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The Literary Apprenticeship of Laura Ingalls Wilder
Copyright © 1984 by the South Dakota State Historical Society. All Rights Reserved. The Literary Apprenticeship of Laura Ingalls Wilder WILLIAM T. ANDERSON* Fifty years after the publication of Laura Ingalls Wilder's first book. Little House in the Big Woods (1932), that volume and eight succeeding volumes of the author's writings are American classics. The "Little House" books have been read, reread, trans- lated, adapted, and admired by multitudes world-wide. Wilder's books, which portray the frontier experience during the last great American expansionist era, "have given a notion of what pioneer life was like to far more Americans than ever heard of Frederick Jackson Turner."' Laura Ingalls Wilder's fame and the success of her books have been spiraling phenomenons in American publishing history. In I *The author wishes to acknowledge the many people who have contributed to the groundwork that resulted in this article. Among them are Roger Lea MacBride of Charlottesville. Va., whom I thank for years of friendship and favors—particu- larly the unlimited use of the once restricted Wilder papers; Mr. and Mrs. Aubrey Sherwood of De Smet, S.Dak., for loyal support and information exchange; Vera McCaskell and Vivian Glover of De SmeL, for lively teamwork; Dwight M. Miller and Nancy DeHamer of the Herbert Hoover Presidential Library, for research assistance; Dr. Ruth Alexander of South Dakota State University, for valuable sug- gestions and criticism; Alvilda Myre Sorenson, for encouragement and interest; and Mary Koltmansberger, for expert typing. 1. Charles Elliott, review of The First Four Years, by Laura Ingalls Wilder, in Time. -
COMING out on SEPTEMBER 11, 2015 New Releases from KALASHNIKOV COLLECTIVE BUSTER BROWN DARRELL BANKS REDD KROSS the JUKEBOX ROMANTICS
COMING OUT ON SEPTEMBER 11, 2015 new releases from KALASHNIKOV COLLECTIVE BUSTER BROWN DARRELL BANKS REDD KROSS THE JUKEBOX ROMANTICS Exclusively Distributed by KALASHNIKOV COLLECTIVE L’Algebra Morente Del Cielo, LP STREET DATE: September 11, 2015 INFORMATION: Artist Hometown: Milan, Italy Key Markets: Italy, Germany, France, Austria, Belgium, Netherlands, Spain, Portugal, Canada, Russia, USA For Fans of: CRASS, CONTROPOTERE, UK SUBS, LA FRACTION, WORLD/INFERNO FRIENDSHIP SOCIETY, THE CLASH, WRETCHED, RAW POWER, NEGAZIONE, DECLINO L’Algebra Morente Del Cielo (The Dying Algebra of the Sky in English) is the sixth full-length release from KALASHNIKOV COLLECTIVE, a seven- sometimes eight-piece romantic punk group from Milano, Italy. Since their inception in 1996, KALASHNIKOV has been renowned for their frenetic live performances, ARTIST: KALASHNIKOV COLLECTIVE groundbreaking songwriting, and sincere dedication to the DIY spirit of punk. Defying easy classification, TITLE: L’Algebra Morente Del Cielo the band embraces a myriad of musical and cultural influences; imagine an ‘80s crossover punk band doing LABEL: Aborted Society the tango to synthesizers, and you’re somewhat close. Coining the term “Romantic Punk,” KALASHNIKOV CAT#: ABSOC033-1 may have altogether invented a new genre of music, and have fast become one of the most innovative FORMAT: LP and important bands in the punk underground worldwide. New wave, ska, metal, thrash, anarchopunk, GENRE: Punk traditional and classical interludes weave in and out at a breakneck pace, and somehow make perfect BOX LOT: 25 sense in the world of KALASHNIKOV. It is a lyrical protest against an impending dystopian future, and if SRLP: $13.98 the revolution were to throw a dance party, this would be the soundtrack. -
Here Is a Printable
Ryan Leach is a skateboarder who grew up in Los Angeles and Ventura County. Like Belinda Carlisle and Lorna Doom, he graduated from Newbury Park High School. With Mor Fleisher-Leach he runs Spacecase Records. Leach’s interviews are available at Bored Out (http://boredout305.tumblr.com/). Razorcake is a bi-monthly, Los Angeles-based fanzine that provides consistent coverage of do-it-yourself punk culture. We believe in positive, progressive, community-friendly DIY punk, and are the only bona fide 501(c)(3) non-profit music magazine in America. We do our part. An Oral History of The Gun Club originally appeared in Razorcake #29, released in December 2005/January 2006. Original artwork and layout by Todd Taylor. Photos by Edward Colver, Gary Leonard and Romi Mori. Cover photo by Edward Colver. Zine design by Marcos Siref. Printing courtesy of Razorcake Press, Razorcake.org he Gun Club is one of Los Angeles’s greatest bands. Lead singer, guitarist, and figurehead Jeffrey Lee Pierce fits in easily with Tthe genius songwriting of Arthur Lee (Love), Chris Hillman (Byrds), and John Doe and Exene (X). Unfortunately, neither he nor his band achieved the notoriety of his fellow luminary Angelinos. From 1979 to 1996, Jeffrey manned the Gun Club ship through thick and mostly thin. Understandably, the initial Fire of Love and Miami lineup of Ward Dotson (guitar), Rob Ritter (bass), Jeffrey Lee Pierce (vocals/ guitar) and Terry Graham (drums) remains the most beloved; setting the spooky, blues-punk template for future Gun Club releases. At the time of its release, Fire of Love was heralded by East Coast critics as one of the best albums of 1981. -
Annual Report of the Selectmen and Treasurer of the Town of Grafton
ni ANNUAL REPORT OF THE Selectmen and Treasurer OF THE TOWN of GRAFTON Together witk tlie Reports of the ROAD AGENT AND OTHER OFFICERS OF THE TOWN FOR THE Fiscal Year Ending January 31, 1922 ALSO Vital Statistics for the Year Ending Dec. 31, 1921 Reporter Press, CaotM, N. H. ANNUAL REPORT OF THE Selectmen and Treasurer OF THE TOWN of GRAFTON Together witli tke Reports of tLe ROAD AGENT AND OTHER OFFICERS OF THE TOWN FOR THE Fiscal Year EnJing January 31, 1922 ALSO Vital Statistics for tke Year Ending Dec. 31 1921 Reporter Press, Canaan, N. H. Town Officers MODERATOR Fred Gagk TOWN CLERK Fred W. Barney TREASURER Alpheus A. Howe SELECTMEN Morris F. Braley A. Stuart Gage John M. Phillips HIGHWAY AGENT John L. Sargent COLLECTOR OF TAXES Weston C. Rollins BOARD OF HEALTH Fred Gage TRUSTEES OF TRUST FUNDS Alva P. Goulding Fred Gage Alden H. Barney CHIEF FIRE WARDEN Fred Gage DEPUTY FIRE WARDENS John M. Phillips Frank Sargent Henry Otis CONSTABLES A. P. Goulding W. C. Rollins A. E- Kimball B. A. Decato E. S. Hunt H. M. Valia AUDITORS Alva P. Goulding Grover W. Braley SUPERVISORS Edgar G. Pariso Guy C. Haskins Edwin L. Sargent REPRESENTATIVE Edgar G. Pariso JANITOR William H. Armstrong (I,, s.) STATE OF NEW HAMPSHIRE To the inhabitants of the town of Grafton in th County of Grafton in said State, qualified to vote in Town affairs: You are hereby notified to meet at the Town Hall in said town on Tuesday, the fourteenth day of March next, at nine of the clock in the forenoon, to act upon the fol- lowing subjects: Article i. -
Bad Rhetoric: Towards a Punk Rock Pedagogy Michael Utley Clemson University, [email protected]
Clemson University TigerPrints All Theses Theses 8-2012 Bad Rhetoric: Towards A Punk Rock Pedagogy Michael Utley Clemson University, [email protected] Follow this and additional works at: https://tigerprints.clemson.edu/all_theses Part of the Rhetoric and Composition Commons Recommended Citation Utley, Michael, "Bad Rhetoric: Towards A Punk Rock Pedagogy" (2012). All Theses. 1465. https://tigerprints.clemson.edu/all_theses/1465 This Thesis is brought to you for free and open access by the Theses at TigerPrints. It has been accepted for inclusion in All Theses by an authorized administrator of TigerPrints. For more information, please contact [email protected]. BAD RHETORIC: TOWARDS A PUNK ROCK PEDAGOGY A Thesis Presented to the Graduate School of Clemson University In Partial Fulfillment of the Requirements for the Degree Master of Arts Professional Communication by Michael M. Utley August 2012 Accepted by: Dr. Jan Rune Holmevik, Committee Chair Dr. Cynthia Haynes Dr. Scot Barnett TABLE OF CONTENTS Page Introduction ..........................................................................................................................4 Theory ................................................................................................................................32 The Bad Brains: Rhetoric, Rage & Rastafarianism in Early 1980s Hardcore Punk ..........67 Rise Above: Black Flag and the Foundation of Punk Rock’s DIY Ethos .........................93 Conclusion .......................................................................................................................109 -
The Brain That Changes Itself
The Brain That Changes Itself Stories of Personal Triumph from the Frontiers of Brain Science NORMAN DOIDGE, M.D. For Eugene L. Goldberg, M.D., because you said you might like to read it Contents 1 A Woman Perpetually Falling . Rescued by the Man Who Discovered the Plasticity of Our Senses 2 Building Herself a Better Brain A Woman Labeled "Retarded" Discovers How to Heal Herself 3 Redesigning the Brain A Scientist Changes Brains to Sharpen Perception and Memory, Increase Speed of Thought, and Heal Learning Problems 4 Acquiring Tastes and Loves What Neuroplasticity Teaches Us About Sexual Attraction and Love 5 Midnight Resurrections Stroke Victims Learn to Move and Speak Again 6 Brain Lock Unlocked Using Plasticity to Stop Worries, OPsessions, Compulsions, and Bad Habits 7 Pain The Dark Side of Plasticity 8 Imagination How Thinking Makes It So 9 Turning Our Ghosts into Ancestors Psychoanalysis as a Neuroplastic Therapy 10 Rejuvenation The Discovery of the Neuronal Stem Cell and Lessons for Preserving Our Brains 11 More than the Sum of Her Parts A Woman Shows Us How Radically Plastic the Brain Can Be Appendix 1 The Culturally Modified Brain Appendix 2 Plasticity and the Idea of Progress Note to the Reader All the names of people who have undergone neuroplastic transformations are real, except in the few places indicated, and in the cases of children and their families. The Notes and References section at the end of the book includes comments on both the chapters and the appendices. Preface This book is about the revolutionary discovery that the human brain can change itself, as told through the stories of the scientists, doctors, and patients who have together brought about these astonishing transformations. -
Victorgories Packet Packet by Victor Pavao
Victorgories Packet Packet by Victor Pavao 1. In this symphony’s final movement, the horns introduce a disjunct secondary theme beginning “dotted half C, quarter note low G, dotted half high E.” Violins and cellos play thirty-second notes in the A-flat minor, third variation in this symphony’s second movement. Leonard Bernstein’s debut lecture on the CBS program (*) Omnibus was an analysis of this symphony. This symphony’s first movement features an oboe cadenza near the recapitulation. This symphony’s third movement continues into the fourth without pause, and ends with a note-for-note copy of the overture from Cherubini’s Eliza, which includes repeated C major chords. For 10 points, name this symphony whose first movement opens with the “G G G long Eb” fate motif. ANSWER: Ludwig van Beethoven, Symphony No. 5 in C Minor (prompt on “fate”) 2. A character who stays at this location repeatedly mentions her “cup of stars” after hearing a young girl demand one in a country restaurant. Two sisters who lived at this location fought bitterly over some family heirlooms, an argument that resulted in a companion’s suicide. While staying in this location, a character wakes up in the middle of the night to climb a deteriorated iron stairway. Arthur uses a device called a planchette in this place, which was once owned by Hugh (*) Crain. Theodora finds her room and clothes splashed in blood in this building, which is also visited by guests like Luke Sanderson and Eleanor Vance, who were invited to stay by Dr. -
Support Local Music & Arts
Contents OCTOBER 2015 Vol. 18 # 8 THE GOODS 4 Le Beat: Who’s who and what’s happening locally 11 Rock ‘n’ Roll Moment of the month 12 11 Questions: Jan Peters 20 Calendar 32 Monthly Pin-Up: Moongrass 34 Tales from the Road: Minor Plains 35 Stuff Yer Face: Hotpoint Tea & Express SPOTLIGHTS 6 Scotty Sensei: New dimensions 7 Panda Panda Panda: 1, 2, 3, GO 8 Zion I: The resurgence 9 Crushed out: Music and marriage FEATURES 14 Katie Johnson: The face of expression 15 I Found My Friends: The Oral History of Nirvana 16 Mark Pickerel and His Helping Hands: Still screaming 18 Beats Antique: Melding performance, music and art REVIEWS NEXT ISSUE: NOV. 2015 10 Live Shows DEADLINE: Oct. 19 25 Recordings 360.398.1155 • P.O. Box 30373, Bellingham, WA 98228 www.whatsup-magazine.com • [email protected] CO-PUBLISHER/EDITOR-IN-CHIEF: Brent Cole CO-PUBLISHER/DESIGN DIRECTOR: Becca Schwarz Cole CONTRIBUTING WRITERS: Tommy Calderon, Jared Curtis, Thea Hart, Adam Walker, Mark Broyles, Jackson Main, Hayden Eller, Charlie Walentiny, Halee Hastad, Keenan Ketzner, Raleigh Davis, Aaron Apple, Aaron Kayser CONTRIBUTING PHOTOGRAPHERS: Tommy Calderon, David Johnson, Sarah Day, Ryan Russell, Aaron Brick AD SALES: Brent Cole, Victor Gotelaere DISTRIBUTION: David Johnson, Brent Cole COVER ARTIST: Katie Johnson WEB GENIUS: Django @ Seatthole SUPPORT: Harrison, Ruby, Autumn, Lulu What’s Up! is a free, independent monthly music magazine covering the Bellingham/Whatcom County scene, and is locally owned and operated by Brent Cole and Becca Schwarz Cole. What’s Up! is a member of Sustainable Connections, and a sister publication of Grow Northwest. -
Complete Band and Panel Listings Inside!
THE STROKES FOUR TET NEW MUSIC REPORT ESSENTIAL October 15, 2001 www.cmj.com DILATED PEOPLES LE TIGRE CMJ MUSIC MARATHON ’01 OFFICIALGUIDE FEATURING PERFORMANCES BY: Bis•Clem Snide•Clinic•Firewater•Girls Against Boys•Jonathan Richman•Karl Denson•Karsh Kale•L.A. Symphony•Laura Cantrell•Mink Lungs• Murder City Devils•Peaches•Rustic Overtones•X-ecutioners and hundreds more! GUEST SPEAKER: Billy Martin (Medeski Martin And Wood) COMPLETE D PANEL PANELISTS INCLUDE: BAND AN Lee Ranaldo/Sonic Youth•Gigi•DJ EvilDee/Beatminerz• GS INSIDE! DJ Zeph•Rebecca Rankin/VH-1•Scott Hardkiss/God Within LISTIN ININ STORESSTORES TUESDAY,TUESDAY, SEPTEMBERSEPTEMBER 4.4. SYSTEM OF A DOWN AND SLIPKNOT CO-HEADLINING “THE PLEDGE OF ALLEGIANCE TOUR” BEGINNING SEPTEMBER 14, 2001 SEE WEBSITE FOR DETAILS CONTACT: STEVE THEO COLUMBIA RECORDS 212-833-7329 [email protected] PRODUCED BY RICK RUBIN AND DARON MALAKIAN CO-PRODUCED BY SERJ TANKIAN MANAGEMENT: VELVET HAMMER MANAGEMENT, DAVID BENVENISTE "COLUMBIA" AND W REG. U.S. PAT. & TM. OFF. MARCA REGISTRADA./Ꭿ 2001 SONY MUSIC ENTERTAINMENT INC./ Ꭿ 2001 THE AMERICAN RECORDING COMPANY, LLC. WWW.SYSTEMOFADOWN.COM 10/15/2001 Issue 735 • Vol 69 • No 5 CMJ MUSIC MARATHON 2001 39 Festival Guide Thousands of music professionals, artists and fans converge on New York City every year for CMJ Music Marathon to celebrate today's music and chart its future. In addition to keynote speaker Billy Martin and an exhibition area with a live performance stage, the event features dozens of panels covering topics affecting all corners of the music industry. Here’s our complete guide to all the convention’s featured events, including College Day, listings of panels by 24 topic, day and nighttime performances, guest speakers, exhibitors, Filmfest screenings, hotel and subway maps, venue listings, band descriptions — everything you need to make the most of your time in the Big Apple. -
American Foreign Policy, the Recording Industry, and Punk Rock in the Cold War
Georgia State University ScholarWorks @ Georgia State University History Dissertations Department of History Spring 5-10-2017 Music for the International Masses: American Foreign Policy, The Recording Industry, and Punk Rock in the Cold War Mindy Clegg Georgia State University Follow this and additional works at: https://scholarworks.gsu.edu/history_diss Recommended Citation Clegg, Mindy, "Music for the International Masses: American Foreign Policy, The Recording Industry, and Punk Rock in the Cold War." Dissertation, Georgia State University, 2017. https://scholarworks.gsu.edu/history_diss/58 This Dissertation is brought to you for free and open access by the Department of History at ScholarWorks @ Georgia State University. It has been accepted for inclusion in History Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. MUSIC FOR THE INTERNATIONAL MASSES: AMERICAN FOREIGN POLICY, THE RECORDING INDUSTRY, AND PUNK ROCK IN THE COLD WAR by MINDY CLEGG Under the Direction of ALEX SAYF CUMMINGS, PhD ABSTRACT This dissertation explores the connections between US foreign policy initiatives, the global expansion of the American recording industry, and the rise of punk in the 1970s and 1980s. The material support of the US government contributed to the globalization of the recording industry and functioned as a facet American-style consumerism. As American culture spread, so did questions about the Cold War and consumerism. As young people began to question the Cold War order they still consumed American mass culture as a way of rebelling against the establishment. But corporations complicit in the Cold War produced this mass culture. Punks embraced cultural rebellion like hippies. -
August 2002 Readers’ Platform
• APEX THEORY • YAMAHA OAK CUSTOM KIT • GGOOOO GGOOOO DDOLLSOLLS’’ MIKEMIKE MALININ MALININ MMAXIMUMAXIMUM PPOPOP JJEFFEFF PPORCAROORCARO TTRIBUTERIBUTE TTOO AA SSTUDIOTUDIO GGIANTIANT MMATTATT WWILSONILSON’’SS IIMPROVMPROV PPLAYHOUSELAYHOUSE HHOTOT LLATINATIN JJAZZAZZ:: MMETHENYETHENY’’SS AANTONIONTONIO SSANCHEZANCHEZ TTHREADGILLHREADGILL’’SS DDAFNISAFNIS PPRIETORIETO BBRAZILRAZIL’’SS VVERAERA FFIGUEIREDOIGUEIREDO $4.99US $6.99CAN 08 SSHOPHOP TTALKALK:: BBUILDINGUILDING YYOUROUR OOWNWN DDRUMSETRUMSET!! 0 74808 01203 9 Redefining “Drum Machine” Ever wonder why Evans heads are so consistent and easy to tune? Designed and built in-house by our staff of engineers, this robotic “Drum Machine,” called the Gluing Gantry, ensures that every Evans head has a true collar. A series of vacuum fixtures holds the film in place for each head while the robotic gluing arm circles above the hoop and dispenses epoxy. The result is a drumhead that tunes both easily and consistently. At Evans, we do it right the first time. And every time. Check out what Peter Erskine has to say about Evans drumheads at www.evansdrumheads.com PO Box 290 • Farmingdale, NY 11735 We’ve been making the world’s finest sticks for years. And experience tells us that there are no shortcuts when it comes to making a stick. There is, however a very good short- cut when choosing one. The journey from wooden dowel to finished drumstick is a tough one. Each stick makes its way through the hands of several craftsmen before it leaves us. And at every test, there’s always the chance of getting turned into firewood. But it does get easier when our sticks reach the store. Because once you feel a pair in your hands, you’ll appreciate the time it spent in ours. -
Punk Is Dead” Catalog Includes, the SST Records the Inventory Representing the “Punk Is Collection, C
2016 PUNK IS DEAD Lux Mentis, Booksellers Lux Mentis Booksellers specializes in fine press, artist books, first editions, Punk rock evolved over several and esoterica with a particular emphasis generations and manifestations of youth on challenging and unusual materials. culture beginning in the 1970s. Even after 40 years, punk subculture still We actively collaborate with archives demonstrates the capability to influence and special collections libraries to meet successive contemporary elements of the research and collecting needs of art, music, and fashion regardless of its public learning institutions, private, original intention to lambast conformity. independent libraries and collections with primary sources. Selected inventory in the “Punk is Dead” catalog includes, the SST Records The inventory representing the “Punk is Collection, c. 1979-1996; original Dead” collection is a retrospective artwork from famed punk artist, selection of critical primary source Raymond Pettibon; correspondence materials documenting the punk rock from Gordon Gano, original member of movement of the 1970s-1990s. The the Violent Femmes; and several unique collection illustrates the profound fanzine and alternative publications. subculture of punk from an artistic and politically fueled era from Los Angeles, Lux Mentis regularly features and New York, and London. showcases punk culture related materials at major ABAA book fairs and Please contact us for an appointment or continues to cultivate the acquisition of with questions regarding the inventory. subculture materials for research and collection development purposes. 110 Marginal Way #777 Portland, ME 04101 Member: ILAB/ABAA T. 207.329.1469 Email: [email protected] Front cover image: From the SST [email protected] Records Collection, detail of “Outcry” Web: http://www.luxmentis.com magazine Blog: http://www.asideofbooks.com Cataloged created by Kim Schwenk and edited by Ian Kahn 2 Ginn, Greg, Pettibon, Raymond, et al.