Thimios Bakatakis Director of Photography

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Lux Artists Ltd. 12 Stephen Mews London W1T 1AH +44 (0)20 7637 9064 www.luxartists.net THIMIOS BAKATAKIS DIRECTOR OF PHOTOGRAPHY FEATURE FILMS DIRECTOR PRODUCER KILLING OF A SACRED DEER Yorgos Lanthimos Element Pictures Film4 UNA Benedict Andrews Jean Doumanian Productions/Film4 THE LOBSTER Yorgos Lanthimos Element Pictures Nominated, Outstanding British Film, BAFTA Awards (2016) Canal+ Nominated, Best Film, Best Director and Best Screenplay, British Independent Film Awards (2015) Winner, Jury Prize, Cannes Film Festival (2015) Official Selection, Toronto Film Festival (2015) Official Selection, London Film Festival (2015) Official Selection, Sundance Film Festival (2016) BLIND Eskil Vogt Motlys Winner, Label Europa, Berlin Film Festival (2014) Winner, Screenwriting Award, Sundance Film Festival (2014) KEEP THE LIGHTS ON Ira Sachs Parts & Labor Winner, Best Feature Film, Berlin International Film Festival (2012) Official Selection, Sundance Film Festival (2012) L Babis Makridis Beben Films Official Selection, Sundance Film Festival (2012) PORFIRIO Alejandro Landes Carnelita Films Official Selection, Cannes Film Festival (2011) ATTENBERG Athina Rachel Tsangari Haos Films Official Selection, Sundance Film Festival (2011) Winner, Best Actress, Venice Film Festival (2010) Official Selection, Toronto Film Festival (2010) DOGTOOTH Yorgos Lanthimos Boo Productions Nominated, Best Foreign Film, Academy Awards (2011) Winner, Un Certain Regard Award, Cannes Film Festival (2009) Official Selection, Toronto Film Festival (2009) KINETTA Yorgos Lanthimos Haos Films Official Selection, Berlin Film Festival (2006) Official Selection, Toronto Film Festival (2005) HARDCORE Dennis Iliadis Ideefixe Productions Official Selection, Cannes Film Festival (2004) SHORTS NECKTIE Yorgos Lanthimos Element Pictures, Calico Pictures & Limp THE CAPSULE Athina Rachel Tsangari The Deste Foundation Official Selection, Sundance Film Festival (2013) P.E.O.Z Cristo Petrou Stefi Cine Productions Official Selection, Venice Film Festival (2005) OURANISCO DISCO Yorgos Lanthimos Intefixe Films DIRECTORS/COMMERCIALS NICK GORDON Esso LUIS GERARD John DIRECTORS/MUSIC VIDEOS YORGOS LANTHIMOS Leon of Athens “Baby Asteroid” .

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“Dirección De Un Cortometraje De Ficción: Mudas”
UNIVERSITAT POLITÈCNICA DE VALÈNCIA ESCOLA POLITECNICA SUPERIOR DE GANDIA Grado en Comunicación Audiovisual “Dirección de un cortometraje de ficción: Mudas” TRABAJO FINAL DE GRADO Autor/a: Fabián Muñoz Atienza Tutor/a: Nadia Alonso López GANDIA, 2019 Resumen: [ES] Generación tras generación, los creadores tratan de adaptarse a un público cada vez más exigente. Si, además, le añadimos unos tiempos y un presupuesto reducido, narrar historias se convierte en misión casi imposible. La presente investigación disecciona el método utilizado para la dirección del cortometraje de ficción dramático Mudas. Toma como punto de partida el estudio de distintos estilos en la dirección cinematográfica y su posible adaptación a los medios disponibles y al contexto. Se fundamenta en la adaptación de un guion original y, con especial atención en la dirección de actores, trata de profundizar en las soluciones más propicias para un proyecto de bajo presupuesto. Y se centra, también, en la coordinación de equipos y en la dificultad que trae un liderazgo de índole creativa, incidiendo en el mantenimiento de la corresponsabilidad del equipo humano. Mediante dicho estudio, se proporciona una visión creativa original y un método para llevarla a la pantalla. Palabras clave: Cortometraje | Ficción | Dirección de cine | Interpretación | Bajo presupuesto Abstract: [EN] Generation after generation, creators try to adapt to an increasingly demanding audience. If, moreover, we add reduced time and budget, telling stories becomes almost an impossible mission. The present investigation dissects the method used to direct the dramatic fiction short film Mudas. It takes as a starting point the study of different styles in the cinematographic direction and its possible adaptation to the available means and to the context.
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Thimios Bakatakis Director of Photography
THIMIOS BAKATAKIS DIRECTOR OF PHOTOGRAPHY FILM MASTER OF NONE (SERIES 3) Director: Aziz Ansari Production Company : NBC & Universal HETV THE LODGE Director: Veronika Franz & Severin Fiala Production Company: Hammer Films Official Selection, Sundance Film Festival (2019) Official Selection, London Film Festival (2019) THE KILLING OF A SACRED DEER Director: Yorgos Lanthimos Production Company: Element Pictures & Film4 Nominated, Best Cinematography, Independent Spirit Awards (2017) Winner, Best Screenplay, Cannes Film Festival (2017) Official Selection, Toronto Film Festival (2017) Official Selection, London Film Festival (2017) UNA Director: Benedict Andrews Production Company: Jean Doumanian Productions & Film4 Official Selection, Toronto Film Festival (2016) Official Selection, London Film Festival (2015) THE LOBSTER Director: Yorgos Lanthimos Production Company: Sony Pictures Classics Nominated, Outstanding British Film, BAFTA Awards (2016) Winner, Jury Prize, Cannes Film Festival (2015) Official Selection, Toronto Film Festival (2015) Official Selection, London Film Festival (2015) Official Selection, Sundance Film Festival (2015) LUX ARTISTS | 1 BLIND Director: Eskil Vogt Production Company: Motlys Winner, Label Europa, Berlin Film Festival (2014) Winner, Screenwriting Award, Sundance Film Festival (2014) KEEP THE LIGHTS ON Director: Ira Sachs Production Company: Parts & Labor Winner, Best Feature Film, Berlin International Film Festival (2012) Official Selection, Sundance Film Festival (2012) L Director: Babis Makridis Production
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The Capsule Athina Rachel Tsangari Press Kit July 2012 Copy 3
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Festival Catalogue 2015
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ATTENBERG US Press Kit.Pdf
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The Lobster (Yorgos Lanthimos, 2015)“
MASTERARBEIT / MASTER’S THESIS Titel der Masterarbeit / Title of the Master Thesis „Keine Zeit zum Menschsein: Que(e)re Zeit- und Menschlichkeit im Film The Lobster (Yorgos Lanthimos, 2015)“ verfasst von / submitted by Eva Holzinger, BA Bakk. angestrebter akademischer Grad / in partial fulfilment of the requirements for the degree of Master of Arts (MA) Wien, 2018 / Vienna, 2018 Studienkennzahl lt. Studienblatt / A 066 582 degree programme code as it appears on the student record sheet: Studienrichtung lt. Studienblatt / Theater-, Film- und Medientheorie degree programme as it appears on the student record sheet: Betreut von / Supervisor: Mag. Dr. Stephan Trinkaus, Privatdoz. 2 „Wer gilt als Mensch? Wessen Leben zählt als Leben?“ (Butler 2005: 36) 3 DANKSAGUNG „Queer selbst ist […] eine begehrende radikale Offenheit, eine kantige, proteische, differenzierte Vielheit, eine agentische Dis/Kontinuität, eine eingefaltete, reiterativ materialisierende, promiskuitiv einfallsreiche Raumzeitlichkeit.“ (Barad 2015: 124) Queer lässt sich nur schwer definieren, aber Karen Barads Versuch entspricht meiner Auffassung davon: Die Möglichkeit des Unmöglichen, die Lebendigkeit, die Offenheit und die Vielheit. Queer lässt eine neue, produktive Raumzeitlichkeit entstehen, ermöglicht ein Sich- Ausprobieren, ohne Vorurteile und Zwänge. Es ist nicht vorgegeben, wann was zu tun ist oder welche Art von Leben Sinn macht; es wird auch neu hinterfragt, was menschlich bedeuten kann. Alles, was schwer definier- und eingrenzbar ist oder (gedankliche sowie geografische) Grenzen überschreitet, macht vielen Menschen Angst. Diese Angst wird wiederum von anderen Menschen missbraucht, um Macht auszuüben. Barad hält demnach fest: „Furcht und Moralismus ergeben ein ätzendes Gebräu.“ (2015: 119) Eine queere Bewegung kann diesem ätzenden Gebräu entgegenwirken. Deshalb möchte ich mich bei allen Freund*innen bedanken, die mir eine queere Art zu leben beigebracht haben.
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The Lobster (Dir
Nick Davis Film Discussion Group June 2016 The Lobster (dir. Yorgos Lanthimos, 2015) In the Hotel David Colin Farrell: Best reviews in In Bruges (08); recently in Miss Julie (14) Limping Man Ben Whishaw: Underseen gem: Lilting (14); now on B’way in The Crucible Lisping Man John C. Reilly: Underseen gem: Hard Eight (97); nominated in Chicago (02) Hotel Manager Olivia Colman: Big dramatic turn: Tyrannosaur (11); lots of comedy, TV Nosebleed Woman Jessica Barden: Hanna (11), a thriller with Cate Blanchett and Saoirse Ronan Heartless Woman Angeliki Papoulia: Launched into Greek stardom by Lanthimos’s movies The Maid Ariane Labed: Before Midnight (13); another mainstay of recent Greek film In the Woods Rabbit Woman Rachel Weisz: Oscar winner for The Constant Gardener (05); Youth (15) Loner Leader Léa Seydoux: Blue Is the Warmest Color (13); the most recent James Bond Off Camera Director-Cowriter Yorgos Lanthimos: Oscar nominee for Dogtooth (09); follow-up Alps (11) Cowriter Efthymis Filippou: Co-wrote most of the recent “Greek Weird Wave” hits Cinematography Thimios Bakatakis: Dogtooth; gay drama Keep the Lights On (12); Blind (14) Film Editing Yorgos Mavropsaridis: oldest Weird Wave teammate; also the music editor Art Direction Jacqueline Abrahams: vet of Gothic horror; shoots donkey in opening scene Earlier films by Yorgos Lanthimos: Kinetta (2005) – Not released in the US; about a man and a woman who stage purposefully unpersuasive reenactments of fights between men and women at an off-season hotel Dogtooth (2009) – Oscar nominee for Best
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A Film by Yorgos Lanthimos Colin Farrell Nicole Kidman Barry
a film by Yorgos Lanthimos Colin Farrell Nicole Kidman Barry Keoghan Raffey Cassidy Sunny Suljic Alicia Silverstone Bill Camp Film4 and New Sparta Films present, in association with HanWay Films with the participation of Scannán na hÉireann / the Irish Film Board an Element Pictures production in association with Limp the Killing of a SACRED DEER director of photography Thimios Bakatakis GSC edited by Yorgos Mavropsaridis ACE casting director Francine Maisler CSA sound designer Johnnie Burn production designer Jade Healy costume designer Nancy Steiner co-producers Will Greenfield, Paula Heffernan, Atilla Salih Yücer executive producers Andrew Lowe, Daniel Battsek, Sam Lavender David Kosse, Nicki Hattingh, Amit Pandya, Anne Sheehan Peter Watson, Marie-Gabrielle Stewart produced by Ed Guiney, Yorgos Lanthimos written by Yorgos Lanthimos and Efthimis Filippou directed by Yorgos Lanthimos ©2017 EP Sacred Deer Limited Channel Four Television Corporation New Sparta Films Limited Running time: 121 mins Ireland / UK ©2017 EP Sacred Deer Limited Channel Four Television Corporation New Sparta Films Limited International Marketing & Distribution HanWay Films Tom Grievson [email protected] Simone Talford [email protected] International Publicity in Cannes Premier Jonathan Rutter [email protected] +44 (0) 7802 252 591 Emma Robinson [email protected] +44 (0) 7802 466 887 Susan Bruce [email protected] +44 (0) 7720 094 414 Full notes and film stills can be downloaded from http://ftp.premiercomms.com Login ID: cannes2017 no password needed ABOUT THE PRODUCTION The Killing of a Sacred Deer filmed in Cincinnati, Ohio in summer 2016. The film reunites Colin Farrell with writer/director/producer Yorgos Lanthimos, following the critical and commercial success of The Lobster.
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THE LODGE Production Notes
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Attenberg Press Release
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SYNOPSIS a Love Story Set in the Near Future Where Single People, According to the Rules of the City, Are Arrested and Transferred to the Hotel
SYNOPSIS A love story set in the near future where single people, according to the rules of The City, are arrested and transferred to The Hotel. There they are obliged to find a matching mate in 45 days. If they fail, they are transformed into an animal of their choosing and released into The Woods. A desperate Man escapes from The Hotel to The Woods where The Loners live and falls in love, although it is against their rules. MAKING THE LOBSTER The Lobster is the first English language film by Yorgos Lanthimos, whose second feature, Dogtooth, won numerous international awards including Le Prix Un Certain Regard at Cannes. It was also nominated for the Academy Award® for Best Foreign Language Film. His third feature, Alps, won the Osella for Best Screenplay at the 2011 Venice Film Festival among other awards. The Lobster was co-written by Lanthimos and his long-time collaborator, award-winning writer Efthimis Filippou. It was shot entirely on location in Ireland. BEGINNINGS The genesis of the script for The Lobster evolved through a long process of observation and discussions between Lanthimos and Filippou, around life and people, relationships and behaviour. The two started developing this abstract starting point into a plot that they wanted to further explore. Lanthimos expands: “The idea for this film came from discussion about how people feel like they need to always be in a relationship; how other people see those who can’t make it; how you’re considered a failure if you can’t be with someone; the lengths people go to in order to be with someone; the fear; and all those kind of things that follow us trying to mate.” “Everything has to do with observing friends and strangers,” outlines Filippou, “And then thinking about how they live and how they react to different situations.
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