BBC Young Musician of the Year 2014 — Kevin Loh at the Segovia Competition — Copyright BBC Photo Credit Marcus Loh

Total Page:16

File Type:pdf, Size:1020Kb

BBC Young Musician of the Year 2014 — Kevin Loh at the Segovia Competition — Copyright BBC Photo Credit Marcus Loh The International Music School founded by Yehudi Menuhin www.yehudimenuhinschool.co.uk — Registered Charity 312010 — Newsletter 58 — Summer 2014 William Dutton, winner of the Strings Category BBC Young Musician of the Year 2014 — Kevin Loh at the Segovia Competition — Copyright BBC Photo Credit Marcus Loh — BBC Young Musician of the Year 2014 — Segovia Winner Congratulations to William Dutton (19) winner of the String Congratulations to Kevin Loh (16) who won first prize Category of the BBC Young Musician of the Year 2014. A former in the 14-16 age group of the 8th Andrés Segovia BBC Radio 2 Chorister of the Year, William’s performance of International Guitar Competition for Young Guitarists Bloch’s Nigun accompanied by Menachem Rozin (18) was stunning. held in Velbert, Germany from 18 to 21 June 2014. In an interview with Aled Jones after winning the Chorister of the Kevin writes: “It is indeed an eye opener for me Year in 2006, William said that an alternative career could be to watching the players as well as making many new play the violin or to sell ice creams. The freezer in Harris House is friends. It was especially challenging as well, since testimony to Will’s love of ice-cream. Fortunately, he has stuck with I had my GCSEs this term and had to return for yet the violin and goes on to study with Pavel Vernikov in Lausanne. another exam.” — Alumni Day – Sunday 8 June Around a hundred former students and staff gathered at the School for our very first Alumni Reunion, many bringing their families with them. They were also joined by present staff and current and former governors, including Zamira Menuhin Benthall, Lord Menuhin’s daughter, making a total of around 170. Returning alumni spanned the entire 50 years of the School, from Jonathan Rutherford who joined the School in 1963 when it opened in London to Chloe Stowers-Veitch who left in 2013. The afternoon began with tea and cake in and around the Menuhin Hall, followed by a talk on the ways in which the School Hsing-Chwen Hsin, Ruth Phillips, Tasmin Little and Kenneth Fox (Bradshaw) — Photo has changed over the last half century from Director of Music Ming-Feng Hsin, Robert Gibbs, Richard Hillier, Elaine Hillier Credits Angela Stockbridge Malcolm Singer and an outline of the School’s plans for the future from Headmaster Dr Richard Hillier. Many thanks to all who came - as well as to all those who Alumni were then given a guided tour of the School (though sent their good wishes but were otherwise engaged. We shall most knew exactly where they wanted to go!) before a concert of certainly not wait for 50 years until we do it again! chamber music in the Hall by current pupils, then drinks and a buffet supper on the lawns outside Music House. The sun shone, the wine flowed and Jean Labourg and his — The 50th Anniversary Alumni catering team did us proud. Concert Series Many thanks to everyone who helped make it such a success – The Founder’s Day Concert with Melvyn Tan and Friends was not least Vanessa Casey, Sally Williams and Daisy Fannin in the sixth in our series of 50th Anniversary Celebrity Alumni the Development Department and especially Alumni Officer Concerts. Elaine Hillier who organised the day and has spent the last four years tirelessly tracking down those alumni with whom we had Melvyn performed with alumni from across the generations; lost touch. Elisabeth Perry (violin 1972), Ning Kam (violin 1993), Simon Rowland-Jones (viola 1967), and Niall Brown (cello 1979). On 15 May the seventh concert in our series with Valeriy Sokolov and Friends took an extraordinary turn when Valeriy was unable to get his visa in time for the concert but we were delighted that Vlad Maistorovici (violin 2004) and Agata Darashkaite (violin 2008) stepped in. We extend our grateful thanks to both. Valeriy is determined to make up for his absence and has agreed to give a recital on Sunday 18 January 2015. On 22 June Alina Ibragimova and Friends gave the last of the Anniversary concerts. Alina (violin 2003), along with Benjamin Marquise Gilmore (violin 2005) and Bartholomew LaFollette (cello 2003) began the concert with Mozart’s Six Slow Movements with Three-Part Fugues (after Bach) for violin, viola and cello K404a. Charles Owen (piano 1989) played Bach’s Partita No 5 in G Major the concert ended with Brahm's Quartet No 2 in A Major. Hun Ouk Park, Tetsuumi Nagata, Agata Darashkaite, Melanie di Cristino — Photo Credit Angela Stockbridge The School would like to thank all musicians who have taken part in this series during the academic year 2013 – 2014. Alumni day - general jollity — Photo Credit LucyAnn Curling Alina’s concert cake — Photo Credit Kevin Laitak Menachem with Marlborough Concert Orchestra — Photo Credit Mark Kent Musical Notes Many congratulations to our Musical Patron Sir András Schiff, awarded a Knighthood by Her Majesty the Queen in the 2014 Birthday Honours. He was born in Budapest in 1953 and has been a British citizen since 2001. — Guitarists in Prague Rosie Bennet (18) writes: Playing a concert in the hall at Křivoklát, a castle west of Prague, was one of the most surreal experiences I have been lucky enough to have whilst at school, if not ever. By day we enjoyed concerts and master classes played and taught by our heroes of the guitar world and by night we talked and laughed with them over dinner and drinks. Looking back it still feels like stepping into a dream imagining the incredible intellectuals and incredible players that we had as colleagues whilst surrounded by 50 km of pine forest. We were able to enjoy the playing and company of Petrit Ceku, Aniello Desiderio, Thomas Fellow, Paolo Paolini, Milan Zelenka and, our pioneer for the trip, Pavel Steidl. I don’t think anything will ever feel as good as the compliments that Daniel Penney (15) and I both received for our performance from these amazing personalities. — Marlborough Concert Orchestra Menachem Rozin gave a sparkling recital of Grieg’s piano concerto as the guest soloist of the Marlborough Concert Orchestra. The School has a long history of providing soloists to play with this orchestra and our pupils are always very well received. A group of students made the two-hour Rosie Bennet — Photo Credit Vilem Zak journey to Marlborough to support Menachem. — Visiting Professors This summer, we were delighted that Paul Ellison, double bass professor from the Shepherd School of Music, Rice University, Texas, returned for his annual visit. Students also enjoyed the company of Atar Arad, viola professor from Indiana University’s Jacobs School of Music. Professor Arad gave a lecture recital of his twelve Caprices, each named after the first name of a composer and inspired by a particular piece of music written for the viola. Sao and Cosima Soulez Larivière in the grotto — Photo Credit Angela Stockbridge — Music in the Crystal Grotto As part of the School’s Outreach programme, YMS musicians performed in the beautiful setting of the 18th-century ‘Crystal Grotto’ of Painshill Park, the first time this very individual setting had been used as a musical concert-space. The sunlight glittered on the waters of the lake outside and the musicians sparkled in an imaginative and varied programme, which was repeated three times throughout the course of the early evening. An unforgettable experience for all concerned. Many thanks also to Painshill Park for allowing us to return with other pupils for a summer picnic the following week. — End of Year Concerts A stunning orchestral concert brought to a fitting end the celebration of our 50th anniversary year - at least as far as The Menuhin Hall is concerned. The last twelve months have seen a series of outstanding Alumni Celebrity Concerts and an equally impressive programme of Showcase Concerts - fulfilling our aim of having every concert presented by the School in the Hall this year being performed by either current or past students. Atar Arad — Photo Credit Simon Larter-Evans The six Summer Festival concerts over four days featured a solo performance from every one of our 75 students, followed YMS guitarists spent a day experiencing the outstanding and by two orchestral ‘picnic’ concerts. The Headmaster and Mrs inspirational teaching of Paolo Pegoraro, professor of guitar Hillier were delighted to host drinks receptions for parents and at the Kunstuniversität Graz. Paolo attended several of the Friends on each of the Summer Festival concert days with some YMS Summer Festival concerts and spent a whole day giving a parents from overseas making this their one visit to England masterclass to the five YMS guitarists. each year. The School also gave a fund-raising concert in Hampstead and an orchestral concert in the Thaxted Festival. The leaving students performed one final time on 9 July in the annual Wigmore Hall concert, and other students gave a concert in All Saints Church, Oystermouth, as part of the Gower Festival on 11 July, three of whom then travelled out to Switzerland to perform in the Enjoying a picnic concert with box office Paolo Pegoraro with Rosie Bennet, Daniel Penney, Sergio Bucheli and Menuhin Festival staff Wendy Gabriel and Penny Wright — Kevin Loh — Photo Credit Simon Larter-Evans at Gstaad. Photo Credit Angela Stockbridge Robert Masters Malcolm Singer writes: Robert Masters, violinist, founding staff member and second Director of Music at The Yehudi Menuhin School (1969–81) died at the age of 97 in Sydney, Australia on 22 April 2014. It is a poignant coincidence that Robert should have died on Yehudi’s birth-date; the two men’s careers were so intertwined for so many years, that it is somehow fitting that they should be linked for evermore in this way.
Recommended publications
  • Charles Owen, Katya Apekisheva Pianos
    Sergei Rachmaninov 1873–1943 Fantaisie-tableaux, Op.5 (Suite No.1) for two pianos 1 I. Barcarolle: Allegretto 7.57 2 II. La Nuit, l’Amour: Adagio sostenuto 5.53 3 III. Les Larmes: Largo di molto 6.05 4 IV. Pâques: Allegro maestoso 2.53 Suite No.2, Op.17 for two pianos 5 I. Introduction: Alla marcia 4.06 6 II. Valse: Presto 6.29 7 III. Romance: Andantino 6.58 8 IV. Tarantelle 6.10 Six Morceaux, Op.11 for piano, four hands 9 I. Barcarolle 5.04 10 II. Scherzo 2.53 11 III. Thème russe 4.10 12 IV. Valse 4.06 13 V. Romance 3.04 14 VI. Slava! 4.36 Charles Owen, Katya Apekisheva pianos 2 RACHMANINOV: WORKS FOR TWO PIANISTS Suite No.1 for two pianos, Op.5 (1893) Sergei Rachmaninov, born near Novogorod in 1873, is today cited again and again in pianistic surveys as possibly ‘the greatest pianist of all time’ – certainly of the recorded era. His life as a performer, however, ensued principally as a way to make a living in the west a!er he and his family fled the Russian revolution of 1917. Until then, his first devotion was to composition, following in the footsteps of Tchaikovsky, who gave him much encouragement and some vital recommendations. The Suite No.1, written in the summer of 1893, is dedicated to the older composer, who died in November that same year. The Suite No.1 was originally entitled ‘Fantaisie-tableaux’: Rachmaninov envisaged it, he told his cousin Sofia Satina, as ‘a set of musical pictures’.
    [Show full text]
  • Spring/Summer 2016
    News for Friends of Leonard Bernstein Spring/Summer 2016 High-brow, Low-brow, All-brow Bernstein, Gershwin, Ellington, and the Richness of American Music © VICTOR © VICTOR KRAFT by Michael Barrett uch of my professional life has been spent on convincing music lovers Mthat categorizing music as “classical” or “popular” is a fool’s errand. I’m not surprised that people s t i l l c l i n g t o t h e s e d i v i s i o n s . S o m e w h o love classical masterpieces may need to feel reassured by their sophistication, looking down on popular culture as dis- posable and inferior. Meanwhile, pop music fans can dismiss classical music lovers as elitist snobs, out of touch with reality and hopelessly “square.” Fortunately, music isn’t so black and white, and such classifications, especially of new music, are becoming ever more anachronistic. With the benefit of time, much of our country’s greatest music, once thought to be merely “popular,” is now taking its rightful place in the category of “American Classics.” I was educated in an environment that was dismissive of much of our great American music. Wanting to be regarded as a “serious” musician, I found myself going along with the thinking of the times, propagated by our most rigid conservatory student in the 1970’s, I grew work that studiously avoided melody or key academic composers and scholars of up convinced that Aaron Copland was a signature. the 1950’s -1970’s. These wise men (and “Pops” composer, useful for light story This was the environment in American yes, they were all men) had constructed ballets, but not much else.
    [Show full text]
  • 52183 FRMS Cover 142 17/08/2012 09:25 Page 1
    4884 cover_52183 FRMS cover 142 17/08/2012 09:25 Page 1 Autumn 2012 No. 157 £1.75 Bulletin 4884 cover_52183 FRMS cover 142 17/08/2012 09:21 Page 2 NEW RELEASES THE ROMANTIC VIOLIN STEPHEN HOUGH’S CONCERTO – 13 French Album Robert Schumann A master pianist demonstrates his Hyperion’s Romantic Violin Concerto series manifold talents in this delicious continues its examination of the hidden gems selection of French music. Works by of the nineteenth century. Schumann’s late works Poulenc, Fauré, Debussy and Ravel rub for violin and orchestra had a difficult genesis shoulders with lesser-known gems by but are shown as entirely worthy of repertoire their contemporaries. status in these magnificent performances by STEPHEN HOUGH piano Anthony Marwood. ANTHONY MARWOOD violin CDA67890 BBC SCOTTISH SYMPHONY ORCHESTRA CDA67847 DOUGLAS BOYD conductor MUSIC & POETRY FROM THIRTEENTH-CENTURY FRANCE Conductus – 1 LOUIS SPOHR & GEORGE ONSLOW Expressive and beautiful thirteenth-century vocal music which represents the first Piano Sonatas experiments towards polyphony, performed according to the latest research by acknowledged This recording contains all the major works for masters of the repertoire. the piano by two composers who were born within JOHN POTTER tenor months of each other and celebrated in their day CHRISTOPHER O’GORMAN tenor but heard very little now. The music is brought to ROGERS COVEY-CRUMP tenor modern ears by Howard Shelley, whose playing is the paradigm of the Classical-Romantic style. HOWARD SHELLEY piano CDA67947 CDA67949 JOHANNES BRAHMS The Complete Songs – 4 OTTORINO RESPIGHI Graham Johnson is both mastermind and Violin Sonatas pianist in this series of Brahms’s complete A popular orchestral composer is seen in a more songs.
    [Show full text]
  • Journal of the American Viola Society Volume 31 No. 1, Spring 2015
    New Horizons Vadim Borisovsky and His Viola Arrangements, Part II The Viola Concertos of J. G. Graun and M. H. Graul Unconfused The Absolute Zero Viola Quartet Volume 31 Number 1 Number 31 Volume Turn-Out in Standing Journal of the American Viola Society Viola American the of Journal Journal of the American Viola Society A publication of the American Viola Society Spring 2015: Volume 31, Number 1 p. 3 From the Editor p. 5 From the President News & Notes p. 9 Primrose Memorial Concert 2015 Myrna Layton reports on Atar Arad’s appearance at Brigham Young University as guest artist for the 33rd concert in memory of William Primrose. p. 13 42nd International Viola Congress in Review: Performing for the Future of Music Martha Evans and Lydia Handy share with us their experiences in Portugal, with a congress that focused on new horizons in viola music. Feature Articles p. 19 Vadim Borisovsky and His Viola Arrangements: Recent Discoveries in Russian Archives and Libraries, Part II After a fascinating look at Borisovsky’s life in the previous issue, Elena Artamonova delves into the violist’s arrangements and editions, with a particular focus on the Glinka’s viola sonata p. 31 The Viola Concertos of J.G. Graun and M.H. Graul Unconfused The late Marshall ineF examined the viola concertos of J. G. Graul, court cellist for Frederick the Great, in arguing that there may have been misattribution to M. H. Graul. Departments p. 39 With Viola in Hand: A Passion Absolute–The Absolute Zero Viola Quartet The Absolute eroZ Quartet has captured the attention of violists in some 60 countries.
    [Show full text]
  • Bath Festival Orchestra Programme 2021
    Bath Festival Orchestra photo credit: Nick Spratling Peter Manning Conductor Rowan Pierce Soprano Monday 17 May 7:30pm Bath Abbey Programme Carl Maria von Weber Overture: Der Freischütz Weber Der Freischütz (Op.77, The Marksman) is a German Overture to Der Freischütz opera in three acts which premiered in 1821 at the Schauspielhaus, Berlin. Many have suggested that it was the first important German Romantic opera, Strauss with the plot based around August Apel’s tale of the same name. Upon its premiere, the opera quickly 5 Orchestral Songs became an international success, with the work translated and rearranged by Hector Berlioz for a French audience. In creating Der Freischütz Weber Brentano Lieder Op.68 embodied the ideal of the Romantic artist, inspired Ich wollt ein Sträuẞlein binden by poetry, history, folklore and myths to create a national opera that would reflect the uniqueness of Säusle, liebe Myrthe German culture. Amor Weber is considered, alongside Beethoven, one of the true founders of the Romantic Movement in Morgen! Op.27 music. He lived a creative life and worked as both a pianist and music critic before making significant contributions to the operatic genre from his appointment at the Dresden Staatskapelle in 1817, Das Rosenband Op.36 where he realised that the opera-goers were hearing almost nothing other than Italian works. His three German operas acted as a remedy to this situation, Brahms with Weber hoping to embody the youthful Serenade No.1 in D, Op.11 Romantic movement of Germany on the operatic stage. These works not only established Weber as a long-lasting Romantic composer, but served to define German Romanticism and make its name as an important musical force in Europe throughout the 19th century.
    [Show full text]
  • Media Culture for a Modern Nation? Theatre, Cinema and Radio in Early Twentieth-Century Scotland
    Media Culture for a Modern Nation? Theatre, Cinema and Radio in Early Twentieth-Century Scotland a study © Adrienne Clare Scullion Thesis submitted for the degree of PhD to the Department of Theatre, Film and Television Studies, Faculty of Arts, University of Glasgow. March 1992 ProQuest Number: 13818929 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 13818929 Published by ProQuest LLC(2018). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 Frontispiece The Clachan, Scottish Exhibition of National History, Art and Industry, 1911. (T R Annan and Sons Ltd., Glasgow) GLASGOW UNIVERSITY library Abstract This study investigates the cultural scene in Scotland in the period from the 1880s to 1939. The project focuses on the effects in Scotland of the development of the new media of film and wireless. It addresses question as to what changes, over the first decades of the twentieth century, these two revolutionary forms of public technology effect on the established entertainment system in Scotland and on the Scottish experience of culture. The study presents a broad view of the cultural scene in Scotland over the period: discusses contemporary politics; considers established and new theatrical activity; examines the development of a film culture; and investigates the expansion of broadcast wireless and its influence on indigenous theatre.
    [Show full text]
  • Sheku Kanneh-Mason
    Sheku Kanneh-Mason Sheku Kanneh-Mason is the 2016 BBC Young Musician, a title he won with a stunning performance of the Shostakovich Cello Concerto at London’s Barbican Hall with the BBC Symphony Orchestra. In April 2017, Sheku returned to the hall for another performance of the concerto, this time with the National Youth Orchestra and Carlos Miguel Prieto after which the Guardian wrote that “technically superb and eloquent in his expressivity, he held the capacity audience spellbound with an interpretation of exceptional authority” and the Telegraph acknowledged “what a remarkable musician he already is, bringing other- worldly tone to the haunting slow movement and displaying mature musicianship in his handling of the extended cadenza” Only eighteen years old, Sheku’s international career is developing very quickly with engagements in the 2017/18 and 2018/19 seasons including the CBSO, the Philharmonia Orchestra at the Newbury Spring Festival, a return to the Royal Liverpool Philharmonic, Zurich Tonhalle Orchestra, Barcelona Symphony, Netherlands Chamber Orchestra (his debut at the Concertgebouw), Los Angeles Chamber Orchestra (Sheku’s concerto debut in North America), Louisiana Philharmonic, and the Seattle and Atlanta symphonies. He will also return to the BBC Symphony Orchestra to perform the Elgar Concerto in his hometown of Nottingham and make his debut at the Vienna Konzerthaus with the Japan Philharmonic. In recital, Sheku has several concerts across the UK with highlights over the next two seasons including his debuts at Kings Place as part of their Cello Unwrapped series, Milton Court, and Wigmore Hall. He will also perform a series of concerts in Canada in December 2017, and further recitals at the Zurich Tonhalle, and the Lucerne Festival.
    [Show full text]
  • Rehearing Beethoven Festival Program, Complete, November-December 2020
    CONCERTS FROM THE LIBRARY OF CONGRESS 2020-2021 Friends of Music The Da Capo Fund in the Library of Congress The Anne Adlum Hull and William Remsen Strickland Fund in the Library of Congress (RE)HEARING BEETHOVEN FESTIVAL November 20 - December 17, 2020 The Library of Congress Virtual Events We are grateful to the thoughtful FRIENDS OF MUSIC donors who have made the (Re)Hearing Beethoven festival possible. Our warm thanks go to Allan Reiter and to two anonymous benefactors for their generous gifts supporting this project. The DA CAPO FUND, established by an anonymous donor in 1978, supports concerts, lectures, publications, seminars and other activities which enrich scholarly research in music using items from the collections of the Music Division. The Anne Adlum Hull and William Remsen Strickland Fund in the Library of Congress was created in 1992 by William Remsen Strickland, noted American conductor, for the promotion and advancement of American music through lectures, publications, commissions, concerts of chamber music, radio broadcasts, and recordings, Mr. Strickland taught at the Juilliard School of Music and served as music director of the Oratorio Society of New York, which he conducted at the inaugural concert to raise funds for saving Carnegie Hall. A friend of Mr. Strickland and a piano teacher, Ms. Hull studied at the Peabody Conservatory and was best known for her duets with Mary Howe. Interviews, Curator Talks, Lectures and More Resources Dig deeper into Beethoven's music by exploring our series of interviews, lectures, curator talks, finding guides and extra resources by visiting https://loc.gov/concerts/beethoven.html How to Watch Concerts from the Library of Congress Virtual Events 1) See each individual event page at loc.gov/concerts 2) Watch on the Library's YouTube channel: youtube.com/loc Some videos will only be accessible for a limited period of time.
    [Show full text]
  • Nicola Benedetti Interview: ‘It’S Hard When You Feel You’Re Doing Your Part, but Others Aren’T Doing Theirs’
    Nicola Benedetti interview: ‘It’s hard when you feel you’re doing your part, but others aren’t doing theirs’ As she launches her new album, the star violinist is frustrated at the restrictions on live performance, but is determined to bring music to the masses regardless Nicola Benedetti at Royal Albert Hall - 21 September 2013 – by Allan Beavis by Jessica Duchen 15/07/2021 Some people quit when faced with lockdown. Others don’t. When the pandemic abruptly smothered live music, the violinist Nicola Benedetti threw her considerable energy into finding new ways to connect people online to music and, through that, to one another. Now the Scottish star soloist is preparing for a Prom, where she will perform Prokofiev’s Violin Concerto No. 2 with the National Youth Orchestra of Great Britain and, at last, a real, live audience. That should make the thrill for the NYOGB youngsters in the Royal Albert Hall even greater. “After a year and a half, with so much cancelled and no opportunity to get together, can you imagine how excited they’re going to be?” Benedetti enthuses. To say that musicians have felt frustrated and dispirited these past months is not saying enough. This summer, sports began to be allowed massive audiences, while theatres and concert halls were hobbled by continued social distancing. Benedetti does not mince her words: “It’s difficult when you see the football with 40,000 to 60,000 people gathering just in official numbers in official venues, never mind millions in the streets, and you look at musicians’ restrictions in that context.
    [Show full text]
  • Lunchtime Concert in Europe, Scandinavia, China, the U.S
    Rob Nairn worked as Associate Professor of Double Bass at Melbourne Conservatorium and Head of the Early Music Department for the past three years. He previous taught on the faculty of the Juilliard School for 11 years and Penn State University for 18 years where he was a Distinguished Professor. A Past-president of the International Society of Bassists he hosted the Society’s 2009 Convention at Penn State. Rob received his Bachelor of Music with distinction from the Canberra School of Music and a post-graduate diploma from the Berlin Musikhochschule by courtesy of a two-year DAAD German Government Scholarship. His teachers have included Klaus Stoll, Tom Martin, and Max McBride. In 2008 he was awarded a Howard Foundation Fellowship from Brown University. Rob has performed with the Pittsburgh Symphony Orchestra, the London Philharmonic, the English, Scottish and Australian Chamber Orchestras, the Bavarian Radio Symphony Orchestra, The Oslo Philharmonic, The Gothenburg Symphony, The Baltimore Symphony, The Halle Orchestra, the London Sinfonietta, and the Sydney, Adelaide, Queensland and Melbourne Symphony Orchestras, the Australia Ensemble, The Australian World Orchestra and the Australian String Quartet. Rob has recorded for Deutsche Grammaphon, Sony Classical , EMI, Naxos, Tall Poppies, RCA and ABC Classics. In Historical Performance he is currently principal bass with the Australian Brandenburg Orchestra and the Handel Haydn Society of Boston and has worked with the Boston Early Music Festival, Juilliard Baroque, Orchestre Revolutionnaire et Romantique, English Baroque Soloists, Smithsonian Chamber Players, Concerto Caledonia, Ironwood, Washington Bach Consort, the Aulos Ensemble, Rebel, Florilegium and the Orchestra of the Age of Enlightenment.
    [Show full text]
  • Season 2017-2018
    23 Season 2017-2018 Wednesday, November 1, at 7:30 China’s National Centre for the Performing Arts Orchestra Lü Jia Conductor Ning Feng Violin Gautier Capuçon Cello Zhao Jiping Violin Concerto No. 1 (in one movement) Chen Qigang Reflection of a Vanished Time, for cello and orchestra United States premiere Intermission Brahms Symphony No. 4 in E minor, Op. 98 I. Allegro non troppo II. Andante moderato III. Allegro giocoso—Poco meno presto—Tempo I IV. Allegro energico e passionato—Più allegro This program runs approximately 1 hour, 50 minutes. China’s National Centre for the Performing Arts Orchestra’s 2017 US Tour is proudly supported by China National Arts Fund. International Flight Sponsor: Hainan Airlines Philadelphia Orchestra concerts are broadcast on WRTI 90.1 FM on Sunday afternoons at 1 PM. Visit www.wrti.org to listen live or for more details. 24 Conductor Lü Jia is artistic director of music of the National Centre for the Performing Arts (NCPA) in Beijing, China, as well as music director and chief conductor of the NCPA Orchestra. He is also music director and chief conductor of the Macao Orchestra. He has served as music director of Verona Opera in Italy and artistic director of the Tenerife Symphony in Spain. Born into a musical family in Shanghai, he began studying piano and cello at a very young age. He later studied conducting at the Central Conservatory of Music in Beijing, under the tutelage of Zheng Xiaoying. At the age of 24 Mr. Lü entered the University of Arts in Berlin, where he continued his studies under Hans- Martin Rabenstein and Robert Wolf.
    [Show full text]
  • May Festival
    1960 Eighty-second Season 1961 UNIVERSITY MUSICAL SOCIETY THE UNIVERSITY OF MICHIGAN Charles A. Sink, President Gail W. Rector, Executive Director Lester McCoy, Conductor Fourth Concert Complete Series 3322 Sixty-eighth Annual MAY FESTIVAL THE PHILADELPHIA ORCHESTRA EUGENE ORMANDY, Conductor SOLOISTS ROBERT NOEHREN, Organist JOHN BROWNING, Pianist SATURDAY EVENING, MAY 6, 1961, AT 8:30 HILL AUDITORIUM, ANN ARBOR, MICHIGAN PROGRAM Compositions of American composers "Toccata Festiva" for Organ and Orchestra BARBER ROBERT NOEHREN Symphony No.7. PISTON Con moto Adagio Allegro festevole INTERMISSION Concerto No.2 in D minor for Piano and Orchestra MACDoWELL Larghetto calmato Presto giocoso Largo; molto allegro J OHN BROWNING "Rhapsody in Blue" GERSHWIN MR. BROWNING The Steinway is the official piano of the University Mu.sical Society. The Baldwilt Piano is the officia l piano of the Philadelphia Orchestra. A R S LON G A V I T A BREVIS 1961 - UNIVERSITY MUSICAL SOCIETY CONCERTS - 1962 Choral Union Series GEORGE LoNDON, Bass Wednesday, October 4 THE ROGER WAGNER CHORALE Thursday, October 19 BOSTON SYMPHONY ORCHESTRA 2:30, Sunday, October 22 CHARLES MUNCH, Conductor BERLIN PHILHARMONIC ORCHESTRA Friday, November 3 HERBERT VON KARAJAN, Conductor *BAYANIHAN (Philippine Songs and Dances) Monday, November 6 YEHUDI MENUHIN, Violinist 2:30, Sunday, November 12 GALINA VISHNEVSKAYA, Sopmno . Tuesday, November 21 EMIL GILELS, Pianist . Tuesday, February 13 MINNEAPOLIS SYMPHONY ORCHESTRA 2 :30, Sunday, March 4 STANISLAW SKROWACZEWSKI, Conductor *AMERICAN BALLET THEATRE Saturday, March 24 Season Tickets: $20.00--$17.00--$15.00--$12.00-$10.00 Extra Series *MAZOWSZE (Polish Songs and Dances) Tuesday, October 24 THE CLEVELAND ORCHESTRA Thursday, November 16 GEORGE SZELL, Conductor RUDOLF SERKIN, Pianist .
    [Show full text]