A Savage Wuxia Action Supplement by Matthew Hoeveler
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Records of the Medieval Sword Free
FREE RECORDS OF THE MEDIEVAL SWORD PDF Ewart Oakeshott | 316 pages | 15 May 2015 | Boydell & Brewer Ltd | 9780851155661 | English | Woodbridge, United Kingdom Records of the Medieval Sword by Ewart Oakeshott, Paperback | Barnes & Noble® I would consider this the definitive work on the development of the form, design, and construction of the medieval sword. Oakeshott was the foremost authority on the subject, and this work formed the capstone of his career. Anyone with a serious interest in European swords should own this book. Records of the Medieval Sword. Ewart Oakeshott. Forty years of intensive research into the specialised subject of the straight two- edged knightly sword of the European middle ages are contained in this classic study. Spanning the period from the great migrations to the Renaissance, Ewart Oakeshott emphasises the original purpose of the sword as an intensely intimate accessory of great significance and mystique. There are over photographs and drawings, each fully annotated and described in detail, supported by a long introductory chapter with diagrams of the typological framework first presented in The Archaeology of Weapons and further elaborated in The Sword in the Age of Chivalry. There are appendices on inlaid blade inscriptions, scientific dating, the swordsmith's art, and a sword of Edward Records of the Medieval Sword. Reprinted as part Records of the Medieval Sword Boydell's History of the Sword series. Records of the Medieval Sword - Ewart Oakeshott - Google книги Uh-oh, it looks like your Internet Explorer is out of date. For a better shopping experience, please upgrade now. Javascript is not enabled in your browser. -
Emei White Cloud White Ape Sect Lineage 峨眉 白 云 白 猿 派 传统
Emei White Cloud White Ape Sect Lineage 峨眉 白 云 白 猿 派 传统 Emei Shan Hui-Chan Lineage Emei Shan Daoist Lineage Bai Yuan (White Ape) Hui Chaquan master who accepted Lingdongzi Founder of martial arts - created white ape style, the first imitation martial Wang as a disciple Shitu Xuankong Yang Hongxiu 1830-1900 art and father of all martial arts. Created Yuangong Jian (Ape Sword), Ape 200 BC Circa Long Fist, Carried forward by his Dizi BaiYu and BaiMei (White Eyebrow) I I Creator of Green Dragon Sword (Chin Long Jian), Deyuan Bai Mei (White 20 Fist Method (Quan Shr Er Fa) and 20 Wushu Postures. Eyebrow) 960-1112 Creator of Bak Mei (Bai Mei) White Eyebrow which ultimately becomes Wang Zi-Ping 1881- 1973 Students Liu Jin-Sheng, Zhao Jiang authored Chin Na Methods AD Circa Wing Chun I I Founder of Emei Qigong - Created Emei Linji School of Qigong and Bai Yun (White Cloud) Creator of Flying Rainbow Fan (Wang) compiled 3,600 school's teaching. 1227 AD Wrote The Emei Treasured Lotus Canon Wang Ju-Rong 1928-2006 Dr. Wu Chengde I Sole carrier of teachings post cultural revolution. Daoist Wanderer and Co Authored Tai Chi Single Fan with Wen-Ching Li Liu Tong 梨 劉 通 Priest in Lijiadao and Emei Bai Yuan Dao, Preserver of Emei Bai Yuan Styles (Destroyer of Misery) Grace Wu Helen Wu 1965- and Neidan 毁痛 1947- Grandfather of Liang Shou-yu and Emei practitioner. Began training Liang at Liang, Zhi-Xiang (梁芷箱) age 6 in Emei styles and Emei Da Peng Gong ( (Emei Great Roc Gong, 峨嵋大鵬功) I Trained at Daoist temple “The Temple of the Great Emperor of Martial Arts” on Zhen Wu Mountain (真武山) Hong Ze Great Master in Wudang - Taught Swimming Body (Swift Dragon) Baguazhang, Deer Hook Sword, Bagua Crutch, and (洪澤大師) Wujiquan (無極拳) I Grandmaster Liang, Grandmaster and founder of the IWSD (Int'l Wushu Sanshou dao, Assoc). -
General Information
GENERAL INFORMATION II MEDITERRANEAN WUSHU CHAMPIONSHIPS II MEDITERRANEAN KUNG FU CHAMPIONSHIPS MARSEILLE, FRANCE MAY 31 – JUNE 3, 2019 General Information of the II Mediterranean Wushu Championships THE II MEDITERRANEAN WUSHU CHAMPIONSHIPS THE II MEDITERRANEAN KUNG FU CHAMPIONSHIPS COMPETITION GENERAL INFORMATION DATE & PLACE The 2nd Mediterranean Wushu Championships & the 2nd Mediterranean Kung Fu Championships will take place between May 30 and June 3, 2019 in Marseille, France. VENUES Competition Venue : Palais des sports de Marseille (81, rue Raymond-Teissere, 13000 Marseille) COMPETITION EVENTS 1. Taolu Events (Optional Routines without Degree of Difficulty): a. Individual Events (10 events divided into male and female categories): Changquan, Nanquan, Daoshu, Jianshu, Nandao, Gunshu, Qiangshu, Nangun, Taijiquan, Taijijian. b. Duilian Events (1 event divided into male and female categories): 2-3 people in duilian without weapons, duilian with weapons, or duilian with barehands against weapons. 2. Sanda Events: a. Men’s divisions (11 events): 48 Kg, 52 Kg, 56 Kg, 60 Kg, 65 Kg, 70 Kg, 75 Kg, 80 Kg, 85 Kg, 90 Kg, +90 Kg. b. Women’s divisions (7 events): 48 Kg, 52 Kg, 56 Kg, 60 Kg, 65 Kg, 70 Kg, 75 Kg. 3. Traditional Kung Fu Events: a. Individual Barehand Routine Events (15 events divided into male and female categories): (i). Taijiquan Type Events: 1) Chen Style (Performance Content derived from: Traditional Routines, Compulsory 56 Posture Routine, IWUF New Compulsory Chen Style Taijiquan Routine); 2) Yang Style (Performance Content derived from: Traditional Routines, Compulsory 40 Posture Routine, IWUF New Compulsory Yang Style Taijiquan Routine); 3) Other Styles (Performance Content derived from: Traditional Wu Style Routines, Compulsory Wu style Routines, Traditional Wu (Hao) Style Routines, Compulsory Wu (Hao) 46 Posture Routine, Traditional Sun Style Routines, Compulsory Sun Style 73 Posture Routine, 42 Posture Standardized Taijiquan). -
Weaponry & Armor
Weaponry & Armor “Imagine walking five hundred miles over the course of two weeks, carrying an arquebus, a bardiche, a stone of grain, another stone of water, ten pounds of shot, your own armor, your tent, whatever amenities you want for yourself, and your lord’s favorite dog. In the rain. In winter. With dysentery. Alright, are you imagining that? Now imagine that as soon as you’re done with that, you need to actually fight the enemy. You have a horse, but a Senator’s nephew is riding it. You’re knee-deep in mud, and you’ve just been assigned a rookie to train. He speaks four languages, none of which are yours, and has something to prove. Now he’s drunk and arguing with your superiors, you haven’t slept in thirty hours, you’ve just discovered that the fop has broken your horse’s leg in a gopher hole, and your gun’s wheellock is broken, when just then out of the dark comes the beating of war-drums. Someone screams, and a cannonball lands in your cooking fire, where you were drying your boots. “Welcome to war. Enjoy your stay.” -Mago Straddock Dacian Volkodav You’re probably going to see a lot of combat in Song of Swords, and you’re going to want to be ready for it. This section includes everything you need to know about weapons, armor, and the cost of carrying them to battle. That includes fatigue and encumbrance. When you kit up, remember that you don’t have to wear all of your armor all of the time, nor do you need to carry everything physically on your person. -
Rules and Options
Rules and Options The author has attempted to draw as much as possible from the guidelines provided in the 5th edition Players Handbooks and Dungeon Master's Guide. Statistics for weapons listed in the Dungeon Master's Guide were used to develop the damage scales used in this book. Interestingly, these scales correspond fairly well with the values listed in the d20 Modern books. Game masters should feel free to modify any of the statistics or optional rules in this book as necessary. It is important to remember that Dungeons and Dragons abstracts combat to a degree, and does so more than many other game systems, in the name of playability. For this reason, the subtle differences that exist between many firearms will often drop below what might be called a "horizon of granularity." In D&D, for example, two pistols that real world shooters could spend hours discussing, debating how a few extra ounces of weight or different barrel lengths might affect accuracy, or how different kinds of ammunition (soft-nosed, armor-piercing, etc.) might affect damage, may be, in game terms, almost identical. This is neither good nor bad; it is just the way Dungeons and Dragons handles such things. Who can use firearms? Firearms are assumed to be martial ranged weapons. Characters from worlds where firearms are common and who can use martial ranged weapons will be proficient in them. Anyone else will have to train to gain proficiency— the specifics are left to individual game masters. Optionally, the game master may also allow characters with individual weapon proficiencies to trade one proficiency for an equivalent one at the time of character creation (e.g., monks can trade shortswords for one specific martial melee weapon like a war scythe, rogues can trade hand crossbows for one kind of firearm like a Glock 17 pistol, etc.). -
Street Fighter Styles
Street Fighter Styles The term “brawling” has been used to signify those who do not have any martial arts style. The majority of NPCs will fall into this category. Those moves listed as learnable by “any” (Common Moves pg. 102 main book) make up their list. The “any” moves are also included in each style’s list for completeness. Maneuvers marked with an (*), are those that make up the style’s compliment, and as such are cheaper to learn. Where there is a discrepancy in points cost between the style’s list and the maneuver’s list, I have used the maneuver’s list cost. Nothing has been added that is not in the following books: Street Fighter “The Storytelling Game” (main book) Street Fighter “Players Guide” Street Fighter “Shades of Gray” (insert module of storyteller’s screen) Street Fighter “Secrets of Shadoloo” Street Fighter “The Perfect Warrior” Street Fighter “Contenders” Feel free to use yourself or distribute to any Street Fighter enthusiast. The only condition I have is that nothing on it is changed, altered or added to in any way. I do not want to see these coming back to me with “extra” styles added. This list is designed for those who own all six “Street Fighter” products by White Wolf Games and is intended not as a challenge to any copyright, but as a reference guide. Those who do not own these books should not use this material. © Jeremy Meredith, 2001 BRAWLING .....................................................................................................................2 CAPOEIRA ......................................................................................................................4 -
Weaponry During the Period of Disunity in Imperial China with a Focus on the Dao
Weaponry During the Period of Disunity in Imperial China With a focus on the Dao An Interactive Qualifying Project Report Submitted to the Faculty Of the WORCESTER POLYTECHNIC INSTITUTE By: Bryan Benson Ryan Coran Alberto Ramirez Date: 04/27/2017 Submitted to: Professor Diana A. Lados Mr. Tom H. Thomsen 1 Table of Contents Table of Contents 2 List of Figures 4 Individual Participation 7 Authorship 8 1. Abstract 10 2. Introduction 11 3. Historical Background 12 3.1 Fall of Han dynasty/ Formation of the Three Kingdoms 12 3.2 Wu 13 3.3 Shu 14 3.4 Wei 16 3.5 Warfare and Relations between the Three Kingdoms 17 3.5.1 Wu and the South 17 3.5.2 Shu-Han 17 3.5.3 Wei and the Sima family 18 3.6 Weaponry: 18 3.6.1 Four traditional weapons (Qiang, Jian, Gun, Dao) 18 3.6.1.1 The Gun 18 3.6.1.2 The Qiang 19 3.6.1.3 The Jian 20 3.6.1.4 The Dao 21 3.7 Rise of the Empire of Western Jin 22 3.7.1 The Beginning of the Western Jin Empire 22 3.7.2 The Reign of Empress Jia 23 3.7.3 The End of the Western Jin Empire 23 3.7.4 Military Structure in the Western Jin 24 3.8 Period of Disunity 24 4. Materials and Manufacturing During the Period of Disunity 25 2 Table of Contents (Cont.) 4.1 Manufacturing of the Dao During the Han Dynasty 25 4.2 Manufacturing of the Dao During the Period of Disunity 26 5. -
View Book Inside
YMAA PUBLICATION CENTER YMAA is dedicated to developing the most clear and in-depth instructional materials to transmit the martial legacy. Our books, videos and DVDs are created in collab- oration with master teachers, students and technology experts with a single-minded purpose: to fulfill your individual needs in learning and daily practice. This downloadable document is intended as a sample only. To order this book, please click on our logo which will take you to this product’s page. An order button can be found at the bottom. We hope that you enjoy this preview and encourage you to explore the many other downloadable samples of books, music, and movies throughout our website. Most downloads are found at the bottom of product pages in our Web Store. Did you know? • YMAA hosts one of the most active Qigong and martial arts forums on the internet? Over 5,000 registered users, dozens of categories, and over 10,000 articles. • YMAA has a free quarterly newsletter containing articles, interviews, product reviews, events, and more. YMAA Publication Center 1-800-669-8892 [email protected] www.ymaa.com ISBN671 cover layout 2/14/07 10:17 AM Page 1 Martial Arts/Asian Studies/Military History E1002 A A One-of-a-Kind Reference N for Scholars and Martial Artists C I E Many Martial Artists, once they reach a certain level of proficiency with their N T barehand fighting forms, choose to expand their knowledge to include weapons C techniques. But what weapon to choose? Over the past 5000 years, the Chinese H I have developed a vast array of weapons, built for a multitude of purposes. -
Styles of Kung-Fu Is Choy Lee Fut, a Long-Range, High-Speed Style Pioneered in Southern China As a Response to the Manchu Occupation
Kung-Fu Styles ______________________________________________________________________________ THE THREE MAIN “INTERNAL” STYLES Certainly there were well-developed martial arts in the Chinese military for centuries before the time of Bodhidharma. However, the seed which grew into the majority of Asian martial arts today was Shaolin Temple Boxing (Shaolin Ch'uan fa, “Way of the Shaolin fist”) which originated around the 6th century A.D. Succeeding Shaolin masters of Ch'uan (Zen) Buddhism refined and expanded the fighting art until it became known throughout China. Taoist priests were also attracted to it because of its philosophical emphasis on peace, inoffensiveness and meditation. Developing it in their own way to emphasize balance and muscular control, which in turn enhance health, peace-of-mind and longevity, they created the style known as Tai Chi Ch'uan. David Chow and Richard Spangler (Kung fu History, Philosophy and Technique, 1982) have reviewed the history of Kung-fu and its various styles in detail. T'ai Chi Ch'uan An obscure Taoist priest, Chang San-feng, is credited with creating the T'ai Chi Ch'uan (“Grand Ultimate Fist”) exercise system. He lived during the Sung, Yuan or Ming dynasties (historians are unsure), and was reputed as being tall, robust and heavy-bearded (a sign of vitality in China). Chang's overriding personal philosophy was: “My own destiny depends upon myself and not upon heaven.” Therefore his primary pursuit was to find ways of protecting and enhancing health and prolonging life. He left his native province of Liao Tung in northern China on a long search for useful methods and techniques. -
Of Monkeys, Tigers, Staffs and Sabres
Of Monkeys, Tigers, Staffs and Sabres The Tiger In China the tiger is considered to be the king of the beasts and lord of the land animals , much as the lion is in Africa and in European symbolism. The tiger is seen as encapsulating the qualities of courage, power, physical strength and military prow- ess. It represents both human vitality and animal energy. It is one of the 4 animals associated with the 4 directions, the seasons and the elements. Its stripes represent the double aspects of yin and yang. In Feng Shui the tiger shows its yin side, whereas in Chinese Astrology its yang qualities come to the fore. Feng Shui – The Yin Tiger In Feng Shui the tiger is associated with the metal element, the colour white, the season of autumn and the direction of the west. As this is where the sun sets it also represents death, and this is why the tiger is considered to be the Guardian of Graves. In contrast, the east, where the sun rises is the domain of the dragon, creation, birth and the spring. In much Chinese symbolism, the dragon and phoenix are seen as counterparts, whereas in feng shui it is the dragon and the tiger which are seen as balancing aspects of nature, the heavenly and the earthly. Mountains represent the dragon whilst the plains and gently rolling hills are related to the tiger. A fa- vourable location is usually where the dragon and tiger meet. However, it is said that the dragon should be dominant to keep the tiger benevolent. -
8Th World Kungfu Championships Emeishan, China 8Th World Kungfu Championships Emeishan, China
8th World Kungfu Championships Emeishan, China 8th World Kungfu Championships Emeishan, China A Brief Introduction to Emeishan City Emeishan City is located on the southwestern edge of Sichuan Basin with an area of 1,183 square kilometres. Mount Emei is a cultural and natural heritage of the world and a national AAAAA scenic area. With the rich cultural deposits and tourism resources, Emeishan is an excellent tourist city in China and an emerging tourist city in Asia. Emeishan is rich in resources and has the most typical and best preserved subtropical vegetations in the world. With more than 3,700 types of higher plants, accounting for one tenth of the total amount in the country, the city is known as the “Botany Kingdom”; with more than 2,300 types of wild animals, it is known as the “Animal Kingdom”; with 63.3% of the forest coverage rate, it is known as the “Natural Oxygen Bar”; with most townships located at the elevation between 800 and 1,500 meters, it is also known as “Emei Nanshan” Health Preservation Resort. Yellow Emperor, Emperor Taizong of Song, Emperor Kangxi, Li Bai, Su Shi, Xu Xiake, Sun Simiao, Nan Huaijin, Deng Xiaoping, Guo Moruo, Xi Jinping, etc. have all been on Mount Emei, leaving many anecdotes. At present, Emeishan City has expanded the “nine-in-one” industrial chain including a cup of tea, a bottle of wine, a bucket of water, a bowl of soup, a set of quan, a scene of play, a piece of song, a piece of needle and an event of exhibition. -
Alternative Titles Index
VHD Index - 02 9/29/04 4:43 PM Page 715 Alternative Titles Index While it's true that we couldn't include every Asian cult flick in this slim little vol- ume—heck, there's dozens being dug out of vaults and slapped onto video as you read this—the one you're looking for just might be in here under a title you didn't know about. Most of these films have been released under more than one title, and while we've done our best to use the one that's most likely to be familiar, that doesn't guarantee you aren't trying to find Crippled Avengers and don't know we've got it as The Return of the 5 Deadly Venoms. And so, we've gathered as many alternative titles as we can find, including their original language title(s), and arranged them in alphabetical order in this index to help you out. Remember, English language articles ("a", "an", "the") are ignored in the sort, but foreign articles are NOT ignored. Hey, my Japanese is a little rusty, and some languages just don't have articles. A Fei Zheng Chuan Aau Chin Adventure of Gargan- Ai Shang Wo Ba An Zhan See Days of Being Wild See Running out of tuas See Gimme Gimme See Running out of (1990) Time (1999) See War of the Gargan- (2001) Time (1999) tuas (1966) A Foo Aau Chin 2 Ai Yu Cheng An Zhan 2 See A Fighter’s Blues See Running out of Adventure of Shaolin See A War Named See Running out of (2000) Time 2 (2001) See Five Elements of Desire (2000) Time 2 (2001) Kung Fu (1978) A Gai Waak Ang Kwong Ang Aau Dut Air Battle of the Big See Project A (1983) Kwong Ying Ji Dut See The Longest Nite The Adventures of Cha- Monsters: Gamera vs.