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“Dirección De Un Cortometraje De Ficción: Mudas”
UNIVERSITAT POLITÈCNICA DE VALÈNCIA ESCOLA POLITECNICA SUPERIOR DE GANDIA Grado en Comunicación Audiovisual “Dirección de un cortometraje de ficción: Mudas” TRABAJO FINAL DE GRADO Autor/a: Fabián Muñoz Atienza Tutor/a: Nadia Alonso López GANDIA, 2019 Resumen: [ES] Generación tras generación, los creadores tratan de adaptarse a un público cada vez más exigente. Si, además, le añadimos unos tiempos y un presupuesto reducido, narrar historias se convierte en misión casi imposible. La presente investigación disecciona el método utilizado para la dirección del cortometraje de ficción dramático Mudas. Toma como punto de partida el estudio de distintos estilos en la dirección cinematográfica y su posible adaptación a los medios disponibles y al contexto. Se fundamenta en la adaptación de un guion original y, con especial atención en la dirección de actores, trata de profundizar en las soluciones más propicias para un proyecto de bajo presupuesto. Y se centra, también, en la coordinación de equipos y en la dificultad que trae un liderazgo de índole creativa, incidiendo en el mantenimiento de la corresponsabilidad del equipo humano. Mediante dicho estudio, se proporciona una visión creativa original y un método para llevarla a la pantalla. Palabras clave: Cortometraje | Ficción | Dirección de cine | Interpretación | Bajo presupuesto Abstract: [EN] Generation after generation, creators try to adapt to an increasingly demanding audience. If, moreover, we add reduced time and budget, telling stories becomes almost an impossible mission. The present investigation dissects the method used to direct the dramatic fiction short film Mudas. It takes as a starting point the study of different styles in the cinematographic direction and its possible adaptation to the available means and to the context. -
THE STOPOVER (Voir Du Pays)
ArchiPel 35 PreseNTs THE STOPOVER (Voir Du pays) A fILm wRITTEN & dIREcTEd by DELphINE & MURIEL COULIN 102 min – DcP – 2.39 INTERNATIONAL PRESS RENDEZ-VOUS Viviana Andriani, Audrey Grimaud 2 rue Turgot 75009 Paris, France Ph. +33 1 42 66 36 35 In Cannes: +33 6 80 16 81 39 [email protected] INTERNATIONAL SALES FILMS DISTRIBUTION 5 rue Nicolas Flamel 75004 Paris, France www.filmsdistribution.com Download press materials: www.rv-press.com SYNOPSIS At the end of their tour of duty in Afghanistan, two young military women, Aurore and Marine, are given three days of “decompression leave” with their unit, among tourists, at a five-star resort in cyprus. But it’s not that easy to forget the war and leave violence behind. DECOMPRESSION PROGRAM since 2008, every French soldier returning from a tour of duty goes through a “decompression period” (canadians do the same thing – us soldiers too). They are taken to a five-star hotel for three days where they are supposed to forget about the war and relax among tourists enjoying their vacation. The program, devised by army psychologists, includes aqua- gym and relaxation classes, boat excursions and group mee- tings where everyone must tell the story of their individual experience during the six months spent in a war zone. This military therapy is more or less successful. TWO POWERFUL WOMEN Aurore and Marine are two young women with strong per- sonalities. They’ve known each other since childhood, come from modest backgrounds and grew up in lorient, an ave- rage town, where there aren’t a lot of alternatives for young people to build a future. -
Love Island Pressbook Screen.Pdf (2.1 Mib)
Synopsis Grebo and his very pregnant wife Liliane are taking a well-deserved vacation at a popular Adriatic seaside resort. All inclusive! All the sun, swimming and fun that their hearts desire. What could possibly go wrong on such an idyllic holiday? At open-mike night, Grebo seduces the resort crowd and reminds his loving French wife of the Sarajevo rocker she fell in love with. But the evening’s big surpise is the young couple’s meeting with mysterious Flora. The charismatic young woman will soon put their young marriage to the test. Past secrets cannot stay hidden for long on Love Island. Summer fun at a seaside resort and a bold look at modern relationships from Jasmila ŽbaniĆ, director of Grbavica (2006 Berlinale Golden Bear), On The Path (Na Putu) and For Those Who Can Tell No Tales. In only a few years, actress Ariane Labed has established a truly international film career, performing in Greek, French, English Main Cast and even some Croatian and Bosnian. She burst onto the scene with Greek director Athina Rachel Tsangari's Attenberg, which won her the Venice Film Festival's Best Actress Award in 2010. In addition to Bosnian director Jasmila ŽbaniĆ's Love Island, Ariane's other feature credits include US director Richard Linklater's Before Midnight, Canadian director Guy Ariane Labed Maddin's Spiritisme and French director Fabienne Godet's Une Place Sur La Terre. Ariane played a determined gymnast in as Liliane Yorgos Lanthimos' ALPS and she will soon be seen in that Greek director's upcoming English-language feature The Lobster. -
Thimios Bakatakis Director of Photography
THIMIOS BAKATAKIS DIRECTOR OF PHOTOGRAPHY FILM MASTER OF NONE (SERIES 3) Director: Aziz Ansari Production Company : NBC & Universal HETV THE LODGE Director: Veronika Franz & Severin Fiala Production Company: Hammer Films Official Selection, Sundance Film Festival (2019) Official Selection, London Film Festival (2019) THE KILLING OF A SACRED DEER Director: Yorgos Lanthimos Production Company: Element Pictures & Film4 Nominated, Best Cinematography, Independent Spirit Awards (2017) Winner, Best Screenplay, Cannes Film Festival (2017) Official Selection, Toronto Film Festival (2017) Official Selection, London Film Festival (2017) UNA Director: Benedict Andrews Production Company: Jean Doumanian Productions & Film4 Official Selection, Toronto Film Festival (2016) Official Selection, London Film Festival (2015) THE LOBSTER Director: Yorgos Lanthimos Production Company: Sony Pictures Classics Nominated, Outstanding British Film, BAFTA Awards (2016) Winner, Jury Prize, Cannes Film Festival (2015) Official Selection, Toronto Film Festival (2015) Official Selection, London Film Festival (2015) Official Selection, Sundance Film Festival (2015) LUX ARTISTS | 1 BLIND Director: Eskil Vogt Production Company: Motlys Winner, Label Europa, Berlin Film Festival (2014) Winner, Screenwriting Award, Sundance Film Festival (2014) KEEP THE LIGHTS ON Director: Ira Sachs Production Company: Parts & Labor Winner, Best Feature Film, Berlin International Film Festival (2012) Official Selection, Sundance Film Festival (2012) L Director: Babis Makridis Production -
BLOODS “EMATA”[Gr]
! BLOODS “EMATA”[gr] VASISTAS theatre group Text by Efthimis Filippou Directed by Argyro Chioti ©Vassilis Makris Vasistas theatre group is collaborating with Efthimis Filippou for the creation of the theatrical play BLOODS, first presented in autumn 2014 at The Onassis Cultural Center. After his award-winning collaboration with Yorgos Lanthimos in the films Dogtooth, Alps and Lobster, which got foreign critics talking about a New Weird Greek Cinema, screenwriter Efthimis Filippou is bringing his unique fictional world for the first time on stage, with a new theatrical play written for Vasistas theatre group. ONASSIS CULTURAL CENTRE, www.sgt.gr, 107-109 Syngrou Avenue, 11745 Athens, Greece. Administration: +30 2130178000, [email protected], 2 Galaxia & Evrydamantos St, 11745 Athens, Greece.! ! Dimitris Kalafatis, aged 40 or so, accidentally rips open his throat in July 1989. He can only watch on as his wound fails to heal, festers and leaves its bloody traces on his shirt, his pillow, and the bodies of his wife and children. He writes to his dearest friend about it. BLOODS, takes the form of the correspondence between two friends. The play, laced with the bizarre and the humorous, with politician's paranoid speeches and the daydreams of ordinary folk, is transformed by Argyro Chiotis' direction into a punk oratorio awash with surrealism and quick- witted comedy. On stage, a poetic atmosphere and a vibrant theatricality delineate anew the concept of the theatrical chorus ancient and contemporary. The themes of community and the relationship between public and private space, collective and individual memory and responsibility run through the play, which could be described as a choreographed tableau vivant. -
2015 WORLD CINEMA Duke of York’S the Brighton Film Festival 13-29 Nov 2015 OPENING NIGHT Fri 13 Nov / 8:30Pm
The Brighton Film Festival ADVENTURES IN 13-29 NOV 2015 WORLD CINEMA www.cine-city.co.uk Duke OF YORK’S The Brighton Film Festival 13-29 Nov 2015 OPENING NIGHT FRI 13 NOV / 8:30PM DIR: TODD Haynes. ADVENTURES IN WITH: Cate BLanchett, ROOney MARA, KYLE CHANDLER. WORLD CINEMA UK / USA 2015. 118 MINS. A stirring and stunningly realised adaptation of Patricia Highsmith’s TH novel The Price of Salt, set in Welcome TO THE 13 EDITION OF CINECITY 1950s’ New York. Therese (Rooney Mara) is an aspiring photographer, working in a Manhattan department CINECITY presents the very best store where she first encounters (15) in world cinema with a global mix of Appropriately for our 13th edition, a strong coming-of- Ben Wheatley’s High Rise – both based on acclaimed Carol (Cate Blanchett), an alluring age theme runs right through this year’s selection with novels and with long and complicated paths to the older woman whose marriage is premieres and previews, treasures many titles featuring a young protagonist at their heart, screen - we have produced an updated version of ‘Not breaking down. There is an Carol from the archive, artists’ cinema, navigating their way in the world. Showing at this Cinema’, our programme of unrealised immediate connection between a showcase of films made in this British Cinema, which will be available at venues them but as their connection city and a programme of talks and Highlighted by the screenings of throughout the festival. deepens, a spiralling emotional The Forbidden Room, Hitchcock / intensity has seismic and far-reaching education events. -
Writers and Creative Advisors Selected for Faliro House | Sundance Institute Mediterranean Screenwriters Workshop in Greece, July 3-9
FOR IMMEDIATE RELEASE Media contacts: June 29, 2017 Esmeralda Momferratou [email protected] Writers and Creative Advisors Selected for Faliro House | Sundance Institute Mediterranean Screenwriters Workshop in Greece, July 3-9 Eight Projects Selected for 2017 Faliro House | Sundance Institute Mediterranean Screenwriters Workshop, in Recognition and Support of Emerging Independent Filmmakers from Greece, Cyprus, Italy, Portugal and Spain Athens, Greece: Christos V. Konstantakopoulos’ Faliro House Productions (The Founder, The Lobster), in collaboration with Sundance Institute, will host the second edition of the Faliro House | Sundance Institute Mediterranean Screenwriters Workshop in Costa Navarino, Greece July 3-9. The workshop is designed to support emerging filmmakers from Greece, Spain, Italy, Portugal, and this year will include filmmakers from Cyprus. The Workshop is a five-day writer’s intensive that gives independent screenwriters the opportunity to work on their feature film scripts in an environment that encourages innovation and creative risk-taking. Greek filmmaker Athina Rachel Tsangari (Chevalier, Attenberg), who initiated the Workshop with Christos and serves as Co-Director, consulted with Sundance Institute and Faliro House during project selection. Filmmaker Gyula Gazdag, longtime Artistic Director at the Institute’s renowned Directors Lab in the U.S., will serve as Artistic Director, and will lead group sessions, alongside one-on-one story meetings with each project, where Tsangari and Gazdag will be joined by Creative Advisors Lisa Cholodenko (Olive Kitteridge, The Kids Are Alright), Julie Delpy (Before Midnight, 2 Days In Paris), Jeff Nichols (Loving, Take Shelter), Ruben Östlund (Palme d’Or winner The Square, Force Majeure), Ira Sachs (Little Men, Love Is Strange), Zach Sklar (JFK), and Eva Stefani (Bathers, Acropolis). -
Public Culture and Cultural Citizenship at the Thessaloniki International Film Festival
CORE Metadata, citation and similar papers at core.ac.uk Provided by Harvard University - DASH Public Culture and Cultural Citizenship at the Thessaloniki International Film Festival The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters. Lee, Toby Kim. 2013. Public Culture and Cultural Citizenship at Citation the Thessaloniki International Film Festival. Doctoral dissertation, Harvard University. Accessed April 17, 2018 4:23:11 PM EDT Citable Link http://nrs.harvard.edu/urn-3:HUL.InstRepos:11181137 This article was downloaded from Harvard University's DASH Terms of Use repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http://nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA (Article begins on next page) Public Culture and Cultural Citizenship at the Thessaloniki International Film Festival A dissertation presented by Toby Kim Lee to The Department of Anthropology in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the subject of Anthropology Harvard University Cambridge, Massachusetts April 30, 2013 © 2013 Toby Lee All rights reserved. Dissertation Advisor: Professor Michael Herzfeld Toby Lee Public Culture and Cultural Citizenship at the Thessaloniki International Film Festival Abstract This dissertation explores the relationship between state, citizen and public culture through an ethnographic and historical examination of the Thessaloniki International Film Festival in northern Greece. In the two-year period leading up to and following its fiftieth anniversary in 2009, the festival was caught up in the larger economic, political and social crises that have overtaken Greece in the last five years - a painful period of rapid transformation and neoliberalization for one of Europe’s staunchest social-welfare states. -
The Capsule Athina Rachel Tsangari Press Kit July 2012 Copy 3
1 2012 — Greece — 35’ DCP, 1:1.78, Color, 5.1 surround, French Synopsis Seven girls, a mansion perched on a Cycladic rock, a cycle of lessons on discipline, desire and demise—infinitely. 2 The film Athina Rachel Tsangari has created both a film and a projection installation for the DesteFashion- Collection 2012, commissioned by art collector Dakis Joannou. It is a “Greek Gothic” mystery inspired by the work of the young Polish artist Aleksandra Waliszewska. Tsangari curated an haute couture “capsule” for the DesteFashionCollection 2012, selecting works by young, avant-garde designers who boldly challenge the boundaries of fashion as wearable sculpture. 3 The pieces feature in both her film and projection installation, re-agitating the ongoing, essential dialogue between cinema, fashion, and the fine arts. A distinguished international all-female cast of seven is participating, including Ariane Labed, winner of the Coppa Volpi for Best Actress at the 2010 Venice Film Festival in Tsangari’s “Attenberg”; Clémence Poésy, known for her roles in the “Harry Potter” series and Danny Boyle’s “127 hours”; and Isolda Dychauk, the lead in Aleksander Sokurov’s “Faust”. 4 The installation The CAPSULE installation repurposes digital 3D technology to create a kaleidoscopic illusion apparatus, a modern-day adaptation of early cinema’s “Kinetoscope”. It invites an unsuspecting audience of passers-by to enter an adventure of visual perception, dependent on their distance from the screen and their respective heights. Viewers are invited to either fully engage and “discover” the story 5 unfolding on the screen, or fleetingly experience the images as mysterious, oneiric tableaux. -
GREEK CINEMA PERSISTS AGAINST ALL ODDS By: Niko Franghias
1 HELLENIC CURRENT: GREEK CINEMA PERSISTS AGAINST ALL ODDS By: Niko Franghias (Article reproduced with the kind permission of THE GREEK STAR - February 9, 2012 Edition "DOES GREECE MATTER?") It started early 2008, when an unusual Greek thriller, TALE 52, was announced in official competition at the Rotterdam International Film Festival, the essential hub in Holland for discovering film talent from around the globe. The film, written and directed by young filmmaker Alexis Alexiou with the support of the government-funded Greek Film Centre (GFC), was well received and soon was acquired by a European distribution label. TALE 52 moved on to Sitges – the Catalonian International Film Festival in Spain - where it won best Screenplay. And then, there was Light! An awakening! Every filmmaker went through a revelation “why can’t I?” That’s not to imply that in the past, Greek films were not recognized by major European film events and international audiences. Visual storytellers like Michael Cacoyannis, Costa Gavras, Pantelis Voulgaris, the late Theo Angelopoulos, Greece’s exceptional film poet, and others, have been embraced by Cannes, Berlin and Venice respectively. But, in my view, all these worthy distinctions through such a long passage of time loomed more like rare flashes of clarity in a storyteller’s mind that has been in a coma for the last 37 years. Three Greek films lit sunbeams in major European festivals in 2009 and the Greek film community could not believe the stroke of good luck. In Berlinale’s Panorama, STRELLA, A WOMAN’S WAY, by director/writer/producer Panos H. -
Wellington Programme
WELLINGTON 24 JULY – 9 AUGUST BOOK AT NZIFF.CO.NZ 44TH WELLINGTON FILM FESTIVAL 2015 Presented by New Zealand Film Festival Trust under the distinguished patronage of His Excellency Lieutenant General The Right Honourable Sir Jerry Mateparae, GNZM, QSO, Governor-General of New Zealand EMBASSY THEATRE PARAMOUNT SOUNDINGS THEATRE, TE PAPA PENTHOUSE CINEMA ROXY CINEMA LIGHT HOUSE PETONE WWW.NZIFF.CO.NZ NGĀ TAONGA SOUND & VISION CITY GALLERY Director: Bill Gosden General Manager: Sharon Byrne Assistant to General Manager: Lisa Bomash Festival Manager: Jenna Udy Publicist (Wellington & Regions): Megan Duffy PROUDLY SUPPORTED BY Publicist (National): Liv Young Programmer: Sandra Reid Assistant Programmer: Michael McDonnell Animation Programmer: Malcolm Turner Children’s Programmer: Nic Marshall Incredibly Strange Programmer: Anthony Timpson Content Manager: Hayden Ellis Materials and Content Assistant: Tom Ainge-Roy Festival Accounts: Alan Collins Publications Manager: Sibilla Paparatti Audience Development Coordinator: Angela Murphy Online Content Coordinator: Kailey Carruthers Guest and Administration Coordinator: Rachael Deller-Pincott Festival Interns: Cianna Canning, Poppy Granger Technical Adviser: Ian Freer Ticketing Supervisor: Amanda Newth Film Handler: Peter Tonks Publication Production: Greg Simpson Publication Design: Ocean Design Group Cover Design: Matt Bluett Cover Illustration: Blair Sayer Animated Title: Anthony Hore (designer), Aaron Hilton (animator), Tim Prebble (sound), Catherine Fitzgerald (producer) THE NEW ZEALAND FILM -
New Upcoming Films Greece
BY THE SUPPORTED New and Upcoming Films from Greece CONTACT IN CANNES Greek Film Centre Pavilion #135, Village International Riviera, Tel.: +33 492590271 Iliana Zakopoulou: [email protected] Liza Linardou: [email protected] 1 MARKET SCREENINGS CLOUDY SUNDAY BLIND SUN [Ouzeri Tsitsanis] [Kafsonas] by Manoussos Manoussakis by Joyce A. Nashawati Tuesday May 17th, 9.45 Friday May 13th, 14.00 (Riviera 1) (Gray 5) WORKSHOP WORKSHOPLIMELIGHT DIGITAL WORKSHOP WORKSHOP AND THE GREEK FILM CENTRE PRESENT: CANNES DIGITAL A FILMMAKER’S SURVIVAL WORKSHOP IN THE DIGITAL AGE MAY 18TH, 2016, 2PM - 4PM VILLAGE INTERNATIONAL RIVIERA #135 2 FESTIVAL DE CANNES GREEK FILMS & COPRODUCTIONS @ CANNES THE LAST RESORT [L’ULTIMA SPIAGGIA] Documentary/Italy, Greee, France/2016/135' Thanos Anastopoulos & Davide Del Degan OFFICIAL SELECTION/ SPECIAL SCREENING WORKSHOP WORKSHOP WORKSHOP WORKSHOP L’ultima spiaggia (The Last Resort) describes the life and tells the stories of beach-goers revolving around the popular beach of “Pedocin”- located in Trieste, in the Northeast of Italy- where a wall separates men from women. A film about boundaries, identities and discriminations. A tragicomedy about human nature. Screenplay: Thanos Anastopoulos, Nicoletta Romeo Production: Mansarda Production (Italy) +390400643263, [email protected], Fantasia Ltd, www.fantasiafilmworks.com (Greece), Arizona Productions (France) International Sales: c/o Mansarda Production Italian Press: Gabriele Barcaro, [email protected],+39 340 5538425 International Press: Brigitta Portier - Alibi Communications, [email protected], +32 477 982584, www.alibicommunications.be 3 French Press: Rachel Bouillon, [email protected], +33 6 74141184 FESTIVAL DE CANNES GREEK FILMS & COPRODUCTIONS @ CANNES LIMBO Drama/France, Greece/2016/29’ 40’’ by Konstantina Kotzamani OFFICIAL SELECTION/ CRITICS’ WEEK SHORTS The leopard shall lie down with the goat.