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KMP LIST E:\New Songs\New Videos\Eminem\ Eminem
_KMP_LIST E:\New Songs\New videos\Eminem\▶ Eminem - Survival (Explicit) - YouTube.mp4▶ Eminem - Survival (Explicit) - YouTube.mp4 E:\New Songs\New videos\Akon\akon\blame it on me.mpgblame it on me.mpg E:\New Songs\New videos\Akon\akon\I Just had.mp4I Just had.mp4 E:\New Songs\New videos\Akon\akon\Shut It Down.flvShut It Down.flv E:\New Songs\New videos\Akon\03. I Just Had Sex (Ft. Akon) (www.SongsLover.com). mp303. I Just Had Sex (Ft. Akon) (www.SongsLover.com).mp3 E:\New Songs\New videos\Akon\akon - mr lonely(2).mpegakon - mr lonely(2).mpeg E:\New Songs\New videos\Akon\Akon - Music Video - Smack That (feat. eminem) (Ram Videos).mpgAkon - Music Video - Smack That (feat. eminem) (Ram Videos).mpg E:\New Songs\New videos\Akon\Akon - Right Now (Na Na Na) - YouTube.flvAkon - Righ t Now (Na Na Na) - YouTube.flv E:\New Songs\New videos\Akon\Akon Ft Eminem- Smack That-videosmusicalesdvix.blog spot.com.mkvAkon Ft Eminem- Smack That-videosmusicalesdvix.blogspot.com.mkv E:\New Songs\New videos\Akon\Akon ft Snoop Doggs - I wanna luv U.aviAkon ft Snoop Doggs - I wanna luv U.avi E:\New Songs\New videos\Akon\Akon ft. Dave Aude & Luciana - Bad Boy Official Vid eo (New Song 2013) HD.MP4Akon ft. Dave Aude & Luciana - Bad Boy Official Video (N ew Song 2013) HD.MP4 E:\New Songs\New videos\Akon\Akon ft.Kardinal Offishall & Colby O'Donis - Beauti ful ---upload by Manoj say thanx at [email protected] ft.Kardinal Offish all & Colby O'Donis - Beautiful ---upload by Manoj say thanx at [email protected] om.mkv E:\New Songs\New videos\Akon\akon-i wanna love you.aviakon-i wanna love you.avi E:\New Songs\New videos\Akon\David Guetta feat. -
Youtube Yrityksen Markkinoinnin Välineenä
Lassi Tuomikoski Youtube yrityksen markkinoinnin välineenä Metropolia Ammattikorkeakoulu Tradenomi Liiketalouden koulutusohjelma Opinnäytetyö Lokakuu 2014 Tiivistelmä Tekijä Lassi Tuomikoski Otsikko Youtube yrityksen markkinoinnin välineenä Sivumäärä 47 sivua + 2 liitettä Aika 9.11.2014 Tutkinto Tradenomi Koulutusohjelma Liiketalous Suuntautumisvaihtoehto Markkinointi Ohjaaja lehtori Raisa Varsta Tämän opinnäytetyön tarkoituksena oli luoda ohjeistus oman sisällön luomiseen Youtubessa aloittelevalle yritykselle. Työn toisena tavoitteena on osoittaa, miten yritys pystyy hyödyntämään videonjakopalvelu Youtubea omassa liiketoiminnassaan muiden markkinoinnin keinojen avulla. Työn viitekehyksessä käydään läpi keskeisimmät käsitteet ja termit ja esitellään Youtube yrityksenä sekä videonjakopalveluna. Työssä kerrotaan, millä eri tavoin yritys voi näkyä Youtubessa ja Youtube yrityksen markkinoinnissa. Toiminnallisena osana työtä tuotettiin konkreettisten esimerkkien pohjalta ohjeistus Youtuben parissa aloittelevalle yritykselle siitä, kuinka päästä alkuun tehokkaassa ja yritykselle lisäarvoa tuottavassa sisällöntuottamisessa. Mitä asiota oman sisällön luomisessa täytyy ottaa huomioon ja millä keinoilla Youtubessa voidaan menestyä. Opinnäytetyön johtopäätöksenä todettiin, että ennen oman sisällön luomista on yrityksen sisältöstrategian oltava kunnossa. Sisällön tärkeyttä ei voi oman sisällön luomisessa tarpeeksi korostaa. Sisällön on oltava merkityksellistä asiakkaan kannalta. Avainsanat youtube, sisältömarkkinointi, sosiaalinen media Abstract -
The Globalization of K-Pop: the Interplay of External and Internal Forces
THE GLOBALIZATION OF K-POP: THE INTERPLAY OF EXTERNAL AND INTERNAL FORCES Master Thesis presented by Hiu Yan Kong Furtwangen University MBA WS14/16 Matriculation Number 249536 May, 2016 Sworn Statement I hereby solemnly declare on my oath that the work presented has been carried out by me alone without any form of illicit assistance. All sources used have been fully quoted. (Signature, Date) Abstract This thesis aims to provide a comprehensive and systematic analysis about the growing popularity of Korean pop music (K-pop) worldwide in recent years. On one hand, the international expansion of K-pop can be understood as a result of the strategic planning and business execution that are created and carried out by the entertainment agencies. On the other hand, external circumstances such as the rise of social media also create a wide array of opportunities for K-pop to broaden its global appeal. The research explores the ways how the interplay between external circumstances and organizational strategies has jointly contributed to the global circulation of K-pop. The research starts with providing a general descriptive overview of K-pop. Following that, quantitative methods are applied to measure and assess the international recognition and global spread of K-pop. Next, a systematic approach is used to identify and analyze factors and forces that have important influences and implications on K-pop’s globalization. The analysis is carried out based on three levels of business environment which are macro, operating, and internal level. PEST analysis is applied to identify critical macro-environmental factors including political, economic, socio-cultural, and technological. -
Black Women's Youtube Channels in Brazil As Fortalecimento
Black Faces in White Spaces: Black Women’s YouTube Channels in Brazil as Fortalecimento ALIDA PERRINE University of Texas, Austin Abstract: A large and growing network of black women YouTubers in Brazil mobilize strategies of fortalecimento, a term used by some women to refer to how they prepare themselves to face the barriers created by the gendered racial hierarchy of Brazilian society. In this article, I examine these YouTube channels and the tactics black women use to increase their own visibility, to value black aesthetics, and to denounce racist and sexist acts or representations. Furthermore, I consider the importance of physical spaces, such as production studios, for YouTube success, and how black women negotiate material spaces as well as the video sharing platform to maximize their visibility and encroach on predominantly white spaces of cultural production. Using theories of intersectionality, representation, and subjecthood, I examine how these women use (virtual) communities to re-signify and pluralize black womanhood in Brazil. Keywords: Racism, sexism, social media, representation, cultural resistance When Nátaly Neri, a 21-year-old black college student, started her YouTube channel in 2015, it was one among thousands of other channels containing do-it- yourself videos about sewing and hairstyles. Scrolling through her videos, one finds showcases of thrift-store finds transformed into the unique fashion that defines Neri’s style, as well as detailed documentation of her transitions from braids to dreads and beyond. For many young black women like Neri with channels on YouTube, not just in Brazil but throughout the diaspora, haircare and styling is a common entry point to the practice of self-vlogging. -
(You Gotta) Fight for Your Right (To Party!) 3 AM ± Matchbox Twenty. 99 Red Ballons ± Nena
(You Gotta) Fight For Your Right (To Party!) 3 AM ± Matchbox Twenty. 99 Red Ballons ± Nena. Against All Odds ± Phil Collins. Alive and kicking- Simple minds. Almost ± Bowling for soup. Alright ± Supergrass. Always ± Bon Jovi. Ampersand ± Amanda palmer. Angel ± Aerosmith Angel ± Shaggy Asleep ± The Smiths. Bell of Belfast City ± Kristy MacColl. Bitch ± Meredith Brooks. Blue Suede Shoes ± Elvis Presely. Bohemian Rhapsody ± Queen. Born In The USA ± Bruce Springstein. Born to Run ± Bruce Springsteen. Boys Will Be Boys ± The Ordinary Boys. Breath Me ± Sia Brown Eyed Girl ± Van Morrison. Brown Eyes ± Lady Gaga. Chasing Cars ± snow patrol. Chasing pavements ± Adele. Choices ± The Hoosiers. Come on Eileen ± Dexy¶s midnight runners. Crazy ± Aerosmith Crazy ± Gnarles Barkley. Creep ± Radiohead. Cupid ± Sam Cooke. Don¶t Stand So Close to Me ± The Police. Don¶t Speak ± No Doubt. Dr Jones ± Aqua. Dragula ± Rob Zombie. Dreaming of You ± The Coral. Dreams ± The Cranberries. Ever Fallen In Love? ± Buzzcocks Everybody Hurts ± R.E.M. Everybody¶s Fool ± Evanescence. Everywhere I go ± Hollywood undead. Evolution ± Korn. FACK ± Eminem. Faith ± George Micheal. Feathers ± Coheed And Cambria. Firefly ± Breaking Benjamin. Fix Up, Look Sharp ± Dizzie Rascal. Flux ± Bloc Party. Fuck Forever ± Babyshambles. Get on Up ± James Brown. Girl Anachronism ± The Dresden Dolls. Girl You¶ll Be a Woman Soon ± Urge Overkill Go Your Own Way ± Fleetwood Mac. Golden Skans ± Klaxons. Grounds For Divorce ± Elbow. Happy ending ± MIKA. Heartbeats ± Jose Gonzalez. Heartbreak Hotel ± Elvis Presely. Hollywood ± Marina and the diamonds. I don¶t love you ± My Chemical Romance. I Fought The Law ± The Clash. I Got Love ± The King Blues. I miss you ± Blink 182. -
Blierung Von Künstlern in Der Rock- Und Popmusik
BACHELORARBEIT Herr Marc Philipp Neubauer Untersuchungen zur Bedeutung von Coverversion bei der Eta- blierung von Künstlern in der Rock- und Popmusik 2018 Fakultät Medien BACHELORARBEIT Untersuchungen zur Bedeu- tung von Coverversionen bei der Etablierung von Künstlern in der Rock- und Pomusik Autor: Herr Marc Philipp Neubauer Studiengang: Musikmanagement / -produktion Seminargruppe: AM15sU1-B Erstprüfer: Prof. Dr.-Ing. Michael Hösel Zweitprüfer: Jörg Schmidt M. A., MBA Einreichung: Mittweida, 07.06.2018 Faculty of Media BACHELOR THESIS Investigations on the importan- ce of coversongs in the esta- blishment of artists in rock and pop music author: Mr. Marc Philipp Neubauer course of studies: Music management / production seminar group: AM15sU1-B first examiner: Prof. Dr.-Ing. Michael Hösel second examiner: Jörg Schmidt M. A., MBA submission: Mittweida, 07.06.2018 IV Bibliografische Angaben: Neubauer, Marc Philipp: Untersuchungen zur Bedeutung von Coverversionen bei der Etablierung von Künstlern in der Rock- und Popmusik Investigations on the importance of cover versions in the establishment of artists in rock and pop music 2018 - 95 Seiten Mittweida, Hochschule Mittweida (FH), University of Applied Sciences, Fakultät Medien, Bachelorarbeit, 2018 Abstract Diese Arbeit beschäftigt sich mit der Bedeutung von Coverversionen bei der Etablie- rung von Künstlern in der Rock- und Popmusik. Dazu wird das Prinzip „Coverversion“ auf musikrechtliche, musikhistorische, psychologische und ökonomische Aspekte hin untersucht. Da in den meisten Musikunternehmen das A&R-Management für das Fin- den und Entwickeln neuer Talente zuständig ist, wird zudem untersucht, welchen Nut- zen Coverversionen für diese Geschäftsabteilung haben. Im Verlauf der Arbeit stellt sich heraus, das Coverversionen einem Newcomer den Ein- stieg in die Musikbranche erleichtern können und das Musikunternehmen hinsichtlich der Entwicklung eigener Talente ebenfalls von Coverversionen profitieren. -
Martin Garrix Towel Boy Video March 23, 2015
MARTIN GARRIX PREMIERES VIDEO FOR “DON’T LOOK DOWN FEAT. USHER” NOW VIA YOUTUBE AS A FEATURED ARTIST ON THE 2015 YOUTUBE MUSIC AWARDS CLICK HERE OR IMAGE BELOW TO WATCH IT NOW! ! MARTIN GARRIX TO PERFORM AT ULTRA MUSIC FESTIVAL MARCH 28TH (New York- March 23, 2015) Martin Garrix, electronic dance music’s youngest and fastest rising superstar premieres the brand new video for his just-released single “Don’t Look Down” featuring Usher today on YouTube. The video premieres as a featured artist video on the 2015 YouTube Music Awards. CLICK HERE to watch the video for “Don’t Look Down” featuring Usher. The video was directed by Petros and stars model Natalia Bonifacci and actor AJ Knight, with a cameo by notable dancer Richie Greenfield. The video premieres today as part of the 2015 YouTube Music Awards (#YTMA) and playfully embodies the song’s uplifting “carpe diem” anthemic message of overcoming rejection and hardships, and living your life to the fullest. Martin Garrix was chosen as one of a select few artists to be honored at this year’s YouTube Music Awards. YouTube and Martin Garrix are celebrating with the premiere of the “Don’t Look Down” video today on YouTube. CLICK HERE to watch it. Garrix’s brand new single “Don’t Look Down” featuring Usher was released last week worldwide on Spinnin’ Records/RCA Records. Buy/Stream at iTunes/ Amazon/ Spotify/ Google Play. Be sure to check out Martin Garrix performing live at the Ultra Music Festival on Saturday, March 28th. Link to watch “Don’t Look Down” feat. -
Music Tech Lesson Plan
Music Tech Lesson Plan Better than the original? Cover version showdown Listening and responding Grade level 5-10 Objective Students will analyse two versions of the same song and use musical terminology to describe to identify the musical differences and similarities. USA Music ● 6. Listening to, analyzing, and describing music. Education Standards Australian Music ● 6.3 Rehearse and perform music, including music they Curriculum have composed, by improvising, sourcing and arranging Standards ideas and making decisions to engage an audience ● 8.6 Analyse composers’ use of the elements of music and stylistic features when listening to and interpreting music ● 10.6 Evaluate a range of music and compositions to inform and refine their own compositions and performances Materials/Equipment ● Youtube video/s or audio recordings of an original song and a cover version of that song (some suggestions below, but you can use songs of your choice) ● Computer or other device connected to the internet, plus data projector and speakers if watching/listening as a class ● Student devices connected to the internet if students will be watching/listening individually or in small groups ● Attached worksheet - printed copies for students to fill out, or digital copies that can be completed on their tablet devices Duration 1 lesson Skills required Students should have an understanding of the following musical concepts: tempo, rhythm, melody, pitch, mood/feel and style Procedure Select songs - original and cover version ● This lesson is adaptable so you can use -
Univerza V Ljubljani Fakulteta Za Družbene Vede
UNIVERZA V LJUBLJANI FAKULTETA ZA DRUŽBENE VEDE Sabina Čarman YouTube kot promocijsko orodje za amaterske glasbene izvajalce Diplomsko delo Ljubljana, 2013 UNIVERZA V LJUBLJANI FAKULTETA ZA DRUŽBENE VEDE Sabina Čarman Mentor: izr. prof. dr. Peter Stanković YouTube kot promocijsko orodje za amaterske glasbene izvajalce Diplomsko delo Ljubljana, 2013 Najprej se zahvaljujem svojemu mentorju izr. prof. dr. Petru Stankoviću. Hvala mami, očetu, sestri in fantu za podporo. Hvala tudi mami in atu, ki sta mi stala ob strani. Hvala, ker ste verjeli vame in me spodbujali. YouTube kot promocijsko orodje za amaterske glasbene izvajalce YouTube predstavlja tehnologijo, ki poleg nalaganja video vsebin omogoča interakcijo med njegovimi uporabniki in pripadanje skupnosti. Na tej platformi je prisotnih mnogo amaterjev, predvsem glasbenih izvajalcev. Ti so začeli nalagati video vsebine na YouTube zaradi želje po osvojitvi nove tehnologije, nekateri pa so v tem odkrili posel. Obstajajo dejavniki, ki so omogočili, da so nekateri uporabniki YouTube-a izstopili iz množice in postali prepoznani. Z analizo najbolj gledanih kanalov amaterskih glasbenih izvajalcev sem prišla do dejavnikov, ki so tem glasbenikom omogočili prepoznavnost. Ugotovila sem, da poleg nalaganja video vsebin, kjer ti uporabniki pojejo neavtorske skladbe, pomaga pri prepoznavnosti čim večja interakcija z drugimi uporabniki, sodelovanje z drugimi amaterskimi glasbenimi izvajalci ter objavljanje bolj osebnih video vsebin, kjer se amaterski glasbeni izvajalec približa občinstvu. Ni več pomembno, da si lastnik televizijskega kanala ali kateregakoli drugega medija, ampak je poudarek na ustvarjanju vsebin navadnega človeka, ki ima dostop do kamere oz. naprave, ki omogoča snemanje, ter interneta. Posledično se občinstvo, ki je bilo prej pasivno, spreminja v aktivno in prihaja do novega načina produkcije in distribucije, ki daje amaterju moč, da pove svojo plat zgodbe. -
Over 3 Million Youtube Creators Globally Receive Some Level Of
MEDIA FOLLOW THIS Social media entertainment – the kind that has seen huge growth on YouTube and other platforms – needs understanding if there is to be any measured policy response, writes STUART CUNNINGHAM from an Australian perspective ver the past 10 years or so, in the midst of all 1+ million; 2,000+ Australian YouTube channels the cacophony of change we are well familiar earned between $1,000 and $100,000 and more than with, a new creative industry was born. With 100 channels earned more than $100,000. More O my collaborator David Craig, a veteran than 550,000 hours of video were uploaded by Hollywood executive now teaching at the University Australian creators and over 90% of the followers of of Southern California Annenberg School for Australian channels were international. Communication and Journalism, I have been That’s only YouTube, and only the programmatic examining the birth and early childhood of what advertising revenue that can be tracked by Google. we call social media entertainment. It is peopled by A Google-funded study by AlphaBeta2 estimates that cultural leaders, entertainers and activists most of the number of content creators in Australia has whom you may be very unfamiliar with... Here more than doubled over the past 15 years, almost are some of them – Hank Green, Casey Neistat, wholly driven by the entry of 230,000 new creators PewDiePie, Tyler Oakley. of online video content. The same study estimates We understand social media entertainment to be that online video has created a A$6 billion an emerging industry based on previously amateur consumer surplus (the benefit that consumers get creators professionalising and monetising their in excess of what they have paid for that service). -
Club . Dance . Eletronic House Lounge Pop Rising Remix Br H O T Piano & Trapsoul Reggae Roots
Hitzzz NACIONAIS A/I NACIONAIS J/Z INTERNACIONAIS A/I INTERNACIONAIS J/Z ROCK BR ROCK SERTANEJAS SERTANEJO RAIZ COUNTRY BLUES . JAZZZ BLUES BRASILEIRO BOSSA NOVA FESTA MPB… VERSÕES BR VERSÕES MUNDO LATINAS L´AMOUR (FRENCH) VINTAGE CAFÉ . BOSSA LOUGE POS-PUNK & NEW WAVE L`ESSENZIALE (ITALIAN) FADO + CLUB . DANCE . ELETRONIC HOUSE LOUNGE POP RISING REMIX BR H O T PIANO & TRAPSOUL REGGAE ROOTS . BREGA LOVE . FORRÓ . + FUNK +SAMBA BLOCO DA FAVORITA (CARNAVRAU) TRILHAS HEY YOU NA BAD JURASSIC PARK BR.EGA .JOVEM GUARDA GOSPEL HOTLIST MYSTICAL EXPERIENCE MEUS NÓS PEDIDOS 365 NETFILMES NA BATIDA . ZOUK . KIZ SEGURA ESSE ROCK ACOUSTIC PLAYLIST TRANSANTE ROAD TRIP NOVA MPB? SO SEXY NA GAITA DANCE CLASSICS (TOP 100) INDIE FOLK CHILL NOSTÁLGICA CLUB . DANCE . ELETRONIC Procure Aqui! “2 Eivissa - Oh La La La” 00:00 00:00 1. “2 Eivissa - Oh La La La” 3:31 2. “2RAUMWOHNUNG Bei Dir bin ich schon” 3:23 3. “5 Seconds Of Summer Lie To Me ft Julia Michaels” 2:31 4. “5 Seconds of Summer Old Me” 3:07 5. “5 Seconds of Summer Teeth” 3:22 6. “5 Seconds Of Summer - Youngblood” 3:26 7. “9Ts x Tasia Sky x Bthelick Say My Name” 3:00 8. “Aaron Smith Dancin KRONO Remix” 4:16 9. “Aero Chord Shadows (feat Nevve) [Monstercat Release]” 2:40 10. “Aevion Heartbeat” 4:02 11. “Afrojack ft Eva Simons Take Over Control” 3:30 12. “Ava Max Slow Dance ft. AJ Mitchell” 3:02 13. “Alle Farben Bad Ideas” 2:53 14. “Alle Farben ft Graham Candy She Moves” 3:23 15. -
Karaoke Catalog Updated On: 11/01/2019 Sing Online on in English Karaoke Songs
Karaoke catalog Updated on: 11/01/2019 Sing online on www.karafun.com In English Karaoke Songs 'Til Tuesday What Can I Say After I Say I'm Sorry The Old Lamplighter Voices Carry When You're Smiling (The Whole World Smiles With Someday You'll Want Me To Want You (H?D) Planet Earth 1930s Standards That Old Black Magic (Woman Voice) Blackout Heartaches That Old Black Magic (Man Voice) Other Side Cheek to Cheek I Know Why (And So Do You) DUET 10 Years My Romance Aren't You Glad You're You Through The Iris It's Time To Say Aloha (I've Got A Gal In) Kalamazoo 10,000 Maniacs We Gather Together No Love No Nothin' Because The Night Kumbaya Personality 10CC The Last Time I Saw Paris Sunday, Monday Or Always Dreadlock Holiday All The Things You Are This Heart Of Mine I'm Not In Love Smoke Gets In Your Eyes Mister Meadowlark The Things We Do For Love Begin The Beguine 1950s Standards Rubber Bullets I Love A Parade Get Me To The Church On Time Life Is A Minestrone I Love A Parade (short version) Fly Me To The Moon 112 I'm Gonna Sit Right Down And Write Myself A Letter It's Beginning To Look A Lot Like Christmas Cupid Body And Soul Crawdad Song Peaches And Cream Man On The Flying Trapeze Christmas In Killarney 12 Gauge Pennies From Heaven That's Amore Dunkie Butt When My Ship Comes In My Own True Love (Tara's Theme) 12 Stones Yes Sir, That's My Baby Organ Grinder's Swing Far Away About A Quarter To Nine Lullaby Of Birdland Crash Did You Ever See A Dream Walking? Rags To Riches 1800s Standards I Thought About You Something's Gotta Give Home Sweet Home