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85Th Anniversary of Music and Spoken Word
For Immediate Release August 07, 2013 Emeritus Conductors Return to Celebrate 85th Anniversary of Music and the Spoken Word Salt Lake City — On Sunday, August 11, the Mormon Tabernacle Choir will commemorate the 85th anniversary of its Music and the Spoken Word broadcast. Music director Mack Wilberg has invited two former conductors of the Choir, Jerold Ottley and Craig Jessop, to join him and associate conductor Ryan Murphy in conducting this week’s broadcast. “Music and the Spoken Word has endured as the world’s longest continuously running network broadcast,” says Choir president Ron Jarrett. “In the beginning, listeners strained to hear the program through the static of their crystal radio sets; now fans tune in through YouTube. Music and the Spoken Word has been a constant during a century of dramatic change.” Ottley conducted the Choir from 1974 to 1999 and Jessop from 1999 to 2008. Ottley, Jessop and Wilberg are the only surviving Mormon Tabernacle Choir conductors. The three conductors have collectively served for 34 years — comprising nearly half of the broadcast’s 85 years! During his tenure as Choir conductor, Jerold Ottley traveled internationally with the Choir on more than 20 tours, to places like Australia, Austria, Brazil, Canada, Czechoslovakia, Denmark, England, Finland, France, Germany, Hungary, Israel, Japan, Korea, New Zealand, Norway, Poland, Russia, Sweden, Switzerland, and the Netherlands. Under his direction, the Choir also performed at the United States presidential inaugurations of Ronald Reagan and George Bush. Under the direction of Craig Jessop, the Choir received the Special Recognition Award from the International Radio and Television Society Foundation and the National Medal of Arts from Mormon Tabernacle Choir Announces Summer Concerts – Page 2 President George W. -
Curriculum Vitae
Barlow Bradford (801) 587-9377 office (801) 556-8422 mobile www.barlowbradford.com [email protected] Education 1996 D.M.A. Keyboard Collaborative Arts University of Southern California, Los Angeles, California Major Teacher: Kevin Fitz-Gerald 1988 M.M. Orchestral Conducting University of Southern California, Los Angeles, California Major Teacher: Daniel Lewis 1985 B.M. Piano Performance University of Utah, Salt Lake City, Utah Major Teacher: Gladys Gladstone Professional Preparation and Private Training 1990-1993 Orchestral Conducting with Gustav Meier, University of Michigan, Ann Arbor, Michigan Tanglewood Summer Music Institute, Lennox, Massachusetts 1986 Orchestral Conducting (Conducting Fellow) with Paul Vermel Aspen Music Festival, Aspen, Colorado 1982-1987 Piano Performance with Nina Svetlanova Mannes College of Music, New York, New York 1977-1978 Theory/Composition with Robert Cundick Tabernacle Organist, Salt Lake City, Utah 1971-1979 Piano Performance with Gladys Gladstone University of Utah, Salt Lake City, Utah 1971-1977 Organ Performance with Clay Christiansen Tabernacle Organist, Salt Lake City, Utah Honors, Awards and Grants 2016 ‘Celebrate U’ Outstanding faculty award 2016 Touring grant ($20,000) from Anonymous donor 2015 Gran Prix Winner at the European Gran Prix for Choral Singing, Tours, France 2015 Touring Grant, ($90,000) awarded to send the University of Utah Chamber Choir to France to participate in the European Gran Prix International Choral Competition. Combined sources from Kem and Carolyn Gardner, Scott Anderson, Eccles Foundation, Wheeler Foundation, University of Utah Office of the President, University of Utah College of Fine Arts 1 2014 Gran Prix Winner and the Audience Favorite Award at the Florilege International Choral Competition, Tours, France 2014 Dee Grant, ($10,000) awarded to partially fund a major choral/orchestral work from Eriks Esenvalds, internationally known composer. -
The Secularization of the Repertoire of the Mormon Tabernacle Choir, 1949-1992
THE SECULARIZATION OF THE REPERTOIRE OF THE MORMON TABERNACLE CHOIR, 1949-1992 Mark David Porcaro A dissertation submitted to the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Music (Musicology) Chapel Hill 2006 Approved by Advisor: Thomas Warburton Reader: Severine Neff Reader: Philip Vandermeer Reader: Laurie Maffly-Kipp Reader: Jocelyn Neal © 2006 Mark David Porcaro ALL RIGHTS RESERVED ii ABSTRACT MARK PORCARO: The Secularization of the Repertoire of the Mormon Tabernacle Choir, 1949-1992 (Under the direction of Thomas Warburton) In 1997 in the New Yorker, Sidney Harris published a cartoon depicting the “Ethel Mormon Tabernacle Choir” singing “There’s NO business like SHOW business...” Besides the obvious play on the names of Ethel Merman and the Mormon Tabernacle Choir, the cartoon, in an odd way, is a true-to-life commentary on the image of the Salt Lake Mormon Tabernacle Choir (MTC) in the mid-1990s; at this time the Choir was seen as an entertainment ensemble, not just a church choir. This leads us to the central question of this dissertation, what changes took place in the latter part of the twentieth century to secularize the repertoire of the primary choir for the Church of Jesus Christ of Latter-day Saints (LDS)? In the 1860s, when the MTC began, its sole purpose was to perform for various church meetings, in particular for General Conference of the LDS church which was held in the Tabernacle at Temple Square in Salt Lake City. From the beginning of the twentieth century and escalating during the late 1950s to the early 1960s, the Choir’s role changed from an in-house choir for the LDS church to a choir that also fulfilled a cultural and entertainment function, not only for the LDS church but also for the American public at large. -
Utah Valley Chapter Newsletter Ur April Chapter Meeting
APRIL 1997 No. 9 APRIL CHAPTER MEETING ur April Chapter Meeting will be held on Tuesday, April 15th, at 7:30 O p.m. at the Oak Hills Stake Center, 965 E. North Temple Drive, Provo. Please enter through the east doors. (See map on back for directions to get to the chapel.) AMERICAN GUILD OF Has this ever happened to you? You’ve practiced and practiced your music, ORGANISTS whether for church or a recital, and you’ve felt pretty confident that you could 1 9 9 7 play it well. Then when it comes time to perform it, your arms go numb; your stomach churns; your legs shake; your concentration takes a vacation; you wonder how you ever got yourself into this situation. Then you realize you have been beaten by your nerves! Utah Valley If you would like to receive help on how to cope with these kinds of situations, Chapter the next chapter meeting is for you. Dr. James Drake of Utah State University Newsletter (dean of the Cache Valley Chapter) has gladly accepted the invitation to show us how the Alexander Technique of relaxation can help your performance at the organ. Dr. Drake states, “The Alexander Technique is a most valuable aid for overcoming the obstacles associated with performance stress, locking, and physical strain. It frees the organist to practice and perform with openness, lightness, and focuses energy. The technique is a liberating discipline used by Chapter many professional and non-professional musicians throughout the world.” Officers Dr. Drake would like each of us to bring a piece of music that we may be Dean Larry Tomkinson having difficulty performing publicly, so that he can show us at the console 375-5691 how to cope with the problem of stress. -
1-2018 Mormon Tabernacle Choir Bio.Pdf
MORMON TABERNACLE CHOIR The Emmy and Grammy award winning Mormon Tabernacle Choir is known worldwide for its one-of-a-kind signature sound created by 360 volunteer voices and lead by renowned composer and director Mack Wilberg. With its companion all-volunteer Orchestra at Temple Square, symphony orchestra organized in 1999 with a roster of over 200 instrumentalist, the Choir is heard by millions worldwide through television, radio, satellite and internet broadcasts, concert tours, and recordings. United by their faith and shared love of music, the Choir and the Orchestra serve as musical ambassadors for The Church of Jesus Christ of Latter-day Saints. Since its first tour to Chicago in 1893, the Choir has traveled extensively across the United States and abroad. The Choir has performed in music capitals from Israel to Japan, Brazil to Australia and throughout Europe on multiple occasions. The 2018 Classic Coast Tour will take the Choir and Orchestra to California where the Choir first performed in 1896. In the years since, the Choir has traveled to California for over 40 performances! The tour will finish with concerts in British Columbia—their third visit to Vancouver—and Seattle, Washington, where they first performed in 1909. The Mormon Tabernacle Choir first traveled to Europe on a seven-week concert tour in 1955. Since that first grand European tour, the Choir has toured there five other times: to western and central Europe in 1973, northern Europe in 1982, Eastern Europe in 1991, and southern Europe in 1998, and to Central Europe in 2016. The Choir has also performed at the inaugurations of seven U.S. -
Joann South Ottley (B
JoAnn South Ottley (B. 1935): Her Life and Contributions as a Teaching Artist to Vocal Music Education Item Type text; Electronic Dissertation Authors Nokes, Connie D. Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction, presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 07/10/2021 09:56:12 Link to Item http://hdl.handle.net/10150/630160 JOANN SOUTH OTTLEY (b. 1935): HER LIFE AND CONTRIBUTIONS AS A TEACHING ARTIST TO VOCAL MUSIC EDUCATION by Connie Devivic Nokes __________________________ Copyright © Connie Devivic Nokes 2018 A Dissertation Submitted to the Faculty of the FRED FOX SCHOOL OF MUSIC In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF PHILOSOPHY In the Graduate College THE UNIVERSITY OF ARIZONA 2018 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE As members of the Dissertation Committee, we certify that we have read the dissertation prepared by Connie Devivic Nokes, titled JoAnn South Ottley: Her Life and Contributions as a Teaching Artist to Vocal Music Education and recommend that it be accepted as fulfilling the dissertation requirement for the Degree of Doctor of Philosophy. ______________________________________________________Date:_____________________________________________________________________ __ _ 04/20/2018 Shelly Cooper ______________________________________________________Date:__________________________________________ -
A Competitive Festivalfor Amateur Choirs and Choral
JOHNNYMANN'S 80 GOODDO YOU HAVE TO BE? ASK OUR NATIONAL ADJUDICATORS ••• Ray Conniff Norman Luboff Terry D. Danne Dr. Douglas McEwen Dr. Harold Decker· Dr. Albert McNeil Robert DeCormier Dr. Gerald R. Mack Rodney Eichenberger Henry Mancini Joyce Eilers Dr. Russell Mathis Dr. Gerald Eskelin Phil Mattson Dr. CttarlesC. Hirt, Paul Sjolund Chairman Norman Scribner Doug Anderson, Dr. Kirby Shaw Vice-Chairman, Delton Shilling Choreography Gregg Smith Dr. Grant Beglarian Dr. Thomas Somerville Ralph Blane Dr. Howard Swan Fred Bock Craig Edward Lojeski Ward Swingle Scott Bowen Sa . Donald G. Rom Jim Miller Gene Grier John N. Neighbors Jester Hairston John Nelson Dr. William Hall Douglas Neslund Jack Halloran Dr. Weston Noble Dr. Jane Hardester Dr. Jerold Ottley William Hatcher Dr. Uoyd Pfautsch Edwin Hawkins Frank Pooler '/ Ralph Carmichael Dr. Morris Hayes Dr. John Raymond Uoyd Steinkamp Don Hinshaw Donald Brinegar Fred Waring Dr. Gene Brooks Dr. Newell B. Weight Dr. Elaine Brown Dr. Jay Welch Dr. Eugene Butler Richard Westenburg Ray Charles Dr. Wendell Whalum Dr. Paul Christiansen Dr. James Woodward Rev. James Cleveland Dr. Walter Collins Audrey Grier Alice Parker Kenneth Jennings Dr. Ray Robinson Anita Kerr Paul Salamunovich Douglas Lawrence Dr. H. Royce Saltzman Nathan Carter Dr. Roger Wagner America's most experienced choral experts Join Johnny Mann in saying "JUST GOOD ENOUGH TO WANT TO BE BETIER!" ~ WRITE OR CALL: The Great American Choral Festival ~~~'b~. 9010 Corbin Avenue, Northridge, CA 91324 ~~\\~o~~'to TOLL FREE 1800\ 423·5955 ~&t~o IN CAUFORNIACALL (Z{3) 701-6111 o~ PRESIDENT THE Colleen J. Kirk EDPRESS School of Music Florida State University Tallahassee, Florida 32306 VICE-PRESIDENT H. -
Utah State University Commencement, 2019 – Main Campus
Utah State University DigitalCommons@USU Commencement Programs Students 5-2019 Utah State University Commencement, 2019 – Main Campus Utah State University Follow this and additional works at: https://digitalcommons.usu.edu/commencement Recommended Citation Utah State University, "Utah State University Commencement, 2019 – Main Campus" (2019). Commencement Programs. 120. https://digitalcommons.usu.edu/commencement/120 This Commencement Program - Main Campus is brought to you for free and open access by the Students at DigitalCommons@USU. It has been accepted for inclusion in Commencement Programs by an authorized administrator of DigitalCommons@USU. For more information, please contact [email protected]. 2019 Commencement Utah State University 132nd — May 2nd & 3rd, 2019 Utah State University is one of the nation’s premier student-centered land-grant and space-grant universities. We foster the principle that academics come first; we cultivate diversity of thought and culture; and we serve the public through learning, discovery and engagement. SCHEDULE OF EVENTS Thursday, May 2, 2019 ACADEMIC ASSEMBLY 8:00 a.m. Undergraduate Students and Graduate Students assemble on the University Quad; Faculty assemble in the Taggart Student Center, second floor ACADEMIC PROCESSION 8:30 a.m. Taggart Student Center and University Quad to Dee Glen Smith Spectrum COMMENCEMENT CEREMONY 9:00 a.m. Dee Glen Smith Spectrum COLLEGE CONVOCATIONS 12:00 noon College of Engineering – Dee Glen Smith Spectrum Caine College of the Arts – Newel & Jean Daines Concert Hall, Chase Fine Arts Center S.J. & Jessie E. Quinney College of Natural Resources – Morgan Theatre, Chase Fine Arts Center 2:30 p.m. College of Agriculture and Applied Sciences – Dee Glen Smith Spectrum College of Science – Newel & Jean Daines Concert Hall, Chase Fine Arts Center Office of the Provost (Integrated Studies and Associates Degrees) – Morgan Theatre, Chase Fine Arts Center Friday, May 3, 2019 COLLEGE CONVOCATIONS 9:00 a.m. -
July 2004 Ensign
THE ENSIGN OF THE CHURCH OF JESUS CHRIST OF LATTER-DAY SAINTS • JULY 2004 One Million Milestone in Mexico, p. 34 Searching Out Young Adults, p. 56 Choir: 75 Years on the Air, p. 68 The Beautiful, by Al Rounds Today, as in 1846, a temple overlooks Nauvoo, the “City Beautiful.” Built on the site of the destroyed Nauvoo Temple, the Nauvoo Illinois Temple was dedicated in June 2002 by President Gordon B. Hinckley. JULY 2004 • VOLUME 34, NUMBER 7 2 FIRST PRESIDENCY MESSAGE Miracles of Faith President Thomas S. Monson 8 Be Strong in the Lord Elder M. Russell Ballard 16 Protecting Your Child from Gang Influence Dennis J. Nordfelt 18 Outnumbered Paolo Martin N. Macariola 19 BOOK OF MORMON PRINCIPLES Earthly Choices, Eternal Consequences Protecting Your Elder D. Chad Richardson 16 Child from Gang 22 Book of Mormon Times Influence at a Glance, Chart 2: Alma through Mormon and Moroni 29 Parties, Picnics, and Potlucks 34 One Million in Mexico Don L. Searle 43 How Could This Happen to Me? Name Withheld 46 Edward Hunter: Generous Pioneer, Presiding Bishop How Could This LaRene Porter Gaunt 43 Happen to Me? 52 BOOK OF MORMON PRINCIPLES Submitting Our Will to the Father’s Elder Benjamin De Hoyos 56 Search and Rescue Shanna Butler 61 VISITING TEACHING MESSAGE Feeling the Love of the Lord Be Strong through Prayer in the Lord 62 LATTER-DAY SAINT VOICES 8 66 RANDOM SAMPLER Search 68 From the Crossroads of the West 56 and Rescue Lisa Ann Jackson 74 NEWS OF THE CHURCH AN OFFICIAL MAGAZINE OF THE CHURCH Sally J. -
Michael Hicks, the Mormon Tabernacle Choir: a Biography Reviewed by Stephen A
Mormon Studies Review Volume 3 | Number 1 Article 17 1-1-2016 Michael Hicks, The Mormon Tabernacle Choir: A Biography Reviewed by Stephen A. Marini Follow this and additional works at: https://scholarsarchive.byu.edu/msr2 Part of the Mormon Studies Commons BYU ScholarsArchive Citation Marini, Reviewed by Stephen A. (2016) "Michael Hicks, The Mormon Tabernacle Choir: A Biography," Mormon Studies Review: Vol. 3 : No. 1 , Article 17. Available at: https://scholarsarchive.byu.edu/msr2/vol3/iss1/17 This Review is brought to you for free and open access by the All Journals at BYU ScholarsArchive. It has been accepted for inclusion in Mormon Studies Review by an authorized editor of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. Marini: Michael Hicks, <em>The Mormon Tabernacle Choir: A Biography</em> Book Reviews: Mormon Tabernacle Choir 179 Michael Hicks. The Mormon Tabernacle Choir: A Biography. Urbana: University of Illinois Press, 2015. Reviewed by Stephen A. Marini Mormon Studies Review, vol. 3, 2016, pp. 179–183 © 2016 Neal A. Maxwell Institute for Religious Scholarship, Brigham Young University Article DOI: http://dx.doi.org/10.18809/msr.2016.0116 Journal DOI: http://dx.doi.org/10.18809/mimsr.21568030 The Mormon Tabernacle Choir: A Biography is the most accessible and authoritative history of this unique musical ensemble yet published. Despite the vast number of newspaper articles and performance reviews that have appeared about the celebrated ensemble, there are surprisingly few book-length treatments of its origins and development, and most of them have tended toward hagiographic account and heroic narrative. -
Utah Showcase Program
The Diocese of Utah Welcomes You to the Utah Showcase General Convention 2015 Wednesday, July 1st 7:00 p.m. Welcome to the Salt Lake Tabernacle at Temple Square The Salt Lake City Tabernacle was dedicated in 1875. This national historic landmark is the home of the world-renowned Mormon Tabernacle Choir. The wooden columns are hand-painted to resemble marble, but do not support the roof; that is accomplished by 44 sandstone piers. The most prominent feature is the 11,623-pipe organ, with golden pipes made of round wood staves, hand-carved from Utah timber. The Utah Showcase Evening Program Prelude Mr. Lynn Thomas, Interim Director Caine College of the Arts, Utah State University, Logan, Utah Kenshin Taiko Drummers Ms. Laura Olsen, Founder and Director Kenshin Taiko, founded in 1995, is sponsored by the Japanese Church of Christ, Salt Lake City, whose mission includes preserving and sharing Japanese culture with the community. The more than 50 international musician members of the Kenshin Taiko family represent a variety of backgrounds. Opening Prayer and Welcome - The Right Reverend Scott B. Hayashi 11th Bishop of the Diocese of Utah Welcome - Elder L. Whitney Clayton, Presidency of the Seventy The Church of Jesus Christ of Latter-day Saints (The Seventy is one of the senior governing bodies of the LDS Church). Calvary Baptist Inspirational Choir Ms. Laura Eady-Popwell, Music Ministry Leader Salt Lake City’s Black residents began addressing their spiritual needs in the late 1800s with worship services in their homes. They have now grown into a dynamic and thriving community. -
Mormons and Youtube
Utah State University DigitalCommons@USU All Graduate Plan B and other Reports Graduate Studies 8-2017 Mormons and YouTube Ryan Reeder Follow this and additional works at: https://digitalcommons.usu.edu/gradreports Part of the American Studies Commons Recommended Citation Reeder, Ryan, "Mormons and YouTube" (2017). All Graduate Plan B and other Reports. 1096. https://digitalcommons.usu.edu/gradreports/1096 This Creative Project is brought to you for free and open access by the Graduate Studies at DigitalCommons@USU. It has been accepted for inclusion in All Graduate Plan B and other Reports by an authorized administrator of DigitalCommons@USU. For more information, please contact [email protected]. MORMONS AND YOUTUBE by Ryan B. Reeder A thesis submitted in partial fulfillment of the requirements for the degree of MASTER OF ARTS in American Studies Approved: ____________________________ ____________________________ Philip L. Barlow, Ph.D. Lynne S. McNeill, Ph.D. Major Professor Committee Member ____________________________ Jared S. Colton, Ph.D. Committee Member UTAH STATE UNIVERSITY Logan, Utah 2017 ii Copyright © Ryan Reeder 2017 All Rights Reserved iii ABSTRACT MORMONS AND YOUTUBE by Ryan B. Reeder, Master of Arts Utah State University, 2017 Major Professor: Philip Barlow Department: American Studies As the internet’s second-most trafficked site, behind only Google in both the United States and globally, and with 600,000 hours of content uploaded and one billion hours viewed daily by more than one billion monthly users, YouTube’s reach and scope is vast. Growing out of a need to better facilitate the production and distribution of online video, YouTube was able to become dominant through a combination of factors including the implementation of innovative features, an ability to capitalize on popular videos hosted on its site, and good timing in managing to become a key component of the social media revolution.