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Bibliography Bibliography Adams, Parveen, ‘Of Female Bondage’, in Teresa Brennan (ed.), Between Feminism and Psychoanalysis (London and New York: Routledge, 1989), pp. 247–65. Allen, Carolyn, Following Djuna: Women Lovers and the Erotics of Loss (Bloomington: Indiana University Press, 1996). Anderson, Mark M., ‘Kafka and Sacher-Masoch’, Journal of the Kafka Society of America, 7 (1983), 4–19. —— Kafka’s Clothes: Ornament and Aestheticism in the Habsburg Fin de Siècle (Oxford: Clarendon Press, 1992). —— ‘Kafka, Homosexuality and the Aesthetics of “Male Culture”’, in Ritchie Robertson and Edward Timms (eds), Gender and Politics in Austrian Fiction (Edinburgh: Edinburgh University Press, 1996), pp. 79–99. Anz, Thomas, ‘Psychoanalyse’, in Manfred Engel and Bernd Auerochs (eds), Kafka Handbuch. Leben – Werk – Wirkung (Stuttgart: Metzler, 2010), pp. 65–71. Apollinaire, Guillaume, L’Œuvre de Sade (Paris: Bibliothèque des curieux, 1909). Artaud, Antonin, The Theatre and Its Double, in Collected Works, vol. 4, trans. Victor Corti (London: Calder and Boyars, 1974), pp. 1–110. Attridge, Derek, ‘Roland Barthes’s Obtuse, Sharp Meaning’, in Jean- Michel Rabaté (ed.), Writing the Image after Roland Barthes (Philadelphia: University of Pennsylvania Press, 1997), pp. 77–89. Aubert, Jacques and Fritz Senn (eds), Cahier de l’Herne. James Joyce (Paris: L’Herne, 1985). Auden, W. H., The English Auden: Poems, Essays, and Dramatic Writings, 1927–1939, ed. Edward Mendelson (London: Faber and Faber, 1977). Barnes, Djuna, Ryder (New York: Horace Liveright, 1928). —— Nightwood, with an introduction by T. S. Eliot (London: Faber and Faber, 1985). —— Selected Works of Djuna Barnes: Spillway, The Antiphon, Nightwood (London: Faber and Faber, 1998). Barthes, Roland, Writing Degree Zero, trans. Annette Lavers and Colin Smith (London: Jonathan Cape, 1967). —— The Pleasure of the Text, trans. Richard Miller (New York: Hill and Wang, 1975; London: Jonathan Cape, 1976). —— Image, Music, Text, ed. and trans. Stephen Heath (London: Fontana, 1977). —— The Rustle of Language, trans. Richard Howard (Berkeley and Los Angeles: University of California Press, 1989). —— Roland Barthes by Roland Barthes, trans. Richard Howard (Berkeley: University of California Press, 1994). —— Comment vivre ensemble. Simulations romanesques de quelques espaces quotidi- ens, ed. Claude Coste (Paris: Seuil/Imec, 2002). —— Œuvres complètes, ed. Éric Marty, 5 vols (Paris: Seuil, 2002). —— The Neutral, trans. Denis Hollier and Rosalind Krauss (New York: Columbia University Press, 2003). —— ‘Table ronde sur Proust’, in Gilles Deleuze, Deux régimes de fous. Textes et entretiens 1975–1995, ed. David Lapoujade (Paris: Minuit, 2003), pp. 29–55. 232 Bibliography 233 —— ‘Proust Round Table’, in Gilles Deleuze, Two Regimes of Madness: Texts and Interviews 1975–1995 (New York and Los Angeles: Semiotext(e), 2007), pp. 29–60. Bataille, Georges, Œuvres complètes, 12 vols (Paris: Gallimard, 1970–88). —— Blue of Noon, trans. Harry Mathews (London and Boston: Marion Boyars, 1979). —— Story of the Eye, trans. Joachim Neugroschel (London and Boston: Marion Boyars, 1979). —— L’Abbé C., trans. Philip A. Facey (London and New York: Marion Boyars, 1983). —— Literature and Evil, trans. Alastair Hamilton (New York and London: Marion Boyars, 1985). —— Visions of Excess: Selected Writings, ed. Allan Stoekl, trans. Allan Stoekl with Carl R. Lovitt and Donald M. Leslie Jr (Minneapolis: University of Minnesota Press, 1985). —— My Mother, Madame Edwarda, The Dead Man, trans. Austryn Wainhouse (London and New York: Marion Boyars, 1989). —— The Accursed Share: An Essay on General Economy, vols II and III, trans. Robert Hurley (New York: Zone, 1991). —— The Impossible: A Story of Rats followed by Dianus and by The Oresteia, trans. Robert Hurley (San Francisco: City Lights, 1991). —— Histoire de l’œil (Paris: Gallimard ‘Imaginaire’, 1993). —— Choix de lettres 1917–1962, ed. Michel Surya (Paris: Gallimard, 1997). —— Eroticism, trans. Mary Dalwood (Harmondsworth: Penguin, 2001). Baudrillard, Jean, Seduction, trans. Brian Singer (Basingstoke: Macmillan, 1990). Beckett, Samuel, Molloy (Paris: Les Éditions de Minuit, 1996). —— The Letters of Samuel Beckett, Volume I: 1929–1940, ed. Martha Fehsenfeld and Lois More Overbeck (Cambridge: Cambridge University Press, 2009). —— Molloy, ed. Shane Weller (London: Faber and Faber, 2009). Beizer, Janet, Ventriloquized Bodies: Narratives of Hysteria in Nineteenth- Century France (Ithaca, NY: Cornell University Press, 1994). Benjamin, Walter, The Origin of German Tragic Drama, trans. John Osborne (London: NLB, 1977). —— The Arcades Project, ed. Rolf Tiedemann, trans. Howard Eiland and Kevin McLaughlin (Cambridge, MA, and London: Belknap Press, 1999). Benstock, Shari, Women of the Left Bank: Paris 1900–1940 (Austin: University of Texas Press, 1986). Beranger, Elizabeth, ‘Une époque de transe. L’example de Djuna Barnes, Jean Rhys et Virginia Woolf’, unpublished doctoral thesis, Université de Paris- VIII, 1978. Bersani, Leo, ‘Is the Rectum a Grave?’, in Douglas Crimp (ed.), AIDS: Cultural Analysis/Cultural Activism (Cambridge, MA: MIT Press, 1988), pp. 197–222. Binder, Hartmut, Motiv und Gestaltung bei Franz Kafka (Bonn: Bouvier, 1966). Birkett, Jennifer, The Sins of the Fathers: Decadence in France 1870–1914 (London and New York: Quartet, 1986). Blake, William, The Poems of William Blake, ed. John Sampson (London: Oxford University Press, 1961). Blanchot, Maurice, Lautréamont and Sade, trans. Stuart Kendall and Michelle Kendall (Stanford: Stanford University Press, 2004). 234 Bibliography Blank, Juliane, ‘Ein Landarzt. Kleine Erzählungen’, in Manfred Engel and Bernd Auerochs (eds), Kafka Handbuch. Leben – Werk – Wirkung (Stuttgart: Metzler, 2010), pp. 218–40. Bloch, Iwan, Beiträge zur Aetiologie der Psychopathia sexualis. Zweiter Teil (Dresden: Verlag von H. R. Dohrn, 1903). Boa, Elizabeth, Kafka: Gender, Class, and Race in the Letters and Fictions (Oxford: Clarendon Press, 1996). —— ‘Karl Rossmann, or the Boy Who Wouldn’t Grow Up: The Flight from Manhood in Kafka’s Der Verschollene’, in Mary Orr and Lesley Sharpe (eds), From Goethe to Gide: Feminism, Aesthetics and the French and German Literary Canon, 1770–1936 (Exeter: Exeter University Press, 2005), pp. 168–83. Bois, Yves- Alain and Rosalind E. Krauss, Formless: A User’s Guide (New York: Zone, 1997). Bonaparte, Marie, Edgar Allan Poe, sa vie, son œuvre. Étude analytique, 2 vols (Paris: Denoël and Steele, 1933). Boone, Joseph Allen, Libidinal Currents: Sexuality and the Shaping of Modernism (Chicago: University of Chicago Press, 1998). Born, Jürgen, Kafkas Bibliothek. Ein beschreibendes Verzeichnis (Frankfurt am Main: S. Fischer, 1990). Bourcier, Marie-Hélène and Suzette Robichon (eds), Parce que les lesbiennes ne sont pas des femmes. Autour de l’œuvre politique, théorique et littéraire de Monique Wittig (Paris: Éditions Gaies et Lesbiennes, 2002). Bourget, Paul, Essais de psychologie contemporaine, 2 vols (Paris: Plon, 1912). Bowie, Malcolm, ‘Reading Proust Between the Lines’, in André Benhaïm (ed.), The Strange M. Proust (Oxford: Legenda, 2009), pp. 125–34. Bowlby, Rachel, Shopping with Freud (London and New York: Routledge, 1993). —— Freudian Mythologies: Greek Tragedy and Modern Identities (Oxford: Oxford University Press, 2009). Bradbury, Malcolm and James McFarlane (eds), Modernism: A Guide to European Literature 1890–1930 (Harmondsworth: Penguin, 1976). Brooks, Peter, The Melodramatic Imagination: Balzac, Henry James, Melodrama, and the Mode of Excess (New York: Columbia University Press, 1984). —— Psychoanalysis and Story- Telling (Oxford: Wiley- Blackwell, 1993). —— (ed.), Whose Freud? The Place of Psychoanalysis in Contemporary Culture (New Haven: Yale University Press, 2005). Burlotte, Gaëtan and John Phillips, ‘Introduction’, in Encyclopedia of Erotic Literature (New York: Routledge, 2006), pp. ix–xiv. Byatt, A. S., Passions of the Mind: Selected Writings (London: Vintage, 1993). Cahun, Claude, Écrits, ed. François Leperlier (Paris: Éditions Jean- Michel Place, 2002). Cairns, Lucille, ‘Homosexuality and Lesbianism in Proust’s Sodome et Gomorrhe’, French Studies, 51:1 (1997), 43–57. Carpenter, Edward, Pagan and Christian Creeds: Their Origins and Meanings (New York: Blue Ribbon Books, 1920). Caselli, Daniela, ‘Wives of Geniuses I Have Sat With: Body Hair, Genius, and Modernity’, in Karín Lesnik- Oberstein (ed.), The Last Taboo: Women and Body Hair (Manchester: Manchester University Press, 2006), pp. 18–47. —— Improper Modernism: Djuna Barnes’s Bewildering Corpus (Aldershot: Ashgate, 2009). Bibliography 235 Cawthorne, Nigel, Sordid Sex Lives: Shocking Stories of Perversion and Promiscuity from Nero to Nilsen (London: Quercus, 2010). Chadwick, Whitney, ‘Lee Miller’s Two Bodies’, in Whitney Chadwick and Tirza True Latimer (eds), The Modern Woman Revisited: Paris Between the Wars (New Brunswick: Rutgers University Press, 2003), pp. 199–221. Chait, Sandra and Elizabeth Podnieks (eds), Hayford Hall: Hangovers, Erotics, and the Aesthetics of Modernism (Carbondale: University of Southern Illinois Press, 2005). Cheng, Anne Anlin, Second Skin: Josephine Baker and the Modern Surface (Oxford: Oxford University Press, 2011). Chisholm, Dianne, ‘Lesbianizing Love’s Body: Interventionist Imag(in)ings of Monique Wittig’, in Shirley Neuman and Glennis Stephenson (eds), ReImagining Women: Representations of Women in Culture (Toronto, New York and London: University of Toronto Press, 1993), pp. 196–216. Collins, Wilkie, The Woman in White (Harmondsworth:
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