Dominick Laruffa Jr Resume Word

Total Page:16

File Type:pdf, Size:1020Kb

Dominick Laruffa Jr Resume Word D OMINICK L A R UFFA J R . SAG/AFTRA, AEA 646 | 963 − 6091 Height: 6’0” Hair: Brown FILM SARAH Q Phillip Dir. John A. Gallagher ALL MOBBED UP Dom Dir. John A. Gallagher MEN OF VIOLENCE Crazy Vinny Colantino Dir. John A. Gallgher ONCE UPON A TIME IN BROOKLYN Nick Baldano Dir. Paul Borghese WHEN HARRY TRIES TO MARRY Good Looking Guy Dir. Nayan Padrai THE WINNING SEASON Cafeteria Student Dir. James C. Strouse 1,000 TIMES MORE BRUTAL Club Dancer Dir. Kamal Ahmed STREETLURE Little Mikey Dir. Virgilio Aponte BACK TO WORK Evan Williams Dir. Michael Ferrara TELEVISION THE FIFTH BOROUGH Detective Steven Batista Dir. John Bianco THEATER HOW ALFO LEARNED TO LOVE Tony Vallone 59e59, Dir. Daisy Walker MY BIG GAY ITALIAN MIDLIFE Nathaniel Hollingsworth The Theatre Center CRISIS MY BIG GAY ITALIAN FUNERAL Dominick Vitale St. Luke’s Theatre MY BIG GAY ITALIAN WEDDING Mario Nicastro St. Luke’s Theatre RED LIGHT WINTER Davis The 45th Street Theatre SPRING AWAKENING Moritz Stiefel The Schimmel Center for the Arts 7 SANTA’S Saint Nick Alpha NYC Theatre Company BUG Peter Studio 501 THE RIVER OF TIDES John Peter Smithsonian Institution (NMAI) SPRING AWAKENING Georg/Male Swing Alpha NYC Theatre Company A MIDSUMMER NIGHT’S DREAM Demetreus Beautiful Soup Theater Collective THE CRADLE WILL ROCK Dick/Bugs The Schimmel Center for the Arts THE SKIN OF OUR TEETH Lifeguard Schaeberle Studio DOG SEES GOD Matt Layton Studio PRODUCER WAKEFIELD (starring Bryan Executive Producer Dir. Robin Swicord Cranston) CHINA DOLL Gerald Schoenfeld Theatre Dir. Pam Mackinnon SPRING AWAKENING Brooks Atkinson Theatre Dir. Michael Arden ALL THE WAY w/Bryan Cranston Neil Simon Theatre Dir. Bill Rauch ON THE TOWN Lyric Theatre Dir. John Rando AN AMERICAN IN PARIS Palace Theatre Dir. Christopher Wheeldon YOU CAN’T TAKE IT WITH YOU Longacre Theatre Dir. Scott Ellis THE REALISTIC JONESES Lyceum Theatre Dir. Sam Gold THE VELOCITY OF AUTUMN Booth Theatre Dir. Molly Smith TRAINING Pace University – BFA Acting SPECIAL SKILLS Four Time Tony Nominee, Dance – Intermediate Hip Hop, Jazz, Theatre Dance, Contemporary, Bartender (licensed), Lifeguard (certified), Eagle Scout, Stage Combat, Boxing, Football, Soccer, Competitive Swimming, Basketball, Tennis, Cycling, Hiking, Camping, Rock Climbing .
Recommended publications
  • An Analysis and Evaluation of the Acting Career Of
    AN ANALYSIS AND EVALUATION OF THE ACTING CAREER OF TALLULAH BANKHEAD APPROVED: Major Professor m Minor Professor Directororf? DepartmenDepa t of Speech and Drama Dean of the Graduate School AN ANALYSIS AND EVALUATION OF THE ACTING CAREER OF TALLULAH BANKHEAD THESIS Presented to the Graduate Council of the North Texas State University in Partial Fulfillment of the Requirements For the Degree of MASTER OF SCIENCE By Jan Buttram Denton, Texas January, 1970 TABLE OF CONTENTS Chapter Page I. THE BEGINNING OF SUCCESS 1 II. ACTING, ACTORS AND THE THEATRE 15 III. THE ROLES SHE USUALLY SHOULD NOT HAVE ACCEPTED • 37 IV. SIX WITH MERIT 76 V. IN SUMMARY OF TALLULAH 103 APPENDIX 114 BIBLIOGRAPHY. 129 CHAPTER I THE BEGINNING OF SUCCESS Tallulah Bankhead's family tree was filled with ancestors who had served their country; but none, with the exception of Tallulah, had served in the theatre. Both her grandfather and her mother's grandfather were wealthy Alabamians. The common belief was that Tallulah received much of her acting talent from her father, but accounts of her mother1s younger days show proof that both of her parents were vivacious and talented. A stranger once told Tallulah, "Your mother was the most beautiful thing that ever lived. Many people have said you get your acting talent from your father, but I disagree. I was at school with Ada Eugenia and I knew Will well. Did you know that she could faint on 1 cue?11 Tallulahfs mother possessed grace and beauty and was quite flamboyant. She loved beautiful clothes and enjoyed creating a ruckus in her own Southern world.* Indeed, Tallulah inherited her mother's joy in turning social taboos upside down.
    [Show full text]
  • American Music Research Center Journal
    AMERICAN MUSIC RESEARCH CENTER JOURNAL Volume 19 2010 Paul Laird, Guest Co-editor Graham Wood, Guest Co-editor Thomas L. Riis, Editor-in-Chief American Music Research Center College of Music University of Colorado Boulder THE AMERICAN MUSIC RESEARCH CENTER Thomas L. Riis, Director Laurie J. Sampsel, Curator Eric J. Harbeson, Archivist Sister Mary Dominic Ray, O.P. (1913–1994), Founder Karl Kroeger, Archivist Emeritus William Kearns, Senior Fellow Daniel Sher, Dean, College of Music William S. Farley, Research Assistant, 2009–2010 K. Dawn Grapes, Research Assistant, 2009–2011 EDITORIAL BOARD C. F. Alan Cass Kip Lornell Susan Cook Portia Maultsby Robert R. Fink Tom C. Owens William Kearns Katherine Preston Karl Kroeger Jessica Sternfeld Paul Laird Joanne Swenson-Eldridge Victoria Lindsay Levine Graham Wood The American Music Research Center Journal is published annually. Subscription rate is $25.00 per issue ($28.00 outside the U.S. and Canada). Please address all inquiries to Lisa Bailey, American Music Research Center, 288 UCB, University of Colorado, Boulder, CO 80309-0288. E-mail: [email protected] The American Music Research Center website address is www.amrccolorado.org ISSN 1058-3572 © 2010 by the Board of Regents of the University of Colorado INFORMATION FOR AUTHORS The American Music Research Center Journal is dedicated to publishing articles of general interest about American music, particularly in subject areas relevant to its collections. We welcome submission of articles and pro- posals from the scholarly community, ranging from 3,000 to 10,000 words (excluding notes). All articles should be addressed to Thomas L. Riis, College of Music, University of Colorado Boulder, 301 UCB, Boulder, CO 80309-0301.
    [Show full text]
  • Ms Coll\Wheeler, R. Wheeler, Roger, Collector. Theatrical
    Ms Coll\Wheeler, R. Wheeler, Roger, collector. Theatrical memorabilia, 1770-1940. 15 linear ft. (ca. 12,800 items in 32 boxes). Biography: Proprietor of Rare Old Programs, Newtonville, Mass. Summary: Theatrical memorabilia such as programs, playbills, photographs, engravings, and prints. Although there are some playbills as early as 1770, most of the material is from the 19th and 20th centuries. In addition to plays there is some material relating to concerts, operettas, musical comedies, musical revues, and movies. The majority of the collection centers around Shakespeare. Included with an unbound copy of each play (The Edinburgh Shakespeare Folio Edition) there are portraits, engravings, and photographs of actors in their roles; playbills; programs; cast lists; other types of illustrative material; reviews of various productions; and other printed material. Such well known names as George Arliss, Sarah Bernhardt, the Booths, John Drew, the Barrymores, and William Gillette are included in this collection. Organization: Arranged. Finding aids: Contents list, 19p. Restrictions on use: Collection is shelved offsite and requires 48 hours for access. Available for faculty, students, and researchers engaged in scholarly or publication projects. Permission to publish materials must be obtained in writing from the Librarian for Rare Books and Manuscripts. 1. Arliss, George, 1868-1946. 2. Bernhardt, Sarah, 1844-1923. 3. Booth, Edwin, 1833-1893. 4. Booth, John Wilkes, 1838-1865. 5. Booth, Junius Brutus, 1796-1852. 6. Drew, John, 1827-1862. 7. Drew, John, 1853-1927. 8. Barrymore, Lionel, 1878-1954. 9. Barrymore, Ethel, 1879-1959. 10. Barrymore, Georgiana Drew, 1856- 1893. 11. Barrymore, John, 1882-1942. 12. Barrymore, Maurice, 1848-1904.
    [Show full text]
  • Broadway Rush, Lottery, and Standing Room Only Policies | Playbill
    10/4/2019 Broadway Rush, Lottery, and Standing Room Only Policies | Playbill INSIDER INFO Broadway Rush, Lottery, and Standing Room Only Policies BY RUTHIE FIERBERG, NATAN ZAMANSKY Playbill’s complete round-up of the latest Broadway rush, lottery, standing-room-only (SRO), and student ticket policies. Anyone willing to wake up and get to the bo��������������������������, spend some time in a line, or stand during the show, can get greatly discounted tickets to the majority of shows on Broadway. Or if none of those appeal, several Broadway shows now offer digital or online lottery options. www.playbill.com/article/broadway-rush-lottery-and-standing-room-only-policies-com-116003 1/22 10/4/2019 Broadway Rush, Lottery, and Standing Room Only Policies | Playbill The idea of a rush for affordable tickets all started with Rent, which, at the peak of its popularity, sold all seats in ����������������������������ows of the orchestra for $20 to whomever would get to the box ofce in time on the day of the performance. (Read more about the history of the Broadway rush line here.) Playbill ClubSEATS is the monthly Broadway Ticket Giveaway brought to you by Playbill Discount Club. Click here for more information. Find a full listing of rush, lottery, standing room, and student and young professional discounts below: CLICK HERE FOR OUR OFF-BROADWAY RUSH, LOTTERY, STANDING ROOM, AND INEXPENSIVE TICKET POLICIES AIN'T TOO PROUD-THE LIFE AND TIMES OF THE TEMPTATIONS (Imperial Theatre- 249 W.45th St., betw 7th and 8th aves.) Digital Lottery Price: $42 How: ainttooproudlottery.com Time: Lottery opens at 12 AM on the day of the performance.
    [Show full text]
  • To Download Resume
    THOM SESMA www.thomsesma.com 214 West 29th Street • Suite 1203 New York, NY 10001 • 212-977-8502 • Lic. # 0927158 Television / Film Death Saved My Life Peter Lifetime Television Instinct Jorry (Guest) CBS/Alan Cumming Exec. Prod. Madam Secretary Tran (Guest) CBS/Barbara Hall Productions Jessica Jones Kurata (Guest) ABC/Marvel/Netflix Gotham Barthel (Guest) Fox/WBTelevision/DC Comics Single Ladies Vincent (Guest) VH1/Dana Lynn North, Exec. Prod. The Good Wife Martinez (Guest) CBS/Michelle King, Exec. Prod Person Of Interest Su (Featured) CBS/JJ Abrams, Exec. Prod. Over/Under (Pilot) Ichiro (Recurring) USA/Jonathan Starch, Prod. Lay The Favorite Young Gambler Feature/Stephen Frears, Dir. Third Watch Chow (Guest) NBC/John Wells, Exec.Prod. Whoopi Cousin (Featured) NBC/Whoopi Goldberg, Exec. Prod. Trinity Gabriel (Recurring) NBC/John Wells, Exec. Prod. Law & Order Mark Considine (Guest) NBC/Dick Wolf Productions Building Girl Gilbride Indie Feature/Shari Carpenter, Dir. Broadway & National Tours Disney’s The Lion King Scar Disney Theatrical Productions Times They Are A-Changin’ Captain A-Rab Brooks Atkinson Theatre Man of La Mancha Carrasco Martin Beck Theatre Titanic: A New Musical Andrews Dodger Productions Miss Saigon The Engineer Cameron Mackintosh Prod. Search and Destroy Martin Circle in the Square Nick & Nora Robert Marquis Theatre Chu Chem The Prince Walter Kerr (Ritz) Theatre Off Broadway Unknown Soldier Doctor Trip Cullman, dir./Playwrights Horizons Superhero Vic Jason Moore, dir./2nd Stage The Resistible Rise of Arturo Ui Givola
    [Show full text]
  • Edward Albee's at Home at The
    CAST OF CHARACTERS TROY KOTSUR*............................................................................................................................PETER Paul Crewes Rachel Fine Artistic Director Managing Director RUSSELL HARVARD*, TYRONE GIORDANO..........................................................................................JERRY AND AMBER ZION*.................................................................................................................................ANN JAKE EBERLE*...............................................................................................................VOICE OF PETER JEFF ALAN-LEE*..............................................................................................................VOICE OF JERRY PAIGE LINDSEY WHITE*........................................................................................................VOICE OF ANN *Indicates a member of Actors’ Equity Association, the Union of David J. Kurs Professional Actors and Stage Managers in the United States. Artistic Director Production of ACT ONE: HOMELIFE ACT TWO: THE ZOO STORY Peter and Ann’s living room; Central Park, New York City. EDWARD ALBEE’S New York City, East Side, Seventies. Sunday. Later that same day. AT HOME AT THE ZOO ADDITIONAL PRODUCTION STAFF STARRING COSTUME AND PROPERTIES REHEARSAL STAGE Jeff Alan-Lee, Jack Eberle, Tyrone Giordano, Russell Harvard, Troy Kotsur, WARDROBE SUPERVISOR SUPERVISOR INTERPRETER COMBAT Paige Lindsey White, Amber Zion Deborah Hartwell Courtney Dusenberry Alek Lev
    [Show full text]
  • Broadway Theaters
    Name Owner Capacity Address City State Al Hirschfeld Theatre Jujamcyn Theaters 1,424 302 W. 45th Street New York NY Ambassador Theatre Shubert Organization 1,125 219 W. 49th Street New York NY American Airlines Theatre Roundabout Theatre Company 740 227 W. 42nd Street New York NY August Wilson Theatre Jujamcyn Theaters 1,228 245 W. 52nd Street New York NY Belasco Theatre Shubert Organization 1,018 111 W. 44th Street New York NY Bernard B. Jacobs Theatre Shubert Organization 1,078 242 W. 45th Street New York NY Booth Theatre Theatre Shubert Organization 766 222 W. 45th Street New York NY Broadhurst Theatre Shubert Organization 1,186 235 W. 44th Street New York NY Broadway Theatre Shubert Organization 1,761 Broadway at 53rd Street New York NY Brooks Atkinson Theatre Nederlander Organization 1,094 256 W. 47th Street New York NY Circle in the Square Theatre Independent 840 1633 Broadway New York NY Cort Theatre Shubert Organization 1,048 138 W. 48th Street New York NY Ethel Barrymore Theatre Shubert Organization 1,096 243 W. 47th Street New York NY Eugene O'Neill Theatre Jujamcyn Theaters 1,066 230 W. 49th Street New York NY Gerald Schoenfeld Theatre Shubert Organization 1,079 236 W. 45th Street New York NY Gershwin Theatre Nederlander Organization 1,933 222 W. 51st Street New York NY Helen Hayes Theatre Second Stage Theatre 597 240 W. 44th Street New York NY Imperial Theatre Shubert Organization 1,433 249 W. 45th Street New York NY John Golden Theatre Shubert Organization 805 252 W. 45th Street New York NY Longacre Theatre Shubert Organization 1,091 220 W.
    [Show full text]
  • London Ew N The
    Broadway Tickets • Concert Events • Sporting Events • New York • London • Las Vegas • Nationwide • Vegas Las • London • York New • Events Sporting • Events Concert • Tickets Broadway with us. with Travel Agents & Hotel Concierge Earn Fast Commissions Fast Earn Concierge Hotel & Agents Travel • www.applause-tickets.com best seats for the best price each and every time you book book you time every and each price best the for seats best Premium, Best-Available or Discounted Seating Seating Discounted or Best-Available Premium, • visit: or 1-212-307-7050 they see. And we will work hard to make sure you get the the get you sure make to hard work will we And see. they Extensive Inventory of hard to get show tickets and events events and tickets show get to hard of Inventory Extensive • Call now: 1-800-451-9930 or or 1-800-451-9930 now: Call experience your guests have at the Broadway show or event event or show Broadway the at have guests your experience Nationwide Concerts and Sporting Events Events Sporting and Concerts Nationwide • ear. ear. Y a Days 365 24/7, Open 2017 Winner 2017 We truly care about the the about care truly We simple. is erence ff di Applause The show London & Broadway every for tickets to Access • 39 Stephen Sondheim Theatre Sondheim Stephen Concierge Choice Awards Awards Choice Concierge ticket experts will help you with: with: you help will experts ticket PROUD MEMBER PROUD Winner 38 Nederlander Theatre Nederlander 2017 2017 . world the around and City York M T Your fast, friendly and knowledgable knowledgable and friendly
    [Show full text]
  • Givens Playbills
    Givens Collection Playbills/Programs Box 1 Abbott, George: The Pajama Game. Lunt-Fontanne Theatre. 1974. Aiken, G.L.: Uncle Tom’s Cabin. The Alvin Theatre, New York. 1933. Ailey, Alvin: The Alvin Ailey American Dance Theatre. Souvenir Book Publishers Inc., New York. Anderson, Maxwell: Lost in the Stars. The Playwrights’ Company, New York. 19450. Baker, Josephine. Josephine Baker and Her International Revue. Baldwin, James: • The Amen Corner. Los Angeles. 1964 • The Amen Corner. Ethel Barrymore Theatre. 1965. • Blues for Mister Charlie. Anta Theatre, New York. 1964. Ballets Africains. New York. Belafonte, Harry. Belafonte at the Palace. A Belafonte Enterprises, Inc. Production. 1959. The Biggest Show of ’51. Souvenir program with signatures. Blake, Eubie: Eubie! Ambassador Theatre, New York. 1979. Broadway Answers Selma. Majestic Theatre, New York. Brown, William F.: The Wiz. Majestic Theatre, New York. 1974. Bullins, Ed • The Electronic Nigger and Others. The American Palace Theatre, New York. 1968. • House Party (2 copies). The American Palace Theatre, New York. 1973. Café Society Downtown. New York. Carnegie Hall (Charlie Parker Memorial Concert). New York. 1955. D’Usseau, Arnaud & Gow, James: Deep are the Roots. The Fulton Theatre, New York. 1946. Davis, Ossie • Purlie Victorious. The Longacre Theatre. 1962. • Purlie. 1970. Duberman, Martin B.: In White America. Sheridan Square Playhouse, New York. Dunham, Katherine • The Playbill for the Martin Beck Theatre. Cabin in the Sky. New York. 1940. • Program for Katherine Dunham and her company in a tropical revue. Martin Beck Theatre, New York. 1943. • S. Hurok presents Katherine Dunham and her Company in Tropical Revue with Bobby Capo Dowdy Quartet.
    [Show full text]
  • PROGRAM SCHEDULE June 3Rd – 14Th, 2019
    PROGRAM SCHEDULE June 3rd – 14th, 2019 Pearl Studios 500 Eighth Avenue, 3rd floor (Between 35th & 36th streets) as of 6/19/2019 (Subject to Change) Monday, June 3rd, 2019 American Theatre Wing’s SpringboardNYC WELCOME AND ORIENTATION With: HEATHER A. HITCHENS, PRESIDENT & CEO OF THE AMERICAN THEATRE WING 10:00AM – 1:30PM MEGAN KOLB, DIRECTOR OF PROGRAMS OF ATW (Studio 312) ALICIA VNENCAK, PROGRAM ASSOCIATE OF ATW MELISSA CABRERO, PROGRAM ASSISTANT OF ATW MAURICE BENSMIHEN, PRODUCTION ASSISTANT OF SBNYC 1:30PM – 3:00PM LUNCH BREAK / TRAVEL BACK TO PEARL STUDIOS COMMERCIAL CASTING AND THE VOICEOVER 3:00PM – 5:00PM (Studio 314) Workshop Leader: MARLA WEBER-GREEN COMMERCIAL VOICEOVERS, STEWART TALENT 5:00PM - 5:30PM FIRST DAY WRAP UP (Studio 314) FIRST NIGHT GATHERING AT PLAYWRIGHT CELTIC PUB A chance to mingle with your fellow Springboarders. 5:30PM – 8:00PM (Playwright Celtic Pub) 732 8th Ave, between 45th and 46th Streets 8:00PM END OF DAY 1: MONDAY, JUNE 3rd as of 6/19/2019 (Subject to Change) Tuesday, June 4th, 2019 American Theatre Wing’s SpringboardNYC 9:00AM – 10:00AM GROUP DISCUSSION (Studio 314) MEET THE ARTIST 10:00AM – 11:30AM (Studio 314) Guest: LATANYA RICHARDSON JACKSON TONY AWARD NOMINATED ACTOR & ATW BOARD MEMBER 11:30AM – 1:00PM LUNCH BREAK / TRAVEL BACK TO PEARL STUDIOS MUSICAL THEATRE GENERAL PERFORMANCE AUDITION WORKSHOP: THE AUDITION WORKSHOP: EQUITY PRINCIPAL AUDITION WORKING FROM SIDES Workshop Leaders: 1:00PM – 4:00PM Workshop Leader: CARA REICHEL GP (Studio 312) DAVID ALPERT ARTISTIC DIRECTOR, PROSPECT THEATER MT
    [Show full text]
  • The Inventory of the Ernest Truex Collection #1852
    The Inventory of the Ernest Truex Collection #1852 Howard Gotlieb Archival Research Center Truex, Ernest 1889-1973 June 1986 Inventory Except for correspondence much of the materials in this archive are print items or photographs related to ET=s long career as an actor, beginning when he was 5 in 1894 and continuing until the 1960's. The collection is most complete in relation to ET=s career as an actor on stage, including his three years, 1926-1928, in the London theater. ET was an active member of the Lambs Club which he joined in 1910 and with which he was long affiliated. Materials on the Club=s annual AGambols@ reflect his strong interest in these productions. Correspondence is in large part family letters and expressions of sympathy to ET=s widow at his death in 1973. Some materials on his film roles and work in radio and television are also included. 1 Truex, Ernest June, 1986 Outline of Inventory I. MATERIALS RELATED TO PLAYS, MUSICALS, OTHER DRAMATIC PERFORMANCES A. PLAYS, MUSICALS, 1895-1965 B. OTHER DRAMATIC PERFORMANCES, 1924- 1932 II. MATERIALS RELATED TO FILMS III. MATERIALS RELATED TO RADIO, TELEVISION IV. SCRAPBOOKS V. BY ET A. MANUSCRIPTS B. PRINT MATERIALS VI. ABOUT ET AND FAMILY A. MANUSCRIPTS B PRINT MATERIALS C. ET=S SONS PHILIP AND JAMES VII. MENTION ET, 1926-1951 VIII. CORRESPONDENCE A. FAMILY B. BUSINESS C. PERSONAL AND PROFESSIONAL D. CONDOLENCES AT ET=S DEATH 2 IX. PHOTOGRAPHS, SKETCHES, etc. A. FAMILY B. ET: c1899-c1903 C. ET: c1904-c1920 D. ET: c1926-1973 E.
    [Show full text]
  • This Dissertation Has Been 61—5100 M Icrofilm Ed Exactly As Received
    This dissertation has been 61—5100 microfilmed exactly as received LOGAN, Winford Bailey, 1919- AN INVESTIGATION OF THE THEME OF THE NEGATION OF LIFE IN AMERICAN DRAMA FROM WORLD WAR H TO 1958. The Ohio State University, Ph.D., 1961 Speech — Theater University Microfilms, Inc., Ann Arbor, Michigan AN INVESTIGATION OF THE THSiE OF THE NEGATION OF LIFE IN AMERICAN DRAMA FROM WORLD WAR II TO 1958 DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Winford Bailey Logan* B.A.* M.A. The Ohio State University 1961 Approved by Adviser Department of Speech CONTENTS CHAPTER PAGE I. INTRODUCTION 1 II. A BACKGROUND OF PHILOSOPHICAL NEGATION 5 III. A BASIS OF JUDGMENT: THE CHARACTERISTICS AND 22 SYMPTOMS OF LIFE NEGATION IV. SERIOUS DRAMA IN AMERICA PRECEDING WORLD WAR II i+2 V. THE PESSIMISM OF EUGENE O'NEILL AND AN ANALYSIS 66 OF HIS LATER PLAYS VI. TENNESSEE WILLIAMS: ANALYSES OF THE GLASS MENAGERIE. 125 A STREETCAR NAMED DESIRE AND CAMINO REAL VII. ARTHUR MILLER: ANALYSES OF DEATH OF A SALESMAN 179 AND A VIEW FRCM THE BRIDGE VIII. THE PLAYS OF WILLIAM INGE 210 IX. THE USE OF THE THEME OF LIFE NEGATION BY OTHER 233 AMERICAN WRITERS OF THE PERIOD X. CONCLUSIONS 271 BIBLIOGRAPHY 289 AUTOBIOGRAPHY 302 ii CHAPTER I INTRODUCTION Critical comment pertaining to present-day American theatre frequently has included allegations that thematic emphasis seems to lie in the areas of negation. Such attacks are supported by references to our over-use of sordidity, to the infatuation with the psychological theme and the use of characters who are emotionally and mentally disturbed, and to the absence of any element of the heroic which is normally acknowledged to be an integral portion of meaningful drama.
    [Show full text]