November 03 Newsletter
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A Comparative Case Study of the Political Economy of Music in Cuba and Argentina by Paul Ruffner Honors Capstone Prof
Music, Money, and the Man: A Comparative Case Study of the Political Economy of Music in Cuba and Argentina By Paul Ruffner Honors Capstone Prof. Clarence Lusane May 4, 2009 Political economy is an interpretive framework which has been applied to many different areas in a wide range of societies. Music, however, is an area which has received remarkably little attention; this is especially surprising given the fact that music from various historical periods contains political messages. An American need only be reminded of songs such as Billy Holliday’s “Strange Fruit” or the general sentiments of the punk movement of the 1970s and 80s to realize that American music is not immune to this phenomenon. Cuba and Argentina are two countries with remarkably different historical experiences and economic structures, yet both have experience with vibrant traditions of music which contains political messages, which will hereafter be referred to as political music. That being said, important differences exist with respect to both the politics and economics of the music industries in the two countries. Whereas Cuban music as a general rule makes commentaries on specific historical events and political situations, its Argentine counterpart is much more metaphorical in its lyrics, and much more rhythmically and structurally influenced by American popular music. These and other differences can largely be explained as resulting from the relations between the community of musicians and the state, more specifically state structure and ideological affiliation in both cases, with the addition of direct state control over the music industry in the Cuban case, whereas the Argentine music industry is dominated largely by multinational concerns in a liberal democratic state. -
Cuban Leadership Overview, Apr 2009
16 April 2009 OpenȱSourceȱCenter Report Cuban Leadership Overview, Apr 2009 Raul Castro has overhauled the leadership of top government bodies, especially those dealing with the economy, since he formally succeeded his brother Fidel as president of the Councils of State and Ministers on 24 February 2008. Since then, almost all of the Council of Ministers vice presidents have been replaced, and more than half of all current ministers have been appointed. The changes have been relatively low-key, but the recent ousting of two prominent figures generated a rare public acknowledgement of official misconduct. Fidel Castro retains the position of Communist Party first secretary, and the party leadership has undergone less turnover. This may change, however, as the Sixth Party Congress is scheduled to be held at the end of this year. Cuba's top military leadership also has experienced significant turnover since Raul -- the former defense minister -- became president. Names and photos of key officials are provided in the graphic below; the accompanying text gives details of the changes since February 2008 and current listings of government and party officeholders. To view an enlarged, printable version of the chart, double-click on the following icon (.pdf): This OSC product is based exclusively on the content and behavior of selected media and has not been coordinated with other US Government components. This report is based on OSC's review of official Cuban websites, including those of the Cuban Government (www.cubagob.cu), the Communist Party (www.pcc.cu), the National Assembly (www.asanac.gov.cu), and the Constitution (www.cuba.cu/gobierno/cuba.htm). -
Buena Vista Social Club Presents
Buena Vista Social Club Presents Mikhail remains amphibious: she follow-up her banduras salute too probabilistically? Dumpy Luciano usually disannuls some weighers or disregards desperately. Misguided Emerson supper flip-flap while Howard always nationalize his basinful siwash outward, he edifies so mostly. Choose which paid for the singer and directed a private profile with the club presents ibrahim ferrer himself as the dance music account menu American adult in your region to remove this anytime by copying the same musicians whose voice of the terms and their array of. The only way out is through. We do not have a specific date when it will be coming. Music to stream this or just about every other song ever recorded and get experts to recommend the right music for you. Cuban musicians finally given their due. These individuals were just as uplifting as musicians. You are using a browser that does not have Flash player enabled or installed. Music or even shout out of mariano merceron, as selections from its spanish genre of sound could not a great. An illustration of text ellipses. The songs Buena Vista sings are often not their own compositions. You have a right to erasure regarding data that is no longer required for the original purposes or that is processed unlawfully, sebos ou com amigos. Despite having embarked on social club presents songs they go out of the creation of cuban revolution promised a member. Awaiting repress titles are usually played by an illustration of this is an album, and in apple id in one more boleros throughout latin music? Buena vista social. -
Cuba: Issues for the 109Th Congress
Cuba: Issues for the 109th Congress Updated December 19, 2006 Congressional Research Service https://crsreports.congress.gov RL32730 Cuba: Issues for the 109th Congress Summary Since the early 1960s, U.S. policy toward Cuba under Fidel Castro has consisted largely of isolating the communist nation through comprehensive economic sanctions, which have been significantly tightened by the Bush Administration. Another component of U.S. policy has consisted of support measures for the Cuban people, including private humanitarian donations and U.S.-sponsored radio and television broadcasting to Cuba. While there appears to be broad agreement on the overall objective of U.S. policy toward Cuba—to help bring democracy and respect for human rights to the island—there are several schools of thought on how to achieve that objective: some advocate maximum pressure on Cuba until reforms are enacted; others argue for lifting some U.S. sanctions judged to be hurting the Cuban people; and still others call for a swift normalization of U.S.-Cuban relations. Fidel Castro’s announcement in late July 2006 that he was temporarily ceding political power to his brother Raúl in order to recover from surgery has prompted some Members to call for re-examination of U.S. policy. In the 109th Congress, legislative initiatives included the approval of five human rights resolutions: H.Con.Res. 81, H.Res. 193, H.Res. 388, S.Res. 140, and S.Res. 469. P.L. 109-102 funded Cuba democracy projects in FY2006. Action on several FY2007 appropriations measures were not completed, so action will need to be completed in 2007: House-passed H.R. -
Concert & Dance Listings • Cd Reviews • Free Events
CONCERT & DANCE LISTINGS • CD REVIEWS • FREE EVENTS FREE BI-MONTHLY Volume 4 Number 6 Nov-Dec 2004 THESOURCE FOR FOLK/TRADITIONAL MUSIC, DANCE, STORYTELLING & OTHER RELATED FOLK ARTS IN THE GREATER LOS ANGELES AREA “Don’t you know that Folk Music is illegal in Los Angeles?” — WARREN C ASEY of the Wicked Tinkers Music and Poetry Quench the Thirst of Our Soul FESTIVAL IN THE DESERT BY ENRICO DEL ZOTTO usic and poetry rarely cross paths with war. For desert dwellers, poetry has long been another way of making war, just as their sword dances are a choreographic represen- M tation of real conflict. Just as the mastery of insideinside thisthis issue:issue: space and territory has always depended on the control of wells and water resources, words have been constantly fed and nourished with metaphors SomeThe Thoughts Cradle onof and elegies. It’s as if life in this desolate immensity forces you to quench two thirsts rather than one; that of the body and that KoreanCante Folk Flamenco Music of the soul. The Annual Festival in the Desert quenches our thirst of the spirit…Francis Dordor The Los Angeles The annual Festival in the Desert has been held on the edge Put On Your of the Sahara in Mali since January 2001. Based on the tradi- tional gatherings of the Touareg (or Tuareg) people of Mali, KlezmerDancing SceneShoes this 3-day event brings together participants from not only the Tuareg tradition, but from throughout Africa and the world. Past performers have included Habib Koité, Manu Chao, Robert Plant, Ali Farka Toure, and Blackfire, a Navajo band PLUS:PLUS: from Arizona. -
Omara Portuondo English Biography
OMARA PORTUONDO Biography The story of the life of Omara Portuondo (Havana, 1930) reads like something out of a film script. The daughter of a well-to-do family and a mother of Spanish descent, she relinquished everything to marry a handsome black member of the Cuban national baseball team – a fact that she kept secret since mixed marriages were frowned upon in Cuba at that time – Omaraʼs first encounter with music was at a very early age. Just as in any other Cuban home, the future singer and her siblings grew up with the songs which her parents, for lack of a gramophone, sang to them. Those melodies, some of which still form part of her repertoire, were young Omaraʼs informal introduction to the world of music. However, before taking up singing as a career, a fortuitous event led her to first try her hand at dancing, following in the footsteps of her sister Haydee, who was a member of the dance company of the famous Tropicana cabaret. One day, in 1945, two days before the opening night of a big new show, one of the dancers gave in her notice. Having watched her sister rehearse for hours on end, Omara knew the steps by heart and so was offered the vacant place in the company. “It was a very classy cabaret”, Omara recalls, “but it didnʼt make any sense. I was a shy girl and was embarrassed at showing my legs”. It was her mother who actually convinced her not to let the opportunity go by and so she began a dancing career that led her to form a legendary duo with Rolando Espinosa and, in 1961, to become a teacher of popular dance at the Escuela de Instructores de Arte. -
The Executive Survey General Information and Guidelines
The Executive Survey General Information and Guidelines Dear Country Expert, In this section, we distinguish between the head of state (HOS) and the head of government (HOG). • The Head of State (HOS) is an individual or collective body that serves as the chief public representative of the country; his or her function could be purely ceremonial. • The Head of Government (HOG) is the chief officer(s) of the executive branch of government; the HOG may also be HOS, in which case the executive survey only pertains to the HOS. • The executive survey applies to the person who effectively holds these positions in practice. • The HOS/HOG pair will always include the effective ruler of the country, even if for a period this is the commander of foreign occupying forces. • The HOS and/or HOG must rule over a significant part of the country’s territory. • The HOS and/or HOG must be a resident of the country — governments in exile are not listed. • By implication, if you are considering a semi-sovereign territory, such as a colony or an annexed territory, the HOS and/or HOG will be a person located in the territory in question, not in the capital of the colonizing/annexing country. • Only HOSs and/or HOGs who stay in power for 100 consecutive days or more will be included in the surveys. • A country may go without a HOG but there will be no period listed with only a HOG and no HOS. • If a HOG also becomes HOS (interim or full), s/he is moved to the HOS list and removed from the HOG list for the duration of their tenure. -
Cuba and U.S. Blockade
How Cuba has survived the U.S. embargo/blockade Essay and book review by Tony Wood, in London Review of Books, July 1, 2021 Reviewing: * The Cubans: Ordinary Lives in Extraordinary Times, by Anthony DePalma, published by Bodley Head, 368 pp., 2021 * We Are Cuba! How a Revolutionary People Have Survived in a Post-Soviet World, by Helen Yaffe, Yale U Press, 363 pp., 2020 On April 16, Raúl Castro stepped down as first secretary of the Cuban Communist Party. Much of the coverage focused on the fact that, for the first time in more than sixty years, none of the island’s top political posts is occupied by a Castro. This was a generational transition: the current president and first secretary of the party, Miguel Díaz-Canel, to whom Raúl handed over the reins of government three years ago, wasn’t even born when the 1959 revolution took place. Soon the system established by Fidel Castro’s 26 July Movement will have outlasted its founders. Its longevity has confounded repeated predictions of its imminent demise, and should have put paid to the abiding image of it as a Cold War relic. After all, Cuba’s distinctive state- socialist model has now lasted longer in the post-Cold War world than it did before 1989. Yet the image of Cuba as stranded in a previous epoch stubbornly persists, distorting outsiders’ view of a state that has all along been changing at its own pace. Cuba’s modern history is a famously polarising subject, with even simple word choices signalling opposed political sympathies. -
Folder Roberto Ohne Beschnitt Marken.Indd
Roberto Fonseca AKOKAN Born in 1975 (Havana) into a musical family, Roberto Fonseca – career took an unexpected turn. “I went to the EGREM studios to re- despite having been described in many different ways (“the most cord Angá Díaz’s album, invited by him, and when I got there I saw promising and important talent in Cuban music”, “A true revelation many people who were legends to me …, Rubén González, Cachaíto who stands out among pianists of his generation”) – remains faithful López, Guajiro Mirabal…… in two months my whole life changed.” to the wish he has had since the beginning of his career: ”I want my music to reach people who don’t know me, and I dream of one day Shortly afterwards, he was invited to be support pianist to the great becoming a point of reference for my audience…” maestro Rubén González, as part of the renowned Orquesta de Ib- rahim Ferrer and that same year he joined the management com- He started studying piano at the age of 8, though his initial passion pany Montuno. “My God, sharing the stage every night with Rubén was percussion. This interest from such an early age would clearly González was a real dream; I’d just stay there, staring at him play influence his trademark “percussive” piano-playing style. His first for hours”. A dream that toured all over the world, with over 400 “job” was as the drummer for a band doing covers of Beatles songs. concerts, promoting Ibrahim Ferrer’s records next to great legends At the age of 14, he created his first compositions, drawing inspi- such as Cachaíto López, Guajiro Mirabal and Manuel Galbán, among ration from the Afro-Cuban genre: “At school we used to regard others. -
LATIN AMERICA ADVISOR a DAILY PUBLICATION of the DIALOGUE Monday, December 23, 2019
LATIN AMERICA ADVISOR A DAILY PUBLICATION OF THE DIALOGUE www.thedialogue.org Monday, December 23, 2019 BOARD OF ADVISORS FEATURED Q&A TODAY’S NEWS Diego Arria Director, Columbus Group POLITICAL Devry Boughner Vorwerk Are Social Protests CEO, Rebels Attack DevryBV Sustainable Strategies Military, Police Joyce Chang in Latin America Posts in Venezuela Global Head of Research, JPMorgan Chase & Co. The attackers, reported to be led Paula Cifuentes by a deserting soldier, seized Director of Economic & Fiscal Affairs, Hurting Growth? weapons and killed at least one Latin America & Canada, Philip Morris International army offi cer at a military outpost Marlene Fernández in the remote Bolívar state before Corporate Vice President for fl eeing. Several have been appre- Government Relations, hended by authorities. Arcos Dorados Page 2 Peter Hakim President Emeritus, Inter-American Dialogue POLITICAL Donna Hrinak President, Boeing Latin America Cuba Names First Jon E. Huenemann Prime Minister in Former Corporate and Government Senior Executive Four Decades James R. Jones Manuel Marrero Cruz, 56, who will Chairman, Ongoing protests in several countries could be bad news for some of the region’s economies Monarch Global Strategies and investor appetite, commentators say below. A protest last month in Cali, Colombia is serve a fi ve-year term as prime minister, has been Cuba’s tourism Craig A. Kelly pictured above. // Photo: Roboting via Creative Commons. minister for almost 16 years. The Director, Americas International Social and political unrest have taken a toll on Latin Ameri- Gov’t Relations, Exxon Mobil position was eliminated by Fidel John Maisto can assets, with the region’s dollar bonds dropping 3.5 per- Castro in 1976. -
Here a MAGAZINE of the AMERICAS VOLUME 17 • FALL 2006 •
Hemisphere A MAGAZINE OF THE AMERICAS VOLUME 17 • FALL 2006 • HTTP://LACC.FIU.EDU The New Old Cuba Hemisphere VOLUME 17 • FALL 2006 • HTTP://LACC.FIU.EDU IN THIS ISSUE FROM THE GUEST EDITOR The New Old Cuba Damián J. Fernández 3 REPORTS Changes From Below Katrin Hansing 4 The New Politics of Opposition Orlando Gutiérrez-Boronat 8 Cuba and China Daniel P. Erikson and Adam Minson 12 Young Blood Frank O. Mora 16 FEATURES Poverty and Inequality in Cuba Lorena G. Barberia 20 Cuba’s New Daddy Javier Corrales 24 The End of Rationing? Carmelo Mesa-Lago 30 PHOTO ESSAY Everything Old Is New Again Uva de Aragón 36 REVIEW FORUM Plus ça change... Anthony P. Maingot 42 PUBLICATIONS UPDATE Cuba’s New Society Marian Goslinga 46 COVER: Ismael Gómez Peralta, “El fénix” de la Serie Iluminaciones, 2006 Mixed media on canvas, 69 x 59 inches. Photograph by Pedro Portal. The artist is represented exclusively by Cernuda Arte, Coral Gables, Florida. Hemisphere EDITORIAL STAFF Founding Editor Anthony P. Maingot Editor Eduardo A. Gamarra Associate Editors Mark B. Rosenberg Richard Tardanico Patricia Price Managing Editor Pedro D. Botta Book Review Editor Ivelaw Griffith Bibliographer Marian Goslinga CONTRIBUTING EDITORS Uva de Aragón Sarah Mahler Ana María Bidegain Félix E. Martín David Bray Lisandro Pérez Janet M. Chernela Timothy J. Power Michael W. Collier Ana Roca Carol Damian Andrea Mantell Seidel Damián J. Fernández Victor Uribe EDITORIAL ADVISORY BOARD Don Bohning Guido Pennano Ettore Botta Alejandro Portes Wolf Grabendorff Sally Price Alistair Hennessy David Ronfeldt Harry Hoetnik Selwyn Ryan Franklin W. Knight Steven E. -
JUAN DE MARCOS & the AFRO-CUBAN ALL STARS After
JUAN DE MARCOS & THE AFRO-CUBAN ALL STARS After gaining international fame for reviving the classic sound of Cuban son, tres master Juan de Marcos turned the Afro-Cuban All Stars into a sensational showcase for Cuba’s most prodigious young musicians. While long revered in Latin America and Europe as a founding member of Cuba’s great son revival band Sierra Maestra, de Marcos first gained notice in the US as founder of the Buena Vista Social Club. It was de Marcos who assembled Ibrahim Ferrer, Eliades Ochoa, Ruben Gonzalez and the rest of the crew for Ry Cooder when he came to Havana looking for illustrious old timers. But de Marcos is just as interested in promoting Cuba’s brilliant young musicians as in highlighting Cuba’s senior talent. The Afro-Cuban All Stars not only features a rotating, multi-generational cast; the group draws on both classic Cuban styles, like son and danzón, and contemporary dance rhythms like timba. “What I’m trying to do is create a bridge between contemporary and traditional Cuban music,” de Marcos says. “I’m trying to mix both things so people can realize that Cuban music didn’t stop in time, that it developed in this long period when Cuban music disappeared from the market.” Juan de Marcos was born in Havana in 1954 and grew up surrounded by music (his father was a singer and played with Arsenio Rodríguez amongst others). At university he studied hydraulic engineering and Russian before working as a consultant at the Agronomic Science Institute, gaining his doctorate in 1989.