Vvho THOUGHT of THAT?

Total Page:16

File Type:pdf, Size:1020Kb

Vvho THOUGHT of THAT? Welcome to Wallace & Gromit’s Activity Pack vvHO THOUG HT OF THAT? 4-7 years Fun facts, stories and inspiring activity ideas for 4 -7s from the world of innovation and Intellectual Property! For parents, teachers and club leaders. Time to get cracking! ww w.crackingideas.com © Aardman Animations Ltd. 2 01 0 INNO VATION Innovative ideas surround us in everyday life – new ideas and developments to make things possible. Every idea has its origin in the creativity of one person. Their creativity – a product for the home, a piece of music, an animated character – is protected by their Intellectual Property (IP) rights. These rights identify the creator as the owner of the idea and enable them to earn money from the idea so they can continue to innovate. This resource introduces children age 4-7 to the world of PATENT: Protects inventions – what makes things work? innovation and the four types of Intellectual Property (IP). It is TRADE MARKS: A badge of origin – what sets it apart? inspired by Wallace & Gromit and Aardman Animations but is DESIGN: Protects the way a product looks – also filled with other fun facts and activities to encourage what makes it look great? curiosity about how things work, and ideas to make things COPYRIGHT: Protects things like books, art, music work better! and films – what makes it original? website his ing Ideas T of Crack is ee World rce Links: S resou rriculum Cu lan ed at tails lesson p aim for de oductory inute intr ed in s ee 60-m an be us 4-7 ation: Fr 4-7s. C process r Innov n use for ure and 1-hou notes o e the nat DF) with to explor 8-11s (P source website for ith this re ing Ideas nction w of Crack conju e World : ation. Se petition of innov eas Com itiatives cking Id these in and Cra deas for llenges ing and i eka Cha rt plann Eur an suppo source c bsite. This re deas we racking I on the C ww w.crackingideas.com © Aardman Animations Ltd. 2 01 0 patents Patents protects inventions – what makes iscover things work ? Patents are given to inventions D Let’s t that are new . If people don’t patent their alk about: What is an invention? W hich inventions do we inventions, anyone can use, make or sell it use every d ay that need energy to permission work? How without their . many use electricity? What is a patent? In the made up world of Wallace & Gromit, Wallace invents machines to make life easier for them. In A Matter of Loaf and Death they start a bread baking business in their house! Wallace puts Case study a windmill on the roof to provide the energy for the machine to grind the Aardman Licensing Manager – Rob Goodchild: wheat into flour. Wallace wants to “At Aardman it takes a lot 0 1 0 of effort and work to 2 protect his idea with a patent. d t L create our special He says his invention is ‘patent s n o i t characters and stories, pending’ – he has to wait to a m i n A our ‘intellectual property’ see if his idea is new. n a m d (IP). We protect them to r a A A M make sure that other att © Loaf er of and people use them to Explore Death make toys, books, Who thought of that? A new favourite toy clothes and other The first DS™ (‘dual screen’) handheld video game things only with our console was made by the Nintendo ® company in Japan. permission.” Rob Go A patent was granted because it used new technology; odchild this meant that the company could continue to develop new products. Nintendo’s ® latest creation DSi™ is smaller and thinner. Aardman licensed a company called e D3Publisher to make video Explor ole games for the DSi™ Let’s make: A video game cons with Shaun the Sheep. with Plasticine® o you like? Baa-rilliant! What video or computer games d ttons? Do What happens if you push the bu to hold in Who thought of that? you prefer a video game console and a An old favourite toy your hands or a computer screen hey use? An art teacher, William mouse? What kind of energy do t onsole for Harbutt, invented • Model a new handheld games c ® lan it by Plasticine in 1897. He children to use easily. You could p wanted his students to Shaun t rawings first. he Shee making some d the g p, nd have modelling clay that ame! • Does it fit in your hands easily a ape of didn’t dry out. He also comfortably? Use the size and sh the wanted children to enjoy it. your hands to guide the shape of console. e? Where • What colour will your console b ill the will the two screens go? Where w h the buttons go? Can your fingers reac buttons easily? me! • Don’t forget to give it a good na ww w.crackingideas.com trade marks Discover Trade marks protect a badge of origin/brand Let’s talk about: name – what sets it apart? Trade marks can What is a trade mark, in words or as a logo or both? How do be words, a logo, or both . When a trade these two trade m arks help us think of Aardman and W mark is registered the owner allace & Gromit? Can we make a lis t of trade marks we’ve can use the ® symbol next seen? How ma ny are only words and to it. If people register how many a re only logos and how their trade mark, they many are both? can stop other people using it without their permission . Case study The director of the McVitie’s ® Aardman Animations is the company that makes the Wallace & Gromit films. It also makes TV shows like Shaun the Sheep Digestives commercials was and Timmy Time and it makes adverts. These are the trade Alan Short. He turned the ® marks for Aardman and for Wallace & Gromit. McVitie’s wheat sheaf logo into three characters: a brave wheat sheaf telling Explore his parents about his dream to be wholemeal, A scene fr Who thought of that? a romantic wheat sheaf c om the ommerc A new way to sell a biscuit singing about running ial Aardman Animations have made animated television away with a strawberry adverts for lots of things, including one for biscuits. to become a Yog Fruit digestive and an excited This is the trade mark for McVitie’s ®. wheat sheaf with the new job of becoming a McVitie’s ® Digestives are a chocolate digestive. kind of sweet biscuit made of wholemeal. They also make a re yummy chocolate- Explo covered version. Perfect ideo Let’s draw: A logo for our new v for dipping in a hot cup of game console tea! For the advert, alked From the list of trade marks you t Aardman animated wheat, why? about, which is your favourite and with characters and a little , the Do you like the colours, the words story. At the end of the ow does it help you think about go picture? H advert was the packet of ’s® lo r? cVitie what the trade mark is fo McVitie’s ® Digestives and the M game • Draw a logo for your new video trade mark. you console. You could use the name olours, gave it and a picture, too. What c Who thought of that? e words or pictures will always mak A new biscuit people think of your console? A young Scot called Alexander Grant created the working • When you’ve finished, if you’re digestive biscuit in 1892. He worked for McVitie’s ® uld see in a large group or a class you co bakery. They were called ‘Digestives’ because they were ole if people can match up each cons thought to help digestion. We like them, whatever with its logo. they’re good for – in the UK we now eat an average 52 chocolate-covered Digestives every second! ® McVitie’s is a registered Trade Mark of United Biscuits (UK) Limited ww w.crackingideas.com Design Protects the way a product looks – what makes it look great? Designs must be new and look different to designs we already know. Registered design protects how it looks scover including the materials and the pattern . Di Let’s talk about: W hat is a design? What do you like ab In the made up world of Wallace & out how the Autochef looks? Can you de Gromit, Wallace invents gadgets to scribe the designs of things you use at m make life easier for them and which eal times at home or 0 1 school – 0 what does y look good too. In Cracking 2 our bo wl . or plate d t look like? L W hat Contraptions he invents the about you s r glass or m n ug? o W i hat mak t es the des Autochef robot to make their a igns look good and m i wha n t makes them lo A ok d breakfast. The design is great: ifferent? n a m It looks like a real chef but it has d r a A a blender instead of chef’s hat © and it has switches and dials instead of eyes and buttons. Walla Case study ce’s Au It wears smart blue and white tochef checked trousers. Unfortunately The Thermo Nose Mug was it doesn’t work: the tea pours so fast designed for a brand of tea, PG through the kettle spout ‘nose’ that Gromit has to jump Tips ®.
Recommended publications
  • Aardman in Archive Exploring Digital Archival Research Through a History of Aardman Animations
    Aardman in Archive Exploring Digital Archival Research through a History of Aardman Animations Rebecca Adrian Aardman in Archive | Exploring Digital Archival Research through a History of Aardman Animations Rebecca Adrian Aardman in Archive: Exploring Digital Archival Research through a History of Aardman Animations Copyright © 2018 by Rebecca Adrian All rights reserved. Cover image: BTS19_rgb - TM &2005 DreamWorks Animation SKG and TM Aardman Animations Ltd. A thesis submitted in partial fulfilment of the requirements for the degree of Master of Arts in Media and Performance Studies at Utrecht University. Author Rebecca A. E. E. Adrian Student number 4117379 Thesis supervisor Judith Keilbach Second reader Frank Kessler Date 17 August 2018 Contents Acknowledgements vi Abstract vii Introduction 1 1 // Stop-Motion Animation and Aardman 4 1.1 | Lack of Histories of Stop-Motion Animation and Aardman 4 1.2 | Marketing, Glocalisation and the Success of Aardman 7 1.3 | The Influence of the British Television Landscape 10 2 // Digital Archival Research 12 2.1 | Digital Surrogates in Archival Research 12 2.2 | Authenticity versus Accessibility 13 2.3 | Expanded Excavation and Search Limitations 14 2.4 | Prestige of Substance or Form 14 2.5 | Critical Engagement 15 3 // A History of Aardman in the British Television Landscape 18 3.1 | Aardman’s Origins and Children’s TV in the 1970s 18 3.1.1 | A Changing Attitude towards Television 19 3.2 | Animated Shorts and Channel 4 in the 1980s 20 3.2.1 | Broadcasting Act 1980 20 3.2.2 | Aardman and Channel
    [Show full text]
  • Shaun Le Mouton
    STUDIOCANAL PRÉSENTE UNE PRODUCTION AARDMAN Un film réalisé par Richard Starzak et Mark Burton DISTRIBUTION PRESSE Durée : 1h25 Michèle ABITBOL-LASRY Sophie FRACCHIA Séverine LAJARRIGE 1, place du Spectacle SORTIE LE 1ER AVRIL 2015 184, boulevard Haussmann 92130 Issy-les-Moulineaux 75008 Paris Tél. : 01 71 35 11 19 Tél. : 01 45 62 45 62 [email protected] [email protected] / [email protected] Photos et dossier de presse sont disponibles sur www.studiocanal.fr Shaun est un petit mouton futé qui travaille, avec son troupeau, Comment survivre en ville quand on est un mouton ? Comment éviter pour un fermier myope à la ferme Mossy Bottom, sous l’autorité de d’être reconnu et donc échapper aux griffes acérées de Trumper le Bitzer, chien de berger dirigiste mais bienveillant et inefficace. La terrifiant responsable de la fourrière ? vie est belle, globalement, mais un matin, en se réveillant, Shaun Cette plongée urbaine sera pour le troupeau une course à 100 à se dit que sa vie n’est que contraintes. Il décide de prendre un l’heure, pleine d’aventures incroyables où Shaun va croiser la route jour de congé, avec pour cela un plan qui consiste à endormir le d’une petite chienne orpheline Slip, qui rêve d’avoir des parents fermier. Mais son stratagème fonctionne un peu trop bien et il perd et lui fera réaliser qu’il serait finalement bien plus heureux avec sa rapidement le contrôle de la situation. Une chose en entraînant une famille de moutons, à la ferme… autre, tout le troupeau se retrouve pour la première fois bien loin de la ferme et plus précisément : dans la grande ville.
    [Show full text]
  • Listado Obras Reparto Extraordinario SOGECABLE Emisión Analógica.Xlsx
    Listado de obras audiovisuales Reparto Extraordinario SOGECABLE (Emisión Analógica) Canal Plus 1995 - 2005 Cuatro 2005 - 2009 Dossier informativo Departamento de Reparto Página 1 de 818 Tipo Código Titulo Tipo Año Protegida Obra Obra Obra Producción Producción Globalmente Actoral 20021 ¡DISPARA! Cine 1993 Actoral 17837 ¡QUE RUINA DE FUNCION! Cine 1992 Actoral 201670 ¡VAYA PARTIDO!- Cine 2001 Actoral 17770 ¡VIVEN!- Cine 1993 Actoral 136956 ¿DE QUE PLANETA VIENES?- Cine 2000 Actoral 74710 ¿EN VIVO O EN VITRO? Cine 1996 Actoral 53383 ¿QUE HAGO YO AQUI, SI MAÑANA ME CASO? Cine 1994 Actoral 175 ¿QUE HE HECHO YO PARA MERECER ESTO? Cine 1984 Actoral 20505 ¿QUIEN PUEDE MATAR A UN NIÑO? Cine 1976 Actoral 12776 ¿QUIEN TE QUIERE BABEL? Cine 1987 Actoral 102285 101 DALMATAS (MAS VIVOS QUE NUNCA)- Cine 1996 Actoral 134892 102 DALMATAS- Cine 2000 Actoral 99318 12:01 TESTIGO DEL TIEMPO- Cine 1994 Actoral 157523 13 CAMPANADAS Cine 2001 Actoral 135239 15 MINUTOS- Cine 2000 Actoral 256494 20.000 LEGUAS DE VIAJE SUBMARINO I- Cine 1996 Actoral 256495 20.000 LEGUAS DE VIAJE SUBMARINO II- Cine 1996 Actoral 102162 2013 RESCATE EN L.A.- Cine 1995 Actoral 210841 21 GRAMOS- Cine 2003 Actoral 105547 28 DIAS Cine 2000 Actoral 165951 28 DIAS DESPUES Cine 2002 Actoral 177692 3 NINJAS EN EL PARQUE DE ATRACCIONES- Cine 1998 Actoral 147123 40 DIAS Y 40 NOCHES- Cine 2002 Actoral 126095 60 SEGUNDOS- Cine 2000 Actoral 247446 69 SEGUNDOS (X) Cine 2004 Actoral 147857 8 MILLAS- Cine 2002 Actoral 157897 8 MUJERES Cine 2002 Actoral 100249 8 SEGUNDOS- Cine 1994 Página 2 de 818
    [Show full text]
  • 2007 Annual Report
    2007 Annual Report As a celebration of the creative spirit that drives everything we do at DreamWorks Animation, we held an artwork contest in 2007 in which we invited all employees to submit a design to be featured in the Annual Report. Every submission celebrated the unique and fulfilling process of working on an animated film at the Company. Rhion Magee, Consumer Products, created the winning submission. Dear Fellow Shareholders, I am pleased to report that 2007 was our most successful year since we took DreamWorks Animation public in 2004, thanks in large part to the blockbuster success of Shrek the Third and the Shrek franchise as a whole. In addition to boasting the best domestic opening in the history of animated film, Shrek the Third became the second highest grossing film of 2007 in the U.S. and the fourth best performing animated movie of all time. Even in a challenging home video market, Shrek the Third has risen above the competition and performed well. In 2007, we advanced our mission to successfully expand the Shrek brand with Shrek the Halls, our first made-for-television special. Over 21 million people throughout the U.S. watched the program this past holiday season on ABC. Additionally, Shrek made his first appearance at the annual Macy’s Thanksgiving Day Parade as the official 2007 Ambassador for the event. In December, we will take our brand expansion one step further by bringing Shrek the Musical to the Broadway Theatre in New York City. We are very excited about this tremendous opportunity to further extend one of the most successful franchises in Hollywood history.
    [Show full text]
  • Masculinity in Children's Film
    Masculinity in Children’s Film The Academy Award Winners Author: Natalie Kauklija Supervisor: Mariah Larsson Examiner: Tommy Gustafsson Spring 2018 Film Studies Bachelor Thesis Course Code 2FV30E Abstract This study analyzes the evolution of how the male gender is portrayed in five Academy Award winning animated films, starting in the year 2002 when the category was created. Because there have been seventeen award winning films in the animated film category, and there is a limitation regarding the scope for this paper, the winner from every fourth year have been analyzed; resulting in five films. These films are: Shrek (2001), Wallace and Gromit (2005), Up (2009), Frozen (2013) and Coco (2017). The films selected by the Academy of Motion Picture Arts and Sciences in the Animated Feature film category tend to be both critically and financially successful, and watched by children, young adults, and adults worldwide. How male heroes are portrayed are generally believed to affect not only young boys who are forming their identities (especially ages 6-14), but also views on gender behavioral expectations in girls. Key words Children’s Film, Masculinity Portrayals, Hegemonic Masculinity, Masculinity, Film Analysis, Gender, Men, Boys, Animated Film, Kids Film, Kids Movies, Cinema, Movies, Films, Oscars, Ceremony, Film Award, Awards. Table of Contents Introduction __________________________________________________________ 1 Problem Statements ____________________________________________________ 2 Method and Material ____________________________________________________
    [Show full text]
  • Films Shown by Series
    Films Shown by Series: Fall 1999 - Winter 2006 Winter 2006 Cine Brazil 2000s The Man Who Copied Children’s Classics Matinees City of God Mary Poppins Olga Babe Bus 174 The Great Muppet Caper Possible Loves The Lady and the Tramp Carandiru Wallace and Gromit in The Curse of the God is Brazilian Were-Rabbit Madam Satan Hans Staden The Overlooked Ford Central Station Up the River The Whole Town’s Talking Fosse Pilgrimage Kiss Me Kate Judge Priest / The Sun Shines Bright The A!airs of Dobie Gillis The Fugitive White Christmas Wagon Master My Sister Eileen The Wings of Eagles The Pajama Game Cheyenne Autumn How to Succeed in Business Without Really Seven Women Trying Sweet Charity Labor, Globalization, and the New Econ- Cabaret omy: Recent Films The Little Prince Bread and Roses All That Jazz The Corporation Enron: The Smartest Guys in the Room Shaolin Chop Sockey!! Human Resources Enter the Dragon Life and Debt Shaolin Temple The Take Blazing Temple Blind Shaft The 36th Chamber of Shaolin The Devil’s Miner / The Yes Men Shao Lin Tzu Darwin’s Nightmare Martial Arts of Shaolin Iron Monkey Erich von Stroheim Fong Sai Yuk The Unbeliever Shaolin Soccer Blind Husbands Shaolin vs. Evil Dead Foolish Wives Merry-Go-Round Fall 2005 Greed The Merry Widow From the Trenches: The Everyday Soldier The Wedding March All Quiet on the Western Front The Great Gabbo Fires on the Plain (Nobi) Queen Kelly The Big Red One: The Reconstruction Five Graves to Cairo Das Boot Taegukgi Hwinalrmyeo: The Brotherhood of War Platoon Jean-Luc Godard (JLG): The Early Films,
    [Show full text]
  • Wallace and Gromit: Anoraknophobia Pdf, Epub, Ebook
    WALLACE AND GROMIT: ANORAKNOPHOBIA PDF, EPUB, EBOOK Tristan Davies | none | 01 Sep 2000 | Hodder & Stoughton General Division | 9781840323016 | English | London, United Kingdom Wallace and Gromit: Anoraknophobia PDF Book The name derives from the Dutch phrase "aard man" meaning Nature Man, when joined together, "aardman" becomes "Earthman" more commonly translated to: "goblin"[citation needed]. A series of 5-minute films showcasing Wallace's latest wacky inventions. Nice tight copy, no names or marks inside. Published by Boxtree More information about this seller Contact this seller 4. I Agree This site uses cookies to deliver our services, improve performance, for analytics, and if not signed in for advertising. Gromit becomes increasingly suspicious of Preston, who is the sheep rustler, along with Gwendolene. Log in or register to write something here or to contact authors. This listing has ended. Retrieved on 2 November So begins the first compelling story. Home Groups Talk More Zeitgeist. Park also developed the clay modelled shorts featuring the adventures of Wallace and Gromit , a comical pair of friends: Wallace being a naive English inventor with a love of cheese, and Gromit his best friend, the intelligent but silent dog. A good rule of thumb is that series have a conventional name and are intentional creations , on the part of the author or publisher. Avoid series that cross authors, unless the authors were or became aware of the series identification eg. Wallace is the human of the pair and mostly the leader. Joy Bechtold added it Mar 15, Universal Conquest Wiki. Comic book art illustrator. This wiki All wikis.
    [Show full text]
  • Shaun the Sheep's Creator
    PRODUCTION NOTES STUDIOCANAL RELEASE DATES: UK – OCTOBER 18th 2019 SOCIAL MEDIA: Facebook - https://www.facebook.com/shaunthesheep Twitter - https://twitter.com/shaunthesheep Instagram - https://www.instagram.com/shaunthesheep/ YouTube - https://www.youtube.com/user/aardmanshaunthesheep For further information please contact STUDIOCANAL: UK ENQUIRIES [email protected] [email protected] 1 Synopsis Strange lights over the quiet town of Mossingham herald the arrival of a mystery visitor from far across the galaxy… For Shaun the Sheep’s second feature-length movie, the follow-up to 2015’s smash hit SHAUN THE SHEEP MOVIE, A SHAUN THE SHEEP MOVIE: FARMAGEDDON takes the world’s favourite woolly hero and plunges him into an hilarious intergalactic adventure he will need to use all of his cheekiness and heart to work his way out of. When a visitor from beyond the stars – an impish and adorable alien called LU-LA – crash-lands near Mossy Bottom Farm, Shaun soon sees an opportunity for alien-powered fun and adventure, and sets off on a mission to shepherd LU-LA back to her home. Her magical alien powers, irrepressible mischief and galactic sized burps soon have the flock enchanted and Shaun takes his new extra-terrestrial friend on a road-trip to Mossingham Forest to find her lost spaceship. Little do the pair know, though, that they are being pursued at every turn by a mysterious alien- hunting government agency, spearheaded by the formidable Agent Red and her bunch of hapless, hazmat-suited goons. With Agent Red driven by a deep-seated drive to prove the existence of aliens and Bitzer unwittingly dragged into the haphazard chase, can Shaun and the flock avert Farmageddon on Mossy Bottom Farm before it’s too late? 2 Star Power The creative team behind the world’s favourite woolly wonder explain how, in Farmageddon, they’ve boldly gone where no sheep has gone before..
    [Show full text]
  • Bfi and Aardman Animations Launch Partnership to Develop New Animation Feature Films
    BFI AND AARDMAN ANIMATIONS LAUNCH PARTNERSHIP TO DEVELOP NEW ANIMATION FEATURE FILMS The BFI Aardman Animation Development Lab to support animated feature film projects BFI Aardman Animation Development Lab to offer support and professional, hands-on experience to emerging talent with a passion for creating animated family films LONDON – Friday 3 October 2014. The BFI is partnering with Aardman Animations, a world leader in stop-frame and CGI animated filmmaking and creators of Wallace & Gromit and Shaun The Sheep, in launching a new scheme today backed by £1 million of Lottery funding to help support the development and production of new animated feature films and the creative talent making them. The BFI will provide funding for up to two years, to three filmmakers or filmmaker teams (writers, directors, producers) to develop their projects with dedicated development support through The BFI Aardman Animation Development Lab. The process for developing animated feature films is lengthy and expensive limiting the opportunities for British filmmakers. Aardman will work with the filmmakers – animators, writers, directors, producers – to shape their ideas with the aim of emerging with a set of ‘greenlight’ materials for their films, ready to advance to production. The closing date for applications is Friday 28 November 2014. Ben Roberts, Director of the BFI Film Fund says, "The beauty of animated features lies in their ability to combine great artistry with commercial ambition. This all comes at a cost, and so the development opportunities are limited. Tapping into that Aardman brain to work in depth on a small number of carefully chosen projects from promising filmmakers, is a great opportunity for us to move some exciting and commercially appealing work closer to a reality." Peter Lord, Co-founder of Aardman Animations says, "Feature animation is the ideal medium for filmmakers.
    [Show full text]
  • Wallace & Gromit
    WALLACE & GROMIT: THE CURSE OF THE WERE-RABBIT Programme Notes If Nick Park and co. at Aardman gradually established themselves as a sort of millennial plasticine Ealing, then surely ‘Wallace & Gromit: The Curse of the Were-Rabbit’ is their diversion into Hammer horror territory. Aardman’s plunge into the daunting world of feature-length production had begun with ‘Chicken Run’ (2000), which set something of a precedent with its own co-opting of a broad, recognisable genre, on this occasion the wartime prison break drama, and the much-loved Wallace & Gromit followed suit with a good old-fashioned monster spooker. Ok, it tones down its terrors in favour of good old English standbys like garden fêtes, marrow-growing contests, and aerial dogfights, yet this in itself all shows a keen awareness of the frequently clichéd vision of Britain depicted in our genre fare, with emphasis often placed on class-system clashes (compare the respective foxhunter sequences in ‘The Hound of the Baskervilles’, ‘The Tomb of Ligeia’, ‘The Plague of the Zombies’ and ‘The Final Conflict’, for example – our ‘proper’ horror films straying every bit as far from their fear focus and using traditional imagery to offer comment on wider issues). We probably have as many fictional ‘national treasures’ as we do real ones – for every Florence Nightingale or Mo Farah, say, there’s a ‘James Bond’ or ‘Sherlock Holmes’. An instant hit as soon as ‘A Grand Day Out’ took to the screens in 1989, both Wallace and Gromit leapt on to everyone’s list of praiseworthy favourites, consolidating their success with ‘The Wrong Trousers’ (1993), perhaps their defining half-hour, and ‘A Close Shave’ (1995).
    [Show full text]
  • Shaun the Sheep Movie - Shear Madness Pdf, Epub, Ebook
    SHAUN THE SHEEP MOVIE - SHEAR MADNESS PDF, EPUB, EBOOK Aardman Animations Ltd | 48 pages | 01 Jan 2015 | Walker Books Ltd | 9781406359657 | English | London, United Kingdom Shaun the Sheep Movie - Shear Madness PDF Book Other books in this series. Other Popular Editions of the Same Title. This beautiful large-format poster book lets you decorate your walls with the gorgeous images from Big Picture Press's best-selling Animalium. Read more Accept all Manage Cookies. Bestselling Series. View 2 comments. Manufacturers, suppliers and others provide what you see here, and we have not verified it. Email address. Zelda added it Aug 04, Free delivery worldwide. Refresh and try again. Rating details. More filters. Popular Features. Subtitles: English Closed Captioned. This time Daddy Pig has borrowed a camper van Follow us. About the Author Aardman is the world-class animation studio behind the internationally best-selling brand Shaun the Sheep, as well as Chicken Run and the Wallace and Gromit films. Doctor Peppa is in the house — can she help a friend with the sniffles feel better? Learn about new offers and get more deals by joining our newsletter. Azzan Reads marked it as to-read Dec 01, Teresa added it Aug 15, Shaun Shear MadnessIt's madness in the meadow with Shaun the Sheep and his flock of mischievous merrymakers! Paperback , 48 pages. There are no discussion topics on this book yet. Aardman Animations Ltd. Synopsis About this title New "synopsis" may belong to another edition of this title. Book Description Walker Books, Seller Inventory Shaun the Sheep Movie - Shear Madness Writer Refresh and try again.
    [Show full text]
  • December 2015 January 2016 Daytonsbluffdistrictforum.Org
    Volume 28, No. 11 D December 2015 January 2016 daytonsbluffdistrictforum.org “The Voice of the Community” local food will be served. votesinfo.sos.state.mn.us/voters/voter-registra- Dayton's Bluff Community We encourage all residents to become leaders tion/eligibility-instructions/. Council to hold Annual in their community. Sitting on the Dayton’s Bluff Community members must meet at least one of the Community Council (DBCC) Board of Directors voter identification requirements to prove residency in Meeting and Board Elections is an opportunity to represent the interests of your Dayton’s Bluff in order to receive a ballot. The one exception to the state of Minnesota voter Dayton's Bluff Community Council Staff community and to guide the Council and the Day- ton's Bluff neighborhood to a bright and prosper- eligibility is age. Per the DBCC by-laws, membership shall be granted to anyone 16 years of age or older ous future. Please join us on Monday, December 21, for who resides, owns property, or owns or operates a the Dayton’s Bluff Community Council Annual To ensure that all have an opportunity to cast business within the boundaries. Each member is eligi- Meeting and Board Elections. We want to thank their vote in this election, we have created the fol- ble to cast one vote in organization elections. the Board, staff, and the community for making lowing 2015 absentee/early voting schedule: A locked/sealed ballot box will be available at this an amazing year. All are invited to attend and December 14-17, from 8:00 a.m.
    [Show full text]