11.'Ait of Um

Total Page:16

File Type:pdf, Size:1020Kb

11.'Ait of Um THE OREGON SUNDAY JOURNAL, PORTLAND, SUNDAY MORNING. NOVEMBER 11.'Ait CREATOR OF FAfiHIl n umTHE 0U1HIIIQNABLIE W B MMT fj Point Applique tke Ckic Trimniing for Velveteen tke Correct Tking TiVedding Dresses. for Morning and Going-Aw- ay Extensive Trousseaux No Longer tke Gowns. ing for tke Smart Clotk and Taffetas Conspicuous Proper Th Woman. JO White Satin and Long Trains tke Regu- in the X rosseau or the Ultra Smart Bride. lation iVedding Gown for Tkif Wiatir. rs-- lines are a necessity In the well made is that selected by a woman who wanta short full putt to the elbow, where a evening (own. and nothing Is put upon a Quaint effect In her gown, and some- fpld of taffeta and a quilling of laoe a gown which will detract from these thing entirely different from the regu- head a second putt. This Is finished In Fetching-- Wrap a Necessity la the lation long train with which we are all the same fashion, and reaches midway so familiar. It Is made with a full skirt between the elbow and wrist. Troeeeau. of white taffeta, veiled In chiffon, and For her reception gown a bride selects In the way of wraps a bride requires tho chiffon overdress Is surrounded by the color which Is most becoming to her one for morning wear and this Is proba- several rows of taffeta folds, all of the from among those In vogue. The recep- bly part of her suit with a coat for same width. These folds are only tion gown shown in figure C le of soft the afternoon and one for the theatre stitched along the top edge, and they green cloth mads with a full, plain and opera and for evening; wear. The lutng like tucks. The bodice M eut with skirt. The bodice is very amart. and la a V neck and a stock and yoke of laoe, given a surplice effect by means of evening coat may be made to do duty with a lare fichu below the taffeta out- straps opera If one does not wish a of embroidery, set their own for the line of the V In front. The bodlos la width apart, a little below the band of separate wrap for that purpose. full and has a wide, draped girdle effect the material which frames a small laee The wedding gown shown In figure A without any girdle. The sleeve la a tucker, shaped like a V In front and aurmounted by a lace stock. The em- broidered strops cross at the back and front of the bodice above a wide, draped girdle, which 'is finished with two taf- feta rosettes In the back. The full el- bow sleeve Is elaborated with a panel of lace, down the outside, crossed by three straps with, a taffeta bow In the center of each. At the elbow a soft lace flounce a. this season of the year the bride occupies tho center of the stage In the social world. A for all over the country brides are donning eatln and orange blossoms and preparing for a winter of gay young matronhood. Tho wedding gown Is. of course, the most important consideration In the selection of a trousseau. Tho conven- The gotng-awa- y gown la also a matter tional gown is of satin, or else of some of Importance, and the smartest ones one of the heavier goods, such as cloth this season are made of cloth or velvei- - or surah brocade. The regulation een. The consideration about a anlns- - weddtng gown, with Its long train, re- - away gown Is to have It very smart quires some such heavy materials to snd not too obtrusive. As to length, Insure the proper set and hang of tbs there Is nothing to prevent a bride from train. having a long gown If aha wants one, At times there is a tendency to depart but the really smart traveling gown I Ing length. The skirt la trimmed around plctureaque cut of the bodice, which h from the conventional gown and to wear cut short. Tho bride who wanta to be the lower portion with crossed straps of its decolletsge In a wide V shape with something softer and lighter than absolutely correct will wear hers In this taffeta, with a button In the point of surplice effects of narrow taffeta bands satin, but these attempt not style. As to trimmings gowns, have been these that esch. ttch decoration Is lu the form wl4 lao, mppiqua over the ahoul- - successful except In spring and In the depends upon the occasion and tho ly autumn, when the aesson mate where gown will bo worn. 0tJtn beginning at tho center of the and the For The Jacket Is mads with a round neck. ot.trA . ZJCLm . ..,, m the occasion allow a much greater lati- - New York, velveteen, made quits slm-tud- e tn.,d hv a wide hand of shirring. .." k. In the selection of materials for ply. will be the correct thins. The back of the bodice Is gathered to back. Her a velvet bow Is set at tha wending gwna than Is the case now. It Is a common mistake to suppose belt, tho fronts are Joining ' of two wide bands of velvet ' There 1s one that and to the and Just exception In fsvor of that a bride's gowns must he made also gathered to the belt and to the that pass downward from the bow, un- the gown of white moassetlne, em- mora aver- broidered elaborate than those of the shoulders. A shirred band covers the der the arms, and slope to tho walat in silver, which some brides age woman. On the contrary, the bride seam at the side of the back, and the line In front. There la not much bodice affect. more simplicity wo- The dresses with than a same form of trimming outlines the visible below this and that la formsd wedding gown of the moment is man who has been married some little square, full coattails In the back. The In the style of a girdle with a point smartest cut Derfectlv nlnln If denamia time. The reception gown of the bride bolt Is outdo In a very attractive fashion up the middle of th back. The full mr us oeauty upon the chic lines gown of must be chIO In cut and fetching in of two straps, which cross ends on esch aleeves begin in a short puff at th top. the and not upon any accessories effect, but It must not be upward-turnin- g ends n ne way elaborate. side, with curving followed by a larger on and flntehed or trimmings. The gown Is A variety of materials them- - they are held ., , susaest up on' tho jacket, where with another abort puff abov a ruffle i lon(r ,ram 1VM ror tn) --own. and many trim In place by buttons. The mousquetalre edged with lace. Thla only reaches to sweeps slong the floor with the same mlngs stately appearance ars equally amart, so thst a sleeve ta finished With the crossed straps tho top of the elbow. There la an air with which we are bride Is by no means limited In her and buttons and a laoe stock and Jabot of youthful simplicity with all the He.!0 J'J?1"' selection. are worn at tho nock. quaintnass of thta gown, and still It la tn sortrVSt. mU'''L' H'wl! " J""1'' Wh" th 'ewPtloa gown Is Intport- - Th simplest gown In a bridals ward- elaborate enough to be worn by a woman avowS? "nt gown this street, past youth. sr. and ' "n should glvellttle robe ta hsr morning for her first wMin silhouette rr. m th. rhnmin. n m.i.t h. .imni. and thla la shown In figure B. It Is cut With th smart bride of this season W,,i-D- - Short-t- hat Is. flnrifn, e' 1Vhef " th. morning walking length, with a plain, full skirt, th selection of gowns and wrap will bo sre gown ror street, house gown mnd With gowns, nign in toe neck, hut Is the the gathered to tho belt finished all Important especially of as this finished may he as fancy as ons pleases. Vel- top lin- with such transparent lace a deep hem with' a oordlng at the these nre most criticised. Tho dainty that the veteen la the oholee of tho bride of this of it where It la placed upon the right gerie is bought In th mode white contour of the throat sec-m- to ' season's nothing ssnson for her morning costume. If aid. Th gown 1a of which means plenty of fine embroidery -- lose beneath aurh a covering. Is made velvetoen sug- Tolnt applique (see Is preferable this of I would blue velveteen, with a and no more Is purchased than will be as a gest having the gotng-awa- y gown of waistcoat of cloth, with necessary. Tho society airl likes to dls- - trimming for wedding gowns. This Is clotk. old-tim- velvet buttons. Tho coat card her underwear when brings a revival of a pretty lovelv e lace fashion which One Is gpt to Imagine a bride In a collar and lapels srs or in something Hovel and attractive, and Is as beautiful am It is expensive. perfect now gowns The sleeves of the wadding gown whirl of snd finery the materials of tho the voluminous wardrobe once considered sre of all sorts. Nothing is necessary I made slopg the lines laid down further from waistcoat, and a touch for a bride a thing of the for the truth In regard to a really te of It ts In bot- past, although.
Recommended publications
  • Evening Gown Sewing Supplies Embroidering on Lightweight Silk Satin
    Evening Gown Sewing supplies Embroidering on lightweight silk satin The deLuxe Stitch System™ improves the correct balance • HUSQVARNA VIKING® DESIGNER DIAMOND between needle thread and bobbin thread. Thanks to the deLuxe™ sewing and embroidery machine deLuxe Stitch System™ you can now easily embroider • HUSQVARNA VIKING® HUSKYLOCK™ overlock with different kinds of threads in the same design. machine. • Use an Inspira® embroidery needle, size 75 • Pattern for your favourite strap dress. • Turquoise sand-washed silk satin. • Always test your embroidery on scraps of the actual fabric with the stabilizer and threads you will be using • Dark turquoise fabric for applique. before starting your project. • DESIGNER DIAMOND deLuxe™ sewing and • Hoop the fabric with tear-away stabilizer underneath embroidery machine Sampler Designs #1, 2, 3, 4, 5. and if the fabric needs more support use two layers of • HUSQVARNA VIKING® DESIGNER™ Royal Hoop tear-away stabilizer underneath the fabric. 360 x 200, #412 94 45-01 • Endless Embroidery Hoop 180 x 100, #920 051 096 Embroider and Sew • Inspira® Embroidery Needle, size 75 • To insure a good fit, first sew the dress in muslin or • Inspira® Tear-A-Way Stabilizer another similar fabric and make the changes before • Water-Soluble Stabilizer you start to cut and sew in the fashion fabric for the dress. • Various blue embroidery thread Rayon 40 wt • Sulky® Sliver thread • For the bodice front and back pieces you need to embroider the fabric before cutting the pieces. Trace • Metallic thread out the pattern pieces on the fabric so you will know how much area to fill with embroidery design #1.
    [Show full text]
  • Evening Gown Quilt Mystique
    Evening Gown FREE PROJECT SHEET • 888.768.8454 • 468 West Universal Circle Sandy, UT 84070 • www.rileyblakedesigns.com FINISHED QUILT SIZE 56” x 60” Border 1 Measurements include ¼” seam allowance. Cut 5 strips 5½” x WOF from black main Sew with right sides together unless otherwise stated. Border 2 Please check our website www.rileyblakedesigns.com for any Cut 6 strips 3½” x WOF from gray dot revisions before starting this project. This pattern requires a basic knowledge of quilting technique and terminology. QUILT ASSEMBLY Refer to quilt photo for placement of strips. FABRIC REQUIREMENTS 1 yard (90 cm) black main (C3080 Black) Evening Gown Strips ¼ yard (20 cm) white main (C3080 White) Cut each strip 40½” wide. Sew strips together in the following 1/8 yard (10 cm) gray damask (C3081 Gray) order: gray petal, white flower, white dot, white main, black ¼ yard (20 cm) gray flower (C3082 Gray) stripe, white petal, and gray flower. ¼ yard (20 cm) white flower (C3082 White) 1/2 yard (40 cm) gray petal (C3083 Gray) Flower Appliqué ¼ yard (20 cm) white petal (C3083 White) Use your favorite method of appliqué. Refer to quilt photo for 5/8 yard (50 cm) gray dot (C3084 Gray) placement of large, medium, and small flowers and centers. ¼ yard (20 cm) white dot (C3084 White) ¼ yard (20 cm) black stripe (C3085 Black) Borders 1/8 yard (10 cm) clean white solid (C100-01 Clean White) Seam allowances vary so measure through the center of the 1/2 yard (40 cm) slate shade (C200-10 Slate) quilt before cutting border pieces.
    [Show full text]
  • Results and Discussion 83 RESULTS and DISCUSSION the Interest That Indian Women Showed in Ornamentation and Aesthetic Expression
    Results and Discussion RESULTS AND DISCUSSION The interest that Indian women showed in ornamentation and aesthetic expression through their costumes has been documented well. It is pertinent to understand the messages that they conveyed through their sartorial preferences which is documented in various forms sculptures, scriptures, literature, paintings, costume archives, cinema, media –advertisements and magazines etcetera. Each community and ethnic group maintained unique characteristics, which become symbols of recognition and identification and served to establish their cultural affiliation. Central to this was the Indian woman who was the symbol of patriarchal society. She combined both the functions of being the nurturer and protector of her household and cultural ethos of the society. The woman was as important part as the man; of the Indian society, which embraced both the indoor and outdoor roles within the social- cultural paradigms of the community. The span of evolution of Indian women’s costume, especially the draped version, the sari has undergone immense changes, however to interpret the semiology of the era bygone is rather complex; as one can attempt to understand and decode the tacit meaning through the lens of current observation only. Since the people who shared the ancient set of rules or code for contextual reading that enables us to connect the signifier with the signified are not present, this will prove to be delimiting. The Indian fashion scene began receiving its due credibility and attention from 1980’s onwards and gained the industry recognition in 21st century: hence this research focuses on new millennium to understand the Indian Fashion System.
    [Show full text]
  • 2016 Annual Meeting Dress Guidelines Western USA Lieutenancy
    2016 Annual Meeting Dress Guidelines Western USA Lieutenancy DRESS CODE INFORMATION Gentlemen Gentlemen Clergy Knights Ladies Lady Investees Lady Guests Clergy THURSDAY Investees Guests Investees Hotel Resort Casual1 Resort Casual1 Resort Casual1 Resort Casual1 Resort Casual1 Resort Casual1 Resort Casual1 Resort Casual1 Church Church Church Church Appropriate Year of Mercy Pilgrimage Clericals Appropriate attire Appropriate attire Appropriate attire attire Gentlemen Gentlemen Clergy Knights Ladies Lady Investees Lady Guests Clergy FRIDAY Investees Guests Investees Hotel Resort Casual1 Resort Casual1 Resort Casual1 Resort Casual1 Resort Casual1 Resort Casual1 Resort Casual1 Resort Casual1 Church Church Church Church Appropriate Vigil Retreats Clericals Appropriate attire Appropriate attire Appropriate attire attire Gentlemen Gentlemen Clergy Knights Ladies Lady Investees Lady Guests Clergy SATURDAY Investees Guests Investees Hotel Resort Casual1 Resort Casual1 Resort Casual1 Resort Casual1 Resort Casual1 Resort Casual1 Resort Casual1 Resort Casual1 Dark Suit, White Dark Dress Dark Dress Dark Dress Shirt, Tie Dark Suit Dark Suit Alb Alb (NO jacket or Suit or Suit or Suit under Cape) Promotions & Cape Cape Stole of the Stole Memorial Mass (No Decorations) (No Decorations) Order Beret (Badge worn Mantilla to the right) White Gloves Black Gloves Black Shoes Black Shoes Black Shoes Black Shoes DRESS CODE INFORMATION Gentlemen Gentlemen Clergy Knights Ladies Lady Investees Lady Guests Clergy SUNDAY Investees Guests Investees Hotel Resort Casual1
    [Show full text]
  • & What to Wear
    & what to wear One of the most difficult areas of cruising can be what to pack; does the cruise have formal nights, casual night, and what should you wear? There are so many options, and so many cruise liners to & what to wear suit any fashionista!So here’s a guide to help you out. Not Permitted in Cruise Line On-board Dress Code Formal Nights Non Formal Nights Day Wear Restaurants • Polo Shirts • Trousers • No Bare Feet • Dinner Jacket • Casual • Tank Tops • Shirt • Swimwear • Swim Wear • Resort Casual N/A Azamara • Sports Wear • Caps • Casual Dresses • Jeans • Shorts • Separates • Jeans • Trousers • Suits • Jeans • Shorts • Tuxedos • Long Shorts • Swimwear • Beach Flip Flops • Cruise Casual • Dinner Jacket • Polo Shirts • Shorts • Swimwear • Cruise Elegant Carnival • T-Shirts • Cut-off Jeans • Evening Gown • Casual Dress • Summer Dresses • Sleeveless Tops • Dress • Trousers • Caps • Formal Separates • Blouses • Polo Shirt • Swimwear • T-Shirts • Trousers • Shorts • Swimwear • Tuxedo • Dinner jacket • Trousers • Robes • Formal • Suit (with Tie) • Dresses • T-Shirts • Tank Tops Celebrity • Smart Casual • Skirt • Jeans • Beachwear • Evening Gown • Blouse • Casual • Shorts • Trousers • Flip Flops • Jeans • Polo Shirts • Shirts • Swimwear • Suits • Shorts • Shorts Costa • Resort Wear • Summer dresses • Jeans • Swimwear • Cocktail Dresses • Casual separates • Sports Wear • Flip Flops • Skirts • T-shirts • Dinner Jacket • Suit ( no tie ) • Sensible shoes • Suit • Shorts • Formal • Warm jacket Cruise & Maritime • Casual dress • Swimwear • Deck
    [Show full text]
  • Dress Code Table
    DRESS CODE FOR CONFERMENT CEREMONIES Wreath­binding Conferment Ceremony and Church Conferment and service or Secular Service Dinner and sword­whetting Ball day Masters, evening tail evening tail coat 1), black waistcoat, white evening tail gentlemen coat 1), white gloves, wreath and ring coat 1), white waistcoat waistcoat, white gloves, wreath and ring Masters, colourful, white, full­length gown that is not white, ladies full­length décolleté, white gloves and shoes, full­length evening gown 2) wreath and ring 3) gown, white gloves and shoes, wreath and ring 5) Wreath­ evening tail evening tail coat 1), black waistcoat, white evening tail binders coat 1), white gloves coat 1), white waistcoat waistcoat, white gloves Wreath­ colourful, white, full­length gown that is not White full­length binderesses full­length décolleté, white gloves and shoes 3) gown, white evening gown 2) gloves and shoes 5) Jubilee evening tail evening tail coat 1), black waistcoat, white evening tail masters, coat 1), white gloves, wreath and ring coat 1), white gentlemen waistcoat waistcoat, white gloves, wreath and ring Jubilee colourful, black, full­length gown that is not black, masters, full­length décolleté, black gloves and shoes, full­length ladies evening gown 2) wreath and ring 4) gown, black gloves and shoes, wreath and ring 5) Jubilee evening tail evening tail coat 1), black waistcoat, white evening tail masters' coat 1), white gloves coat 1), white wreath­ waistcoat waistcoat, white binders gloves Jubilee colourful, black, full­length gown that is not
    [Show full text]
  • Competition Rules
    ® Pageant Competition Rules Competition Requirements o Each qualifying barangay can only send one (1) official representative. o Each delegate must be born female. o Each contestant must be a resident of the barangay she represents for at least 6 months. o Age is determined by October 1,2010. Entrants must be at least 16 years old - 20 years old. o Delegates must be single and have never been married. o Delegates must have never been pregnant or given birth. Competition Categories: Preliminaries (first part) This part will determine the Top 15 semi finalist for the Presentation Show. All contestants will undergo the Preliminary Interviews, Evening Gown and Casual Wear. Preliminary Personal Interview: All delegates must possess excellent conversational skill. She must be able to express herself with clarity and diplomacy and exude a friendly and inviting personality. Interview Details: Each contestant participates in an individual 3-5 minute interview with our panel of judges. There are typically 5-7 judges on a panel. Interview will begin with a 30 second self-introduction. The body of the interview will be a combination of questions from information given on your fact sheet as well as current events… (This can be anything from war to reality TV questions to questions about your platform.) The interview concludes with a 30 second opportunity to make a final statement to the judges of “Why you’d like to be Miss SK Baguio 2010.” As well as any information you’d like the judges to know that wasn’t covered in the interview itself. Attire: Wear a dress suit for the interview competition.
    [Show full text]
  • Exhibition Catalog
    The Missouri Historic Costume and Textile Collection presents FASHIONING A COLLECTION: 50 Years 50 Objects March 7 – May 20, 2017 State Historical Society of Missouri Gallery FASHIONING A COLLECTION: 50 YEARS, 50 OBJECTS Missouri Historic Costume and Textile Collection Department of Textile and Apparel Management College of Human Environmental Sciences University of Missouri State Historical Society of Missouri FASHIONING A COLLECTION: 50 YEARS, 50 OBJECTS Curated by Nicole Johnston and Jean Parsons The Missouri Historic Costume and Textile Collection was established in 1967 by Carolyn Wingo to support the teaching mission of the Department of Textile and Apparel Management within the College of Human Environmental Sciences at the University of Missouri. MHCTC received its first donation of artifacts from the Kansas City Museum in Kansas City, Missouri and has grown to include over 6,000 items of apparel, accessories and household textiles donated by alumni, faculty and friends. Curator Laurel Wilson guided and nurtured the collection for over half of the Collection’s fifty years, and today, the MHCTC collects and preserves clothing and textiles of historic and artistic value for purposes of teaching, research, exhibition and outreach. This exhibit celebrates the variety and mission of the collection, and is thus organized by the three branches of that mission: education, research and exhibition. It was a challenge to choose only 50 objects as representative. We have chosen those objects most frequently used in teaching and are student favorites, as well as objects used in research by undergraduate and graduate students, faculty, and visiting scholars. Finally, favorites from past exhibits are also included, as well as objects and new acquisitions that have never been previously exhibited.
    [Show full text]
  • Bare Witness
    are • THE METROPOLITAN MUSEUM OF ART "This is a backless age and there is no single smarter sunburn gesture than to hm'c every low-backed cos­ tume cut on exactly the same lines, so that each one makes a perfect frame for a smooth brown back." British Vogue, July 1929 "iVladame du V. , a French lady, appeared in public in a dress entirely a Ia guil­ lotine. That is to say ... covered with a slight transparent gauze; the breasts entirely bare, as well as the arms up as high as the shoulders.... " Gemleman's A·1agazine, 1801 "Silk stockings made short skirts wearable." Fortune, January 1932 "In Defence ofSh** ld*rs" Punch, 1920s "Sweet hem·ting matches arc very often made up at these parties. It's quite disgusting to a modest eye to see the way the young ladies dress to attract the notice of the gentlemen. They are nearly naked to the waist, only just a little bit of dress hanging on the shoulder, the breasts are quite exposed except a little bit coming up to hide the nipples." \ Villiam Taylor, 1837 "The greatest provocation oflust comes from our apparel." Robert Burton, Anatomy ofi\Jelancholy, 1651 "The fashionable woman has long legs and aristocratic ankles but no knees. She has thin, veiled arms and fluttering hands but no elbows." Kennedy Fraser, The Fashionahlc 1VIind, 1981 "A lady's leg is a dangerous sight, in whatever colour it appears; but, when it is enclosed in white, it makes an irresistible attack upon us." The Unil'ersol !:lpectator, 1737 "'Miladi' very handsome woman, but she and all the women were dccollctees in a beastly fashion-damn the aristocratic standard of fashion; nothing will ever make me think it right or decent that I should see a lady's armpit flesh-folds when I am speaking to her." Georges Du ~ - laurier, 1862 "I would need the pen of Carlyle to describe adequately the sensa­ tion caused by the young lady who first tr.od the streets of New York in a skirt ..
    [Show full text]
  • Sally Suggests Wardrobe Resolutions Barbara Field Iowa State College
    Volume 18 Article 8 Number 6 The Iowa Homemaker vol.18, no.6 1938 Sally Suggests Wardrobe Resolutions Barbara Field Iowa State College Follow this and additional works at: http://lib.dr.iastate.edu/homemaker Part of the Home Economics Commons Recommended Citation Field, Barbara (1938) "Sally Suggests Wardrobe Resolutions," The Iowa Homemaker: Vol. 18 : No. 6 , Article 8. Available at: http://lib.dr.iastate.edu/homemaker/vol18/iss6/8 This Article is brought to you for free and open access by the Student Publications at Iowa State University Digital Repository. It has been accepted for inclusion in The oI wa Homemaker by an authorized editor of Iowa State University Digital Repository. For more information, please contact [email protected]. Sally suggests Wardrobe Resolutions by Barbf!ra Field EW YEAR, new styles, new clot~es N new colors--Be a new person w1th the new year-a chic Miss 1939. Write down your resolutions or say them to yourself, but be firm. Enjoy winter sports! is resolu­ tion number one. Enjoy them twice as much because you know you can look attractive and still be warmly dressed. Functionalism is now as important in our clothing as in our household fumishings. One piece flannel skating dresses in pastels and whites rival the up to the minute two piece skating suits. There are oodles of practical sweaters and skirts that look well and are protective from the winter weather. Knitted peaked caps tie under the chin The crisp taffeta evening gown with date back to the popular Victorian keeping a great portion of the head bursts of fullness from tucks and gathers brooches.
    [Show full text]
  • Evening Gowns and Canadian Designer Ruth Dukas
    Ruth Dukas brocade evening gown, ca. 1963. Ryerson FRC2013.02.001. EVENING GOWNS & CANADIAN DESIGNER RUTH DUKAS By Dr. Ingrid Mida Ruth Dukas (b.1929) is a retired Canadian fashion designer who in the 1960s was well known across North America for her evening wear designs with their October 29, 2013 luxurious beading and embroidery. This pale yellow, green and pink brocade evening gown by Ruth Dukas with banded beaded collar and beaded trim down the front of the dress and a bow at the bust-line is lined in silk. The Ruth Dukas label is now largely unknown, except amongst those who keep these finely crafted gowns from the 1960s in the back of their closet as treasured memories of a special event. 1 Ruth Dukas brocade Although Ruth Dukas was an award-winning designer who exported her evening gown, ca. 1963. fashions to the United States, little has been written about Ruth Dukas and her Ryerson FRC2013.02.001. place in Canadian fashion industry. In April 2011, I conducted an oral history Collar detail. interview with Ruth for the Royal Ontario Museum archives, supplemented that interview with correspondence with Ruth by email, and also examined newspaper and magazine clippings, photos, letters and telegrams from Ruth’s personal archive. I have also examined a handful of garments designed by her (Seneca College Fashion Resource Centre has several) and also kept in touch with Ruth, who recently shared her personal archive of sketches and other photos with me. Ruth, was the daughter of a sample maker and grew up in Toronto, attending Ryerson Public School and then Central Tech high school from 1942-1946 where she studied art (the painter Doris McCarthy was one of her teachers).
    [Show full text]
  • Discount Wedding Dresses Online
    Discount Wedding Dresses Online Cheap Wedding Dresses Online.Find Quality Products from Verified Suppliers. Get a Live Quote Now! "Wedding Dresses" in Discount Wedding Dresses Online. Ever Pretty Sleeveless Ruched Waist V-Neck Womens Short Party Dress 03909 Buy new: $45.99 Miusol® Women's Elegant Floral Lace 2/3 Sleeve Slim Evening Dress Buy new: $23.99 Sidefeel Women's Brief Mermaid Formal Ball Evening Gown Long Dress Buy new: $19.99 - $40.69 ZYJdress Lace Short Tea Length Wedding Dress Bridal Gowns Buy new: $99.00 - $129.00 Miusol Women's Scoop Neck Optical Illusion Gold Belt Evening Cocktail Dress Buy new: $28.99 Miusol® Women's Floral Lace 2/3 Sleeves Long Bridesmaid Maxi Dress Buy new: $49.99 VOGLLY Women's Solid Plus Size Crew Neck Short Sleeve Belted Split Chiffon Dress Buy new: $23.99 HoneeyGirl Gorgeous 2015 Pearls Beading Long Sleeves Ball Wedding Dresses for Bride Buy new: $285.00 - $319.00 KingBridal Strapless Crystal 2015 Mermaid Wedding Dress For Bride Buy new: $219.00 Weixinbuy Womens Mermaid V Back Lace Wedding Evening Full length Dress White Buy new: $19.85 - $20.25 "Wedding Dresses" in Discount Wedding Dresses Online. Miusol Women's Sleeveless Long Black Lace Split Side Evening Formal Dress Buy new: $30.99 made2envy Bodycon Midi or Mini Peplum Dress with Square Neckline Buy new: $29.99 - $31.99 ESY Women's Spagetti Chiffon Empire Backless Beach Wedding Dress Buy new: $123.55 made2envy Allover Lace Three Fourth Sleeves Dress Buy new: $29.99 MiLano Bride Grace Illusion Neck Long Sleeves Mermaid Floral Wedding Dresses Buy new: $209.00 - $239.00 LOVEBEAUTY® Women's Lace Three-Quarter Sleeve V Neck Short Wedding Dress Buy new: $65.58 - $65.99 VIVIANSBRIDAL A Line Lace Sapghetti Straps Chiffon Wedding Dresses Buy new: $62.99 - $72.99 Womens Floral Print Summer Stretch Bodycon Cocktail Formal Party Wedding Dress Buy new: $20.99 Now and Forever Layered Mermaid Wedding Dresses 2015 for Bride Buy new: $87.00 Miusol® Women's Sweat Heart-Neck Bow-Knot Cap Sleeve Slim Party Dress Buy new: $25.99 "Wedding Dresses" in Discount Wedding Dresses Online.
    [Show full text]