“Islamic” Dress? Evidence from the Internet Generation
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Veiled, Unveiled! the Headscarf October 18, 2018 – February 26, 2019
Veiled, Unveiled! The Headscarf October 18, 2018 – February 26, 2019 A piece of fabric forms the focus of this exhibition. It is much older than Judaism, Christianity and Islam. Long before the birth of these religions, a headscarf denoted social differences in ancient Mesopotamia – and its absence women’s sexual vulnerability. Today, it lies before us weighed down with countless meanings. And far too often it still represents a man’s word on a woman’s body. The fabric that pious women use to cover their head, their face and frequently also their entire body whips up feelings. But the commandment that women cover their hair has been part of European civilisation for centuries. Its history stretches from the beginnings of Christianity until today. For Christians, the veil became a symbol of honour, modesty and virginity. The Apostle Paul demanded that women cover their faces with a veil when they talk to God. Loose hair was regarded as immoral, only the Virgin Mary is occasionally depicted wearing her hair in this way. A covered head was the prerogative of married women, and of nuns. A bereaved woman put on widow’s weeds. In the Late Middle Ages some European cities passed sumptuary laws that stipulated how women should cover their head and neck. In the early 1920s, the Pope deplored the imprudence of women who disregarded all modesty by dancing wearing “indecent” dresses. During the Austrian Ständestaat and after the Nazi annexation of Austria headscarf and dirndl signalled both the wearer’s fealty to her home country and her down-to-earthness. -
Language Institute Foreign Language Center 2019 Country in Perspective | Algeria
COUNTRY IN PERSPECTIVE ALGERIA DLIFLC DEFENSE LANGUAGE INSTITUTE FOREIGN LANGUAGE CENTER 2019 COUNTRY IN PERSPECTIVE | ALGERIA Geography Introduction ................................................................................................................... 5 Geographic Divisions ................................................................................................. 6 The Tell ..................................................................................................................6 The High Plateaus and the Saharan Atlas Mountains ...................................7 Northeastern Algeria ...........................................................................................7 Topographical Divisions.............................................................................................. 8 Sahara Desert ......................................................................................................8 Climate ........................................................................................................................... 9 Bodies of Water ...........................................................................................................10 Rivers ...................................................................................................................10 Major Cities ..................................................................................................................11 Algiers ................................................................................................................. -
The Veil As Exception and Difference in French Discourse and Policy
DePaul University Via Sapientiae College of Liberal Arts & Social Sciences Theses and Dissertations College of Liberal Arts and Social Sciences 3-2011 The veil as exception and difference in French discourse and policy Mallory Anne Warner DePaul University, [email protected] Follow this and additional works at: https://via.library.depaul.edu/etd Recommended Citation Warner, Mallory Anne, "The veil as exception and difference in French discourse and policy" (2011). College of Liberal Arts & Social Sciences Theses and Dissertations. 75. https://via.library.depaul.edu/etd/75 This Thesis is brought to you for free and open access by the College of Liberal Arts and Social Sciences at Via Sapientiae. It has been accepted for inclusion in College of Liberal Arts & Social Sciences Theses and Dissertations by an authorized administrator of Via Sapientiae. For more information, please contact [email protected]. The Veil as Exception and Difference in French Discourse and Policy A Thesis Presented in Partial Fulfillment of the Requirements for the Degree of Master of Arts March, 2011 BY Mallory A. Warner International Studies Program College of Liberal Arts and Sciences DePaul University Chicago, Illinois Table of Contents 1. INTRODUCTION 1.1 Project Overview A History of French Immigration and the Headscarf Affairs in France 6 The Veil in Colonial Algeria 6 France’s Exceptional Universalism 7 2. HISTORY OF FRENCH IMMIGRATION AND THE HEADSCARF AFFAIRS IN FRANCE 2.1 History of Immigration 8 2.2 19881989: The Presidential Elections of 1988 and the First Headscarf Affair 13 2.3 19931994: Pasqua Laws and the Bayrou Circular 17 2.4 20032004: The Stasi Report 19 Secularism in Schools 21 2.5 Conclusion 23 3. -
Hijbabi Fashion on Social Media
University of Rhode Island DigitalCommons@URI Open Access Master's Theses 2020 LIFTING THE VEIL: HIJBABI FASHION ON SOCIAL MEDIA Erika Holshoe University of Rhode Island, [email protected] Follow this and additional works at: https://digitalcommons.uri.edu/theses Recommended Citation Holshoe, Erika, "LIFTING THE VEIL: HIJBABI FASHION ON SOCIAL MEDIA" (2020). Open Access Master's Theses. Paper 1896. https://digitalcommons.uri.edu/theses/1896 This Thesis is brought to you for free and open access by DigitalCommons@URI. It has been accepted for inclusion in Open Access Master's Theses by an authorized administrator of DigitalCommons@URI. For more information, please contact [email protected]. LIFTING THE VEIL: HIJBABI FASHION ON SOCIAL MEDIA BY ERIKA HOLSHOE A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF SCIENCE IN TEXTILES, FASHION MERCHANDISING, AND DESIGN UNIVERSITY OF RHODE ISLAND 2020 MASTER OF SCIENCE OF ERIKA HOLSHOE APPROVED: Thesis Committee: Major Professor Karl Aspelund Jessica Strübel Cheryl Foster Hilda Llorèns Nasser H. Zawia DEAN OF THE GRADUATE SCHOOL UNIVERSITY OF RHODE ISLAND 2020 ABSTRACT As visual representatives of Islam, diasporic Muslim women in the U.S. and U.K. are at the forefront of changing the perception of Islam and the rise of modest fashion. The aim of this study is to analyze how female Muslim social media influencers living in non-Muslim majority areas use fashionable apparel on social media to negotiate cultural and religious demands in conjunction with exploration of personal identities. Social media posts from Instagram were coded using grounded theory. The findings were analyzed using Netnographic methods and Social Representation Theory (SRT) as the main theoretical framework. -
CAIR: an Employer's Guide to Islamic Religious Practices
An Employer’s Guide to Islamic Religious Practices Demographers say that Islam is one of the fastest growing religions in the United States. American Muslims are now found in all sectors of society. This growing Muslim population adds a new dimension to be considered by employers when dealing with issues of multiculturalism and diversity. The information contained in this booklet is designed to assist employers in for- mulating and implementing policies that will help create a culturally-sensitive workplace environment. It will also serve as a guide to religiously-mandated practices of Muslim employees. Glossary of Muslim Terms Eid (EED): A day of festivity, major religious holiday. Halal (Hah-LAAL): Permissible by Islamic law. Hij’ab (Hee-JAAB): Clothing Muslim women wear in public. It is generally loose-fitting and includes a head covering. Jum ‘ah (JOO-mah): Friday congregational prayer, the Muslim weekly worship service. Kufi (KOO-fee): A cap sometimes worn by Muslim men. Qur’an (QUR-aan): Islam’s scripture, sometimes spelled Koran. Ramadan (RAHM-a-daan): The month of fasting. U. S. Legal Protections of Religious Rights Muslim practices are, in legal terminology, bona fide religious beliefs, and those who practice them regard them as compulsory religious duties. Observances such as prayer, fasting, pilgrimage, and religious celebrations are long held practices of members of the Muslim faith. Such expressions are protected by the following provisions in the Bill of Rights and federal law: • The First Amendment to the Constitution of the United States, which protects the free exercise of religion. • Title VII of the 1964 Civil Rights Act, which provides that an employer may not discriminate against a person because he/she adheres to a particular faith, and that employers must accommo- date an employee’s religious practices unless doing so would cause undue hardship to the employer. -
Religious Head Covers and Other Articles of Faith Number SO-12-03 Effective Date January 27, 2012 DISTRICT of COLUMBIA
SPECIAL ORDER Title Religious Head Covers and Other Articles of Faith Number SO-12-03 Effective Date January 27, 2012 DISTRICT OF COLUMBIA I. Policy Page 1 II. Definitions Page 1 III. Procedures Page 2 III.A Stops and Frisks Page 2 III.B Prisoner Processing Page 3 IV. Cross References Page 4 I. POLICY It is the policy of the Metropolitan Police Department (MPD) to ensure that members of the MPD abide by laws that require the Department to make reasonable accommodations for the religious beliefs of those with whom its members interact in their official capacities. Thus, members of the MPD shall treat persons wearing religious head coverings or other articles of faith in a manner that is professional, respectful, and courteous. In general, persons wearing religious head coverings or other articles of faith shall be permitted to continue wearing them except when removal or confiscation is reasonably required for reasons of safety or security. II. DEFINITIONS For the purpose of this special order, the following terms shall have the meanings designated: 1. Member – Sworn or civilian employee or a member of the Reserve Corps. 2. Religious Head Covering – Articles worn on the head for religious purposes. They include, but are not limited to: a. Kippah (yarmulke) – Religious head covering worn by orthodox Jewish men; b. Kufi – Religious head covering worn by Christians, African Jews, and Muslims in West Africa and African Diaspora; RELIGIOUS HEAD COVERS AND OTHER ARTICLES OF FAITH (SO–12–03) 2 of 4 c. Hijab – Head scarf or covering worn by Muslim women; d. -
Human Rights of Women Wearing the Veil in Western Europe
Human Rights of Women Wearing the Veil in Western Europe Research Paper I. Introduction The present paper analyses legislation, policies, and case-law surrounding religious attire in a number of countries in Western Europe and how they affect the human rights of women and girls who wear the veil in Western Europe. It also more broadly analyses discrimination and violence experienced by women wearing the veil in Europe learning from their own voice. Throughout the paper, the terminology ‘veil’ is used to refer to a variety of religious attire worn mostly, but not exclusively, by Muslim women. There are different types of clothing that cover the body. This research is focused on manifestations of veils that are the subject of regulation in several Western European Countries. They include the hijab (a piece of clothing that covers the head and neck, but not the face), niqab (a piece of clothing that covers the face, where only the eyes are visible), burqa (a piece of clothing that covers both the face and eyes), jilbab (a loose piece of clothing that covers the body from head to toe), or abaya, kaftan, kebaya (a loose, often black, full body cover overcoat). The head and body covers are often combined. In several countries, some of these clothing are based on traditional costumes rather than religion and are often worn by rural communities in the countries of origins. The paper also uses the terminology ‘full-face veil’ or ‘face-covering veil’ to refer to both niqab and burqa. Furthermore, it refers to burkini, a swimsuit that covers the body from head to ankles, completed by a dress. -
Muslim Response to “To Be a Pilgrim” Jerusha Tanner Lamptey, Union Theological Seminary Bismillah Al-Rahman Al-Rahim
Muslim Response to “To be a Pilgrim” Jerusha Tanner Lamptey, Union Theological Seminary Bismillah al-rahman al-rahim. In the name of God, the Most Gracious, the Most Merciful. I must begin this evening by expressing my sincere gratitude for the invitation to participate in tonight’s discussion and to hopefully contribute a few additional insights to the many that have already been proffered by Fr. Ryan and Dr. Mintz. In preparation for tonight’s conversation, I found myself, as I oft do, preparing for salat, or the ritual Islamic prayer. This preparation includes performing purification and formulating proper intention, among other things. However, it was not these aspects of my preparation that caught my attention on this occasion. Rather, my attention was directed to another minor yet habitual action I perform with every prayer, a minor adjustment of the directional orientation of the rug on which I pray. I don’t take out a compass and figure the direction technically, but I always move the rug somewhat…and I fancy (perhaps naively) that I can tell when it has been moved into the correct alignment. This rug, of course, faces in the direction of Mecca and the Ka’ba, the site of the annual hajj pilgrimage. And there is a connection with that site that penetrates and pulsates throughout the ritual of prayer and throughout the lives of Muslims. The directional orientation to the Ka’ba is in fact a spiritual and symbolic orientation that shapes understandings of human existence in the world and human relation to God. In my brief remarks tonight, I would like to draw attention to this spiritual and symbolic orientation, building upon Fr. -
Torrance Herald October 30, 1960
THE TORRANCE HERALD OCTOBER 30, 1960 COATS AND SUITS—Second Floor BEDDING, SHEETS—Third Floor MEN/5_CLOTH IN G—Street FJoor______ o> LUV/O, Lev«.i 2/5.00 Long trans-season coots, colors, white 16.90 Men's Suits OO OC 3.98-4.98 If perfect, slacks 2.99. Long lightweight bottor coats 21.90 Seconds of Candycalc cotton percales 3.98 Cotton denim slacks, broken sizes, 1.99 Odds and ends, not all colors All wool navy gabardine suiis, or Dacron 5.99 Nylon wnsh & wonr jackets, 36-46, 2.99 WOMEN'S DRESSES—Second Floor 2.99 if perfect 72x108 twin fitted 1.99 polyester nnd wool tropical weights. 3.99 if perfect 81x108 double filled 2.39 FURNITURE Third Floor Assorted Urcsses 1.65.if perfect 42x38'/2 pillow cases 1.00 99.99 Green vibrator recliner chair 69.95 14.90 MEN'S FURNISHINGS—Street Floor 249.00 Turquoise 8' sofa; foam; as is 168.00 Final clearance of summer dresses includ 129.00 Modern tangerine chair, 'as is 68.00 ing prints and solids, cottons and sheers. Men's Dress Shirts 1.00 249.50 Oriental china; cherry finish 149.50 Sizes l2'/2-24'/2. North Star and Chatham Blankets First quality, blonds, wools, acrilans Mostly whites, counter soiled, to clear. 109.00 Low back occ. chair; modern 49.00 Val. 10.98-19.98 5.99-10.99 49.95 Modern walnut step table 22.00 SPORTSWEAR 49—Second Floor White dress shirts, sgl. ndl. tailored 1.99 89.59 Plastic rockor & ottoman; grey 55,00 11.98-15.98 Cotton dresses 4.97-6.97 3.99 Dacron polyester cotton shirts 2.99 299.00 Curved front sofa; import, 15.78 Arnol tracetate jersey print Morgan Jones Tattersal Spreads Men's neckties, fall colors. -
A Midsummer Night's Bollywood Dream by © 2009
A MIDSUMMER NIGHT’S BOLLYWOOD DREAM BY © 2009 Madison Elizabeth Spencer Submitted to the graduate degree program in Design and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements of the degree of Master of Fine Arts ________________________ Chairperson ________________________ ________________________ ________________________ Date defended: ________04/06/2009______ The Thesis Committee for Madison Elizabeth Spencer certifies that this is the approved Version of the following thesis: A MIDSUMMER NIGHT’S BOLLYWOOD DREAM Committee: ________________________ Chairperson ________________________ ________________________ ________________________ Date approved: _________04/24/2009_____ ii TABLE OF CONTENTS INTRODUCTION 1 HINDU DEITIES AND THE CASTE SYSTEM 4 DESIGN CONCEPT 8 COSTUME DESIGN 11 MAKE-UP 17 SET DESIGN 19 LIGHTING DESIGN 22 CONCLUSION 23 CLOTHING GLOSSARY 25 BIBLIOGRAPHY 27 NOTES 29 IMAGE INDEX 30 DOCUMENT INDEX 34 iii INTRODUCTION “Bollywood” is the colloquial term used to describe the Hindi film industry in India. It describes that part of the film industry with colorful, exaggerated, overly dramatic, music-and-dance-filled characteristics rather than this nation’s entire film making. In contrast to Hollywood, from which it takes its tongue-in-cheek name, Bollywood is no actual place; rather, it is the term that best describes a style of film making. Bollywood style in its broadest meaning is the mass media vehicle for entertainment that feeds some of the amusement needs of a population with a variety of languages and ethnic/caste backgrounds. Themes are simple and predictable for the most part, with a great degree of flexibility in the telling of even the most well known story in order to make a relevant point on a particular issue or current event. -
Outline of Annemarie Schimmel's Deciphering the Signs of God: A
Outline of Annemarie Schimmel’s Deciphering the Signs of God: A Phenomenological Approach to Islam 1 I Sacred Aspects of Nature and Culture 2 Inanimate Nature 2 Stones and rocks 3 Gems 4 Mountains 5 Earth and dust 6 Water 6 Springs and fountains 7 Water of life 7 Ocean, waves and foam 8 Rain 9 Deluge (flood) 9 Rivers 10 Fire 10 Burning Bush on Mount Sinai 11 Candles 11 Lightning and thunder 11 Wind 12 Light 13 Sun 14 Moon 15 Stars 16 Planets 16 Sky 16 Colours 17 Plants and Animals 17 Trees 20 Gardens 20 Plants and flowers 20 Wild rue, roses (gul), violets, tulips 21 Animals 21 Animal skin 22 Pigs and pork 22 Gnats 22 Bees 22 Ants 23 Spiders 23 Moths 23 Cows 23 Lions 24 Cats 24 Dogs 24 Camels 24 Donkeys 25 Horses 25 Buraq (from the Mi’raj) 25 Serpents, snakes and dragons 26 Birds 26 Soul birds 26 Nightingales (bulbul) 26 Falcons 26 Doves 26 Storks 27 Roosters 27 Peacocks 27 Parrots 27 Swans and ganders 27 Hoopoe (hudhud) 28 Crows and ravens 28 Mythical birds (Huma, ‘Anqa, Simurgh) 28 Kindness to animals 28 Eschatological peace (the lion and the lamb) 29 Man-made Objects 29 Swords, weapons and armour 30 Rods and wands 30 Flags and banners 31 Mirrors 33 Idols 33 Coins 33 Paintings and pictures 35 Woven fabrics (tomb-covers) 36 Garments, clothes 37 Ihram (pilgrimage dress) 37 Hijab, Burqa (veil) 38 Headgear (taj, turbans) 39 Garments, robes and hems as a metaphor 41 Notes 47 II Sacred Space and Time 48 Sacred Space 48 Caves 49 Houses 50 Thresholds 50 Doors and gates (bab) 51 High and low seats (throne vs. -
Muslim Women's Pilgrimage to Mecca and Beyond
Muslim Women’s Pilgrimage to Mecca and Beyond This book investigates female Muslims pilgrimage practices and how these relate to women’s mobility, social relations, identities, and the power struc- tures that shape women’s lives. Bringing together scholars from different disciplines and regional expertise, it offers in-depth investigation of the gendered dimensions of Muslim pilgrimage and the life-worlds of female pilgrims. With a variety of case studies, the contributors explore the expe- riences of female pilgrims to Mecca and other pilgrimage sites, and how these are embedded in historical and current contexts of globalisation and transnational mobility. This volume will be relevant to a broad audience of researchers across pilgrimage, gender, religious, and Islamic studies. Marjo Buitelaar is an anthropologist and Professor of Contemporary Islam at the University of Groningen, The Netherlands. She is programme-leader of the research project ‘Modern Articulations of Pilgrimage to Mecca’, funded by the Netherlands Organisation for Scientific Research (NWO). Manja Stephan-Emmrich is Professor of Transregional Central Asian Stud- ies, with a special focus on Islam and migration, at the Institute for Asian and African Studies at Humboldt-Universität zu Berlin, Germany, and a socio-cultural anthropologist. She is a Principal Investigator at the Berlin Graduate School Muslim Cultures and Societies (BGSMCS) and co-leader of the research project ‘Women’s Pathways to Professionalization in Mus- lim Asia. Reconfiguring religious knowledge, gender, and connectivity’, which is part of the Shaping Asia network initiative (2020–2023, funded by the German Research Foundation, DFG). Viola Thimm is Professorial Candidate (Habilitandin) at the Institute of Anthropology, University of Heidelberg, Germany.