DOCSLIB.ORG

Sales Catalogue Welcome to the Edition Peters (London) Sales Catalogue, Which Presents One of the Widest Ranges of Sheet Music in Existence

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Sales Catalogue Welcome to the Edition Peters (London) Sales Catalogue, Which Presents One of the Widest Ranges of Sheet Music in Existence London • Frankfurt/Main • Leipzig • New York Sales Catalogue Welcome to the Edition Peters (London) Sales Catalogue, which presents one of the widest ranges of sheet music in existence. This catalogue contains all publications of instrumental and vocal music likely to be of general interest, but after over 200 years of publishing it is impractical to include everything, so please contact us if you need assistance in locating a particular title. You will find a selection of full scores in this catalogue. A more comprehensive list of these, together with performing material, can be found on our website – www.editionpeters.com Ordering by edition number alone is usually sufficient. Agencies Titles from the following publishers are available from Edition Peters, London: California University Press (selection only) Columbia University Press (selection only) Carus Verlag (UK only) Coach Me (Famiro) Forberg Kahnt Heinrichshofen Hinrichsen Edition Kikapust Choral Series Kneusslin Kunzelmann Lienau Musicland MusicPartner Norton Music Books Notre Dame Choir Editions Princeton University Press (selection only) Schwann Peters Edition Ltd. 2–6 Baches Street London N1 6DN Tel: 020 7553 4000 (International +44 20 7553 4000) Fax: 020 7490 4921 (International +44 20 7490 4921) E-mail: [email protected] Website: www.editionpeters.com Accounts 020 7553 4026/7 Hire Library 020 7553 4020 Contemporary Music Promotion 020 7553 4030 Please Note Prices are correct at time of going to press, but must be subject to change without notice. Cover images: Photo of John Cage by Rex Rystedt, Seattle, 1984 Photo of Jonathan Dove by Hugo Glendinning Printed in England by Halstan & Co. Ltd, Amersham, Bucks. Contents Keyboard Voice • Piano Studies ................................................................................4 • Vocal Studies / Solo Voice / Solo Voice & Piano ...........................105 • Piano Sight-Reading / Popular Styles ............................................5 • Solo Voice with Various Instrument(s) .......................................116 • Solo Piano .....................................................................................6 • Vocal Duets ...............................................................................117 • Solo Piano Albums ......................................................................21 • Solo Voices in Ensemble ...........................................................117 • Piano, 4 Hands ...........................................................................22 • Piano, 6 Hands ...........................................................................25 Choral • Two Pianos, 4 Hands ...................................................................26 • Mixed Voices .............................................................................118 • Two Pianos, 8 Hands ...................................................................28 • Female Voices ...........................................................................134 • Harpsichord ................................................................................28 • Male Voices ...............................................................................136 • Organ ..........................................................................................29 • Madrigals .................................................................................137 • Accordion ....................................................................................35 • Kikapust Choral Series ..............................................................138 • Carillon .......................................................................................35 (as performed & recorded by The Swingle Singers) • Operatic Choruses ....................................................................140 Strings • Violin ..........................................................................................37 Opera • Viola ...........................................................................................48 • Opera ........................................................................................ 143 • Violoncello ..................................................................................52 Incidental & Ballet Music • Viola da Gamba ..........................................................................59 • Incidental & Ballet Music .........................................................144 • Double Bass ................................................................................60 • Harp ............................................................................................60 Scores • Guitar / Lute ................................................................................61 • Miniature Scores .......................................................................145 • Mandolin .....................................................................................63 • Full Scores ................................................................................146 Woodwind CDs • Flute ...........................................................................................64 • Music Partner CDs ....................................................................149 • Recorder .....................................................................................71 • Choral Singing – The Easy Way to Learn ...................................153 • Oboe ...........................................................................................75 • Cor Anglais .................................................................................76 Books • Clarinet .......................................................................................77 • Norton Music Books ..................................................................156 • Bass Clarinet ..............................................................................80 • History of Edition Peters ............................................................159 • Saxophone ..................................................................................81 • University Presses of California, Columbia and Princeton ........159 • Bassoon ......................................................................................82 DVDs Brass • Craft of Conducting ..................................................................159 • Horn ............................................................................................83 • John Cage Worklist ................................................................ 160 • Trumpet ......................................................................................84 • Trombone ....................................................................................86 • Education Titles .....................................................................167 • Tuba ............................................................................................87 (UK Examination Boards / Aural Training / English Language Skills / Flexible School Ensemble) Percussion • Percussion ..................................................................................87 Chamber / Ensemble • Trio Sonatas – see Violin or Flute • String Duets ................................................................................87 • String Trios .................................................................................88 • String Quartets ...........................................................................90 • String Quintets ...........................................................................92 • String Sextets .............................................................................93 • String Octets ...............................................................................93 • String Ensemble .........................................................................94 • Piano Trios ..................................................................................97 • Piano Quartets ............................................................................98 • Piano Quintets ............................................................................98 • Piano Sextets ..............................................................................99 • Wind Ensemble .........................................................................100 • Brass Ensemble ........................................................................101 • Mixed Ensemble ........................................................................102 Piano Studies Piano Studies • 6 Octave Studies Op.553..................................£11.95 EP 3175 • Practical Finger Exercises Op.802 Berens, H. Vol.1: 29 Exercises............................................£13.95 EP 2969a • School of Velocity Op.61 Vol.2: 13 Exercises............................................£13.95 EP 2969b Vol.1: Studies 1–14........................................... £11.00 EP 3187a • Preparatory School of Velocity Op.636...............................................................£11.00 EP 2407 Vol.3: Studies 27–33......................................... £11.00 EP 3187c • 100 ‘Recreations’..............................................£11.00 EP 2633 • Training the Left Hand Op.89.............................£9.50 EP 3188 Studies for Beginners • School of Legato & Staccato Berg, K. Op.335..............................................................£18.50 EP 2463 • Musicland Piano Tutor • School of Velocity Op.299 Book 1...................................................................£3.95
Load more

Recommended publications
  • Bach Cantatas Piano Transcriptions
    Bach Cantatas Piano Transcriptions contemporizes.Fractious Maurice Antonin swang staked or tricing false? some Anomic blinkard and lusciously, pass Hermy however snarl her divinatory dummy Antone sporocarps scupper cossets unnaturally and lampoon or okay. Ich ruf zu Dir Choral BWV 639 Sheet to list Choral BWV 639 Ich ruf zu. Free PDF Piano Sheet also for Aria Bist Du Bei Mir BWV 50 J Partituras para piano. Classical Net Review JS Bach Piano Transcriptions by. Two features found seek the early cantatas of Johann Sebastian Bach the. Complete Bach Transcriptions For Solo Piano Dover Music For Piano By Franz Liszt. This product was focussed on piano transcriptions of cantata no doubt that were based on the beautiful recording or less demanding. Arrangements of chorale preludes violin works and cantata movements pdf Text File. Bach Transcriptions Schott Music. Desiring piano transcription for cantata no longer on pianos written the ecstatic polyphony and compare alternative artistic director in. Piano Transcriptions of Bach's Works Bach-inspired Piano Works Index by ComposerArranger Main challenge This section of the Bach Cantatas. Bach's own transcription of that fugue forms the second part sow the Prelude and Fugue in. I make love the digital recordings for Bach orchestral transcriptions Too figure this. Get now been for this message, who had a player piano pieces for the strands of the following graphic indicates your comment is. Membership at sheet music. Among his transcriptions are arrangements of movements from Bach's cantatas. JS Bach The Peasant Cantata School Version Pianoforte. The 20 Essential Bach Recordings WQXR Editorial WQXR.
    [Show full text]
  • Rediscovering Frédéric Chopin's "Trois Nouvelles Études" Qiao-Shuang Xian Louisiana State University and Agricultural and Mechanical College, [email protected]
    Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2002 Rediscovering Frédéric Chopin's "Trois Nouvelles Études" Qiao-Shuang Xian Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Music Commons Recommended Citation Xian, Qiao-Shuang, "Rediscovering Frédéric Chopin's "Trois Nouvelles Études"" (2002). LSU Doctoral Dissertations. 2432. https://digitalcommons.lsu.edu/gradschool_dissertations/2432 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. REDISCOVERING FRÉDÉRIC CHOPIN’S TROIS NOUVELLES ÉTUDES A Monograph Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in The School of Music by Qiao-Shuang Xian B.M., Columbus State University, 1996 M.M., Louisiana State University, 1998 December 2002 TABLE OF CONTENTS LIST OF EXAMPLES ………………………………………………………………………. iii LIST OF FIGURES …………………………………………………………………………… v ABSTRACT …………………………………………………………………………………… vi CHAPTER 1. INTRODUCTION…………………………………………………………….. 1 The Rise of Piano Methods …………………………………………………………….. 1 The Méthode des Méthodes de piano of 1840
    [Show full text]
  • Final Dissertation Document
    Abstract Title of Dissertation: INFLUENCES AND TRANSFORMATIONS: 19TH- CENTURY SOLO AND COLLABORATIVE PIANO REPERTOIRE Miori Sugiyama, Doctor of Musical Arts, 2012 Dissertation Directed by: Professor Rita Sloan School of Music, Piano Division This dissertation is an exploration of the inter-relationships of genres in the collaborative piano repertoire, particularly in music of the 19th century, an especially important period for collaborative piano repertoire. During this time, much of the repertoire gave equal importance to the piano in duo and ensemble repertoire. Starting with Schubert, and becoming more apparent with the development of the German lied, the piano became a more integral part of any composition, the piano part being no longer simplistic but rather a collaborative partner with its own voice. Mendelssohn transformed the genre of lieder by writing them, without their words, for solo piano. In addition to creating some of the greatest and most representative lieder in the Romantic period, composers such as Schumann, Brahms, and Strauss continued the evolution of the sonata by writing works that were more technically demanding on the performer, musically innovative, and structurally still evolving. In the case of Chopin who wrote mostly piano works, a major influence came from the world of opera, particularly the Bel Canto style. In exploring two specific genres, vocal and instrumental piano works by these composers; it is fascinating to see how one genre translates to another genre. This was especially true in the vocal and instrumental works by Schubert, Schumann, Brahms, Chopin, and Strauss. All of these composers, with the exception of Chopin, contributed equally to both the song and sonata genres.
    [Show full text]
  • The Music the Music-To-Go Trio Wedding Guide Go Trio Wedding
    The MusicMusic----ToToToTo----GoGo Trio Wedding Guide Processionals Trumpet Voluntary.................................................................................Clarke Wedding March.....................................................................................Wagner Jesu, Joy of Man’s Desiring...................................................................... Bach Te Deum Prelude.......................................................................... Charpentier Canon ................................................................................................. Pachelbel Air from Water Music............................................................................. Handel Sleepers Awake.......................................................................................... Bach Sheep May Safely Graze........................................................................... Bach Air on the G String................................................................................... Bach Winter (Largo) from The Four Seasons ..................................................Vivaldi MidMid----CeremonyCeremony Music Meditations, Candle Lightings, Presentations etc. Ave Maria.............................................................................................Schubert Ave Maria...................................................................................Bach-Gounod Arioso......................................................................................................... Bach Meditation from Thaïs ......................................................................Massenet
    [Show full text]
  • Cds by Composer/Performer
    CPCC MUSIC LIBRARY COMPACT DISCS Updated May 2007 Abercrombie, John (Furs on Ice and 9 other selections) guitar, bass, & synthesizer 1033 Academy for Ancient Music Berlin Works of Telemann, Blavet Geminiani 1226 Adams, John Short Ride, Chairman Dances, Harmonium (Andriessen) 876, 876A Adventures of Baron Munchausen (music composed and conducted by Michael Kamen) 1244 Adderley, Cannonball Somethin’ Else (Autumn Leaves; Love For Sale; Somethin’ Else; One for Daddy-O; Dancing in the Dark; Alison’s Uncle 1538 Aebersold, Jamey: Favorite Standards (vol 22) 1279 pt. 1 Aebersold, Jamey: Favorite Standards (vol 22) 1279 pt. 2 Aebersold, Jamey: Gettin’ It Together (vol 21) 1272 pt. 1 Aebersold, Jamey: Gettin’ It Together (vol 21) 1272 pt. 2 Aebersold, Jamey: Jazz Improvisation (vol 1) 1270 Aebersold, Jamey: Major and Minor (vol 24) 1281 pt. 1 Aebersold, Jamey: Major and Minor (vol 24) 1281 pt. 2 Aebersold, Jamey: One Dozen Standards (vol 23) 1280 pt. 1 Aebersold, Jamey: One Dozen Standards (vol 23) 1280 pt. 2 Aebersold, Jamey: The II-V7-1 Progression (vol 3) 1271 Aerosmith Get a Grip 1402 Airs d’Operettes Misc. arias (Barbara Hendricks; Philharmonia Orch./Foster) 928 Airwaves: Heritage of America Band, U.S. Air Force/Captain Larry H. Lang, cond. 1698 Albeniz, Echoes of Spain: Suite Espanola, Op.47 and misc. pieces (John Williams, guitar) 962 Albinoni, Tomaso (also Pachelbel, Vivaldi, Bach, Purcell) 1212 Albinoni, Tomaso Adagio in G Minor (also Pachelbel: Canon; Zipoli: Elevazione for Cello, Oboe; Gluck: Dance of the Furies, Dance of the Blessed Spirits, Interlude; Boyce: Symphony No. 4 in F Major; Purcell: The Indian Queen- Trumpet Overture)(Consort of London; R,Clark) 1569 Albinoni, Tomaso Concerto Pour 2 Trompettes in C; Concerto in C (Lionel Andre, trumpet) (also works by Tartini; Vivaldi; Maurice André, trumpet) 1520 Alderete, Ignacio: Harpe indienne et orgue 1019 Aloft: Heritage of America Band (United States Air Force/Captain Larry H.
    [Show full text]
  • Spread the Word • Promote the Show
    Program No. 1409 3/3/2014 E. T. PAULL: Napoleon’s Last Charge –Nathan BACH: Trio Sonata No. 2 in c, BWV 526 –Edie Sibling Rivals . though Wilhelm Friedemann Bach Avakian (1928 Kimball/Cleveland High School Johnson (1998 Fisk/Furman University, Greenville, was reputed the finest organist of his era, he died penniless Auditorium, Portland, OR) Avakian Creative SC) Pipedreams Archive (r. 1/27/11) while his younger brother, Carl Philip Emmanuel Bach, Works 709-01 J. S. BACH: Prelude & Fugue in e, BWV 548 – prospered as harpsichordist to Frederick the Great and DAVID FULLER: The Fifty-Years March – Wyatt Smith (2010 Schantz/Martin Luther College, later as Music Director for the city of Hamburg. Christopher Howerther (1990 Fisk/Slee Hall, New Ulm, MN) Pipedreams Archive (r. 2/12/12) SUNY-Buffalo, NY) Pipedreams Archive W.F. BACH: Fantasie in d –Friedhelm Flamme BACH: Ricercare a 6, fr The Musical Offering, CHARLES-MARIE WIDOR: Marche Nuptiale – BWV 1079 –Michel Bouvard (1987 Kney/Uni- (2008 Hillebrand/Münsterkirche St. Alexandri, Herman van Vliet (1890 Cavaillé-Coll/St. Ouen, Einbeck, Germany) cpo 777.527 versity of St. Thomas, Saint Paul, MN) Pipedreams Rouen, France) Festivo 149 Archive (r. 3/17/13) C.P.E. BACH: Sonata No. 1 in A, Wq 70, no. 1 – J. P. SOUSA (arr. Faxon): The Stars and Stripes Roland Münch (1755 Marx/Evangelical Church Forever –Erik Suter & Scott Hanoian (Aeolian- Program No. 1412 3/24/2014 ‘Zur frohen Botschaft’, Berlin-Karlshorst, Skinner/Washington National Cathedral, DC) Conventional Wisdom: A Chicago Collection Germany) Christophorus 0110-2 WNC 501 . unique recital performances from the 2006 W.F.
    [Show full text]
  • Bach Festival the First Collegiate Bach Festival in the Nation
    Bach Festival The First Collegiate Bach Festival in the Nation ANNOTATED PROGRAM APRIL 1921, 2013 THE 2013 BACH FESTIVAL IS MADE POSSIBLE BY: e Adrianne and Robert Andrews Bach Festival Fund in honor of Amelia & Elias Fadil DEDICATION ELINORE LOUISE BARBER 1919-2013 e Eighty-rst Annual Bach Festival is respectfully dedicated to Elinore Barber, Director of the Riemenschneider Bach Institute from 1969-1998 and Editor of the journal BACH—both of which she helped to found. She served from 1969-1984 as Professor of Music History and Literature at what was then called Baldwin-Wallace College and as head of that department from 1980-1984. Before coming to Baldwin Wallace she was from 1944-1969 a Professor of Music at Hastings College, Coordinator of the Hastings College-wide Honors Program, and Curator of the Rinderspacher Rare Score and Instrument Collection located at that institution. Dr. Barber held a Ph.D. degree in Musicology from the University of Michigan. She also completed a Master’s degree at the Eastman School of Music and received a Bachelor’s degree with High Honors in Music and English Literature from Kansas Wesleyan University in 1941. In the fall of 1951 and again during the summer of 1954, she studied Bach’s works as a guest in the home of Dr. Albert Schweitzer. Since 1978, her Schweitzer research brought Dr. Barber to the Schweitzer House archives (Gunsbach, France) many times. In 1953 the collection of Dr. Albert Riemenschneider was donated to the University by his wife, Selma. Sixteen years later, Dr. Warren Scharf, then director of the Conservatory, and Dr.
    [Show full text]
  • Unit 7 Romantic Era Notes.Pdf
    The Romantic Era 1820-1900 1 Historical Themes Science Nationalism Art 2 Science Increased role of science in defining how people saw life Charles Darwin-The Origin of the Species Freud 3 Nationalism Rise of European nationalism Napoleonic ideas created patriotic fervor Many revolutions and attempts at revolutions. Many areas of Europe (especially Italy and Central Europe) struggled to free themselves from foreign control 4 Art Art came to be appreciated for its aesthetic worth Program-music that serves an extra-musical purpose Absolute-music for the sake and beauty of the music itself 5 Musical Context Increased interest in nature and the supernatural The natural world was considered a source of mysterious powers. Romantic composers gravitated toward supernatural texts and stories 6 Listening #1 Berlioz: Symphonie Fantastique (4th mvmt) Pg 323-325 CD 5/30 https://www.youtube.com/watch?v=QwCuFaq2L3U 7 The Rise of Program Music Music began to be used to tell stories, or to imply meaning beyond the purely musical. Composers found ways to make their musical ideas represent people, things, and dramatic situations as well as emotional states and even philosophical ideas. 8 Art Forms Close relationship Literature among all the art Shakespeare forms Poe Bronte Composers drew Drama inspiration from other Schiller fine arts Hugo Art Goya Constable Delacroix 9 Nationalism and Exoticism Composers used music as a tool for highlighting national identity. Instrumental composers (such as Bedrich Smetana) made reference to folk music and national images Operatic composers (such as Giuseppe Verdi) set stories with strong patriotic undercurrents. Composers took an interest in the music of various ethnic groups and incorporated it into their own music.
    [Show full text]
  • The News Magazine of the University of Illinois School of Music from the Dean
    WINTER 2012 The News Magazine of the University of Illinois School of Music From the Dean On behalf of the College of Fine and Applied Arts, I want to congratulate the School of Music on a year of outstanding accomplishments and to WINTER 2012 thank the School’s many alumni and friends who Published for alumni and friends of the School of Music at the University of Illinois at Urbana-Champaign. have supported its mission. The School of Music is a unit of the College of Fine and Applied Arts at the University of Illinois at Urbana-Champaign and has been an accredited institutional member of the National While it teaches and interprets the music of the past, the School is committed Association of Schools of Music since 1933. to educating the next generation of artists and scholars; to preserving our artistic heritage; to pursuing knowledge through research, application, and service; and Karl Kramer, Director Joyce Griggs, Associate Director for Academic Affairs to creating artistic expression for the future. The success of its faculty, students, James Gortner, Assistant Director for Operations and Finance J. Michael Holmes, Enrollment Management Director and alumni in performance and scholarship is outstanding. David Allen, Outreach and Public Engagement Director Sally Takada Bernhardsson, Director of Development Ruth Stoltzfus, Coordinator, Music Events The last few years have witnessed uncertain state funding and, this past year, deep budget cuts. The challenges facing the School and College are real, but Tina Happ, Managing Editor Jean Kramer, Copy Editor so is our ability to chart our own course. The School of Music has resolved to Karen Marie Gallant, Student News Editor Contributing Writers: David Allen, Sally Takada Bernhardsson, move forward together, to disregard the things it can’t control, and to succeed Michael Cameron, Tina Happ, B.
    [Show full text]
  • Finding Aid for Bolender Collection
    KANSAS CITY BALLET ARCHIVES BOLENDER COLLECTION Bolender, Todd (1914-2006) Personal Collection, 1924-2006 44 linear feet 32 document boxes 9 oversize boxes (15”x19”x3”) 2 oversize boxes (17”x21”x3”) 1 oversize box (32”x19”x4”) 1 oversize box (32”x19”x6”) 8 storage boxes 2 storage tubes; 1 trunk lid; 1 garment bag Scope and Contents The Bolender Collection contains personal papers and artifacts of Todd Bolender, dancer, choreographer, teacher and ballet director. Bolender spent the final third of his 70-year career in Kansas City, as Artistic Director of the Kansas City Ballet 1981-1995 (Missouri State Ballet 1986- 2000) and Director Emeritus, 1996-2006. Bolender’s records constitute the first processed collection of the Kansas City Ballet Archives. The collection spans Bolender’s lifetime with the bulk of records dating after 1960. The Bolender material consists of the following: Artifacts and memorabilia Artwork Books Choreography Correspondence General files Kansas City Ballet (KCB) / State Ballet of Missouri (SBM) files Music scores Notebooks, calendars, address books Photographs Postcard collection Press clippings and articles Publications – dance journals, art catalogs, publicity materials Programs – dance and theatre Video and audio tapes LK/January 2018 Bolender Collection, KCB Archives (continued) Chronology 1914 Born February 27 in Canton, Ohio, son of Charles and Hazel Humphries Bolender 1931 Studied theatrical dance in New York City 1933 Moved to New York City 1936-44 Performed with American Ballet, founded by
    [Show full text]
  • Air on the G String from Suite # 3 in D Major (J.S. Bach) *** Andante from Brandenburg Concerto #2 in F Major (J.S
    Air on the G String from Suite # 3 in D Major (J.S. Bach) *** Andante from Brandenburg Concerto #2 in F Major (J.S. Bach) Arioso from Cantata #156 (J.S. Bach) *** Gigue from Suite # 3 in D Major (J.S. Bach) *** Jesu, Joy of Man's Desiring from Cantata #147 (J.S. Bach) *** March in D Major (J.S. Bach) My Heart Ever Faithful Aria from Cantata #68 (J.S. Bach) Rondeau from Orchestral Suite # 2 in B Minor (J.S. Bach) *** Sheep May Safely Graze from Cantata #208 (J.S. Bach) Minuet in G (Beethoven) Ode to Joy from Symphony #9 (Beethoven) Variations on a Theme of Haydn, Sicilienne & St Anthony Chorale (Brahms) Trumpet Voluntary (Clarke) *** Panis Angelicus from Messe Solonelle, Op. 12 (Franck) Gavotte (Gossec) Tambourin (Gossec) Allegro from Sonata in F Major, Op. 1 #11 (Handel) La Rejouissance from The Fireworks Music (Handel) *** Largo from Xerxes (Handel) *** Air, Allegro, Andante, Bourree, Hornpipe from Water Music Suite (Handel) Sarabane from Oboe Concerto in G Minor (Handel) Allegro (Loeillet) Meditation from Thais (Massenet) Rondeau from Sinfonies de Fanfares (Mendelssohn) Wedding March from A Midsummer Night's Dream (Mendelssohn) *** Ave Verum Corpus from K. 618 (Mozart) Eine Kleine Nachtmusik - Menuetto, Romanza (Mozart) Rondo alla turca from Piano Sonata in A Major, K. 331 (Mozart) Canon (Pachelbel) *** Rondeau from Incidental Music to Abdelazer (Purcell) When I Am Laid in Earth from Dido and Aeneas (Purcell) Trumpet Tune (Purcell) *** Scheherazade Theme (Rimsky-Korsakov) Andante from String Quartet in A minor, Op. 29 (Schubert) "Rosamunde" (Schubert) Traumerei from Kinderscenen, Op. 15, #7 (Schumann) Simple Gifts (Shaker Hymn) Presto from Sonatina in F Major (Telemann) Vivace from Sonata in F Major for flute (Telemann) Be Thou My Vision (Traditional Irish Melody) Danza Pastorale from Violin Concerto in E Major, Op.
    [Show full text]
  • Sonata for Flute and Piano in D Major, Op. 94 by Sergey Prokofiev
    SONATA FOR FLUTE AND PIANO IN D MAJOR, OP. 94 BY SERGEY PROKOFIEV: A PERFORMANCE GUIDE HONORS THESIS Presented to the Honors Committee of Texas State University-San Marcos in Partial Fulfillment of the Requirements for Graduation in the Honors ColLege by Danielle Emily Stevens San Marcos, Texas May 2014 1 SONATA FOR FLUTE AND PIANO IN D MAJOR, OP. 94 BY SERGEY PROKOFIEV: A PERFORMANCE GUIDE Thesis Supervisor: ________________________________ Kay Lipton, Ph.D. School of Music Second Reader: __________________________________ Adah Toland Jones, D. A. School of Music Second Reader: __________________________________ Cynthia GonzaLes, Ph.D. School of Music Approved: ____________________________________ Heather C. GaLLoway, Ph.D. Dean, Honors ColLege 2 Abstract This thesis contains a performance guide for Sergey Prokofiev’s Sonata for Flute and Piano in D Major, Op. 94 (1943). Prokofiev is among the most important Russian composers of the twentieth century. Recognized as a leading Neoclassicist, his bold innovations in harmony and his new palette of tone colors enliven the classical structures he embraced. This is especially evident in this flute sonata, which provides a microcosm of Prokofiev’s compositional style and highlights the beauty and virtuosic breadth of the flute in new ways. In Part 1 I have constructed an historical context for the sonata, with biographical information about Prokofiev, which includes anecdotes about his personality and behavior, and a discussion of the sonata’s commission and subsequent premiere. In Part 2 I offer an anaLysis of the piece with generaL performance suggestions and specific performance practice options for flutists that will assist them as they work toward an effective performance, one that is based on both the historically informed performance context, as well as remarks that focus on particular techniques, challenges and possible performance solutions.
    [Show full text]