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Adobe Indesign Introduction to Digital Humanities
Platform Study Adobe InDesign Introduction to Digital Humanities 2015 Matt Higgins Design is mind control. Introduction Modernist designers sought to find universal concepts within design. They wanted to know how visual elements affected human beings on a psychological level. This is why the works of Modernists such as Josef Müller-Brockmann, El Lissitzky, and Jan Tschichold, feature basic colors and shapes. They believed stripping design down to its most basic elements would remove any sentiment or bias that certain visuals could produce and allow for an objective study on how humans are affected by design. There have been countless movements like Modernism. They have invariably found their way into design. Many of those movements would reject the principles of Modernism and their universals. But it is plain to see, regardless of philosophy or ideology, that design affects human beings. If it did not, why would we continue designing? The nature of graphic design has always been to communicate. To affect people. Fresh Dialogue Sagmeister & Walsh This differentiates it from traditional fine arts. Certainly a We can think of design in terms of verbal conversation. What painting can communicate. The medium only matters in how it words are spoken is just as important as how the words are relates to the relaying of the message. But we tend to think of spoken. Then we take into account body language. From there fine art as a form of self expression. The artists is much more we can list a whole host of factors beyond the words spoken that involved in the work. -
Ubuntu Kung Fu
Prepared exclusively for Alison Tyler Download at Boykma.Com What readers are saying about Ubuntu Kung Fu Ubuntu Kung Fu is excellent. The tips are fun and the hope of discov- ering hidden gems makes it a worthwhile task. John Southern Former editor of Linux Magazine I enjoyed Ubuntu Kung Fu and learned some new things. I would rec- ommend this book—nice tips and a lot of fun to be had. Carthik Sharma Creator of the Ubuntu Blog (http://ubuntu.wordpress.com) Wow! There are some great tips here! I have used Ubuntu since April 2005, starting with version 5.04. I found much in this book to inspire me and to teach me, and it answered lingering questions I didn’t know I had. The book is a good resource that I will gladly recommend to both newcomers and veteran users. Matthew Helmke Administrator, Ubuntu Forums Ubuntu Kung Fu is a fantastic compendium of useful, uncommon Ubuntu knowledge. Eric Hewitt Consultant, LiveLogic, LLC Prepared exclusively for Alison Tyler Download at Boykma.Com Ubuntu Kung Fu Tips, Tricks, Hints, and Hacks Keir Thomas The Pragmatic Bookshelf Raleigh, North Carolina Dallas, Texas Prepared exclusively for Alison Tyler Download at Boykma.Com Many of the designations used by manufacturers and sellers to distinguish their prod- ucts are claimed as trademarks. Where those designations appear in this book, and The Pragmatic Programmers, LLC was aware of a trademark claim, the designations have been printed in initial capital letters or in all capitals. The Pragmatic Starter Kit, The Pragmatic Programmer, Pragmatic Programming, Pragmatic Bookshelf and the linking g device are trademarks of The Pragmatic Programmers, LLC. -
Visual Research Universal Communication Communication of Selling the Narrow Column Square Span Text in Color Change of Impact New Slaves
VISUAL RESEARCH UNIVERSAL COMMUNICATION COMMUNICATION OF SELLING THE NARROW COLUMN SQUARE SPAN TEXT IN COLOR CHANGE OF IMPACT NEW SLAVES ON TYPOGRAPHY by Herbert Bayer Typography is a service art, not a fine art, however pure and elemental the discipline may be. The graphic designer today seems to feel that the typographic means at his disposal have been exhausted. Accelerated by the speed of our time, a wish for new excitement is in the air. “New styles” are hopefully expected to appear. Nothing is more constructive than to look the facts in the face. What are they? The fact that nothing new has developed in recent decades? The boredom of the dead end without signs for a renewal? Or is it the realization that a forced change in search of a “new style” can only bring superficial gain? It seems appropriate at this point to recall the essence of statements made by progressive typographers of the 1920s: Previously used largely as a medium for making language visible, typographic material was discovered to have distinctive optical properties of its own, pointing toward specifically typographic expression. Typographers envisioned possibilities of deeper visual experiences from a new exploitation of the typographic material itself. Typography was for the first time seen not as an isolated discipline and technique, but in context with the ever-widening visual experiences that the picture symbol, photo, film, and television brought. They called for clarity, conciseness, precision; for more articulation, contrast, tension in the color and black and white values of the typographic page. They recognized that in all human endeavors a technology had adjusted to man’s demands; while no marked change or improvement had taken place in man’s most profound invention, printing-writing, since Gutenberg. -
Smooth Writing with In-Line Formatting Louise S
NESUG 2007 Posters Smooth Writing with In-Line Formatting Louise S. Hadden, Abt Associates Inc., Cambridge, MA ABSTRACT PROC TEMPLATE and ODS provide SAS® programmers with the tools to create customized reports and tables that can be used multiple times, for multiple projects. For ad hoc reporting or the exploratory or design phase of creating custom reports and tables, SAS® provides us with an easy option: in-line formatting. There will be a greater range of in-line formatting available in SAS 9.2, but the technique is still useful today in SAS versions 8.2 and 9.1, in a variety of procedures and output destinations. Several examples of in-line formatting will be presented, including formatting titles, footnotes and specific cells, bolding specified lines, shading specified lines, and publishing with a custom font. INTRODUCTION In-line formatting within procedural output is generally limited to three procedures: PROC PRINT, PROC REPORT and PROC TABULATE. The exception to this rule is in-line formatting with the use of ODS ESCAPECHAR, which will be briefly discussed in this paper. Even without the use of ODSESCAPECHAR, the number of options with in- line formatting is still exciting and almost overwhelming. As I was preparing to write this paper, I found that I kept thinking of more ways to customize output than would be possible to explore at any given time. The scope of the paper therefore will be limited to a few examples outputting to two destination “families”, ODS PRINTER (RTF and PDF) and ODS HTML (HTML4). The examples presented are produced using SAS 9.1.3 (SP4) on a Microsoft XP operating system. -
Multimedia Foundations Glossary of Terms Chapter 5 – Page Layout
Multimedia Foundations Glossary of Terms Chapter 5 – Page Layout Body Copy The main text of a published document or advertisement. Border A visible outline or stroke denoting the outer frame of a design element such as a table cell, text box, or graphic. A border’s width and style can vary according to the aesthetic needs or preferences of the designer. Box Model Or CSS Box Model. A layout and design convention used in CSS for wrapping HTML text and images in a definable box consisting of: margins, borders, and padding. Cell The editable region of a data table or grid defined by the intersection of a row and column. Chunking The visual consolidation of related sentences or ideas into small blocks of information that can be quickly and easily digested (e.g. paragraphs, lists, callouts, text boxes, etc.). Column The vertically aligned cells in a data table or grid. Dynamic Page A multimedia page with content that changes (often) over time or with each individual viewing experience. F-Layout A layout design where the reader’s gaze is directed through the page in a pattern that resembles the letter F. Fixed Layout A multimedia layout where the width of the page (or wrapper) is constrained to a predetermined width and/or height. Floating Graphic The layout of a graphic on a page whereby the adjacent text wraps around it to the left and/or right. Fluid Layout Or liquid layout. A multimedia layout where the width of the page (or wrapper) is set to a percentage of the current user’s browser window size. -
Canon Solutions America, Inc. 5200 Upper Metro Place, 150 Dublin, OH 43017 Phone: 800.815.4000 CURRENT PRICELI
Canon Solutions America, Inc. 5200 Upper Metro Place, 150 Dublin, OH 43017 Phone: 800.815.4000 www.csa.canon.com CURRENT PRICELIST SUPPLIER: CANON SOLUTIONS AMERICA, INC. INDEX NUMBER: STS 096 SCHEDULE NUMBER: 800324 EFFECTIVE DATES: 02/25/2020 TO 4/30/2020 Chapter 1: VarioStream 7000 - Simplex Section 2: Primary Interface (Mandatory - Must Select) Section 3: Second and Third Interface (Optional) Section 4: Options (updated for MICR options) Section 5: Color Starter Kits Section 6: Upgrades Chapter 2: VarioStream 7000 - Twins Section 1: Twin Printers Section 2: Primary Interface (Mandatory - Must Select) Section 3: Second and Third Interface (Optional) Section 4: Twin Options Section 5: Color Starter Kits Section 6: Upgrades Chapter 3: VarioStream 7000 - Triplex Section 1: Triplex Printers Section 2: Primary Interface (Mandatory - Must Select) Section 3: Second and Third Interface (Optional) Section 4: Options Section 5: Color Starter Kits Section 6: Upgrades Chapter 4: VarioStream 8000 - Simplex Section 1: Simplex Printers Section 2: Second and Third Interface (Optional) Section 3: Options Section 4: MICR Options Section 5: CustomTone Options Section 6: Upgrades Section 7: Accessories Section 8: Remote Diagnostics Chapter 5: VarioStream 8000- Twin Section 1: Twin Printers Section 2: Second and Third Interface (Optional) Section 3: Options Section 4: MICR Options Section 5: CustomTone Options Section 6: Upgrades Section 7: Accessories Section 8: Remote Diagnostics Chapter 10: CS3000 TWIN ColorStream Twin Series Section 0: Standard Configuration -
Ocr: a Statistical Model of Multi-Engine Ocr Systems
University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2004 Ocr: A Statistical Model Of Multi-engine Ocr Systems Mercedes Terre McDonald University of Central Florida Part of the Electrical and Computer Engineering Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation McDonald, Mercedes Terre, "Ocr: A Statistical Model Of Multi-engine Ocr Systems" (2004). Electronic Theses and Dissertations, 2004-2019. 38. https://stars.library.ucf.edu/etd/38 OCR: A STATISTICAL MODEL OF MULTI-ENGINE OCR SYSTEMS by MERCEDES TERRE ROGERS B.S. University of Central Florida, 2000 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Science in the Department of Electrical and Computer Engineering in the College of Engineering and Computer Science at the University of Central Florida Orlando, Florida Summer Term 2004 ABSTRACT This thesis is a benchmark performed on three commercial Optical Character Recognition (OCR) engines. The purpose of this benchmark is to characterize the performance of the OCR engines with emphasis on the correlation of errors between each engine. The benchmarks are performed for the evaluation of the effect of a multi-OCR system employing a voting scheme to increase overall recognition accuracy. This is desirable since currently OCR systems are still unable to recognize characters with 100% accuracy. -
LYX for Academia
LYX for academia John R Hudson∗† 1 What is LYX? LyX is a cross-platform program which harnesses the resources of the TEX, XeTeX and LuaTeX typesetting engines and a wide variety of writing tools, including the LibreOffice dictionaries and thesauri, to enable writers, editors, copy-editors and typesetters to create superior docu- ments for web and print media. 2 TEX, LATEX and LYX TEX1, a typesetting engine written in Pascal by Donald Knuth, implements best typesetting practice as set out in the The Chicago manual of style (University of Chicago Press, 1982). Among the limitations of TEX arising from its creation before the growth of the Internet is that it does not support Unicode and offers only a limited range of typefaces. The XeTEX and LuaTEX typesetting engines seek to address these weaknesses and support for them was added in LYX 2. LATEX began as a markup language to help DEC employees to use TEX but has spawned a large number of packages to serve the diverse needs of writers, all of which are available from CTAN. No one needs them all; so selections of the most useful are distributed, notably as MacTeX for Apple computers, TexLive for Linux and MiKTeX for Windows, to which users can add whatever else they need from CTAN. LYX was created by Matthias Ettrich in 1995 as a graphical user interface for the LATEX macros. Originally, it simply hid the complexity of the most common features of LATEX so that the user could produce beautiful documents without knowing anything about LATEX. But it has gradually evolved into a flexible writing tool that can handle an increasing range of LATEX features while enabling those who understand LATEX to tweak the output in a variety of ways. -
2010 Type Quiz
Text TypeCon 2010 Typographic Quiz Here’s How It Works 30+ Questions to Test Your Typographic Smarts Divided Into Two Parts Part One • 12 Questions (OK, 17) • First right answer to each question wins a prize • Your proctor is the arbiter of answer correctness Part Two • 18 Questions • Answers should be put on “quiz” sheets • Every correct answer to a multiple part question counts as a point • 33 Possible right answers What’s it worth? • There are the bragging rights... • How about the the Grand Prize of the complete Monotype OpenType Library of over 1000 fonts? There’s More... • Something special from FontShop • Gimme hats from Font Bureau • Industrial strength prizes from House Industries • TDC annual complements of the TDC And Even More... • Posters from Hamilton Wood Type Museum • Complete OpenType Font families from Fonts.com • Books from Mark Batty Publisher • Fantastic stuff from P22 And Even More... • Fonts & books & lots of great things from Linotype • Great Prizes from Veer – including the very desirable “Kern” sweatshirt • Font packs and comics from Active Images Over 80 prizes Just about everyone can win something Some great companies • Active Images • Font Bureau • Font Shop • Hamilton Wood Type Museum • House Industries • Linotype • Mark Batty Publisher • Monotype Imaging • P22 • Type Directors Club • Veer Awards • Typophile of the Year • The Doyald Young Typographic Powerhouse Award • The Fred Goudy Honorable Mention • Typographer’s Apprentice (Nice Try) • Typographically Challenged Note: we’re in L.A., so some questions may -
Desktop Publishing Com O Scribus
Desktop Publishing com o Scribus FABRÍCIO RIFF SILVA1 AND KÁTIA CILENE AMARAL UCHÔA2 1Secretaria de Estado de Educação de Minas Gerais Avenida Amazonas, 5855, Gameleira – CEP:30510-000 Belo Horizonte (MG) [email protected] 2Curso de Pós Graduação em Administração em Redes Linux - UFLA Caixa Postal 3037 – CEP 37.200-000 Lavras (MG) [email protected] Resumo: Este artigo apresenta um breve tutorial sobre Desktop Pu- blishing, com ênfase no software livre Scribus, através da criação de um exemplo prático que explora algumas de suas principais funcionalidades. Palavras-Chave: Desktop Publishing, Editoração Eletrônica. 1 Introdução Desktop Publishing (DTP) compreende a produção de documentos utilizando um com- putador desktop normal (KRUMM, 1990). (PEREIRA, 2002) afirma que é uma maneira de fazer publicação sobre a mesa, utilizando como equipamentos computadores, scan- ners, impressoras, programas de ilustração, programas de editoração, editores de ima- gens, fontes, imagesetters1, entre outros periféricos. Atualmente, DTP designa também equipamentos Direct To Plate Printer (Direto para Chapa /Impressora) (PEREIRA, 2002). Raskin em (RASKIN, 1993) destaca que a palavra desktop, em informática, designa todo o equipamento, sistema ou aplicação que possa ser implementado no espaço de uma mesa de trabalho, inclusive donde advém a interligação que originou esse termo DTP. Os benefícios advindos do domínio dessa técnica atingem diversos segmentos da so- ciedade, possibilitando a criação de peças gráficas com as mais variadas finalidades. Den- tre essas finalidades tem-se a publicação de revistas, jornais e demais meios de comunicação impressa, bem como ilustrar informações sobre produtos e serviços. Desktop Publishing pressupõe que se possa confeccionar publicações utilizando microcomputador mediante três estágios principais: criação, montagem e impressão. -
Draft Student Name: Teacher
Draft Student Name: ______________________ Teacher: ______________________ Date: ___________ District: Johnston Assessment: 9_12 Business and IT BM10 - Microsoft Word and PowerPoint Test 1 Description: Quiz 3 Form: 501 Draft 1. What is the process of changing the way characters appear, both on screen and in print, to improve document readability? A. Text formatting B. Paragraph formatting C. Character formatting D. Document formatting 2. To make text appear in a smaller font size below the middle point of the line, which character formatting effect is applied? A. Superscript B. Strikethrough C. Subscript D. Italic 3. In Microsoft Word, what is the name of the group formatting characteristics called? A. Style B. Effects C. Cluster D. Group 4. Which option on the Apply Styles dialog box changes the settings for a selected style? A. Change Styles B. Edit C. Modify D. New Style 5. How are different underline styles selected when applying the underline font format to selected text? A. Choose the Underline drop-down arrow on the Home Ribbon to select various underline styles B. Right-click underlined text and choose underline styles from the Shortcut Menu C. Select the underlined text, then choose Underline Styles from the Insert Ribbon D. Double-click underlined text and choose Underline Styles from the Shortcut Menu 6. Which command on the Home Ribbon applies a shadow, glow, or reflection to selected text or paragraphs? A. Text Effects B. Text Highlight Color C. Shading D. Color 7. Which command on the Home Ribbon allows a user to change the case of selected text to all uppercase, lowercase, sentence case, toggle case, or capitalize each word? A. -
Corel Ventura 10
User Guide Corel Ventura® 10 User Guide The contents of this user guide and the associated Corel Ventura software are the property of Corel Corporation and its respective licensors, and are protected by copyright. For more complete copyright information please refer to the About Corel Ventura section in the Help menu of the application. © 2002 Corel Corporation. All rights reserved. Corel, the Corel logo, Corel Ventura, CorelDRAW, Color Profile Wizard, Corel PHOTO-PAINT, Quattro Pro, Corel SCRIPT, QuickCorrect, QuickTips, Corel VENTURA, and WordPerfect are trademarks or registered trademarks of Corel Corporation and/or it subsidiaries in Canada, the U.S. And/or other countries. Adobe, Acrobat, Reader, Photoshop, PostScript, and PostScript 3 are registered trademarks of Adobe Systems Incorporated in the United States and/or other countries. Lotus, 1-2-3, and Word Pro are registered trademarks of Lotus Development Corporation. Macintosh, Mac, and TrueType are registered trademarks of Apple Computer, Inc. registered in the U.S. and other countries. Microsoft and Windows are registered trademarks of Microsoft Corporation in the United States and/or other countries. Netscape Navigator is a registered trademark of Netscape Communications Corp. PANTONE and Hexachrome are registered trademarks of Pantone, Inc. TRUMATCH is a registered trademark of TRUMATCH, Inc. Grammatik is a registered trademark of Novell, Inc. Pentium is a registered trademark of Intel Corporation. Imation is a trademark of Imation Corp. Other product, font, and company names