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Fifth Grade-Tennessee History and the History of the US: Industrialization to the Civil Rights Movement Quarter 4 Curriculum Map Scope and Sequence
Social Studies Quarter 4 Fifth Grade Fifth Grade-Tennessee History and the History of the US: Industrialization to the Civil Rights Movement Quarter 4 Curriculum Map Scope and Sequence Topic Week Weekly Focus Standards WWI and the Great Week 1: Students will identify the causes of the Great Depression, President Herbert Hoover’s role, and its impact on the nation, including: • 5.15, 5.16 Depression US Chapters Consumer credit and debt • Hoovervilles • Mass unemployment • Soup kitchens. Students will also describe how New Deal policies of 6 and 7 President Franklin D. Roosevelt impacted American society with government-funded programs, including: Social Security, expansion and development of the national parks, and creation of jobs. TN in the 20th Week 2: Students will describe the effects of the Great Depression on Tennessee and the impact of New Deal policies in the state (i.e., 5.48 Century TN Chapter 14 Tennessee Valley Authority and Civilian Conservation Corps). WWII Week 3: Students will explain the structures and goals of the governments in Germany and Japan in the 1930s and determine the significance of 5.17, 5.18, US Chapter 8 the bombing of Pearl Harbor and its impact on the U.S. Students will also identify and locate the Axis and Allied Powers, including: • 5.19, 5.21 Germany • Italy • Japan • France • Great Britain • Soviet Union and analyze the significance of the Holocaust and its impact on the U.S. WWII Week 4: Students will examine the reasons for the use of propaganda, rationing, and victory gardens during World War II. 5.20 US Chapter 9 TN in the 20th Week 5: Students will describe Tennessee’s contributions during World War I and World War II, including: the conversion of factories to wartime 5.49 Century TN Chapter 15 production, the importance of Oak Ridge, and the influence of Tennesseans (i.e., Cornelia Fort, Cordell Hull, and Alvin C. -
Tennessee Valley Authority and the New Deal Table of Contents Pages
Tennessee Valley Authority and the New Deal Table of Contents Pages 1. Content Essay 2-3 2. Elementary Activity 4-5 3. Middle/High School Activity 6-7 4. Primary Source: Report on Norris 8-11 5. Primary Source: Discrimination 12-15 6. Primary Source: Roosevelt on TVA 16-24 7. Primary Source: TVA Helps Farmers 25-30 8. Primary Source: TVA Propaganda 31-39 1 Tennessee Valley Authority and the New Deal Essential Questions: What were the goals for the Tennessee Valley Authority? What were the successes and failures of TVA? When Franklin Roosevelt was elected president in 1932, the nation was in the depths of the Great Depression. Nearly 25% of American workers were unemployed and people throughout the nation were struggling to survive. Roosevelt promised to implement a program of relief, recovery and reform called the New Deal. The Tennessee Valley Authority (TVA) was one of the agencies created during the first one hundred days of the New Deal. During the 1920’s George Norris, Senator from Nebraska, had tried to secure support for a multipurpose development in Muscle Shoals, Alabama where the government owned a large fertilizer plant. Roosevelt expanded the scope and size of Norris proposal to encompass the entire watershed of the Tennessee River. TVA was given a number of goals: prevent flooding, improve navigation, help farmers, provide cheap electricity, and form a strategic plan for the region. The Tennessee Valley Region was one of the most depressed parts of the nation. Soil erosion had left much of the farmland ruined. Families scratched out a living on subsistence farms and lived in much the same way as their ancestors a hundred years earlier. -
DOCUMENT RESUME ED 310 957 SO 020 170 TITLE Folk Recordings
DOCUMENT RESUME ED 310 957 SO 020 170 TITLE Folk Recordings Selected from the Archive of Folk Culture. INSTITUTION Library of Congress, Washington, DC. Motion Picture, Broadcasting, and Recorded Sound Div. PUB DATE 89 NOTE 59p. PUB TYPE Reference Materials Directories/Catalogs (132) EDRS PRICE MF01/PC03 Plus Postage. DESCRIPTORS American Indians; Audiodisks; Audiotape Cassettes; *Folk Culture; Foreign Countries; Music; *Songs IDENTIFIERS Bahamas; Black Folk Music; Brazil; *Folk Music; *Folktales; Mexico; Morocco; Puerto Rico; Venezuela ABSTRACT This catalog of sound recordings covers the broad range of folk music and folk tales in the United States, Central and South America, the Caribbean, and Morocco. Among the recordings in the catalog are recordings of Afro-Bahain religious songs from Brazil, songs and ballads of the anthracite miners (Pennsylvania), Anglo-American ballads, songs of the Sioux, songs of labor and livelihood, and animal tales told in the Gullah dialect (Georgia). A total of 83 items are offered for sale and information on current sound formats and availability is included. (PPB) Reproductions supplied by EMS are the best that can be made from the original document. SELECTED FROM THE ARCHIVE OF FOLK CULTURE MOTION PICTURE, BROADCASTING AND RECORDED SOUND DIVISION LIBRARY OF CONGRESS WASHINGTON. D.C. 20540 U S DEPARTMENT OF EDUCATION Office of Educational Research and improvement EDUCATIONAL RESOURCES INFORMATION CENTER IERICI hisdocument has been reproduced as received from the person or organization originating it C Minor changes have been made to improve reproduction duality Pointsof view or opinions stated in thisdccu- ment do not necessarily represent officral OERI motion or policy AM. -
Town of Penn-Craft Penn-Craft Fayette County
Town of Penn-Craft HABS No. PA-5920 Penn-Craft Fayette County Pennsylvania PHOTOGRAPHS WRITTEN HISTORICAL AND ARCHITECTURAL DATA Historic American Buildings Survey National Park Service Department of the Interior Washington, D.C. 20013-7127 r-'.Hh""- HISTORIC AMERICAN BUILDINGS SURVEY 2- — TOWN OF PENN-CRAFT HABSNo. PA-5920 Location: Penn-Craft Fayette County (western half) Pennsylvania Significance: The Town of Penn-Craft was developed as part of a broad reaching effort of the New Deal era intended to relieve the dire-economic rural conditions which existed in the 1930s. Unlike other government sponsored subsistence homesteads, Penn-Craft was initiated by a private agency, the American Friends Service Committee. As an experiment in environmental and social reform, the development of Penn-Craft was meant to improve the standard of living and enable home ownership through the design of practical small houses and the implementation of a landscape plan for rural communities. PART I. HISTORICAL INFORMATION A. Physical History: 1. Date of erection: 1937-42 2. Architect: William Macy Stanton was chosen for the design of the community and its buildings. Stanton, a Quaker architect, was the designer of several Atlantic City hotels in the 1920s, along with a number of meeting-house restorations. In the 1930s, the federal government hired him to design the Tennessee Valley Authority community at Norris, Tennessee, as well as Cumberland Homesteads, a subsistence-homestead community for stranded miners, also in Tennessee. The houses at Penn-Craft bear a striking resemblance to those at Cumberland Homesteads; houses in both communities are simple, one-and-a-half-story structures built of stone. -
Pete Seeger: a Singer of Folk Songs
LINGUACULTURE 2, 2020 PETE SEEGER: A SINGER OF FOLK SONGS DAVID LIVINGSTONE Palacký University Abstract Pete Seeger would have turned one hundred and one on May 3 of this year. To commemorate these ten decades plus one year, I would like to look at eleven of the most remarkable aspects of Pete Seeger’s life, work and legacy. This paper will examine the cultural impact and oral tradition of the music, songs and books of Pete Seeger. This legendary folk musician's career spanned eight decades and touched on many of the key historical developments of the day. He is responsible for some of the iconic songs which have not only helped define American culture, but even beyond. Seeger was also a pioneer in a number of fields, using his music to propagate political convictions, ecological themes, civil rights, world music, education, etc. The folk singer also had his finger on the pulse of a number of developments in American history and culture. He was friends with a number of prominent musicians and artists and influenced an entire range of younger musicians and activists. Keywords: Pete Seeger; Folk music; American history; Social activism; Civil Rights movement Family Pete Seeger’ family was a powerhouse of talent, musically and beyond. Charles Seeger (1886-1979), his father, was a renowned musicologist who held a number of prominent university positions. His political convictions, obviously on the left, were also instrumental in forming his son’s ideological worldview. His mother Constance de Clyver (1886-1975) was also a musician although not as accomplished by far as his stepmother Ruth Seeger (1901-1953) (mother to Mike and Peggy). -
Brent Mcknight Thesis
Table of Contents ! Introduction 1 1. Growing Tourists: Agriculture, Cultural Performance, and Tourism at 14 the Cherokee Indian Fair 2. Entering the Kingdom of Rhododendron: White Culture, Escapism, 42 and Tourism in the Rhododendron Festival 3. Attracting Tourists with Kilts and Cabers: The Cultural and 71 Economic Impact of the Grandfather Mountain Highland Games Conclusion 97 Bibliography 103 ! Introduction: What do Festivals have to do with Anything? When someone mentions western North Carolina today, a host of possible travel destinations and tourist attractions come to mind. The Great Smoky Mountains National Park and the Blue Ridge Parkway attract many visitors annually to their scenic overlooks and expansive views of the Blue Ridge Mountains. Grandfather Mountain blends conservation and tourism into a single attraction where visitors can see native wildlife and walk on the mile-high swinging bridge. One might also think of Harrah’s Cherokee Hotel and Casino and the Museum of the Cherokee Indian in Cherokee, North Carolina, or the craft beer scene, Grove Park Inn, and Shindig on the Green in Asheville. More generally, one might think of folk music or handmade arts and crafts. At the beginning of the twentieth century, no one could have predicted that the tourist industry in western North Carolina, which at the time was dominated by health resorts catering to the wealthy, would transform over the course of the century into a multi-faceted $3 billion industry in 2014.1 The health resort industry began in the nineteenth century and attracted visitors who came to enjoy the hot springs and mountain water, both thought to improve health.2 Over the course of the twentieth century, the tourist industry diversified and expanded to incorporate new forms of leisure. -
Baldwin Haney Essay For
The Singing on the Mountain By Dave Haney and Lisa Baldwin This essay was composed for the project Worth 1,000 Words: Essays on the Photos of Hugh Morton, made possible in part by a grant from the North Carolina Humanities Council, a statewide nonprofit and affiliate of the National Endowment for the Humanities. The Hugh Morton Collection of Photographs and Films is held by the North Carolina Collection Photographic Archives, Wilson Library at the University of North Carolina at Chapel Hill. Haney is the former Vice Provost for Undergraduate Education and Professor of English and Appalachian Studies at Appalachian State University (now Provost at Black Hills State University in South Dakota), as well as a musician and author on topics of philosophy, literature, and bluegrass music. Lisa Baldwin is a recent graduate of the MA program in Appalachian Studies at Appalachian State University, has taught elementary school for 30 years, is the founder of “Learning Through Song,” a music education program, and is a musician and songwriter who performs with Dave Haney and others. Although our current understanding of traditional music festivals is shaped by the folk and bluegrass festivals that blossomed in the 1960s, both secular and religious traditional music had been performed in large outdoor settings in the Blue Ridge Mountains much earlier. Many of the largest of these events had inauspicious beginnings. On the secular side, the Annual Old Fiddler’s Convention in Galax, Virginia, according to the convention’s official web site, was started in 1935 by Moose Lodge #733 in order to raise funds and preserve regional musical traditions, and has since grown to one of the world’s largest fiddler’s conventions. -
Cumberland County
Cumberland County Established 1855 County Seat: Crossville Early History Before European settlement, Native Americans used the area now know as Cumberland County as a hunting ground. As Tennessee grew, many people passed through the area on their way to the Cumberland Settlements to the west. A number of toll roads crisscrossed the region. Weary travelers rested at inns along the often treacherous roads. Cumberland County was established by the legislature in 1856 from land in Bledsoe, Roane, Morgan, Fentress, Rhea, Putnam, Overton, and White counties. Crossville, once known as Scott’s Crossroads, was selected as the county seat because of its central location. Civil War and Reconstruction Though no major Civil War battles were fought in Cumberland County, the war brought devastation nonetheless. Residents were divided with some remaining loyal to the Union and others supporting the Confederacy. The divisions of sentiments, along with the rugged geography of the region led to intense guerilla activity. Following the war, the arrival of the Tennessee Central Railroad increased opportunities for farmers to ship their produce and livestock to Nashville or Knoxville. The region’s coal and timber resources were also developed. The Twentieth Century During World War I, two Cumberland Countians were honored for their extraordinary bravery while serving in Company G, 119th Infantry, 30th Infantry Division. Sergeant Milo Lemert received the Congressional Medal of Honor, and Sergeant Litton Thurman received the Distinguished Service Cross. The construction of Interstate 40 through the county proved a boon to the county’s economy. A number of thriving retirement communities including Lake Tansi Resort and Fairfield Glade have brought thousands of new residents to the area. -
Download on the ACHF Website: 7
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2009 American Team Clogging as Pilgrimage and Heritage Ritual James Andrew Howard Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF VISUAL ARTS, THEATRE AND DANCE AMERICAN TEAM CLOGGING AS PILGRIMAGE AND HERITAGE RITUAL By JAMES ANDREW HOWARD A Thesis sub itted to the Depart ent of Dance in partial fulfill ent of the require ents for the degree of Master of Arts Degree Awarded. Spring Se ester, 2001 Copyright © 2001 Ja es Andrew Howard All Rights Reser3ed The me bers of the Co ittee appro3e the Thesis of Ja es Andrew Howard defended on March 30, 2001. _________________________________ Tricia Young Professor Directing Thesis __________________________________ Jennifer At6ins Committee Member __________________________________ Sally So er Co ittee Me ber __________________________________ Patricia Phillips Co ittee Me ber Appro3ed. _____________________________________ Patricia Phillips, Co7Chair, Depart ent of Dance _____________________________________ Sally McRorie, Dean, College of Visual Arts, Theatre and Dance The Graduate School has verified and appro3ed the abo3e na ed co ittee me bers. ii Dedicated, in lo3ing me ory, to Ryan Lee Marsh (118372008) Than6 you, Ryan, for your encourage ent in this and many other ad3entures. Than6 you for being part of my story. One more thing= iii ACKNOWLEDGEMENTS I would first li6e to than6 my fa ily for being tea cloggers, by association, for o3er 21 years. My grand other, Annie Ruth Howard (Granny Annie, as many clogging friends call her), has been exceptionally supporti3e and significant in my clogging ad3entures, fro the earliest lessons to fa ily su er pilgri ages to Dollywood. -
Historic Bridges Historic Bridges 397 Survey Report for Historic Highway Bridges
6 HISTORIC BRIDGES HISTORIC BRIDGES 397 SURVEY REPORT FOR HISTORIC HIGHWAY BRIDGES HIGHWAY FOR HISTORIC REPORT SURVEY 1901-1920 PERIOD By the turn of the century, bridge design, as a profession, had sufficiently advanced that builders ceased erecting several of the less efficient truss designs such as the Bowstring, Double Intersection Pratt, or Baltimore Petit trusses. Also, the formation of the American Bridge Company in 1901 eliminated many small bridge companies that had been scrambling for recognition through unique truss designs or patented features. Thus, after the turn of the century, builders most frequently erected the Warren truss and Pratt derivatives (Pratt, Parker, Camelback). In addition, builders began to erect concrete arch bridges in Tennessee. During this period, counties chose to build the traditional closed spandrel design that visually evoked the form of the masonry arch. Floods in 1902 and 1903 that destroyed many bridges in the state resulted in counties going into debt to undertake several bridge replacement projects. One of the most concentrated bridge building periods at a county level occurred shortly before World War I as a result of legislation the state passed in 1915 that allowed counties to pass bond issues for road and bridge construction. Consequently, several counties initiated large road construction projects, for example, Anderson County (#87, 01-A0088-03.53) and Unicoi County (#89, 86-A0068- 00.89). This would be the last period that the county governments were the most dominant force in road and bridge construction. This change in leadership occurred due to the creation of the Tennessee State Highway Department in 1915 and the passage of the Federal Aid Highway Act of 1916. -
Chapter 4: the Great Depression
www.ck12.org CHAPTER 4 The Great Depression Chapter Outline 4.1 CAUSES:THE BUILD UP 4.2 "RUGGED INDIVIDUALISM" 4.3 SOCIAL AND CULTURAL EFFECTS 4.4 THE DUST BOWL 4.5 THE NEW DEAL 4.6 EFFECTS AND CONTROVERSIES OF THE NEW DEAL 4.7 THE TENNESSEE VALLEY AUTHORITY 4.8 RHETORIC OF THE GREAT DEPRESSION 4.9 POLITICAL CARTOONS OF THE NEW DEAL Students analyze the causes and effects of the Great Depression and how the New Deal fundamentally changed the role of the federal government. US.45 ... Analyze the causes of the Great Depression, including the following: (E, H) • the economic cycle driven by overextension of credit • overproduction in agriculture and manufacturing • laissez faire politics • buying on margin • excess consumerism • rising unemployment • the crash of the stock market • high tariffs US.46 ... Describe the steps taken by President Hoover to combat the economic depression, including his philosophy of “rugged individualism,” the Reconstruction Finance Corporation, and the response to the “Bonus Army.” (E, P) US.47 ... Write a narrative piece that includes multiple media components to describe the toll ofthe Great Depression on the American people, including massive unemployment, migration, and Hoovervilles. (C, E, H, G) US.48 ... Analyze the causes and consequences of the Dust Bowl of the 1930’s. (C, E, H, G) US.49 ... Identify and explain the following New Deal programs and assess their past or present impact: (E, H, P, TN) • Works Progress Administration • Social Security • Federal Deposit Insurance Corporation • Securities and Exchange Commission • Fair Labor Standards Act • Agricultural Adjustment Acts • Civilian Conservation Corps 206 www.ck12.org Chapter 4. -
North Carolina MILLENNIAL TRADITIONAL ARTISTS DIRECTORY
North Carolina MILLENNIAL TRADITIONAL ARTISTS DIRECTORY A product of the Millennial Traditional Artists Project by the Folklife Program of the North Carolina Arts Council www.NCArts.org 1 About the Directory Connecting with Artists The Millennial Traditional Artists (MTA) Directory documents next-generation This directory provides biographies, work samples, and contact information which artists working within traditional genres and cultures found across the state of may have changed over time. We remind users that we cannot guarantee that all North Carolina. the information is completely up-to-date. North Carolina Arts Council staff do not act as managers or agents, so please contact artists directly to ascertain relevant This directory is the outcome of a three-year initiative by the Folklife Program experience and to negotiate bookings and contracts. of the North Carolina Arts Council to identify, serve, and promote the needs of traditional artists at the early stages of their careers. The MTA Project emerged The MTA Directory is intended to be a tool for artists, presenters, and others who from the need to forge new relationships and methods of communication and have an interest in our state’s cultural traditions. To help us understand its value, service with traditional artists in the age of digital media and self-representation. we invite you to share your experiences when you use the directory. Your feed- Although the term “Millennial” formally refers to the generation born between back will help us to improve future iterations of the directory or may spark new the years of 1981 and 1996, this directory more broadly uses the term to refer to strategies for connecting millennial traditional artists with presenters, the general artists emerging in the new millennium.