Jackson) and Oliver (Keir O’Donnell). Strapped into a life-support system, he enters Cameron’s subconscious mind, where the demon holds the boy captive in an imaginary dream world by appealing to his deepest desire: to be reunited with his estranged father Dan (Matt Nable). Driven by tragic events in his own traumatic past, Ember engages in a fierce battle with the crafty spirit. Ever mindful that the demon, known as “Maggie,” travels from one victim to the next through physical contact, Ember knows that his desperate attempt to save Cameron’s soul could make him the demon’s next host. -
Inquiry: the University of Arkansas Undergraduate Research Journal
Inquiry: The University of Arkansas Undergraduate Research Journal Volume 7 Article 1 Fall 2006 Inquiry: The niU versity of Arkansas Undergraduate Research Journal - Volume 7 - Fall 2006 Inquiry Editors Follow this and additional works at: http://scholarworks.uark.edu/inquiry Recommended Citation Editors, Inquiry (2006) "Inquiry: The nivU ersity of Arkansas Undergraduate Research Journal - Volume 7 - Fall 2006," Inquiry: The University of Arkansas Undergraduate Research Journal: Vol. 7 , Article 1. Available at: http://scholarworks.uark.edu/inquiry/vol7/iss1/1 This Entire Issue is brought to you for free and open access by ScholarWorks@UARK. It has been accepted for inclusion in Inquiry: The nivU ersity of Arkansas Undergraduate Research Journal by an authorized editor of ScholarWorks@UARK. For more information, please contact [email protected], [email protected]. Editors: Inquiry: The University of Arkansas Undergraduate Research Journa University libraries, MAIN 7 Received on: 09-29-06 Inquiry : the University of Arkansas undergraduate research journal Published by ScholarWorks@UARK, 2006 1 Inquiry: The University of Arkansas Undergraduate Research Journal, Vol. 7 [2006], Art. 1 ' INQUIRY: The Undergraduate Research Joumal of the UNIVERSITY OF ARKANSAS, FAYETTEVILLE Volume 7 - 2006 2 Editor's Foreword, Publication Board Section 1: Arts and Humanities 4 ARCHITECTURAL HISTORY AND THEORY: Callie Williams. Development of Gendered Space: The Archaic and Classical Greek Temple 10 ART: jennifer Pease. Lucas van Leyden's Dance Around the Golden Calf The Northern Triptych in the Age of the Reformation (Note: This work was recognized as one of the three best undergraduate research projects completed in 2005-06.) 18 FOREIGN LANGUAGES: Lauran Elam. -
Carice Van Houten
CARICE VAN HOUTEN Personalia Height 5’6’’ Languages Dutch | English | German Skills singing (soprano) | dancing | clarinet Training 1995 - 2000 Theatre Academy Amsterdam Film 2019 The Affair | role: Hana producer: In Film Praha | director: Julius Sevcik Instinct | role: Nicoline Marbus producer: Topkapi Films | director: Halina Reijn 2018 Domino | role: Alex producer: Back up Film | director: Brian de Palma I’m not a Bird | role: Ines producer: Blackbird | director: William Olsson 2016 Race | role: Leni Riefenstahl producer: Forecast Pictures | Stephen Hopkins Brimstone | role: Anna producer: N279 | director: Martin Koolhoven 2015 Incarnate producer: Blumhouse | director: Brad Peyton 2014 Welkom bij de Romeinen | role: Cleopatra producer: Zapp/NTR | director: Niek Barentsen 2013 The Fifth Estate | role: Birgitta Jónsdóttir producer: Dreamworks | director: Bill Condon Chimpanzee | narrator producer: Disney Nature | director: Alastair Fothergill 2012 Alles is Familie | role: Winnie producer: Topkapi Film | director: Joram Lürsen Jackie | role: Sofie producer: Eyeworks | director: Antoinette Beumer Snow White Sneeuwwitje (Dutch voice) producer: Rat Entertainment | director: Tarsem Singh 2011 Intruders | role: Susanna producer: Universal Pictures | director: Juan Carlos Fresnadillo Black Butterflies | role: Ingrid Jonker producer: IDTV | director: Paula van der Oest 2010 Legende van Ga’Hoole (Dutch voice) producer: Warner Bros | director: Zack Snyder Black Death | role: Langiva producer: Egoli Tossell | director: Christopher Smith De Gelukkige -
From Shadow Citizens to Teflon Stars
From shadow citizens to teflon stars cultural responses to the digital actor L i s a B o d e A thesis submitted in fulfillment of the requirements for the degree of Doctor of Philosophy September 2004 School of Theatre, Film and Dance University of New South Wales Abstract This thesis examines an intermittent uncanniness that emerges in cultural responses to new image technologies, most recently in some impressions of the digital actor. The history of image technologies is punctuated by moments of fleeting strangeness: from Maxim Gorky’s reading of the cinematographic image in terms of “cursed grey shadows,” to recent renderings of the computer-generated cast of Final Fantasy: The Spirits Within as silicon-skinned mannequins. It is not merely the image’s unfamiliar and new aesthetics that render it uncanny. Rather, the image is received within a cultural framework where its perceived strangeness speaks allegorically of what it means to be human at that historical moment. In various ways Walter Benjamin, Anson Rabinbach and N. Katherine Hayles have claimed that the notion and the experience of “being human” is continuously transformed through processes related to different stages of modernity including rational thought, industrialisation, urbanisation, media and technology. In elaborating this argument, each of the four chapters is organized around the elucidation of a particular motif: “dummy,” “siren,” “doppelgänger” and “resurrection.” These motifs circulate through discourses on different categories of digital actor, from those conceived without physical referents to those that are created as digital likenesses of living or dead celebrities. These cultural responses suggest that even while writers on the digital actor are speculating about the future, they are engaging with ideas about life, death and identity that are very old and very ambivalent. -
NL Film by Paula Van Der Oest
NL Film presents TONIO By Paula van der Oest INTERNATIONAL SALES Dutch Features Global Entertainment Hogeweg 56D, 2042 GJ, Zandvoort +31 23 888 0168 [email protected] www.dutchfeatures.com TONIO Directed by Paula van der Oest The Netherlands/2016/100 minutes/Dutch/Drama Film Specs: Production countrie(s): The Netherlands Year: 2016 Language: Dutch Genre: Drama Subtitle Language: English Format: DCP Running Time: 100 minutes Color/Bw: Color Frame Rate: 24fsp Sound Ratio: 5:1 Credits: Directed by Paula van der Oest Screenplay: Hugo Heinen Producer(s): Alain de Levita, Sytze van der Laan Director of Photography: Guido van Gennep Production Design: Harry Ammerlaan Editor: Sander Vos Music: Fons Merkies Costume Design: Lotte Noordermeer Makeup: Marly van der Wardt Sound Design: Simone Galavazi Casting: Kemna Casting TONIO is a production of NL Film, in coproduction with NTR, Zilvermeer Productions, Nanook Entertainment Based in the Bestseller of the same title as A.F.T. van der Heijden Copyright Notice: ©2016 NL Film Main Cast: Adri Pierre Bokma Mirjam Rifka Lodeizen Tonio Chris Peters Jenny Stefanie van Leersum Wies Beppie Melissen Nathan Henri Garcin Hinde Pauline Greidanus Goscha Marieke Giebels Dennis Tim Sober Jim Tarik Moree LOGLINE/TAGLINE A compelling and hard-hitting drama about two parents who have to face their biggest loss. A loss that will change their lives forever. SYNOPSIS On 23 May 2010, 21-year-old Tonio van der Heijden is hit by a car and taken to hospital in a critical condition, where he then dies. The lives of his parents, who watch their son die in intensive care, are transformed forever. -
African Studies
FILMS, VIDEOS & DVDS FOR African Studies The Future Of Mud: A Tale of Houses and Lives in Djenne A Film by Susan Vogel Presented by the Musée National du Mali This constructed documentary blends In interviews, information with narrative to show family members the cycle of mud building and the lives of masons talk about the in Djenne, a UNESCO World Heritage city in Mali. town of Djenne, its buildings, and THE FUTURE OF MUD focuses on the mason their desires for Komusa Tenaepo, who hopes that his son will the future, as do succeed him. The film shows a day in the life of a distinguished the mason and Amadou, his young helper from Koranic master, a poor family near Timbuktu, as Komusa decides and a staff whether to allow his son to leave for schooling member of the government office charged with in the capital. preserving the architecture of Djenne. The film reveals the interdependence between The film ends with thousands of participants at the masons, buildings, and lives lived in them. It exam- annual replastering of Djenne’s beloved mosque, ines the tenuous survival of the inherited learning an age-old event, which, for the first time, has been of masons, and the hard work that sustain this specially staged in hopes of attracting tourists. style of architecture. It shows life in Djenne’s mud buildings: courtyards, a blacksmiths’ workshop, a 2007 RAI International Festival of Ethnographic Film modern white vinyl sitting room, the construction site, and Friday prayers at the great mosque. 58 minutes | color | 2007 Sale/DVD: $390 | Order #AF7-01 First Run/Icarus Films | 1 Living Memory Malick Sidibé: A Film by Susan Vogel Portrait of the Artist as a Portraitist Produced by Susan Vogel, Samuel Sidibé, Eric Engles & the Musée National du Mali A Film by Susan Vogel The film is constructed in six sketches, focusing on This short but sweet film looks at the work of the “Brilliant!.. -
Faithful Worship
FAITHFUL LIVES Christian Reflections on the World – Faithful Worship 2020 | Volume 5 FAITHFUL LIVES Christian Reflections on the World – Faithful Worship 2020 | Volume 5 The mission of College of the Ozarks is to provide the advantages of a Christian education for youth of both sexes, especially those found worthy, but who are without sufficient means to procure such training. Faithful Lives: Reflections on the World is an annual journal produced by College of the Ozarks. The goal of the publication is to foster deep and substantive Christian thought in all areas of life by publishing articles that assume and explore the truthfulness of the Christian worldview perspective. Editorial Board Eric W. Bolger, Editor-in-Chief William R. Osborne, Editor Advisory Board Brad C. Pardue Stacy A. McNeill Justin R. Carswell Andrew Bolger Richard W. Cummings Copyright © 2020 College of the Ozarks Cover image: Christ Pantocrator | mosaic | (from the Deesis mosaic, Hagia Sophia) Istanbul, Turkey | ca 12th -13th Century Public Domain Table of Contents Editorial 5 In Defense of Corporate Worship BY WILLIAM R. OSBORNE & JUSTIN CARSWELL Essays 11 Worship in the Garden of Eden BY ERIC BOLGER 21 Idolatry: When Worship Goes Wrong BY JAMES M. TODD III 35 Psalm-Shaped Worship: Reflections on Faithful Worship in the Psalms BY ERIC BOLGER 47 Establishing the Foundation: Biblical Worship BY CONSTANCE CHERRY 67 Faithful. Trinitarian. Worship. Some Thoughts on the Trinity and Weaving a Seamless Tapestry of Trinitarian Worship Practices BY DANIEL CHINN 81 Ways We Worship: Disability and Worship BY BENJAMIN CONNER 93 “Worthy is the Lamb!”: Transformative and Saving Worship in Revelation BY ALEXANDER E. -
Guide Des Intervenants Speakers Yearbook & Liste Des Accredites Participants 2014
GUIDE DES INTERVENANTS SPEAKERS YEARBOOK & LISTE DES ACCREDITES PARTICIPANTS 2014 2 4 Juillet l July 2014 Fontainebleau-France www.action-apa.com www.serieseries.fr SOMMAIRE EDITORIAL COMMITTEE – PRESIDENTS / LES PRESIDENTS DU COMITÉ EDITORIAL ... 3 EDITORIAL COMMITTEE: THE BOARD MEMBERS / LES MEMBRES DU COMITÉ EDITORIAL ................................................................................................................ 5 THE STEERING GROUP / LE COMITÉ DE PARRAINAGE ............................................... 8 MODERATORS / LES MODERATEURS ...................................................................... 13 SERIE SERIES & 11TH TV CREATIVITY DAY / SERIES SERIES & LA JOURNEE DE LA CREATION ............................................................................................................... 13 THEY ENHANCE OUR EVENINGS / ILS FONT NOS SOIRÉES ....................................... 19 THE SPEAKERS OF SÉRIE SERIES / LES INTERVENANTS SÉRIE SERIES ........................ 21 PILOTS IN SERIES / PILOTES EN SERIES .................................................................... 63 THE SPEAKERS OF THE 11TH CREATIVITY DAY – APA / LES INTERVENANTS DE LA EME 11 JOURNEE DE LA CREATION DE L’APA ............................................................. 70 2014 PARTICIPANTS / LISTE DES PARTICIPANTS...................................................... 86 NOTES .................................................................................................................. 106 NOTES ................................................................................................................. -
1 CHAPTER I INTRODUCTION A. Background of the Study Black Book Is a Drama Action Movie Directed by Paul Verhoeven, and Written B
CHAPTER I INTRODUCTION A. Background of the Study Black Book is a drama action movie directed by Paul Verhoeven, and written by Gerard Soeteman and Verhoeven’s as screenwriter. Actually, this movie is one of his greatest works because it becomes one of the best Dutch films in 2006. It was released on September 14, 2006 in the Netherlands and released in general on 4 April 2007. It has 2 hours and 25 minutes of the duration. The genres of this movie are drama, thriller and war, that the settings of place are the Netherlands and Israel with setting of time in 1944. Black book is a movie which contains moral discourse and human measure. This movie is produced by Motel Films, EgoliTossell Film, Clockwork Pictures, and Fu Works and distributed by Sony Pictures Classics. Black Book movie is directed by Paul Verhoeven, a Holland movie director, producer and actor. Paul Verhoeven was born on July 18, 1938 in Amsterdam, Netherlands. He was born during the dark years of World War II. He is one of the most provocative, daring, challenging and controversial storytellers creating film entertainment. He attended University Of Leiden. He earned a doctorate in mathematics and physics in 1964. He was interested in cinematography during six years at the college and tried to make a documentary movie. The first movie that he made is The Marine Corps; it is a documentary movie with 23 minutes of the duration. 1 2 Black Book movie is set during the last years of the Second World War. The film opens with Ronnie a Dutch woman who is on a tourist package trip in Israel. -
Biography Carice Van Houten
Biography Carice van Houten In her native country The Netherlands, Carice van Houten (1976) is regarded as one of the most talented and beloved actresses of her generation. She won several awards, including Best Actress at Tribeca Film Festival for her role in BLACK BUTTERFLIES in 2011, five Dutch Golden Calves for Best Actress and was voted ‘Best Dutch Actress of All Time’ by the Dutch audience. Her stunning performance in Paul Verhoeven’s war epic BLACK BOOK marked the beginning of Carice’s international breakthrough. In the summer of 2011 Carice joins the cast of HBO’s hit series GAME OF THRONES as the red priestess Melisandre. Carice Anouk van Houten was born in Leiderdorp (near Leiden) on 5 September 1976. Her parents are Margje Stasse (on the board of Dutch educational TV) and writer, musicologist and expert in silent cinema Theodore van Houten. She is the elder sister of actress and singer Jelka van Houten. When she was five her father took her to a screening of Abel Gance's epic NAPOLEON which fascinated her. She’s had a great interest in cinema since. Carice convincingly demonstrated her acting talents in high school, in the early 90’s. She also developed a skill in clarinet playing. In 1995 she was rather uniquely accepted by both the Maastricht and Amsterdam drama academies, and started her TV career (LABYRINT, VPRO TV 1997) as a student of the Academy of Fine Arts in Amsterdam. There she was awarded the 1999 Pisuisse Prize for most promising graduation student, and the 2000 Top Naeff Prize for her theatre work. -
Catalogue of the African Studies Library Film Collection in UCT Libraries Special Collections
Catalogue of the African Studies Library Film Collection in UCT Libraries Special Collections Any queries regarding the ASL film collection please contact Bev Angus ([email protected]) Updated:June 2015 Introduction In film, as with all other African Studies material in Special Collections, we collect comprehensively on South and Southern Africa and we are also committed to strengthening and broadening our film coverage of the rest of Africa to meet existing needs and to create new opportunities for research. Film is a powerful and accessible medium for conveying the stories and images of Africa, past and present. The African continent has a long and proud tradition of film-making, and has produced many film-makers of international renown. Our collection contains documentaries, television series and feature films made by both African and international film-makers. Besides supporting the teaching and research programmes of the University of Cape Town, the African Studies Library makes provision for the preservation of the films in the collection. Please note: The films in the ASL are primarily for viewing by members of the University of Cape Town community. For a collection of African films with public access see the Western Cape Provincial Library Service collection at http://cplweb.pals.gov.za Tips on searching the collection: To facilitate searching, click the binoculars in the toolbar. Select Use Advanced Search Options. If you know the title of the film, enter the exact title in the box and select Match Exact Word or Phrase in the dropdown box e.g. “Cry the Beloved Country” For a keyword search where the exact title is unknown or you are searching around a particular topic, enter appropriate keywords in the box provided, then select Match any of the Words in the drop-drown box below e.g.