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Erkki-Sven Tüür
© Kaupo Kikkas Erkki-Sven Tüür Contemporary BIOGRAPHIE Erkki-Sven Tüür Mit einem breit gefächerten musikalischen Hintergrund und einer Vielzahl von Interessen und Einflüssen ist Erkki- Sven Tüür einer der einzigartigsten Komponisten der Zeitgenössischen Musik. Tüür hat 1979 die Rockgruppe In Spe gegründet und bis 1983 für die Gruppe als Komponist, Flötist, Keyboarder und Sänger gearbeitet. Als Teil der lebhaften Szene der Zeitgenössischen Musik Estlands unternahm er instrumentale Studien an der Tallinn Music School, studierte Komposition mit Jaan Rääts an der Estonian Academy of Music und erhielt Unterricht bei Lepo Sumera. Intensive energiereiche Transformationen bilden den Hauptcharakter von Tüürs Werken, wobei instrumentale Musik im Vordergrund seiner Arbeit steht. Bis heute hat er neun Sinfonien, Stücke für Sinfonie- und Streichorchester, neun Instrumentalkonzerte, ein breites Spektrum an Kammermusikwerken und eine Oper komponiert. Tüür möchte mit seiner Musik existenzielle Fragen aufwerfen, vor allem die Frage: „Was ist unsere Aufgabe?“ beschäftigt ihn. Er stellte fest, dass dies eine wiederkehrende Frage von Denkern und Philosophen verschiedener Länder ist. Eins seiner Ziele ist es, die kreative Energie des Hörers zu erreichen. Tüür meint, die Musik als eine abstrakte Form von Kunst ist dazu fähig, verschiedene Visionen für jeden von uns und jedes individuelle Wesen zu erzeugen, denn wir sind alle einzigartig. Sein Kompositionsansatz ähnelt der Art und Weise, mit der ein Architekt ein mächtiges Gebäude wie eine Kathedrale, ein Theater oder einen anderen öffentlichen Ort entwirft. Er meint dennoch, dass die Verantwortung eines Komponisten über die eines Architekten hinausgeht, weil er Drama innerhalb des Raums mit verschiedenen Charakteren und Kräften konstruiert und dabei eine bestimmte, lebende Form von Energie kreiert. -
Fall 2013 Basingstoke Performance Order
Freshman – Sophomore Showcase Fall 2009 Basingstoke! A celebration of the operettas of William S. Gilbert & Arthur Sullivan Lyrics by William S. Gilbert (1836-1911) Music by Sir Arthur Sullivan (1842-1900) With Guest Graduate Artists: Zachary Angus, Scott Gates, & Peter Morgan Music and Stage Director: Mark Crayton Associate Music Director and Piano: Giorgi Samadalashvili Stage Managers: Erin Stillson, Jeremy Cairns, Kiera Radvanski *** I have a song to sing, O (The Yeomen of the Guard) Elise Nathalie Young Jack Point Matthew Sund In sailing o’er life’s ocean wide (Ruddigore) Rose Ellen Jones Richard Nicholas Metzger Robin Zachary Angus Now wouldn’t you like to rule the roost (Princess Ida) Melissa Priscilla Ip Blanche Gabrielle Robles There is beauty in the bellow of the blast (The Mikado) Katisha Crystal Arrington Ko-Ko Peter Morgan Prithee pretty maiden (Patience) Patience Leah Taylor Grosvenor Michael Coduto If Saphir I choose to marry (Patience) Saphir Samantha D’Adamo Angela Alice Beals Duke Scott Gates Major Matthew Sund Colonel Peter Morgan None shall part us (Iolanthe) Phyllis Helen Knudsen Strephon Nicholas Metzger I am so proud (The Mikado) Pish-Tush Zachary Angus Ko-Ko Scott Gates Pooh-Bah Peter Morgan Intermission Three little maids from school are we (The Mikado) Yum-Yum Marissa Howard Peep-Bo Madison Marino Pitti-Sing Ally Perko So please you, Sir, we much regret (The Mikado) Yum-Yum Dana Brown Peep-Bo Priscilla Ip Pitti-Sing Felicia Warren Pooh-Bah Peter Morgan Ko-Ko Scott Gates (dialogue) O rapture, when alone together (The Gondoliers) Casilda Jamie Younger Luis Michael Coduto Here’s a how-de-do (The Mikado) Yum-Yum Priscilla Ip Nanki-Poo Michael Coduto Ko-Ko Zachary Angus In a contemplative fashion (The Gondoliers) Gianetta Rachel Jainks Tessa Ashley Lugo Marco Scott Gates Giuseppe Zachary Angus Finale: When a man has been a naughty baronette (Ruddigore) Rose Priscilla Ip Richard Nicholas Metzger Robin Peter Morgan Margaret Gabrielle Robles Sir Despard Michael Coduto Zorah Helen Knudsen Ensemble of Bridesmaids and Past Barronettes. -
ESO Highnotes November 2020
HighNotes is brought to you by the Evanston Symphony Orchestra for the senior members of our community who must of necessity isolate more because of COVID-!9. The current pandemic has also affected all of us here at the ESO, and we understand full well the frustration of not being able to visit with family and friends or sing in soul-renewing choirs or do simple, familiar things like choosing this apple instead of that one at the grocery store. We of course miss making music together, which is especially difficult because Musical Notes and Activities for Seniors this fall marks the ESO’s 75th anniversary – our Diamond Jubilee. While we had a fabulous season of programs planned, we haven’t from the Evanston Symphony Orchestra been able to perform in a live concert since February so have had to push the hold button on all live performances for the time being. th However, we’re making plans to celebrate our long, lively, award- Happy 75 Anniversary, ESO! 2 winning history in the spring. Until then, we’ll continue to bring you music and musical activities in these issues of HighNotes – or for Aaron Copland An American Voice 4 as long as the City of Evanston asks us to do so! O’Connor Appalachian Waltz 6 HighNotes always has articles on a specific musical theme plus a variety of puzzles and some really bad jokes and puns. For this issue we’re focusing on “Americana,” which seems appropriate for Gershwin Porgy and Bess 7 November, when we come together as a country to exercise our constitutional right and duty to vote for candidates of our choice Bernstein West Side Story 8 and then to gather with our family and friends for Thanksgiving and completely spoil a magnificent meal by arguing about politics… ☺ Tate Music of Native Americans 9 But no politics here, thank you! “Bygones” features things that were big in our childhoods, but have now all but disappeared. -
Single Page PDF.Indd
Hitting the streets for social change PAGE 23 MAKING A DIFFERENCE in the lives that follow Eugene “Gene” Morris (BSBA, ’69) (center) presents 2008-09 scholarship awards to Roosevelt seniors Joseph Celestin (left) and Heena Syed. At right, Robert Snyder (second from left) receives the “Top Prof” award from Morris, Lawrence Silverman and David Greene. ALLAN WEBER he late “Dr. Bob” Snyder was a great professor of the founding chairman of the Association of Black-Owned marketing and advertising at Roosevelt University Advertising Agencies. Additionally, he has received recog- who was an inspiration and a mentor to his students, nition for his work with many community and other profes- especially to me,” says Eugene “Gene” Morris (BSBA, ’69). sional organizations. When Morris heard Snyder was retiring and in ill-health, he Morris is proud of his successful career, but he gives established the Dr. Robert E. J. Snyder Endowed Scholarship much of the credit to Snyder, who practically “carried” in his honor. He also included Roosevelt University in his KLVUHOXFWDQWVWXGHQWWRWKHGRRUVWHSVRIKLVÀUVWDGYHUWLV estate plan. “I wanted to create a legacy for a beloved pro- ing agency. “He saw something in me that I didn’t see in fessor, give back to Roosevelt University — an institution myself. By endowing this scholarship in his name, I can pay that means so much to me — and help students. It was a win, tribute to him and help other students understand how one win, win decision,” says Morris. dedicated professor can have a lasting and dramatic impact With an advertising career that has spanned four decades, on their lives.” Morris knows a lot about winning … and success. -
75Thary 1935 - 2010
ANNIVERS75thARY 1935 - 2010 The Music & the Artists of the Bach Festival Society The Mission of the Bach Festival Society of Winter Park, Inc. is to enrich the Central Florida community through presentation of exceptionally high-quality performances of the finest classical music in the repertoire, with special emphasis on oratorio and large choral works, world-class visiting artists, and the sacred and secular music of Johann Sebastian Bach and his contemporaries in the High Baroque and Early Classical periods. This Mission shall be achieved through presentation of: • the Annual Bach Festival, • the Visiting Artists Series, and • the Choral Masterworks Series. In addition, the Bach Festival Society of Winter Park, Inc. shall present a variety of educational and community outreach programs to encourage youth participation in music at all levels, to provide access to constituencies with special needs, and to participate with the community in celebrations or memorials at times of significant special occasions. Adopted by a Resolution of the Bach Festival Society Board of Trustees The Bach Festival Society of Winter Park, Inc. is a private non-profit foundation as defined under Section 509(a)(2) of the Internal Revenue Code and is exempt from federal income taxes under IRC Section 501(c)(3). Gifts and contributions are deductible for federal income tax purposes as provided by law. A copy of the Bach Festival Society official registration (CH 1655) and financial information may be obtained from the Florida Division of Consumer Services by calling toll-free 1-800-435-7352 within the State. Registration does not imply endorsement, approval, or recommendation by the State. -
14) 244-3803 E-Mail: [email protected] Elizabeth Dworkin
Music in Concert with the Landscape There are music festivals and there are music festivals. Then there is the Moab Music Festival – a mélange of musical programming set in one of the most splendid landscapes on earth. Old and new music – chamber music, vocal music, jazz, traditional music – performed by outstanding musicians in a setting of form, color, and light that creates an unmatched artistic experience… Music in Concert with the Landscape. The Festival Founded in 1992 by Michael Barrett and Leslie Tomkins, prominent musicians based in New York, the Festival gathers world-class instrumentalists and vocalists annually to celebrate vibrant music in an awe-inspiring landscape. An ever- expanding audience comes from all parts of the United States and from Europe to enjoy this unique combination of sight and sound. Composers range from Bach to Bernstein, from Ravel to Rorem, from Dvorák to Danielpour. One performance may feature a vocalist celebrating a French chanteuse; the next a chamber ensemble performing Brahms; then a jazz ensemble playing with a Latin flair; then an exploration of contemporary music by the season’s Composer-in-Residence, who will be present to discuss his or her work. For patrons, the three weekend fall festival – which in 2003 won ASCAP’s coveted award for “Adventurous Programming” in the music festival category – is a potpourri of musical offerings performed by dynamic, highly accomplished musicians. In June, the Festival offers a four day “Musical Adventure” benefit raft trip with performances held at scenic sites along the Colorado River. Many concerts take advantage of the remarkable environment and are set outdoors in unique settings – under a pavilion along the Colorado River, in a tent under towering rock monoliths, in a park sheltered by the shade of an ancient cottonwood. -
Section 2 Stage Works Operas Ballets Teil 2 Bühnenwerke
SECTION 2 STAGE WORKS OPERAS BALLETS TEIL 2 BÜHNENWERKE BALLETTE 267 268 Bergh d’Albert, Eugen (1864–1932) Amram, David (b. 1930) Mister Wu The Final Ingredient Oper in drei Akten. Text von M. Karlev nach dem gleichnamigen Drama Opera in One Act, adapted from the play by Reginald Rose. Libretto by von Harry M. Vernon und Harald Owen. (Deutsch) Arnold Weinstein. (English) Opera in Three Acts. Text by M. Karlev based on the play of the same 12 Solo Voices—SATB Chorus—2.2.2.2—4.2.3.0—Timp—2Perc—Str / name by Harry M. Vernon and Harald Owen. (German) 57' Voices—3.3(III=Ca).2(II=ClEb).B-cl(Cl).3—4.3.3.1—Timp—Perc— C F Peters Corporation Hp/Cel—Str—Off-stage: 1.0.Ca.0.1—0.0.0.0—Perc(Tamb)—2Gtr—Vc / 150' Twelfth Night Heinrichshofen Opera. Text adapted from Shakespeare’s play by Joseph Papp. (English) _________________________________________________________ 13 Solo Voices—SATB Chorus—1.1.1.1—2.1.1.0—Timp—2Perc—Str C F Peters Corporation [Vocal Score/Klavierauszug EP 6691] Alberga, Eleanor (b. 1949) _________________________________________________________ Roald Dahl’s Snow White and the Seven Dwarfs Text by Roald Dahl (English) Becker, John (1886–1961) Narrator(s)—2(II=Picc).2.2(II=B-cl).1.Cbsn—4.2.2.B-tbn.1—5Perc— A Marriage with Space (Stagework No. 3) Hp—Pf—Str / 37' A Drama in colour, light and sound for solo and mass dramatisation, Peters Edition/Hinrichsen [Score/Partitur EP 7566] solo and dance group and orchestra. -
Theater, Dance and Art Exhibits Flower in May
chicago business.co m http://www.chicagobusiness.com/article/20010428/ISSUE01/100016336/theater-dance-and-art-exhibits-flower-in-may Theater, dance and art exhibits flower in May By: Anne Spiselman April 30, 2001 Art ist ic ant le rs: This stag mad e o f fab ric, ste e l and le athe r is p art o f Art Chicag o 2001 at Navy Pie r. Pho to : Laura Fo rd From May Day to Memorial Day, the merriest month of f ers a multitude of openings and events. Theater: Chicago Shakespeare Theater (312/595-5600) kicks of f its new initiative, "The World's Stage," May 10 to June 2 with "The Tragedy of Hamlet," adapted and directed by Brit Peter Brook. The avant-garde production, f eaturing an ensemble of eight headed by Adrian Lester as the unhappy Dane, originated in Paris and is on a world tour that includes only three U.S. cities. Lookingglass Theatre Company (773/477-8088) teams with Evanston's Actors Gymnasium f or the gravity- def ying May 5-June 3 premiere of Charles Dickens' "Hard Times," the story of a f amily transf ormed by a circus perf ormer, adapted and directed by ensemble member Heidi Stillman and presented at the Ruth Page Center f or the Arts. Renowned actress Julie Harris returns to Victory Gardens Theater May 21 to June 17 to star with Ann Whitney in Claudia Allen's "Fossils," about two retired teachers who meet on vacation. Upstairs, Irish Repertory of Chicago continues its second season May 31 to June 24 with Marina Carr's "By the Bog of Cats," Euripides' "Medea" transplanted to the modern Irish midlands (773/871-3000 f or both). -
Underground Railroad: a Spiritual Journey View in Browser
Kathleen Battle – Underground Railroad: A Spiritual Journey View in browser 50 E Congress Pkwy Lily Oberman Chicago, IL 312.341.2331 (office) | 973.699.5312 (cell) AuditoriumTheatre.org [email protected] Release date: August 15, 2017 LEGENDARY SOPRANO KATHLEEN BATTLE MAKES HER AUDITORIUM THEATRE DEBUT WITH UNDERGROUND RAILROAD: A SPIRITUAL JOURNEY The Five-Time Grammy Winner Performs Spirituals with Top Chicago Choral and Gospel Singers Kathleen Battle – Underground Railroad: A Spiritual Journey | September 30, 2017 Legendary soprano Kathleen Battle makes her debut at the Auditorium Theatre of Roosevelt University, the Theatre for the People, on Saturday, September 30, with the program Underground Railroad: A Spiritual Journey. The five-time Grammy award winner and opera star breathes new life into this program of spirituals inspired by the Underground Railroad, the secret network that helped bring 19th-century slaves to freedom. Battle will be backed by a hand-picked group of top Chicago choir singers, led by Jonita Lattimore, an adjunct professor of voice at Roosevelt University's Chicago College of the Performing Arts. “Kathleen Battle is one of the most legendary opera singers of all time,” says Tania Castroverde Moskalenko, Auditorium Theatre CEO. “To have her perform this inspirational program at our historic theatre, accompanied by the most talented Chicago voices, will be a very special occasion.” The program includes songs like "Swing Low, Sweet Chariot" and "Wade in the Water," as well as "I Been 'Buked" and "Lord, How Come Me Here." Battle performed a similar program when she made her triumphant return to the Metropolitan Opera in the fall of 2016 to rave reviews. -
Honor Choir Festival FALL 2016
NORTHWEST HIGH SCHOOL Honor Choir Festival FALL 2016 GUEST CONDUCTOR EUGENE ROGERS Friday, Sept. 30, and Saturday, Oct. 1, 2016 UNIVERSITY OF PUGET SOUND | SCHOOL OF MUSIC | TACOMA, WA PROGRAM DORIAN SINGERS Kathryn Lehmann, conductor Hyun-Ja Choi, accompanist Ich Wollt’, Meine Lieb’ . Felix Mendelssohn-Bartholdy (1809–1847) I wish my [pain] would flow Into a single word, Which I’d give to the [merry] winds, Who would carry it merrily along. They would carry it to you, my beloved, The [pain- filled] word; You hear it always, You hear it everywhere. And scarcely have you closed your eyes To night-time slumbers, My [word] will follow you, Into your deepest dream. Music When Soft Voices Die . Jerry Wesley Harris Danny Boy . arr . Patterson Chris Andersen, oboe VOCI D’AMICI Steven Zopfi, director La, la, la, je ne l’ose dire . Pierre Certon (1510–1572) La, la, la, I shouldn’t tell, Shouldn’t tell, shouldn’t tell it to you La la la, I’ll tell you anyway Oh la, la, la, I’ll tell you anyway In our town there is a man, who Of his wife burns with jealousy He’s not jealous without cause, She cuckolds him incessantly La, la, la… He’s not jealous without cause, She cuckolds him incessantly He takes her over to the market When she’s there she makes most free La, la, la… Love Lost . Paul Sjolund b . 1935 One Perfect Rose Careless Talk Your Little Hands Lo, How A Rose/The Rose . arr . Hella Johnson Aidan Glaze, tenor ADELPHIAN CONCERT CHOIR Steven Zopfi, conductor Jeff Caldwell, accompanist Exsultate Justi . -
Carnegie Hall Rental 4/24/13 10:42 AM Page 1
05-02 ASO_Carnegie Hall Rental 4/24/13 10:42 AM Page 1 ThUrsday Evening, May 2, 2013, at 8:00 Isaac Stern AuditoriUm/Ronald O. Perelman Stage Conductor’s Notes Q&A with Leon Botstein at 7:00 presents Hungary Torn LEON BOTSTEIN, Conductor ÖDÖN PÁRTOS Yizkor (In Memoriam) PÉTER BÁRSONY, Viola LÁSZLÓ WEINER OvertUre (Nyitany) (U.S. premiere) MIHÁLY NÁDOR Violin Concerto (world premiere) BARNABÁS KELEMEN, Violin LÁSZLÓ GYOPÁR Credo from “Missa” (world premiere) JANICE CHANDLER-ETEME, Soprano JAMIE BARTON, Mezzo-soprano BRIAN CHENEY, Tenor LEON WILLIAMS, Baritone THE COLLEGIATE CHORALE SINGERS JAMES BAGWELL, Director Intermission “ ERNO DOHNÁNYI Missa in dedicatione ecclesiae, Op. 35 (Szeged Mass) (U.S. premiere) JANICE CHANDLER-ETEME, Soprano JAMIE BARTON, Mezzo-soprano BRIAN CHENEY, Tenor LEON WILLIAMS, Baritone THE COLLEGIATE CHORALE SINGERS JAMES BAGWELL, Director This evening’s concert will rUn approximately two and a half hoUrs, inclUding one 20-minUte intermission. American Symphony Orchestra welcomes stUdents and teachers from ASO’s arts edUcation program, Music Notes. For information on how yoU can sUpport Music Notes, visit AmericanSymphony.org. PLEASE SWITCH OFF YOUR CELL PHONES AND OTHER ELECTRONIC DEVICES. 05-02 ASO_Carnegie Hall Rental 4/24/13 10:42 AM Page 2 THE Program ÖDÖN PÁRTOS In Memoriam Born October 1, 1907, in BUdapest Died JUly 6, 1977, in Tel Aviv Composed in 1946 InstrUments: strings and viola soloist LÁSZLÓ WEINER Overture Born April 9, 1916, in Szombathely, Hungary Died JUly 25, 1944, in the LUkov forced labor camp, -
Ength: Sometimes in but Not Much Is Known About Either
THE WORLD OF DE ESTONIAN MUSIC CULTU CIVILI ESTONICO VOL IV THE WORLD OF ESTONIAN MUSIC Eesti Instituut Tallinn, 2015 The concert introducing „Arvo Pärt. Adam’s Lament“, the Grammy-winning record, is about to start in half an hour in St John’s Church. The queue meanders across Freedom Square, turns into Harju Street and continues for another few hundred metres. Everybody has a ticket, but they arrived early to get a better seat. Music is worth it! BACKGROUND3 BACKGROUND 5 Estonia is a young state and a young Access to Western music and infor- culture. In the ancient past, Estonians mation was difficult, and many devel- were a peasant nation who had their opments in Estonian music occurred own ancient way of life and culture, on their own strength: sometimes in but not much is known about either. parallel with the West and sometimes We only know about runo songs (regi- separately. Every fragment of infor- laul), which were not sung for quite a mation, book or record that found while but, having done a stint on the its way to Soviet Estonia had a huge archive shelves, they are now enjoy- impact: it was shared by many (often ing a new lease on life. Before the in secret), was discussed and offered 19th century national awakening pe- inspiration. Jaan Viljur with his fife. riod, German-language high culture Soviet music education had a prevailed on the Estonian territory. strong system and professional Estonian music education has standards. The musicians today still been connected with the Russian have a solid technical foundation school for a long time.