Guide Des Intervenants Speakers Yearbook & Liste Des Accredites Participants 2014
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Die Auswirkungen Der Digitalisierung Auf Die Rolle Des Public Service-Fernsehens in Schweden
Gemeinwohlanspruch im Wandel: Die Auswirkungen der Digitalisierung auf die Rolle des Public Service-Fernsehens in Schweden Freie wissenschaftliche Arbeit zur Erlangung des akademischen Grades einer Diplom-Journalistin an der Fakultät Wirtschafts- und Sozialwissenschaften der Universität Hohenheim Eingereicht am Lehrstuhl für Kommunikationswissenschaft insbes. Medienpolitik Prof. Dr. Barbara Pfetsch von Heike Wienholz Matrikelnummer: 368535 Studiengang: Journalistik Bietigheim-Bissingen, den 5. Dezember 2006 „Ny teknik ska användas för att utveckla och förbättra public service, inte marginalisera den.“ 1 (Brunnberg 2000, S. 31) 2 1 Übers. d. Verf.: Neue Technologien sollten dazu benutzt werden, Public Service weiterzuentwickeln und zu verbessern, nicht dazu, es an den Rand zu drängen. 2 Kerstin Brunnberg ist Direktorin von SR Stockholm und seit 2005 Mitglied des Vorstandes von Sveriges Radio. Inhaltsverzeichnis 1. Einleitung .................................................................................................................. 1 1.1 Fragestellung und Aktualität.................................................................................. 1 1.2 Literaturlage und Forschungsstand........................................................................ 3 1.3 Aufbau der Arbeit.................................................................................................. 4 2. Die schwedische Fernsehlandschaft – ein Überblick .................................... 5 2.1 Struktur und Eigentümer...................................................................................... -
Inquiry: the University of Arkansas Undergraduate Research Journal
Inquiry: The University of Arkansas Undergraduate Research Journal Volume 7 Article 1 Fall 2006 Inquiry: The niU versity of Arkansas Undergraduate Research Journal - Volume 7 - Fall 2006 Inquiry Editors Follow this and additional works at: http://scholarworks.uark.edu/inquiry Recommended Citation Editors, Inquiry (2006) "Inquiry: The nivU ersity of Arkansas Undergraduate Research Journal - Volume 7 - Fall 2006," Inquiry: The University of Arkansas Undergraduate Research Journal: Vol. 7 , Article 1. Available at: http://scholarworks.uark.edu/inquiry/vol7/iss1/1 This Entire Issue is brought to you for free and open access by ScholarWorks@UARK. It has been accepted for inclusion in Inquiry: The nivU ersity of Arkansas Undergraduate Research Journal by an authorized editor of ScholarWorks@UARK. For more information, please contact [email protected], [email protected]. Editors: Inquiry: The University of Arkansas Undergraduate Research Journa University libraries, MAIN 7 Received on: 09-29-06 Inquiry : the University of Arkansas undergraduate research journal Published by ScholarWorks@UARK, 2006 1 Inquiry: The University of Arkansas Undergraduate Research Journal, Vol. 7 [2006], Art. 1 ' INQUIRY: The Undergraduate Research Joumal of the UNIVERSITY OF ARKANSAS, FAYETTEVILLE Volume 7 - 2006 2 Editor's Foreword, Publication Board Section 1: Arts and Humanities 4 ARCHITECTURAL HISTORY AND THEORY: Callie Williams. Development of Gendered Space: The Archaic and Classical Greek Temple 10 ART: jennifer Pease. Lucas van Leyden's Dance Around the Golden Calf The Northern Triptych in the Age of the Reformation (Note: This work was recognized as one of the three best undergraduate research projects completed in 2005-06.) 18 FOREIGN LANGUAGES: Lauran Elam. -
Fox Television”), Rehearing Granted, 293 F 3D 537 (D C Cir 2002) (“Fox Television Re-Hearing”) (Addressing the National TV Ownership Rule) Sinclolr Broodcasf Group
Federal Communications Commission FCC 03-127 Before the Federal Communications Commission Washington, D.C. 20554 In the Matter of ) c.. rc: ) L 2002 Biennial Regulatoxy Review - Review of the ) MB Docket 02-277 Commission’s Broadcast Ownership Rules and ) Other Rules Adopted Pursuant to Section 202 of ) the Telecommunications Act of 1996 ) ) Cross-Ownership of Broadcast Stations and ) MM Docket 01-235 Newspapers ) Ci: 1 IbJ Rules and Policies Concerning Multiple ) MM Docket 01-317 Ownership of Radio Broadcast Stations in Local ) Markets ) ) Definition of Radio Markets ) MM Docket 00-244 ) ) Definition of Radio Markets for Areas Not ) MB Docket 03-130 Located in an Arbitron Survey Area ) REPORT AND ORDER AND NOTICE OF PROPOSED RULEMAKING Adopted: June 2,2003 Released: July 2, 2003 Comments due: 30 days after publication in the Federal Register Reply Comments due: 45 days after publication in the Federal Register By the Commission: Chairman Powell, Commissioners Abernathy and Martin issuing separate statements; Commissioners Copps and Adelstein dissenting and issuing separate statements. TABLE OF CONTENTS Paragraph I. INTRODUCTION ........................................... 11. LEGAL FRAMEWORK. I11 POLICYGOALS .. ..................................... .................................. B. Competition. ............................................. ............................ 53 C. Localism .................................. .................... 80 A Introduction - The Evolution of Media ........................... ....................... -
Carice Van Houten
CARICE VAN HOUTEN Personalia Height 5’6’’ Languages Dutch | English | German Skills singing (soprano) | dancing | clarinet Training 1995 - 2000 Theatre Academy Amsterdam Film 2019 The Affair | role: Hana producer: In Film Praha | director: Julius Sevcik Instinct | role: Nicoline Marbus producer: Topkapi Films | director: Halina Reijn 2018 Domino | role: Alex producer: Back up Film | director: Brian de Palma I’m not a Bird | role: Ines producer: Blackbird | director: William Olsson 2016 Race | role: Leni Riefenstahl producer: Forecast Pictures | Stephen Hopkins Brimstone | role: Anna producer: N279 | director: Martin Koolhoven 2015 Incarnate producer: Blumhouse | director: Brad Peyton 2014 Welkom bij de Romeinen | role: Cleopatra producer: Zapp/NTR | director: Niek Barentsen 2013 The Fifth Estate | role: Birgitta Jónsdóttir producer: Dreamworks | director: Bill Condon Chimpanzee | narrator producer: Disney Nature | director: Alastair Fothergill 2012 Alles is Familie | role: Winnie producer: Topkapi Film | director: Joram Lürsen Jackie | role: Sofie producer: Eyeworks | director: Antoinette Beumer Snow White Sneeuwwitje (Dutch voice) producer: Rat Entertainment | director: Tarsem Singh 2011 Intruders | role: Susanna producer: Universal Pictures | director: Juan Carlos Fresnadillo Black Butterflies | role: Ingrid Jonker producer: IDTV | director: Paula van der Oest 2010 Legende van Ga’Hoole (Dutch voice) producer: Warner Bros | director: Zack Snyder Black Death | role: Langiva producer: Egoli Tossell | director: Christopher Smith De Gelukkige -
NL Film by Paula Van Der Oest
NL Film presents TONIO By Paula van der Oest INTERNATIONAL SALES Dutch Features Global Entertainment Hogeweg 56D, 2042 GJ, Zandvoort +31 23 888 0168 [email protected] www.dutchfeatures.com TONIO Directed by Paula van der Oest The Netherlands/2016/100 minutes/Dutch/Drama Film Specs: Production countrie(s): The Netherlands Year: 2016 Language: Dutch Genre: Drama Subtitle Language: English Format: DCP Running Time: 100 minutes Color/Bw: Color Frame Rate: 24fsp Sound Ratio: 5:1 Credits: Directed by Paula van der Oest Screenplay: Hugo Heinen Producer(s): Alain de Levita, Sytze van der Laan Director of Photography: Guido van Gennep Production Design: Harry Ammerlaan Editor: Sander Vos Music: Fons Merkies Costume Design: Lotte Noordermeer Makeup: Marly van der Wardt Sound Design: Simone Galavazi Casting: Kemna Casting TONIO is a production of NL Film, in coproduction with NTR, Zilvermeer Productions, Nanook Entertainment Based in the Bestseller of the same title as A.F.T. van der Heijden Copyright Notice: ©2016 NL Film Main Cast: Adri Pierre Bokma Mirjam Rifka Lodeizen Tonio Chris Peters Jenny Stefanie van Leersum Wies Beppie Melissen Nathan Henri Garcin Hinde Pauline Greidanus Goscha Marieke Giebels Dennis Tim Sober Jim Tarik Moree LOGLINE/TAGLINE A compelling and hard-hitting drama about two parents who have to face their biggest loss. A loss that will change their lives forever. SYNOPSIS On 23 May 2010, 21-year-old Tonio van der Heijden is hit by a car and taken to hospital in a critical condition, where he then dies. The lives of his parents, who watch their son die in intensive care, are transformed forever. -
Must-Carry Rules, and Access to Free-DTT
Access to TV platforms: must-carry rules, and access to free-DTT European Audiovisual Observatory for the European Commission - DG COMM Deirdre Kevin and Agnes Schneeberger European Audiovisual Observatory December 2015 1 | Page Table of Contents Introduction and context of study 7 Executive Summary 9 1 Must-carry 14 1.1 Universal Services Directive 14 1.2 Platforms referred to in must-carry rules 16 1.3 Must-carry channels and services 19 1.4 Other content access rules 28 1.5 Issues of cost in relation to must-carry 30 2 Digital Terrestrial Television 34 2.1 DTT licensing and obstacles to access 34 2.2 Public service broadcasters MUXs 37 2.3 Must-carry rules and digital terrestrial television 37 2.4 DTT across Europe 38 2.5 Channels on Free DTT services 45 Recent legal developments 50 Country Reports 52 3 AL - ALBANIA 53 3.1 Must-carry rules 53 3.2 Other access rules 54 3.3 DTT networks and platform operators 54 3.4 Summary and conclusion 54 4 AT – AUSTRIA 55 4.1 Must-carry rules 55 4.2 Other access rules 58 4.3 Access to free DTT 59 4.4 Conclusion and summary 60 5 BA – BOSNIA AND HERZEGOVINA 61 5.1 Must-carry rules 61 5.2 Other access rules 62 5.3 DTT development 62 5.4 Summary and conclusion 62 6 BE – BELGIUM 63 6.1 Must-carry rules 63 6.2 Other access rules 70 6.3 Access to free DTT 72 6.4 Conclusion and summary 73 7 BG – BULGARIA 75 2 | Page 7.1 Must-carry rules 75 7.2 Must offer 75 7.3 Access to free DTT 76 7.4 Summary and conclusion 76 8 CH – SWITZERLAND 77 8.1 Must-carry rules 77 8.2 Other access rules 79 8.3 Access to free DTT -
African Studies
FILMS, VIDEOS & DVDS FOR African Studies The Future Of Mud: A Tale of Houses and Lives in Djenne A Film by Susan Vogel Presented by the Musée National du Mali This constructed documentary blends In interviews, information with narrative to show family members the cycle of mud building and the lives of masons talk about the in Djenne, a UNESCO World Heritage city in Mali. town of Djenne, its buildings, and THE FUTURE OF MUD focuses on the mason their desires for Komusa Tenaepo, who hopes that his son will the future, as do succeed him. The film shows a day in the life of a distinguished the mason and Amadou, his young helper from Koranic master, a poor family near Timbuktu, as Komusa decides and a staff whether to allow his son to leave for schooling member of the government office charged with in the capital. preserving the architecture of Djenne. The film reveals the interdependence between The film ends with thousands of participants at the masons, buildings, and lives lived in them. It exam- annual replastering of Djenne’s beloved mosque, ines the tenuous survival of the inherited learning an age-old event, which, for the first time, has been of masons, and the hard work that sustain this specially staged in hopes of attracting tourists. style of architecture. It shows life in Djenne’s mud buildings: courtyards, a blacksmiths’ workshop, a 2007 RAI International Festival of Ethnographic Film modern white vinyl sitting room, the construction site, and Friday prayers at the great mosque. 58 minutes | color | 2007 Sale/DVD: $390 | Order #AF7-01 First Run/Icarus Films | 1 Living Memory Malick Sidibé: A Film by Susan Vogel Portrait of the Artist as a Portraitist Produced by Susan Vogel, Samuel Sidibé, Eric Engles & the Musée National du Mali A Film by Susan Vogel The film is constructed in six sketches, focusing on This short but sweet film looks at the work of the “Brilliant!.. -
Faithful Worship
FAITHFUL LIVES Christian Reflections on the World – Faithful Worship 2020 | Volume 5 FAITHFUL LIVES Christian Reflections on the World – Faithful Worship 2020 | Volume 5 The mission of College of the Ozarks is to provide the advantages of a Christian education for youth of both sexes, especially those found worthy, but who are without sufficient means to procure such training. Faithful Lives: Reflections on the World is an annual journal produced by College of the Ozarks. The goal of the publication is to foster deep and substantive Christian thought in all areas of life by publishing articles that assume and explore the truthfulness of the Christian worldview perspective. Editorial Board Eric W. Bolger, Editor-in-Chief William R. Osborne, Editor Advisory Board Brad C. Pardue Stacy A. McNeill Justin R. Carswell Andrew Bolger Richard W. Cummings Copyright © 2020 College of the Ozarks Cover image: Christ Pantocrator | mosaic | (from the Deesis mosaic, Hagia Sophia) Istanbul, Turkey | ca 12th -13th Century Public Domain Table of Contents Editorial 5 In Defense of Corporate Worship BY WILLIAM R. OSBORNE & JUSTIN CARSWELL Essays 11 Worship in the Garden of Eden BY ERIC BOLGER 21 Idolatry: When Worship Goes Wrong BY JAMES M. TODD III 35 Psalm-Shaped Worship: Reflections on Faithful Worship in the Psalms BY ERIC BOLGER 47 Establishing the Foundation: Biblical Worship BY CONSTANCE CHERRY 67 Faithful. Trinitarian. Worship. Some Thoughts on the Trinity and Weaving a Seamless Tapestry of Trinitarian Worship Practices BY DANIEL CHINN 81 Ways We Worship: Disability and Worship BY BENJAMIN CONNER 93 “Worthy is the Lamb!”: Transformative and Saving Worship in Revelation BY ALEXANDER E. -
1 CHAPTER I INTRODUCTION A. Background of the Study Black Book Is a Drama Action Movie Directed by Paul Verhoeven, and Written B
CHAPTER I INTRODUCTION A. Background of the Study Black Book is a drama action movie directed by Paul Verhoeven, and written by Gerard Soeteman and Verhoeven’s as screenwriter. Actually, this movie is one of his greatest works because it becomes one of the best Dutch films in 2006. It was released on September 14, 2006 in the Netherlands and released in general on 4 April 2007. It has 2 hours and 25 minutes of the duration. The genres of this movie are drama, thriller and war, that the settings of place are the Netherlands and Israel with setting of time in 1944. Black book is a movie which contains moral discourse and human measure. This movie is produced by Motel Films, EgoliTossell Film, Clockwork Pictures, and Fu Works and distributed by Sony Pictures Classics. Black Book movie is directed by Paul Verhoeven, a Holland movie director, producer and actor. Paul Verhoeven was born on July 18, 1938 in Amsterdam, Netherlands. He was born during the dark years of World War II. He is one of the most provocative, daring, challenging and controversial storytellers creating film entertainment. He attended University Of Leiden. He earned a doctorate in mathematics and physics in 1964. He was interested in cinematography during six years at the college and tried to make a documentary movie. The first movie that he made is The Marine Corps; it is a documentary movie with 23 minutes of the duration. 1 2 Black Book movie is set during the last years of the Second World War. The film opens with Ronnie a Dutch woman who is on a tourist package trip in Israel. -
Biography Carice Van Houten
Biography Carice van Houten In her native country The Netherlands, Carice van Houten (1976) is regarded as one of the most talented and beloved actresses of her generation. She won several awards, including Best Actress at Tribeca Film Festival for her role in BLACK BUTTERFLIES in 2011, five Dutch Golden Calves for Best Actress and was voted ‘Best Dutch Actress of All Time’ by the Dutch audience. Her stunning performance in Paul Verhoeven’s war epic BLACK BOOK marked the beginning of Carice’s international breakthrough. In the summer of 2011 Carice joins the cast of HBO’s hit series GAME OF THRONES as the red priestess Melisandre. Carice Anouk van Houten was born in Leiderdorp (near Leiden) on 5 September 1976. Her parents are Margje Stasse (on the board of Dutch educational TV) and writer, musicologist and expert in silent cinema Theodore van Houten. She is the elder sister of actress and singer Jelka van Houten. When she was five her father took her to a screening of Abel Gance's epic NAPOLEON which fascinated her. She’s had a great interest in cinema since. Carice convincingly demonstrated her acting talents in high school, in the early 90’s. She also developed a skill in clarinet playing. In 1995 she was rather uniquely accepted by both the Maastricht and Amsterdam drama academies, and started her TV career (LABYRINT, VPRO TV 1997) as a student of the Academy of Fine Arts in Amsterdam. There she was awarded the 1999 Pisuisse Prize for most promising graduation student, and the 2000 Top Naeff Prize for her theatre work. -
A Case Study of How Danish TV Drama Series Captured Television Viewers in the UK
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Roehampton University Research Repository CST 12 : 4 : ESSER : 1 Form, Platform and the Formation of Transnational Audiences: A case study of how Danish TV drama series captured television viewers in the UK Andrea Esser, University of Roehampton, UK Abstract This article combines analysis of form, platform and audiences for a holistic understanding of how Danish series entered the global trade in TV fiction. Building on existing research on form and production values it adds a wide-ranging empirical case study, exploring the specific local conditions that led to the introduction of Danish series in the UK in 2011 and subsequent growth in UK audiences for Danish and other subtitled TV series. It reveals the multiplicity of factors contributing to the success of the early Danish serial imports, the interdependence of form, platform and audiences, and the imperative to rethink dominant theories of international programme flows. Key words Nordic noir; Danish TV drama series; UK television market; subtitled drama; transnational TV audiences; TV programme flows Introduction For the past five years, television scholars have been intrigued by the seemingly sudden and unexpected success of Danish TV drama series selling around the world, most notably to 159 countries in the case of Forbydelsen/The Killing (2007-12) or 67 in the case of political drama Borgen (2010-13) (Bondebjerg and Redvall, 2015). Unexpected because, as Pia Majbritt Jensen rightly notes, until the 2010s Denmark was seen as ‘at the periphery of the global TV market’ (2016), its exports limited to the Nordic region and, in the case of crime fiction also Germany. -
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