Free to Play Documentary Review

Total Page:16

File Type:pdf, Size:1020Kb

Free to Play Documentary Review Free to play documentary review click here to download Documentary · Follow three professional video game players as they overcome personal adversity, family pressures, and the realities of life to compete in a $1,, tournament that could change their lives forever. FREE TO PLAY is a feature-length documentary that follows three professional gamers from around the world as they compete for a million dollar prize in the first Dota 2 International Tournament. In recent years, E Sports has surged in popularity to become one of the most widely-practiced forms of. Here's our take on the documentary. Brian Fung: All right -- so last night, you and I watched "Free to Play," Valve's documentary about a gaming competition. If you had to describe it in a few words, what would you say? Andrea Peterson: Extended commercial. An effective extended commercial, but definitely. Tim (and his parents) comment on Free to Play, the Dota 2 International documentary which isn't really about the Dota 2 International. Free to Play is a documentary film by American video game company Valve Corporation. The film takes a critical look at the lives of Benedict "hyhy" Lim, Danil "Dendi" Ishutin and Clinton "Fear" Loomis, three professional Defense of the Ancients (DotA) players who participated in The International, the most lucrative. IncGamers' Tim McDonald watches Valve's documentary, Free to Play, with his parents. From the review: "Free to Play is not a film about Dota 2, nor is it a film about the international tournament that's confusingly named The International. It's important to note this for all sorts of reasons, but one big one. FREE TO PLAY is a feature-length documentary that follows three professional gamers from around the. Today, Valve's highly-anticipated documentary, Free to Play has been released. Free to Play's platform and subject is Valve's own free-to-play game: Dota 2 and while the main content has some focus around the competitive game, the beauty of this documentary is how representative it is for all eSports. Free to Play is a feature-length documentary that follows three professional gamers from around the world as they compete for a million dollar prize in the first Dota 2 International Tournament. Recent Reviews: Very Positive (25) - 92% of the 25 user reviews in the last 30 days are positive. All Reviews: Overwhelmingly. Buy Free to Play: Read 31 Movies & TV Reviews - www.doorway.ru Very good quality. The lives, families, friends and ambitions of the three professional gamers that the documentary focuses on are so interesting and diverse. Recommended to everyone, regardless of if you're a gamer. If you enjoy slice-of-life documentaries. Valve has announced the premiere details of Free to Play, a documentary that follows three professional DotA players as they prepare for The International. Free to Play movie examines the life of three Dota 2 players competing at the International. The Nature Play Documentary is a must see for parents, educators and those interested in the future of our children. This film takes an in depth look at the. I found that all the movies I have watched on Viewster take a few seconds to begin playing, both from the beginning as well as once you've fast Viewster has a free movie app for many different devices, but I used the iPhone app, and found the design and menu options to be nearly identical to the desktop. Free Movies Cinema is a free streaming movie and TV website that has HD movies, few advertisements, and you don't even need to create an account. Icefrog, the Dota legend himself, has posted on his Facebook page the new poster for the Dota 2 documentary Free To Play, which follows the lives of those players competing in the annual Valve-hosted. Watch trailers, read customer and critic reviews, and buy Free to Play directed by Valve for $ About the Movie. Free To Play follows three professional videogame players from around the world as they overcome personal adversity, family pressures, and the realities of life to compete in a tournament for a million dollar. SCORE: A FILM MUSIC DOCUMENTARY brings Hollywood's elite composers together to give viewers a privileged look inside the musical challenges and creative secrecy of the world's most Enter your location to see which movie theaters are playing Score: A Film Music Documentary near you. Movie Reviews. The jazz critic Ben Ratliff observes that this isn't the kind of playing in which you hear the roots of greatness. You hear nothing of the sort. But Coltrane's desire for greatness drove him to practice like a fiend. The movie has a great array of interviewees, and they all contribute something special. Coltrane's. chance free Play Money Documentary Prostitution Play Free Blackjack Games Online Addicting online casino bonus top Slots inferno casino review play wheel of fortune slot machines used Crystal Mystery spilleautomater kortspill casino variations American roulette online Play Money Documentary Prostitution Play Free. While Amazon, iTunes and Google Play give you access to rent or buy thousands of documentaries, and sometimes even films currently in theaters, there is no shortage of award-winning films available to watch online at no cost. A Google search for websites streaming free documentaries will inevitably. play State review essays of documentary. I seriously spent a whole free period today writing and re-writing the first sentence of my college essay #ahhh. Buy a term paper essays, A level custom written papers to buy at Supreme Essays at the BEST PRICES and QUALITY! The essay part of the SAT was so dumb: good it. Free State of Jones movie reviews & Metacritic score: Set during the Civil War, Free State of Jones tells the story of defiant Southern farmer, Newt Knight. Bill Frisell: A Portrait. NYT Critic's Pick; Documentary; Directed by Emma Franz. The director Emma Franz focuses on a musician who seems to never stop playing, featuring great collaborators of this “no drama” artist. By GLENN KENNY. Dec. 5, Read Review · Find Tickets. KK Movie Maker is an easy way to share your edited video memories with your friends. Turns your video clips into beautifully movies, complete with your choice of music soundtrack to your videos. Save your videos creation to your device or share with friends. The exported file is stored in \sdcard\Moives. And after import. Movie showtimes, Chicago movie theaters calendar, upcoming film screenings. Hulk Hogan sued Gawker for posting a sex tape, but a riveting documentary reveals that it was really about shutting down the truth. Film Review: 'Nobody Speak: Trials of the Free Press'. Hulk Hogan sued Gawker for posting a sex tape, but a riveting I just play one on TV!” He claimed that when he. But for us in England — as regards the critical estimate of the work, after the documentary analysis — this positive or scientific stage is barely begun, the be doing Shakspere no injustice to suppose that he sometimes began a play without having fixed in his mind, in any dependent manner, the plan or conduct of his piece. You wouldn't assume there's a connection to be made between Donald Trump and Hulk Hogan's penis. But such is the world we live in now—a garishly stupid, casually surreal cacophony of professional wrestling posturing, corporate authoritarianism, and open hostility toward the journalists whose job it is. Jessica Lange Can Finally Relax. Over 40 years of intense, edge-of-madness performances, she specialized in playing high-strung characters with dangerous dark sides. The most memorable moment in Nobody Speak: Trials of the Free Press, a new documentary dropping on Netflix Friday, comes in the very first scene, Knappenberger spends significant time interviewing reporters at the Las Vegas Review-Journal, who reported out the story that their own publication had. The world's greatest free documentary library - a place where documentaries are regarded as the supreme form of expression. This four-hour documentary is candy to Deadheads, of course—but there's more to it than simple hagiography. be a psychedelic exploration beyond time and thought, the primordial “Rhythm Devils” double percussion ceremony (also called simply “Drums”) segueing into the atonal free-playing of “Space. Drugs, cursing, mock violence on hilarious spoof series. Read Common Sense Media's Documentary Now! review, age rating, and parents guide. Movie Review. 'Quest' Review: Moving Doc on Philly Family Makes the Personal Political. Chronicling eight years in the life of a record producer and his wife, this extraordinary look at ordinary Americans is the last great doc of · 'I, Tonya' Review: Tonya Harding Biopic Is the Movie We Need Right Now. Margot Robbie. please visit PBS LearningMedia for a wide Nuclear chemistry research paper range of free digital resources (originally writer essay tma dd called The Clansman) is a essays digital nation documentary review analysis of the play dead white males by david williamson is a “digital library” of thousands of primary. Movie news and reviews from the Hartford Courant and beyond. Chronologically organized and voiceover-free, the movie is a minute patchwork of old concert footage and talking-head interviews—lots and lots of his people—musicians like Desmond Dekker, with whom Bob first began playing the shuffling, rock-and-blues-influenced dance music then called “ska. The new documentary “Nobody Speak: Trials of the Free Press” focuses on Hogan's civil suit brought after Gawker posted a video of the professional which billionaires crushed and controlled news outlets: Thiel's backing of Hogan and the purchase of the Las Vegas Review-Journal by Sheldon Adelson.
Recommended publications
  • Eventos De La Vida De Ai Weiwei E Historia China Contemporánea
    Eventos de la vida de Ai Weiwei e historia china contemporánea Alcatraz 2013 2013 Ai Weiwei presenta S.A.C.R.E.D. en un evento colateral El 30 de noviembre de 2013, Ai Weiwei coloca un ramo de la 55ª Bienal de Venecia en la Iglesia de de flores frescas en la cesta de la bicicleta fuera de la Sant’Antonin en Castello, el 29 de mayo. Seis grandes entrada de su estudio. Jura continuar este acto hasta dioramas reproducen escenas de su vida diaria que su pasaporte y su derecho a viajar libremente sean mientras estuvo detenidos en 2011. Ai no puede asistir restaurados. a numerosas exposiciones durante el periodo de cinco Mao Zedong años en que tiene prohibido viajar al extranjero. Juegos Olímpicos Ai Weiwei 2011 2014 1966-1976 Mao Zedong pone en marcha la Gran Revolución Cultural Proletaria en mayo de 1966. El movimiento dura diez años, con el objetivo declarado de imponer el comunismo al eliminar los elementos capitalistas, tradicionales y culturales de la sociedad china. Durante la fase más radical (1966-1969), millones de 1956-1957 personas son acusadas posteriormente de participar Entre 1956 y 1957, el Partido Comunista de China en actividades “burguesas”, sufren humillaciones 2010 2010-2011 2014 alienta a sus ciudadanos a expresar sus opiniones y públicas, encarcelamientos, torturas, incautaciones Ai Weiwei presenta Sunflower Seeds, una instalación a El gobierno de Shanghái informa a Ai Weiwei en El 26 de abril de 2014, se inaugura la exposición “15 criticar abiertamente las políticas nacionales. Este de bienes y diversas formas de hostigamiento.
    [Show full text]
  • The Italian Approach to Libya
    Études de l’Ifri "PLAYING WITH MOLECULES" The Italian Approach to Libya Aldo LIGA April 2018 Turkey/Middle East Program The Institut français des relations internationales (Ifri) is a research center and a forum for debate on major international political and economic issues. Headed by Thierry de Montbrial since its founding in 1979, Ifri is a non-governmental, non-profit organization. As an independent think tank, Ifri sets its own research agenda, publishing its findings regularly for a global audience. Taking an interdisciplinary approach, Ifri brings together political and economic decision-makers, researchers and internationally renowned experts to animate its debate and research activities. The opinions expressed in this text are the responsibility of the author alone. ISBN: 978-2-36567-861-2 © All rights reserved, Ifri, 2018 Cover: “A scratched map of Libya hanging on the walls inside a reception centre for unaccompanied and separated migrant and refugee minors in Western Sicily”. © Aldo Liga. How to quote this document: Aldo Liga, “‘Playing with Molecules’: The Italian Approach to Libya”, Études de l’Ifri, Ifri, April 2018. Ifri 27 rue de la Procession 75740 Paris Cedex 15 – FRANCE Tel.: +33 (0)1 40 61 60 00 – Fax: +33 (0)1 40 61 60 60 Email: [email protected] Website: Ifri.org Author Aldo Liga is a freelance analyst on Middle East and North Africa issues and energy. He works for a Swiss-NGO which implements assessment, monitoring & evaluation and organisational capacity-building programmes. He holds a MA in International Security from Sciences Po Paris and a BA in Political Science from the “Cesare Alfieri” School of Political Sciences of Florence.
    [Show full text]
  • Beijing Spring Documents a Forgotten Struggle for Freedom in China
    FOR IMMEDIATE RELEASE Beijing Spring Documents a Forgotten Struggle for Freedom in China Never-Before-Seen Footage Sheds Light on a Generation of Artists and Activists Who Set the Stage for Tiananmen Square First protest since the revolution. Photo courtesy Wang Rui (1979) (NEW YORK, NY – September 18, 2017) – AC Films is finalizing post-production on a new feature-length documentary, Beijing Spring. In 1978, two years after Mao Zedong’s death, a remarkable shift began in China. The new government under Deng Xiaoping, retreating from the violence of the Cultural Revolution, promised reform, and loosened restrictions on political and artistic speech. Deng experimented with free speech by allowing liberal ideas and avant-garde art to be posted along a wall in central Beijing, a space that became known as the Democracy Wall. In this moment of newfound freedom, artists and activists (including Wei Jingsheng and a young Ai Weiwei) dared to voice their ideas, until the government cracked down again, shutting the door on this brief moment of reform known as the Beijing Spring. Now, forty years later, Beijing Spring tells the story of the Democracy Wall, and the artists and activists who created it, as has never been possible before: with reams of never-before-seen 16mm footage, hidden from the Chinese authorities for decades. Beijing Spring marks the directorial debut of Andy Cohen, Executive Producer of artist Ai Weiwei’s Human Flow, which debuted at both the Venice Film Festival and Telluride this September (to be released by Amazon), and the Oscar short-listed films Hooligan Sparrow and Never Sorry.
    [Show full text]
  • That's My Life Jacket!
    Critical Arts South-North Cultural and Media Studies ISSN: 0256-0046 (Print) 1992-6049 (Online) Journal homepage: https://www.tandfonline.com/loi/rcrc20 “That’s My Life Jacket!” Speculative Documentary as a Counter Strategy to Documentary Taxidermy Thomas Bellinck & An van Dienderen To cite this article: Thomas Bellinck & An van Dienderen (2019): “That’s My Life Jacket!” Speculative Documentary as a Counter Strategy to Documentary Taxidermy, Critical Arts, DOI: 10.1080/02560046.2019.1627474 To link to this article: https://doi.org/10.1080/02560046.2019.1627474 Published online: 01 Aug 2019. Submit your article to this journal Article views: 185 View related articles View Crossmark data Full Terms & Conditions of access and use can be found at https://www.tandfonline.com/action/journalInformation?journalCode=rcrc20 CRITICAL ARTS https://doi.org/10.1080/02560046.2019.1627474 “That’s My Life Jacket!” Speculative Documentary as a Counter Strategy to Documentary Taxidermy Thomas Bellinck and An van Dienderen School of Arts, KASK & Conservatorium, Ghent, Belgium ABSTRACT KEYWORDS Despite the socially committed attitude many documentary artists Speculative documentary; take, documentaries often end up underpinning a large-scale practice-based research; Ai epistemological enterprise linked to global capitalism and Western Weiwei; documentary colonialism (H. Steyerl, “Documentary Uncertainty,” Re-visiones pioneers; cross-disciplinary research; taxidermic (2011) www.re-visiones.net). Ai Weiwei’s Human Flow (2017), an “ ” documentary; documentary award-winning documentary about the refugee crisis , provides theatre; documentary film; an insightful case study. The film’s well-intended activism visual economy becomes a mere trope that does not prompt any change. The formal strategies deployed do not address the power differentials between the filmmakers and their subjects, so that neither subjects nor viewers are left with any form of agency.
    [Show full text]
  • Universidade Federal Da Bahia Crítica.Ba
    UNIVERSIDADE FEDERAL DA BAHIA FACULDADE DE COMUNICAÇÃO MARINA MONTENEGRO LOPES MACHADO CRÍTICA.BA: AGREGADOR DE CRÍTICAS BAIANAS DE CINEMA Salvador 2018 MARINA MONTENEGRO LOPES MACHADO CRÍTICA.BA: AGREGADOR DE CRÍTICAS BAIANAS DE CINEMA Memorial descritivo apresentado como requisito parcial para obtenção de grau de bacharel do curso de Comunicação Social com habilitação em Jornalismo da Faculdade de Comunicação, Universidade Federal da Bahia. Orientador: Prof. Dr. Guilherme Maia Salvador 2018 2 RESUMO Crítica.Ba (www.critica-ba.com) é um agregador de críticas cinematográficas baianas. Livre e gratuita, a plataforma online visa reunir críticas de filmes escritas por críticos baianos, funcionando como um espaço que guia o público para os trabalhos desses profissionais. No site, o público pode encontrar também perfis dos críticos que atuam no cenário baiano, além de notícias sobre as realizações desses profissionais. O objetivo do projeto é valorizar e fortalecer a crítica produzida na Bahia, além de divulgar o trabalho dos críticos baianos e possibilitar um espaço de discussão entre críticos e público. Palavras-chave: crítica cinematográfica, cinema, crítico, jornalismo cultural, plataforma, agregador, site, Bahia. 3 SUMÁRIO APRESENTAÇÃO 5 1. FUNDAMENTAÇÃO TEÓRICA 8 1.1 A Crítica Cinematográfica na Web 8 1.1.1 Cibercinefilia 11 1.1.2 A relação do público com a crítica na internet 15 1.1.3 Agregadores de críticas 19 2. O PROJETO 33 2.1 Mapeamento e Critérios 35 2.2 Características da Plataforma 38 3. O PERCURSO 42 4. CONSIDERAÇÕES FINAIS 47 5. REFERÊNCIAS 49 6. APÊNDICES 52 4 APRESENTAÇÃO O presente trabalho apresenta a memória do desenvolvimento da plataforma digital Crítica.Ba (www.critica-ba.com) – um agregador de críticas cinematográficas produzidas por críticos baianos.
    [Show full text]
  • Artist Statement Wednesday 19.02.2020 Thursday 20.02.2020 Friday 21.02.2020 Saturday 22.02.2020 Sunday 23.02.2020 Monday 24.02.2
    WEDNESDAY 19.02.2020 FRIDAY 21.02.2020 SUNDAY 23.02.2020 MONDAY 24.02.2020 Saal 1 Saal 1 Saal 1 Saal 1 14:00 D Fairytale [2007, 166min] 12:00 D The Rest [2019, 78min] 14:15 D Little Girl’s Cheeks [2008, 78min] 16:30 D Calico Cat [2010, 68min] 17:15 D Disturbing the Peace [2009, 77min] 13:45 D Little Girl’s Cheeks [2008, 78min] 16:00 D Human Flow [2017, 140min] 18:00 D Little Girl’s Cheeks [2008, 78min] 18:45 D So Sorry [2011, 54min] 15:30 D Disturbing the Peace [2009, 77min] 18:45 D One Recluse [2010, 184min] 19:45 D Disturbing the Peace [2009, 77min] 20:00 D The Rest [2019, Berlin Premiere, 78min] 17:15 D Stay Home [2013, 77min] 22:15 D Disturbing the Peace [2009, 77min] 21:30 D Peaceful Land [2011, 102min] 21:45 D One Recluse [2010, 184min] S Ximei Getting Married [2015, 26 min] 19:15 D Fairytale [2007, 166min] Saal 2 Saal 2 Saal 2 22:30 D Human Flow [2017, 140min] 14:30 D Calico Cat [2010, 68min] 13:15 D Human Flow [2017, 140min] 14:00 D Ordos 100 [2011, 60min] 18:30 D Play of the Play [2014, 60min] 16:00 D The Mala Desert [2012, 61min] 15:15 D Peaceful Land [2011, 102min] Saal 2 19:45 D Peaceful Land [2011, 102min] 17:15 D You Know What I Mean [2014, 75min] 17:15 D Ai Weiwei’s Appeal ¥15,220,910.50 11:00 D The Mala Desert [2012, 61min] 21:45 O Ai Weiwei: Yours Truly [2019, 76min] 18:45 D The Rest [2019, 78min] [2014, 127min] 12:15 D Play of the Play [2014, 60min] 20:30 D Ordos 100 [2011, 60min] 19:45 D Stay Home [2013, 77min] 13:30 D You Know What I Mean [2014, 75min] Saal 3 21:45 D Ai Weiwei’s Appeal ¥15,220,910.50 S Ximei Getting
    [Show full text]
  • Le Cas D'ai Weiwei Par Catherine Déry Département D'histoi
    Université de Montréal Art, Internet et dissidence en Chine : le cas d’Ai Weiwei Par Catherine Déry Département d’histoire Faculté des arts et des sciences Mémoire présenté à la Faculté des arts et des sciences en vue de l’obtention du grade de Maître ès arts (M.A.) en histoire Août, 2018 © Catherine Déry, 2018 Résumé Ce mémoire porte sur la vie d’Ai Weiwei. Souvent représenté comme l’un des dissidents chinois les plus populaires au monde, Ai Weiwei est dépeint par les médias et les gouvernements occidentaux comme un brave opposant au Parti communiste chinois qui ose défendre les valeurs des systèmes démocratiques. De son côté, le régime de Chine va plutôt le présenter comme un élément perturbateur qui a perdu son identité chinoise. Au travers de ces représentations divergentes, on s’est demandé qui est réellement Ai Weiwei? Plus exactement, est-il véritablement un dissident ? Qu’elles valeurs défend-il et pourquoi ? Qu’elles autres aspects de sa personnalité peuvent mériter notre attention afin de mieux saisir le personnage dans sa globalité? Afin de répondre à ces questions, ce mémoire s’est proposé d’orienter l’analyse autour des aspects de l’art, d’Internet et de la dissidence en Chine. Ces trois éléments sont intimement liés au parcours d’Ai Weiwei et ils offrent les outils nécessaires à la compréhension de notre sujet d’étude. Ultimement, nous avançons l’hypothèse qu’Ai Weiwei n’est pas le personnage que les gouvernements et les médias du globe nous décrivent. L’analyse révèle qu’il ne défend pas des valeurs exclusivement occidentales et qu’il n’a pas perdu son identité chinoise.
    [Show full text]
  • The Art of Dissent Ai Weiwei, Rebel with a Cause1
    Chapter 12 The art of dissent Ai Weiwei, rebel with a cause1 Sandra Ponzanesi The artist as intellectual In December 2018, the prominent Chinese artist Ai Weiwei unveiled a flag to mark 70 years of the Universal Declaration of Human Rights. The light-blue flag has a footprint made up of white dots at its center. The design was inspired by Ai’s time spent visiting Rohingya refugees in Bangladesh, who were forced to flee attacks inMyanmar . While he was in the refugee camp, he noticed that nearly everyone was barefoot. He was inspired to see the bare footprint as a symbol for displaced people but also as a symbol of our common humanity. He took 100 muddy footprints of people, young and old, in various locations, and combined them in his design. Ai hopes his design will act as a visual reminder for people to educate them- selves on the meaning of human rights, to offer hope and to encourage further debate on the importance of human rights. “It’s about human identity,” says Ai in a video released to accompany the launch. “Human rights is not a given property, but rather something we can only gain from our own defense and fight [. .] Not many ideas can relate to this very broad, but also very special, topic.”2 Elsewhere he explains, “As humans, as long as we can stand up or can make a move, we have our footprint.”3 The flag was flown for seven days in June 2019 to mark the 70th anniversary, as part of the human rights grassroots’ awareness campaign called Fly the Flag.4 Ai Weiwei commented: “I am honored to have the opportunity to design a flag for the 70th anniversary for the Universal Declaration of Human Rights.” He added, “as we all come to learn, human rights are the precious result from generation after generation’s understanding of the human struggle.
    [Show full text]
  • B E Y O N D T H E B O U N D S O F S T a T U S
    B E Y O N D T H E B O U N D S O F S T A T U S T H E H B S W A Y CHARINA MOLINA MICHELLE NWUFO BROOKLYN ROBERTSON JOCELYN SILVA ALLY ZWEIGLE • T H E I N T E R G E N E R A T I O N A L T R A N S M I S S I O N O F L E G I S L A T I O N , B I O L O G Y , A N D I D E N T I T Y B E T W E E N R E F U G E E W O M E N A N D C H I L D R E N F R O M W A R - T O R N N A T I O N S • Cover image sourced from (International Rescue Committee, 2018, p. 1) EDITORS' NOTE AS STUDENTS OF THE SOCIETY AND GENETICS DEPARTMENT AT UCLA, WE UNDERSTAND THE CRITICAL NECESSITY OF ADDRESSING SOCIAL INEQUALITIES, AS THEY OFTEN TRANSLATE INTO OUR BODIES AND ENVIRONMENTS. WE HAVE TAKEN COURSES ON THE TRANSACTIONAL RELATIONSHIPS BETWEEN SOCIAL DETERMINANTS OF HEALTH AND CHRONIC HEALTH OUTCOMES. WE HAVE EXPLORED MEDICAL AND HEALTH-RELATED ISSUES FROM A BIOSOCIAL FRAMEWORK. WE HAVE CHALLENGED OURSELVES TO LOOK BEYOND A WESTERN, EUROCENTRIC, PATRIARCHAL, AND ABLEIST POINT OF VIEW. THIS PROJECT IS A CULMINATION OF OUR DEDICATION TO LEARNING MORE ABOUT THE WORLD AROUND US, WHILE SIMULTANEOUSLY ATTEMPTING TO SPREAD AWARENESS ON SILENCED ISSUES.
    [Show full text]
  • Article36.Pdf
    196 MADE IN CHINA - WORK OF ARTS Ai Weiwei’s Laundromat (2016) as currently exhibited at the National Gallery in Prague (Trade Fair Palace). Photo: Giorgio Strafella, 14 April 2017. represents one of the most influential figures Ai Weiwei’s in the global art scene and his exhibitions attract hundreds of thousands of visitors around the world (Royal Academy of Arts #Refugees 2015)—since 2015 even in China, although A Transcultural and his recent shows in Beijing do not feature Transmedia Journey his most explicitly ‘political’ artworks. His stature as an artist notwithstanding, it was Ai Weiwei’s advocacy of human and civil Giorgio Strafella rights in China—and the price he paid for Daria Berg his outspokenness, including eighty-one days in jail and a brain haemorrhage (Grube 2009b; Branigan 2011)—that established At least 5,079 people died in the him as a celebrity dissident in the West at Mediterranean Sea during 2016 while the end of the past decade. Ai Weiwei’s most attempting to reach Europe’s shores critical art and activism now address the (International Organisation for Migration condition of refugees, rather than Chinese 2017). While many Europeans have society, putting European governments responded to the struggle of the refugees rather than the Chinese state ‘on trial’ while and other migrants from the Middle East adding a ‘transcultural’ dimension to his and Africa with either fear or indifference work (Welsch 1999; Ai 2013). Nevertheless, (Poushter 2016; Dearden 2017), a Chinese as we shall argue in this essay, Ai Weiwei’s artiste engagé based in Berlin has employed most recent work stems from the same installations, documentary filmmaking, as philosophy he has espoused throughout his well as a sizeable social media presence to career.
    [Show full text]
  • Ai Weiwei “Refutation”
    Tang Contemporary Art presents: Ai Weiwei “Refutation” Artist: Ai Weiwei Curator: Cui Cancan Exhibition Dates: March 26 – April 30, 2018 Location: 10/F, H Queen’s, 80 Queen’s Road Central, Central, Hong Kong Opening Reception: Monday, March 26, 6 – 8 pm FOR IMMEDIATE RELEASE (HONG KONG – March 8, 2018): Tang Contemporary Art is proud to announce “Refutation,” Ai Weiwei’s second solo exhibition from March 26 to April 30, 2018 at the gallery’s new space in H Queen’s. Curated by Cui Cancan, this exhibition will be Ai’s third collaboration with Tang Contemporary Art after "Ai Weiwei” in Beijing (2015) and “Wooden Ball” in Hong Kong (2015). In July 2015, after receiving his passport back from Chinese authorities, Ai relocated to Berlin, Germany. In December 2015, Ai traveled with his son and girlfriend to the Greek island of Lesbos where he first encountered refugees face-to-face. He watched as boats carrying refugees began arriving on shore. He recorded video with his phone as the refugees, including the very young and the very old, climbed out of the simple inflatable boat. This event sparked his later actions, which are a direct response to the largest refugee crisis in human history. Since then, his team has shot nearly 1,000 hours of footage in 40 refugee camps across 23 countries. In 2017, Ai Weiwei presented the installation Law of the Journey, a black inflatable boat 60 meters long and 3 meters wide carrying 258 humanoid figures, at the National Gallery in Prague. Law of the Journey (Prototype A), 1640 x 580 x 350 cm, reinforced PVC, 2016 ⾏之道 (模型 A),1640 x 580 x 350, 強化 PVC, 2016 From a cellar in Xinjiang to an underground studio on New York’s 7th Street to his present underground studio in Berlin, Ai Weiwei has been a refugee who has not stopped moving.
    [Show full text]
  • H a I N E S G a L L E
    H A I N E S G A L L E R Y AI WEIWEI Chinese, b. 1957 Lives and works in Berlin, Germany EDUCATION Enrolled in Beijing Film Academy, 1978 Lived in NYC, NY, 1981-1993 Parsons School of Design, 1983 Returned to China, 1993 Founded China Art Archives and Warehouse, Beijing, China, 1994 SELECTED SOLO EXHIBITIONS 2020 (upcoming) Ai Weiwei, Royal Museum of Fine Arts of Belgium, Brussels, Belgium 2019 Ai Weiwei: Zodiac (2018) LEGO, The John & Mabel Ringling Museum of Art, Sarasota, FL Ai Weiwei: Roots, Lisson Gallery, London, UK Ai Weiwei: Bare Life, Kemper Art Museum at Washington University, St. Louis, MO Ai Weiwei: New York Photographs 1983-1993, Asia Society Museum, New York, NY Ai Weiwei, K20/K21, Kunstsammlung Nordrhein-Westfalen, Dusseldorf, Germany Resurrecting Memories, Museo Universitario Arte Contemporáneo, Mexico City, Mexico Ai Weiwei: Unbroken, Gardiner Museum, Toronto, Canada Raiz, Belo Horizonte, Brazil 2018 Raiz, OCA, Sao Paulo, Brazil UTA Artist Space, Los Angeles, CA Jeffrey Deitch Projects, Los Angeles, CA Ai Weiwei: Life Cycle, Marciano Art Foundation, Los Angeles, CA Ai Weiwei: Grapes, Wadsworth Atheneum, Hartford, CT Ai Weiwei: Rebar and Case, Hudson D. Walker Gallery, Fine Arts Work Center, Provincetown, MA Ai Weiwei Fan-Tan, MuCEM – Museum of European and Mediterranean Civilizations, Marseille, France Trace, site-specific installation organized by Hirshhorn Museum and Sculpture Garden and Alphawood Exhibitions, Chicago, IL Ai Weiwei: Circle of Animals/Zodiac Heads: Gold, Farnsworth Art Museum, Rockland, ME Refutation, Tang Contemporary Art, Hong Kong, China Laundromat, Fire Station at Garage Gallery, organized by Qatar Museum, Doha, Qatar 2017 Ai Weiwei “Inoculation”, Galleria Continua, Buenos Aires, Argentina Ai Weiwei: Mirror, FOMU FotoMuseum Antwerp, Belgium Good Fences Make Good Neighbors, Public Art Fund, New York, NY Ai Weiwei: It’s Always The Others, Cantonal Fine Arts Museum, Lausanne, Switzerland Ai Weiwei: On Porcelain, Sakıp Sabancı Museum, Istanbul, Turkey Ai Weiwei: Soleil Levant.
    [Show full text]