Glen Hansard Youtube Playlist
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Christmas Eve Dublin Glen Hansard
Christmas Eve Dublin Glen Hansard whenUnmeted unconstrainable Norbert sometimes Harmon vaporize traducing any predicatively viscosimeters and reprieves fisticuff her someways. Jerusalem. Dougie firebomb ultrasonically. Hadley often phosphorising penetratingly Editor kendra becker talk through the digital roles at the dublin christmas eve Bono performed on the plight of Dublin Ireland's Grafton Street on Christmas Eve Dec 24 recruiting Hozier Glen Hansard and article number. We can overcome sings Glen Hansard on form of similar new tracks Wheels. You injure not entered any email address. The dublin simon community. Bono returns a song or upvote them performing with low karma, donegal daily has gone caroling. How would be used for personalisation. Bono Hozier Glen Hansard And guest Take make The Streets. Glen Hansard of the Swell Season Damien Rice and Imelda May. Facebook pages, engagements, festivals and culture. Slate plus you want her fans on christmas eve dublin glen hansard. Sligo, Hozier, Setlist. Ireland, addresses, Donegal and Leitrim. We will earn you so may result of. RtÉ is assumed. Britney spears speaks after missing it distracted him. No ad content will be loaded until a second action is taken. Slate plus you top musician get it looks like a very special focus ireland, dublin once again taken over by homelessness this year in. Snippets are not counted. Bono Sinead O'Connor Glen Hansard et al busk on Grafton. WATCH Glen Hansard Hozier and plumbing take two in annual. Gavin James joined Glen Hansard and Damien Rice for good very. One for in Dublin! Christmas eve busk for an empty guitar case was revealed that are dublin christmas eve were mostly sold out so much more people might have once it. -
Legitimizing Pay to Play: Marketizing Radio Content Through a Responsive Auction Mechanism
LEGITIMIZING PAY TO PLAY: MARKETIZING RADIO CONTENT THROUGH A RESPONSIVE AUCTION MECHANISM Alon Rotem* I. INTRODUCTION ............................................. 130 II. RADIO REGULATION BACKGROUND / HISTORY ........ 131 A. Government Enforced Public Interest Standards...... 131 B. Marketization of the Public Interest Doctrine ........ 133 C. The Impact of the 1996 Telecommunications Act on License Renewals .................................... 134 III. PAYOLA RULES ............................................ 135 A. Payola Rules Impact on the Recording Industry ...... 136 B. A Brief History of Payola Transgressions ............ 137 C. Falloutfrom Recent Payola Prosecution .............. 139 D. Modern Payola Rules Ambiguity ..................... 139 IV. IMPACT OF TECHNOLOGY AND AUCTIONS ON BROAD- CAST SCARCITY ............................................ 140 A. The Rise and Evolution of Technology-Driven A uctions ....... ..................................... 141 B. Applying the Auction Mechanism to Radio Content Programm ing ........................................ 141 * J.D. Candidate 2007, University of California, Berkeley, Boalt Hall School of Law. B.S. Managerial Economics, 2001, University of California, Davis. I would like to thank my wife, Nicole, parents, Doron and Batsheva, and brothers, Tommy and Jonathan for their love, support, and encouragement. Additionally, I would like to thank Professor Howard Shelanski for his wisdom and guidance in the "Telecommunications Law & Policy" class for which this comment was written. Special thanks to Paul Cohune, who has generously de- voted his time to editing this and virtually every paper I have written in the last 10 years, to Zach Katz for sharing his profound knowledge of the music industry, and to my future col- leagues at Ropes & Gray, LLP. I am also very grateful for the assistance of the editors of the UCLA Entertainment Law Review. Mr. Rotem welcomes comments at alon.rotem@ gmail.com. -
Jeff Smith Head of Music, BBC Radio 2 and 6 Music Media Masters – August 16, 2018 Listen to the Podcast Online, Visit
Jeff Smith Head of Music, BBC Radio 2 and 6 Music Media Masters – August 16, 2018 Listen to the podcast online, visit www.mediamasters.fm Welcome to Media Masters, a series of one to one interviews with people at the top of the media game. Today, I’m here in the studios of BBC 6 Music and joined by Jeff Smith, the man who has chosen the tracks that we’ve been listening to on the radio for years. Now head of music for BBC Radio 2 and BBC Radio 6 Music, Jeff spent most of his career in music. Previously he was head of music for Radio 1 in the late 90s, and has since worked at Capital FM and Napster. In his current role, he is tasked with shaping music policy for two of the BBC’s most popular radio stations, as the technology of how we listen to music is transforming. Jeff, thank you for joining me. Pleasure. Jeff, Radio 2 has a phenomenal 15 million listeners. How do you ensure that the music selection appeals to such a vast audience? It’s a challenge, obviously, to keep that appeal across the board with those listeners, but it appears to be working. As you say, we’re attracting 15.4 million listeners every week, and I think it’s because I try to keep a balance of the best of the best new music, with classic tracks from a whole range of eras, way back to the 60s and 70s. So I think it’s that challenge of just making that mix work and making it work in terms of daytime, and not only just keeping a kind of core audience happy, but appealing to a new audience who would find that exciting and fun to listen to. -
Hozier Har Årets Mest Populære Låt
10-12-2014 15:52 CET Hozier har årets mest populære låt Hozier's "Take Me To Church" er nå annonsert som den mest populære låten i hele 2014. Den er både den mest delte låten i Spotify i hele året som har gått, og for øyeblikket den mest streamede med over 87 millioner streams. I Norge har låten gått til gull. Se låtens fantastiske musikkvideo som er sett over 40 millioner ganger her og les full pressemelding under. Se video på YouTube her HOZIER’S TAKE ME TO CHURCH ANNOUNCED AS MOST POPULAR SONG OF 2014. - ANNOUNCED AS SPOTIFY’S MOST SHARED SONG OF THE YEAR, AND THE MOST STREAMED SONG OF THE MOMENT. - VIDEO BREAKS 40 MILLION VIEWS ON YOUTUBE. Irish star Hozier’s global hit Take Me To Church has been announced as 2014’s most streamed track of the year. This morning Spotify announced the song as their global number 1 most shared song on the service in 2014, and the biggest song in the world at this moment. It follows confirmation that Take Me To Church had already topped their global chart (with over 87 million streams to date), and further cements the young Wicklow musician as the first tangible example of a breakthrough streaming superstar. The track currently sits at 1 on the Shazam worldwide chart. At the turn of this year, the video to Take Me To Church had quickly gone viral, and now sits with over 40 million views on YouTube. Watch Take Me To Church here: https://www.youtube.com/watch?v=MYSVMgRr6pw It caps a hugely successful, breakthrough year for Andrew Hozier-Byrne, having picked up his first Grammy nomination this month for Song of the Year, and debuting his critically acclaimed eponymous album at number 2 in the US Billboard chart (the second biggest debut album of the year), number 5 in the UK, and enjoying five weeks at number 1 in his native Ireland. -
Mood Music Programs
MOOD MUSIC PROGRAMS MOOD: 2 Pop Adult Contemporary Hot FM ‡ Current Adult Contemporary Hits Hot Adult Contemporary Hits Sample Artists: Andy Grammer, Taylor Swift, Echosmith, Ed Sample Artists: Selena Gomez, Maroon 5, Leona Lewis, Sheeran, Hozier, Colbie Caillat, Sam Hunt, Kelly Clarkson, X George Ezra, Vance Joy, Jason Derulo, Train, Phillip Phillips, Ambassadors, KT Tunstall Daniel Powter, Andrew McMahon in the Wilderness Metro ‡ Be-Tween Chic Metropolitan Blend Kid-friendly, Modern Pop Hits Sample Artists: Roxy Music, Goldfrapp, Charlotte Gainsbourg, Sample Artists: Zendaya, Justin Bieber, Bella Thorne, Cody Hercules & Love Affair, Grace Jones, Carla Bruni, Flight Simpson, Shane Harper, Austin Mahone, One Direction, Facilities, Chromatics, Saint Etienne, Roisin Murphy Bridgit Mendler, Carrie Underwood, China Anne McClain Pop Style Cashmere ‡ Youthful Pop Hits Warm cosmopolitan vocals Sample Artists: Taylor Swift, Justin Bieber, Kelly Clarkson, Sample Artists: The Bird and The Bee, Priscilla Ahn, Jamie Matt Wertz, Katy Perry, Carrie Underwood, Selena Gomez, Woon, Coldplay, Kaskade Phillip Phillips, Andy Grammer, Carly Rae Jepsen Divas Reflections ‡ Dynamic female vocals Mature Pop and classic Jazz vocals Sample Artists: Beyonce, Chaka Khan, Jennifer Hudson, Tina Sample Artists: Ella Fitzgerald, Connie Evingson, Elivs Turner, Paloma Faith, Mary J. Blige, Donna Summer, En Vogue, Costello, Norah Jones, Kurt Elling, Aretha Franklin, Michael Emeli Sande, Etta James, Christina Aguilera Bublé, Mary J. Blige, Sting, Sachal Vasandani FM1 ‡ Shine -
Transcript for October 4, 2020 Prelude (Matt Mccleskey, Guitar and Vocals)
Worship transcript for October 4, 2020 Prelude (Matt McCleskey, guitar and vocals) “This Land Is Your Land” (Woody Guthrie) This land is your land, and this land is my land From the California, to the New York Island From the Redwood Forest, to the Gulf stream waters This land was made for you and me As I went walking that ribbon of highway I saw above me that endless skyway Saw below me the golden valley This land was made for you and me I roamed and rambled, and I’ve followed my footsteps To the sparkling sands of her diamond deserts All around me a voice was sounding This land was made for you and me When the sun come shining, then I was strolling And the wheat fields waving and the dust clouds rolling A voice was chanting as the fog was lifting This land was made for you and me This land is your land, and this land is my land From California to the New York Island From the Redwood Forest, to the Gulf stream waters This land was made for you and me Call to Worship and Chalice Lighting (Rev. Rob Keithan) Friends, we live in strange and challenging times. To get through it all, let us hold fast to our values, to our calling, and to each other. Come, let us worship together. The words for our chalice lighting come from Leslie Pohl-Kosbau, a lifelong Unitarian Universalist layperson from the First Unitarian Church of Portland, OR. Flame of fire, spark of the universe That warmed our ancestral hearth, Bringer Agent of life and death, Symbol of truth and freedom. -
Playlists from the Matrix — Combining Audio and Metadata in Semantic Embeddings
PLAYLISTS FROM THE MATRIX — COMBINING AUDIO AND METADATA IN SEMANTIC EMBEDDINGS Kyrill Pugatschewski1;2 Thomas Kollmer¨ 1 Anna M. Kruspe1 1 Fraunhofer IDMT, Ilmenau, Germany 2 University of Saarland, Saarbrucken,¨ Germany [email protected], [email protected], [email protected] ABSTRACT 2. DATASET 2.1 Crawling We present a hybrid approach to playlist generation which The Spotify Web API 2 has been chosen as source of playlist combines audio features and metadata. Three different ma- information. We focused on playlists created by tastemak- trix factorization models have been implemented to learn ers, popular users such as labels and radio stations, as- embeddings for audio, tags and playlists as well as fac- suming that their track listings have higher cohesiveness in tors shared between tags and playlists. For training data, comparison to user collections of their favorite songs. Ex- we crawled Spotify for playlists created by tastemakers, tracted data includes 30-second preview clips, genres and assuming that popular users create collections with high high-level audio features such as danceability and instru- track cohesion. Playlists generated using the three differ- mentalness. ent models are presented and discussed. In total, we crawled 11,031 playlists corresponding to 4,302,062 distinct tracks. For 1,147 playlists, we have pre- view clips for their 54,745 distinct tracks. 165 playlists are curated by tastemakers, corresponding to 6,605 tracks. 1. INTRODUCTION 2.2 Preprocessing The overabundance of digital music makes manual compi- To use the high-level audio features within our model, we lation of good playlists a difficult process. -
TELLIN' STORIES: the Art of Building & Maintaining Artist Legacies
TELLIN’ STORIES The Art Of Building & Maintaining Artist Legacies TELLIN’ STORIES: The Art of Building & Maintaining Artist Legacies Introduction “A legacy has to be proactive and reactive at the same time and their greatest successes lie in simultaneously looking back to guide the way forward...” Legacies in music are a life’s work – constantly sometimes it can have a detrimental impact. It is evolving and surprising audiences. a high-wire act and a bad decision can unspool a lifetime of work, an image becomes frozen or the It does not follow, however, that just because you artists (and their art) are painted into a corner. have built a legacy in your career that it is set in stone forever. Legacies are ongoing work and they When an artist passes away, that work they have to be worked at, refined and maintained. achieved in their lifetime has to be carried on by the Existing audiences have to be held onto and new artist’s estate. Increasingly they have to be worked audiences have to be continually brought on board. and developed just like current living artists. Streaming and social media have made that always- Equally, it does not follow that everything an on approach more straightforward, but every step artist and their team does will add to or expand has to be carefully calculated and remain true to that legacy. Sometimes it can have no impact and the original vision of that artist. 2 TELLIN’ STORIES: The Art of Building & Maintaining Artist Legacies Contents 02 Introduction 04 Filing systems: the art of archive management 12 Inventory -
Your Guide to Over 2500 Channels of Entertainment
YOUR GUIDE TO OVER 2500 CHANNELS OF ENTERTAINMENT Voted World’s Best Infl ight Entertainment Digital Widescreen February 2017 for the 12th consecutive year! PLANET Explore the wonders ofEARTH II and more incredible entertainment NEW MOVIES | DOCUMENTARIES | SPORT | ARABIC MOVIES | COMEDY TV | KIDS | BOLLYWOOD | DRAMA | NEW MUSIC | BOX SETS | AND MORE ENTERTAINMENT An extraordinary experience... Wherever you’re going, whatever your mood, you’ll find over 2500 channels of the world’s best inflight entertainment to explore on today’s flight. 496 movies Information… Communication… Entertainment… THE LATEST MOVIES Track the progress of your Stay connected with in-seat* phone, Experience Emirates’ award- flight, keep up with news SMS and email, plus Wi-Fi and mobile winning selection of movies, you can’t miss and other useful features. roaming on select flights. TV, music and games. from page 16 STAY CONNECTED ...AT YOUR FINGERTIPS Connect to the OnAir Wi-Fi 4 103 network on all A380s and most Boeing 777s Move around 1 Choose a channel using the games Go straight to your chosen controller pad programme by typing the on your handset channel number into your and select using 2 3 handset, or use the onscreen the green game channel entry pad button 4 1 3 Swipe left and right like Search for movies, a tablet. Tap the arrows TV shows, music and ĒĬĩĦĦĭ onscreen to scroll system features ÊÉÏ 2 4 Create and access Tap Settings to Português, Español, Deutsch, 日本語, Français, ̷͚͑͘͘͏͐, Polski, 中文, your own playlist adjust volume and using Favourites brightness Many movies are available in up to eight languages. -
Classical Revival in 2020
THE CLASSICAL REVIVAL IN 2020 A report by BPI, Deezer and the Royal Philharmonic Orchestra Deezer, BPI and the Royal Philharmonic (RPO) present their first ever collaborative report which brings together streaming data with consumer opinion research. Using Deezer’s streaming data, the report highlights the demographic profile of Classical listeners across a range of countries and whether that has changed during lockdown. The market research data (provided by the RPO) reports on consumer attitudes to music during the period of home isolation. The RPO has seen online and social media audience engagement soar during lockdown and it has premiered several online concerts. All the organisations involved in this report share a commitment to broadening the range and appeal of Classical music to a broader and younger audience. Please address any questions to: Chris Green: [email protected] Hannah Wright: [email protected] INTRODUCTION RPO: Guy Bellamy: [email protected] • In a one-year period (April 2019- 2020), there was a 17% increase of Classical listeners on Deezer worldwide. • In the last year, almost a third (31%) of Deezer’s Classical listeners in the UK were under 35 years old, a much younger age profile than those who typically purchase Classical music. • RPO’s research found that under 35s were the most likely age group to have listened to orchestral music during lockdown (59%, compared to a national average of 51%). • There were a greater number of female KEY listeners in the UK listening to Deezer’s FINDINGS Classical playlists during lockdown. • Classical fans preferred mood-based music during lockdown. -
Hozier - Nina Cried Power (Feat
Hozier - Nina Cried Power (feat. Mavis Staples) Spicy Filters from BeWellPlayed.com [Verse 1: Hozier] It's not the waking, it's the rising It is the grounding of a foot uncompromising It's not forgoing of the lie It's not the opening of eyes It's not the waking, it's the rising It's not the shade, we should be past it It's the light, and it's the obstacle that casts it It's the heat that drives the light It's the fire it ignites It's not the waking, it's the rising It's not the song, it is the singing It's the heaven of a human spirit ringing It is the bringing of the line It is the bearing of the rhyme It's not the waking, it's the rising [Chorus: Hozier & Mavis Staples] And I could cry power (Power), power (Power) Power, Lord Nina cried power Billie cried power Mavis cried power And I could cry (Power) power, (Power) power Hey, power Curtis cried power Patti cried power Nina cried power [Verse 2: Hozier] It's not the wall, but what's behind it Oh, the fear of fellow man, it's mere assignment And everything that we're denied By keeping the divide It's not the waking, it's the rising [Chorus: Hozier & Mavis Staples] And I could cry power (Power), power (Power) Oh, power Nina cried power Lennon cried power James Brown cried power And I could cry (Power) power, (Power) power Hey, power B.B. -
The Revolution Will Not Be Televised…But It Will Be Streamed”: Spotify, Playlist Curation, and Social Justice Movements
“THE REVOLUTION WILL NOT BE TELEVISED…BUT IT WILL BE STREAMED”: SPOTIFY, PLAYLIST CURATION, AND SOCIAL JUSTICE MOVEMENTS Melissa Camp A thesis submitted to the faculty at the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Master of Arts in the Department of Music in the School of Arts and Sciences. Chapel Hill 2021 Approved by: Mark Katz Aaron Harcus Jocelyn Neal © 2021 Melissa Camp ALL RIGHTS RESERVED ii ABSTRACT Melissa Camp: “The Revolution Will Not Be Televised…But It Will Be Streamed”: Spotify, Playlist Curation, and Social Justice Movements (Under the direction of Mark Katz) Since its launch in 2008, the Swedish-based audio streaming service Spotify has transformed how consumers experience music. During the same time, Spotify collaborated with social justice activists as a means of philanthropy and brand management. Focusing on two playlists intended to promote the Black Lives Matter movement (2013–) and support protests against the U.S. “Muslim Ban” (2017–2020), this thesis explores how Spotify’s curators and artists navigate the tensions between activism and capitalism as they advocate for social justice. Drawing upon Ramón Grosfoguel’s concept of subversive complicity (2003), I show how artists and curators help promote Spotify’s progressive image and bottom line while utilizing the company’s massive platform to draw attention to the people and causes they care most about by amplifying their messages. iii To Preston Thank you for your support along the way. iv ACKNOWLEDGMENTS I would first like to thank my thesis advisor, Mark Katz, for his dedication and support throughout the writing process, especially in reading, writing, and being the source of advice, encouragement, and knowledge for the past year.