Pictures Speak Volumes

Total Page:16

File Type:pdf, Size:1020Kb

Pictures Speak Volumes Pictures Speak Volumes Updated on: Aug 1, 2011 Shiksha ExternalAuthors 18 Views New Delhi, June 9 - Narendra Gudavalli, executive cameraperson, NDTV, talks about his experience in the news industry where he has covered a host of historical events from demolition of the Babri Masjid to the loss of lives in the Afghanisatan war and from carnage of Gujarat riots to the running of terrorists' training camps in the Afghanistan-Pakistan region. When it comes to TV reporting a reporter takes away the credit of the story most of the time and it is believed that only a reporter is responsible for the entire package. That's not true. Pictures speak volumes about stories. In television, visuals are more important than words. It's the job which a cameraperson chooses consciously. I always wanted to stay behind the camera and I enjoy that. I can handle the camera well; the camera listens to me. Is the job quite strenuous? Some camerapersons complain that it's too demanding and one can't run around so much after the age of 45. What do you Disclaimer: This PDF is auto-generated based on the information available on Shiksha as on 04-Jun-2020. think? It all depends on your attitude towards the job. I am 52 and still prefer to go out for stories than doing a desk job at the studio. I even got an offer to work in office, to which I said no. What does one need to be a success in the profession? One has to take a (keen) interest in the job. That makes your work simpler. You should know which politician will use which gate to come out of Parliament and accordingly you can do the shoots. As a reporter does most of the talking and s/he ends up building contacts and his/her network grows wider. A cameraperson doesn't make many friends and normally lurks in the shadows? How true is this? Well, it depends how you perform your job. You must talk to people and add that extra bit in your job. If you work only as a typical cameraperson then you may lose out. You have to behave like a reporter. Many a times, when the beat reporter is not around, I am asked for the contacts of press secretaries etc, which I normally have. Disclaimer: This PDF is auto-generated based on the information available on Shiksha as on 04-Jun-2020. What advice do you want to give to the aspiring video journalists? The profession is good but you can't find the best job initially. You must prove yourself before that. It's not easy at all. You have to cover riots, go to Kashmir, and cover wars. We only cover extraordinary events. I was sent to Afghanistan (post 9/11) at a short notice of less than 24 hours for two months. There is a lot of travel involved. In the last year itself, I went to Afghanistan thrice. When you travel, there is always a possibility to do better and find new stories. Among all journalists you have worked, who did you enjoy working with the most? I have worked with Barkha Dutt, Rajdeep Sardesai and Arnab Goswami. All of them are hard working people and would never say ‘I am relaxing in the hotel, you go out and shoot'. Author: Vimal Chander Joshi (HT Horizons) Disclaimer: This PDF is auto-generated based on the information available on Shiksha as on 04-Jun-2020. Date: 10th June, 2010 For further details about related courses and colleges please click below: Related courses and colleges Disclaimer: This PDF is auto-generated based on the information available on Shiksha as on 04-Jun-2020..
Recommended publications
  • ANNUAL REPORT 2012-2013 the Brown-India Initiative Is an Interdisciplinary Hub for the Study of Contemporary India at Brown University
    ANNUAL REPORT 2012-2013 The Brown-India Initiative is an interdisciplinary hub for the study of contemporary India at Brown University. Cover photo of India’s famous Hampi site by travel photographer Clare Arni MESSAGE FROM THE DIRECTOR India is in the throes of profound change. Among the larger potential for research to contribute to political, economic and economies of the world, India’s economic growth rate over the social transformation been greater. Brown’s interest in India has last two decades has been second only to China’s, the recent emerged at a critical moment. slowdown notwithstanding. Indian democracy has deepened, as groups placed at the lower end of the traditional social 2012-13 was the inaugural year for the Brown-India Initiative. hierarchy have not only participated vigorously in elections, We presented cutting-edge scholars to our audiences, but also put politicians from the historically underprivileged launched new research projects, held lectures and conferences, social backgrounds in power. As a downward shift in political sponsored films screenings, and awarded research and intern- power has taken place, a substantial middle class, too, has ship grants to our students and junior faculty. We collaborated emerged, spurring changes in cultural and economic habits, with several units of the university and formed institutional with the possibility that the middle class might also force partnerships in India. Leading public figures visited us. changes in politics before long. New security challenges have emerged both externally and internally. The continuing erosion It is a great moment to be at Brown. Our intellectual horizons of traditional caste hierarchies in many parts of India has led are expanding globally.
    [Show full text]
  • Khorana Peepli Live FINAL
    Peepli Live and No One Killed Jessica 66 Peepli Live and No One Killed Jessica: Remediating the “Bollywoodization” of Indian TV News Sukhmani Khorana Lecturer University of Wollongong Wollongong, Australia [email protected] Introduction: Evolution of “Bollywoodization” in Indian TV news In the third edition of her pioneering book on the Indian media business, Vanita Kohli-Khandekar makes the following observation: There are two media segments that define the contour, body and tastes of the Indian market. Television is one of them, the other being film. Both have a mesmerising hold over Indian audiences―and even over investors and advertisers.1 This article begins with this note because of the increasingly central place occupied by television in the Indian media sphere and the uniquely Indian context of the mutual interdependence of the television and film industries. While television has appropriated Hollywood film genres since its inception,2 in India, popular film culture is increasingly drawing on the pre-eminence of satellite television. A grasp of these facets of the subcontinent’s television story is essential before examining how TV news has taken on discursive and practice-based elements of the nation’s popular film culture, Bollywood. This will be undertaken through a close textual analysis of two recent Bollywood films, Peepli Live (2010) and No One Killed Jessica (2011). Both feature television journalism as an important narrative catalyst, or a remediator for the socio-political issues faced by the protagonist(s). In doing this, the films themselves turn into a remediation device for the Bollywoodization of news on Peepli Live and No One Killed Jessica 67 Indian television.
    [Show full text]
  • Ndtv Financial Results: Q2, Fy 09-10
    NDTV FINANCIAL RESULTS: Q2, FY 09-10 Standalone Highlights - For the quarter ending September 30 th , 2009 -NDTV 24x7 has consolidated its position as the Clear and Emphatic leader in the English News space. -The latest survey by Nielsen (UMAR survey) shows NDTV 24x7 with a viewership share of 60% while Times Now is at 28% and CNN-IBN at 12%. -NDTV India has now improved its standing to become the 3rd most popular Hindi news channel according to Nielsen. NDTV India is the most credible Hindi news channel. -NDTV Profit has held its viewership despite new entrants and remains the clear and distinct number 2 in the Business News space. Revenues from operations for Q2 FY‘10 have shown resilience and were at Rs.69.35 cr, a dip of only 6% over the revenues of the same quarter of the previous year which is much better than the industry norm. Subscription income has shown a growth of 23% over the same quarter of the previous year. EBITDA has improved by as much as 73.6% from a loss of Rs 10.23 cr in the same quarter, previous year, to a loss of Rs 2.70 cr in the current quarter. Major efficiency initiatives undertaken by NDTV have taken effect and the total expenditure for this quarter was Rs 78.15 cr against that of Rs 90.02 cr in the same quarter in the previous year, a difference of nearly Rs 12 cr (13%) in this quarter alone. Cumulatively, over the six month period, there is a reduction of nearly Rs 20 cr (11%) over the half yearly expenditure in the previous year.
    [Show full text]
  • NDTV Financial Press Release (Q2 FY 14-15)
    NDTV EARNINGS RELEASE FOR THE PERIOD ENDED 30 SEPTEMBER 2014 SUMMARY: NDTV’s losses are lower in the first half of this year than in the previous year and are narrowing down over time. A major step forward is that NDTV Profit / Prime was EBITDA positive this quarter (this is after making losses of Rs. 40+ crore last year and losses in earlier years too). This will help the company to move towards profitability. Profitability will also be achieved by restructuring of businesses or selling of loss-making units while ensuring a hard focus on the core business. Results: . NDTV Group operating income grew by 24% for the half year ended September 2014 to Rs 258 crore, up from Rs. 209 crore for the same period last year. NDTV Group operating income for the quarter ended September 2014 is Rs. 110 crore, up from Rs. 106 crore in the same quarter last year. NDTV Profit / Prime achieved a major turnaround by turning EBITDA positive in Q2 FY15, within six months of its re-launch. NDTV Convergence continues to show robust revenue growth of 22% in this quarter and a growth of 34% for the half year ended 30th September, 2014 on YoY basis. The Board has mandated the Management to: - Fix, restructure or sell non-core businesses while accelerating growth in core businesses; - Further investment in online assets to accelerate the Company’s leadership position to benefit from the digital revolution; and - Explore all options to unlock and maximize Shareholders’ value. Commitment to Quality: . NDTV 24x7 won the ‘Best News Channel’ at the Asian Viewers Television Awards, UK in October 2014.
    [Show full text]
  • The Female Journalist in Bollywood Middle-Class Career Woman Or Problematic National Heroine?
    CRITICALviews CRITICALviews The Female Journalist in Bollywood MIDDLE-CLASS CAREER WOMAN OR PROBLEMATIC NATIONAL HEROINE? On the screen as in reality, female journalists in India have historically struggled to gain equality with their male peers. But a slew of recent Bollywood films depicting female reporters indicate that change may be afoot, as SUKHMANI KHORANA discusses. Growing up during India’s economic and communications ‘revolution’, my young mind revelled in the promise of a career in journalism that would serve both the aspirational self and the modernising nation. A role model emerged in Barkha Dutt, the LAKSHYA independent yet feminine reporter at the still-credible New Delhi Television (NDTV). I recall her fearless stint in the trenches during difficulty for career-minded women in the occasionally surface as updates on social India’s war with Pakistan in the mountains liberal West, subsequent internships at com- media, there still appears to be a plethora of Kargil (in the militancy-affected territory of mercial stations confirmed Schwartz’s views. of work opportunities in India, especially Kashmir). To my fifteen-year-old eyes, this Add to that the lack of visibility of ‘women vis-a-vis the media of the developed world. was not the beginning of embedded journal- of colour’ on Australian free-to-air televi- Moreover, as Hinglish (a mix of Hindi and ism in India. Rather, it was a milestone for sion news (barring SBS) and my journalism English) and vernacular language channels aspiring and working Indian female journal- dream was ready to shift gears and venture grow in number and importance, it is not just ists with a serious interest in hard news.
    [Show full text]
  • Changing Forms and Platforms of Misogyny: Sexual Harassment of Women Journalists on Twitter
    © Media Watch 9 (3) 437-446, 2018 ISSN 0976-0911 | e-ISSN 2249-8818 DOI: 10.15655/mw/2018/v9i3/49480 Changing Forms and Platforms of Misogyny: Sexual Harassment of Women Journalists on Twitter RICHARD REGO St Joseph's College (Autonomous), India Across time, in a variety of forms and spaces -from homes and workplaces to digital domains of social media- women have become victims of male dominance. So also are the other vulnerable sections that suffer multi-layered abuse, and endure sexual harassment in social media. Yet, this phenomenon is insufficiently explored. Therefore, this article argues that social media spaces have become domains for sexual harassment and subjugation of women. This article examines gender-trolling on Twitter as a form of sexual violence against women. Employing qualitative analyses of the Twitter conversations on Indian journalists, namely Barkha Dutt, Sagarika Ghose, and Rana Ayyub, it exposes the nature and form of sexual violence against women on the micro-blogging space, and argues that social media platforms constitute convenient havens of harassment against assertive women Keywords: Twitter, social media, women journalists, sexual harassment, misogyny In last two decades, the Internet has evolved as a platform for people to express themselves freely. Since the advent of Web 2.0, the Internet has given birth to many a social media platform like Facebook, Instagram, Twitter, and blogs. These social media networks help create, curate, and explore content, generating discourses in the public domain. The Internet has not only opened avenues for inter-user communication but also given rise to deviant behaviour in equal measure.
    [Show full text]
  • In Defence of Journalists
    ISBN 81-89479-74-1 IN DEFENCE OF JOURNALISTS 9 788189 479749 This is a publication of the Human Rights Law Network written to IN DEFENCE OF JOURNALISTS inform journalists and the lawyers representing them of their free speech rights and responsibilities under the most current law in India. Free speech in the media is an integral part of democracy and necessary for the protection and enforcement of many other constitutional rights. Journalists in India stand at the forefront in the battle against censorship, corruption and repression, and are to be commended for their defense of democracy. In Defence of Journalists has been organised into chapters that cover the broad issues and charges which are common in cases dealing with journalists. At the beginning of each chapter is a brief background and a summary of the law that coincides with the topic. Otherwise the chapters consist of excerpted judgments which highlight various rules and arguments from the courts of India. Each case is preceded by a summary designed to quickly recite the facts and rule of the case. In Defence of Journalists is written with the journalists in mind. While it is not intended to be a substitute for legal advice in any way whatsoever, it is hoped that this book will allow journalists to be better informed about their rights and their position at law, and to assist them in speaking truth to power. Human Rights Law Network 576, Masjid Road, Jangpura, Nolan Shutler New Delhi – 110014, India Nick Chapman Ph: +91-11-24379855/56 E-mail: [email protected] Harsh Dobhal IN DEFENCE OF JOURNALISTS NOLAN SHUTLER NICK CHAPMAN HARSH DOBHAL New Delhi November 2011 Human Rights Law Network VISION n To protect fundamental human rights, increase access to basic resources for the marginalised com- munities, and eliminate discrimination.
    [Show full text]
  • Annual Report 2006-2007
    Contents Board of Directors 3 Performance Indicators 4 ● Revenues ● EBITDA ● Advertising Revenues ● Advertising Base Awards of Excellence 6 Letter to Shareholder 7 Financial Statements 9 ● Directors’ Report ● Corporate Governance Report ● Management Discussion and Analysis ● Auditors’ Report ● Balance Sheet ● Profit and Loss Account ● Cash Flow Statement ● Schedules to Balance Sheet and Profit & Loss Account ● Significant Accountnig Policies and Notes to the Accounts ● Section 212 Report ● Consolidated Financial Statements Board of Directors: Dr. Prannoy Roy Audit Committee Chairman and Whole time Director Mr. Amal Ganguli - Chairman Mr. Vijaya Bhaskar Menon Mrs. Radhika Roy Ms. Indrani Roy Mr. K V L Narayan Rao Managing Director Remuneration Committee Mr. K V L Narayan Rao Mr. Vijaya Bhaskar Menon - Chairman CEO and Executive Director Mr. Amal Ganguli Ms. Indrani Roy Mr. N R Narayana Murthy Mrs. Radhika Roy Non Executive Independent Director Mr. K V L Narayan Rao Chairman, Infosys Technologies Ltd. Shareholder’s and Investors Mr. Amal Ganguli Grievance Committee Ms. Indrani Roy - Chairperson Non Executive Independent Director Dr. Prannoy Roy Former Managing Partner PWC Mrs. Radhika Roy Mr. K V L Narayan Rao Mr. Vijaya Bhaskar Menon Non Executive Independent Director ESOP Committee Mrs. Radhika Roy Ms. Indrani Roy Mr. Vijaya Bhaskar Menon Non Executive Independent Director Ms. Indrani Roy Company Secretary and Compliance Officer Mr. Rajiv Mathur Auditors Price Waterhouse Building-8, 7th & 8th Floor, Tower-B, DLF Cyber City, Gurgaon-122002,
    [Show full text]
  • Deconstructing Race and Gender for the African Traveller
    The Return of the Taliban: What Now for the Women of Afghanistan? By Rasna Warah There have been a lot of knee-jerk reactions – particularly from liberals – about the United States’ hasty withdrawal from Afghanistan. Those who oppose US military intervention in foreign lands say the withdrawal couldn’t have come sooner – that invading Afghanistan in 2001 after the 9/11 terror attacks on New York and Washington was a mistake and staying on in (“occupying”) the country was an even bigger mistake. They argue that US military intervention in Korea, Vietnam, Somalia and other places has been disastrous, and that these interventions reek of imperialism. Well and good. But everyone who has something to say about the poorly planned US withdrawal from Afghanistan, including the Taliban and President Joe Biden, has failed to answer these questions: What would the women of Afghanistan have wanted? Why were they not consulted before the US president made the unilateral decision to pull out troops from Afghanistan? And what gives Biden and the all-male Pashtun-dominated Taliban leadership the right to make decisions on women’s behalf? I was in Kabul in 2002, some three months after the US invaded the country and ousted the Taliban from the capital city. I spoke with many women there who told me that they were relieved that the Taliban had left because life under the misogynistic movement had become unbearable for women and girls. Girls were not allowed to have an education so girls’ schools had to be run secretly from homes. The Taliban were known for barbaric public executions and for flogging women who did not wear burqas or who were accused of adultery.
    [Show full text]
  • Case Study Overview Reporting on the Kashmir Conflict Between India and Pakistan Rafael Hernández*
    Case Study Global Media Journal 2020 Vol.18 No. ISSN 1550-7521 34:199 The Media and Conflict: Case Study Overview Reporting on the Kashmir Conflict between India and Pakistan Rafael Hernández* Political Science and Journalism & Mass Communication, George Washington University, Washington D.C., USA *Corresponding author: Rafael Hernández, Political Science and Journalism & Mass Communication, George Washington University, Washington D.C., USA, Tel: +34618802326; E-mail: [email protected] Received date: Jan 02, 2020; Accepted date: Jan 24, 2020; Published date: Jan 30, 2020 Copyright: © 2020 Hernández R. This is an open-access article distributed under the terms of the Creative Commons Attribution License, which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited. Citation: Hernández R. The Media and Conflict: Case Study Overview Reporting on the Kashmir Conflict between India and Pakistan. Global Media Journal 2020, 18:34. between them, especially since the last war ended in 1999 [1]. In the global historical consciousness of conflicts in the Middle Abstract East and South Asia, the Kashmir conflict between India and Pakistan has a place right alongside the Arab-Israeli Conflict as If one believes in the power and relative importance of the two longest-running violent conflicts in an already conflict- journalism in our modern world, then one would be ridden region. Both emerged out of the growing pains of inclined to believe mainstream media’s coverage of a decolonization, both have existed – explicitly – since the particular issue to be fair and accurate. Being fair, 1940s, both have come at an intolerable cost of civilian lives, however, is not just about getting your facts straight.
    [Show full text]
  • Public Memory, History, and the Global in an Age of Terror
    International Journal of Communication 9(2015), 1140–1162 1932–8036/20150005 The 26/11 Network-Archive: Public Memory, History, and the Global in an Age of Terror ROHIT CHOPRA1 Santa Clara University, USA This article examines the online discourses of public memory of the November 2008 or “26/11” terrorist attacks in Mumbai, India. The thesis of the article is that the 26/11 attacks were memorialized online in a hybrid “network-archive” of old and new media content generated by both media organizations and lay users, and that this network- archive is informed by a distinct mode of public memorialization in which historical responsibility is the criterion for bearing witness to terror. This mode of remembering may reflect a new kind of compact between memory and history. By analyzing the theme of 26/11 as “India’s 9/11,” the article shows how the relationship between memory and history in the 26/11 network-archive complicates understanding of the local and global meanings of acts of terror. In the online memory discourse of 26/11, the experience of terror appears to work as a bridge between local suffering and global belonging. Keywords: 26/11, terror, memory, history, Mumbai, network, archive, global, local, public Introduction This article focuses on online discourses about the November 2008 terrorist attacks in Mumbai, India. Perpetrated at 11 locations over three days, they resulted in 166 dead and more than 300 injured.2 The sites targeted in “26/11,” as the incident is now known in India, included the landmark Chhatrapati Shivaji
    [Show full text]
  • 1 Internship Report – 2 Ndtv
    INTERNSHIP REPORT – 2 NDTV – New Delhi Television New Delhi Submitted to MAEER’s Arts, commerce and Science College Pune By Natasha R. David Second Year Master of Journalism and Mass Communication (MJMC) 2015-2016 1 Internship Report by: Natasha R. David Internship at: NDTV 24X7 New Delhi: Archana Complex, Greater Kailash Part 1, New Delhi - 110 048 Internship department: NDTV 24X7 INDIA MATTERS PRODUCTION TEAM Internship duration: October 12, 2015 – November 12, 2015 2 INDEX Title Page No. Acknowledgement 4 Introduction to the Organisation 5 Weekly log 6 Observation and Experience 8 Credits 9 Internship Certificate and Reference 3 I, Natasha R. David, take this opportunity to convey my gratitude to the Director and Associate Director of MIT-ISBJ, Mr. Mohan S. Menon and Mr. Makarand Malawe respectively; for giving me the opportunity to intern with a news channel. I would also like to thank Executive-Administration & Promotions in-charge, Mr. Vaibhav More. Firstly a big shout out to Mr. Prannoy Roy for setting up such a wonderful organisation. Hearty thanks to Ms Ayesha Kagal, Head of India Matters Department and Ms. Sutapa Deb, Features Editor and Senior Reporter with India Matters for their mentorship, constant support, guidance and counselling during the course of my internship. I would also like to thank Producers Priya Thuvassery, Osama Shaab and Martina Roy for their patience and helpfulness, senior cameraperson Pooja Arya for her teaching, guidance and company, editors Pranav and Raman sirs for their time, ideas and teaching. A big thank you to everyone mentioned above for their friendliness and openness towards an intern in their organisation.
    [Show full text]