A Time of Remembrance John Rutter REQUIEM
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Suggested / Designated Music for Funeral (Memorial) Masses • Sts. Joachim and Ann Name of Deceased
Suggested / Designated Music for Funeral (Memorial) Masses • Sts. Joachim and Ann Name of Deceased: ____________________________________________________________ Person(s) filling out this form, contact info: _________________________________________ ______________________________________________________________________________ Date and Time of Funeral/Memorial: ______________________________________________ Psalms: (The “D#” designation refers to their labels in “Through Death to Life”) D1 - Psalm 23 - The Lord is My Shepherd (Kreutz) D2 - Psalm 25 - To You, O Lord, I Lift My Soul (Manion or Haugen) D3 - Psalm 27 - The Lord is My Light and My Salvation (Haas or Walker) D4 - Psalm 42 - My Soul is Thirsting for the Living God: When Shall I See Him Face to Face? (Alstott, altered text from Easter Vigil) D5 - Psalm 63 - My Soul is Thirsting for You, O Lord My God (Angrisano) D6 - Psalm 103 - The Lord is Kind and Merciful (Haugen or Cotter) D7 - Psalm 116 - I will walk in the Presence of the Lord in the Land of the living (Haas) D8 - Psalm 122 - I Rejoiced when I Heard them Say: Let Us Go to the House of the Lord (Johnson or Haugen) D9 - Psalm 130 - Out of the Depths I Cry to You, Lord (Alstott) D10 - Psalm 143 - O Lord, Hear My Prayer (Alstott) Psalm Selection: _______________________________________________________________ Song of Farewell: (Please note that this music is not needed at memorials, only at funerals) O Loving God - McCoy (to the tune of “Danny Boy” or Londonderry Air) (BB2017 #678) “O loving God, we send your daughter/son home -
Daily Devotions in the Psalms Psalm 129-133
Daily Devotions in the Psalms Psalm 129-133 Monday 12th October - Psalm 129 “Greatly have they afflicted me from my youth”— let Israel now say— 2 “Greatly have they afflicted me from my youth, yet they have not prevailed against me. 3 The plowers ploughed upon my back; they made long their furrows.” 4 The Lord is righteous; he has cut the cords of the wicked. 5 May all who hate Zion be put to shame and turned backward! 6 Let them be like the grass on the housetops, which withers before it grows up, 7 with which the reaper does not fill his hand nor the binder of sheaves his arms, 8 nor do those who pass by say, “The blessing of the Lord be upon you! We bless you in the name of the Lord!” It is interesting that Psalm 128 and 129 sit side by side. They seem to sit at odds with one another. Psalm 128 speaks of Yahweh blessing his faithful people. They enjoy prosperity and the fruit of their labour. It is a picture of peace and blessing. And then comes this Psalm, clunking like a car accidentally put into reverse. Here we see a people long afflicted (v. 1-2). As a nation, they have had their backs ploughed. And the rest of the Psalm prays for the destruction of the wicked nations and individuals who would seek to harm and destroy Israel. It’s possible that this Psalm makes you feel uncomfortable, or even wonder if this Psalm is appropriate for the lips of God’s people. -
Complete Song Book (2013 - 2016)
James Block Complete Song Book (2013 - 2016) Contents ARISE OH YAH (Psalm 68) .............................................................................................................................................. 3 AWAKE JERUSALEM (Isaiah 52) ................................................................................................................................... 4 BLESS YAHWEH OH MY SOUL (Psalm 103) ................................................................................................................ 5 CITY OF ELOHIM (Psalm 48) (Capo 1) .......................................................................................................................... 6 DANIEL 9 PRAYER .......................................................................................................................................................... 7 DELIGHT ............................................................................................................................................................................ 8 FATHER’S HEART ........................................................................................................................................................... 9 FIRSTBORN ..................................................................................................................................................................... 10 GREAT IS YOUR FAITHFULNESS (Psalm 92) ............................................................................................................. 11 HALLELUYAH -
Psalm 130 Pastor Jason Van Bemmel a Song of Ascents. 1 out of the Depths I Cry to You, O LORD!
Out of the Depths, Redemption! Psalm 130 Pastor Jason Van Bemmel A Song of Ascents. 1 Out of the depths I cry to you, O LORD! 2 O Lord, hear my voice! Let your ears be attentive to the voice of my pleas for mercy! 3 If you, O LORD, should mark iniquities, O Lord, who could stand? 4 But with you there is forgiveness, that you may be feared. 5 I wait for the LORD, my soul waits, and in his word I hope; 6 my soul waits for the Lord more than watchmen for the morning, more than watchmen for the morning. 7 O Israel, hope in the LORD! For with the LORD there is steadfast love, and with him is plentiful redemption. 8 And he will redeem Israel from all his iniquities. Introduction: Singing the Blues to God I love music, and I tend to like music that has a bit of a dark edge to it – good music, that is, like the blues. I enjoyed listening to Muddy Waters on the flight back from Dubai in July. My favorite Christian singer-songwriter is Andrew Peterson, who also tends to have a raw, honest edge to his music, which is both dark and hopeful, a blend of melancholy and joy. Perhaps the same thing which makes my taste is music tend toward the blues also makes me love Psalm 130. I don’t know if I can say for sure that Psalm 130 is my absolute favorite psalm. That’s almost like asking me which of my children is my favorite. -
A Meditative and Musical Guide to by John Rutter
A Meditative and Musical Guide to Magnificat by John Rutter The Magnificat, the outpouring of spirit that Mary proclaimed when she visited her cousin Elizabeth and shared her news of the miraculous birth of the Messiah, is the quintessential liturgical text for the Advent Season. Mary’s words, patterned closely from those of Hannah as she gave thanks for the birth of her son Samuel (Samuel 2:1-10) and a close parallel to Psalm 113, are at once a joyous outburst of praise and thanksgiving, an expression of humility, a recognition of the glory of God and his mercy for humankind, a strong statement of God’s love for the humble and poor, and news of the fulfillment of God’s promise of a savior. John Rutter characterizes the text as “a canticle of praise, trust, and joy.” Movement 1 – Mary Sings Praises to God (Luke 1:46-48) Magnificat anima mea Dominum: My soul doth magnify the Lord: et exsultavit spiritus meus in Deo salutari meo. and my spirit hath rejoiced in God my Saviour. Quia respexit humilitatem ancillae suae: For he hath regarded the lowliness of his hand-maiden: ecce enim ex hoc beatam me dicent omnes for behold, from henceforth all generations shall call me generationis. blessed. The first movement is divided into 2 large sections that express contrasting perspectives of Mary’s joy. Rutter looked to the strong musical heritages of Spain and Mexico to derive the rhythmic motors for this joy. The first section begins with an orchestral fanfare that sets the stage for the clearly joyful, festive text of the first part of Mary’s Song. -
Choral Music
Choral Music Composer Editor Title Voices No of copies Bach Magnificat 38 Bach Christmas Oratorio 12 Bach Diack & Baker Coffee Cantata 34 Bach Prout Sleepers, Wake! Cantata No 140 40 Bach Elgar & Atkins St Matthew Passion 24 Beethoven Mass In C 11 Bennett Bermudas 99 ch, 5 voc Bennett R R All The King's Men 27 ch, 1 voc Bernstein West Side Story 24 Bizet Besly Carmen - Concert Version 29 Bliss Pastoral ('Lie Strewn The White Flocks') 20 Brahms Canons for Women's Voices, Op 113 36 Brahms Gipsy Songs 17 Brahms Liebeslieder - Love Song Waltzes Op 52 SSA 17 Brahms Liebeslieder - Songs of Love SATB 24 & piano score Brahms Taylor, S De B Lord, How Long Wilt Thou Forget Me 37 Britten Ceremony Of Carols SATB/harp 18 Britten Ceremony Of Carols SSA 25 Britten Ceremony Of Carols SSA 13;16;12 & 3 full Britten Friday Afternoons - Vol 1 Unison 25 & 30 Britten Friday Afternoons - Vol 2 Unison 33 Britten Psalm 150 209 ch 84 voc Britten Rejoice In The Lamb 39 Britten St Nicholas 57 Buxtehude Stockton Rejoice, Ye Christians 29 Carter, Andrew Te Deum SATB/children 40 Chappell, Herbert Daniel Jazz 38 (nos 36 - 73) Chappell, Herbert Daniel Jazz 35 (nos 1 - 35) Cole Statue for the Mayor SSA 13 Faure Rutter, John Requiem (1893 version) SATB 42 Faure Ratliffe Messe Basse SSA 17+ 1 copy Faure Ratcliffe Requiem SSA 28 Faure Ratcliffe Requiem SATB 35 Flanders & Horovitz Captain Noah And His Floating Zoo SATB 50 Flanders & Horovitz Captain Noah And His Floating Zoo Unison or SS 38 & 40 Gabrieli Woodworth Jubilate Deo 14 Gay Bainbridge, Vic Beggar's Opera 2 FS, 22 -
John Rutter: Choral Ambassador
October 2017 Issue 56 Hemiola St George’s Singers JOHN RUTTER: CHORAL AMBASSADOR INSIDE THIS ISSUE: BY NEIL TAYLOR Rachmaninov Vespers 2 Chanting Russia’s history 3 To my mind, John Rutter is a He’s also a thoroughly engag- Verdi Requiem review 4 skilled craftsman, a gifted com- ing, warm and generous man. I Christmas with Rutter 5 poser and a classy interpreter. first met him when, as a student, I had a call one Saturday after- Letter from the Editor 5 Let’s look: a definitive version of noon asking if I could come and SGS News 6 the Fauré Requiem in its original make drinks at a Cambridge scoring; many brilliant record- Singers’ recording session in Kath Dibbs remembered 6 ings with his own group, The Robert Brooks: interview 7 Hampstead, North London. Everybody tells me, who has sung in a choir, I hopped on the tube, arrived Costa Rica: final memories 8 that they feel better for doing it. Whatever the Song for Diana 9 at University College cares of the day, if they meet after a School, listened to the ses- long day’s school or work, somehow Beethoven’s Fantasy 10 they leave their troubles at the door. sions with that amazing Carol concert and Messiah 11 group and the wonderful Jill White as producer, and Cambridge Singers over the past brewed up. 35 years; such an accomplished Since then, I’ve had the privi- eye and ear for instrumental and vocal colours; beautifully hand- lege of working with John and ST GEORGE’S SINGERS whilst he is charming and anec- written music notation; well- dotal, he does demand much of PRESIDENT: crafted melodies; skilled and apt use of texts; a brilliant interpreter his fellow musi- Choral music is not one of life’s frills. -
SACRED MUSIC Volume 97, Number 2, Summer 1970 SACRED MUSIC
SACRED MUSIC Volume 97, Number 2, Summer 1970 SACRED MUSIC Volume 97, Number 2, Summer 1970 PROBLEMS OF AMERICAN CHURCH MUSIC 3 Arthur B. Hunkins SINGING FOR AN ENGLISH LITURGY 8 Rev. Bruno Becker, O.S.B. MUSICAL SUPPLEMENT 19 · REVIEWS 27 FROM THE EDITOR 32 NEWS 33 SACRED MUSIC Continuation of Caecilia, published by the Society of St. Caecilia since 1874 and The Catholic Choirmaster, published by the Society of St. Gregory of America since 1915. Published quarterly by the Church Music Association of America. Office of publication: 548 Lafond Avenue, Saint Paul, Minne sota 55!03. Editorial office : Route 2, Box 1, Irving, Texas 75060. Editorial Board Rev. Ralph S. March, S.O.Cist., Editor Mother C. A. Carroll, R.S.C.J. Rev. Lawrence Heiman, C.PP.S. J. Vincent Higginson Rev. Peter D. Nugent Rev. Elmer F. Pfeil Rev. Richard J. Schuler Frank D. Szynskie Editorial correspondence: Rev. Ralph S. March, S.O.Cist., Route 2, Box I, Irving, Texas 75060. News: Rev. Richard J. Schuler, 548 Lafond Avenue, Saint Paul, Minnesota 55103 Music for Review: Mother C. A. Carroll, R.S.C.J., Manhattanville College of the Sacred Heart, Purchase, New York 10577 Rev. Elmer F. Pfeil 3257 South Lake Drive Milwaukee, Wisconsin 53207 Membership and Circulation: Frank D. Szynskie, Boys Town, Nebraska 68010 Advertising: Rev. Ralph S. March, S.O.Cist. CHURCH MUSIC ASSOCIATION OF AMERICA Officers and Board of Directors President Dr. Roger Wagner Vice-president Noel Goemanne General Secretary Rev. Robert A. Skeris Treasurer Frank D. Szynskie Directors Robert I. Blanchard Rev. -
Division of Music
presents CONCERT CHOIR Fred Coleman, director Ruth Coleman, pianist Cantabo Scriptura Founder’s Memorial Amphitorium Thursday, October 29, 2020 7:00 P.M. We regret that campus events are not open to the public at this time, but we are pleased to offer a livestream of this concert at music.bju.edu/live. Audience members are reminded to wear masks and observe physical distancing protocols per university policy. Psalm 103 Lauda Anima ................................................. Mark Andrews (1875–1939) Psalm 23 The Lord Is My Shepherd .....................................Allen Pote (b. 1945) Psalm 46 God Is My Refuge and Strength ...........................Allen Pote Assisted by Aaron Frish and Lily Salerno, trumpets Psalm 133:1 Hine Ma Tov .......................................... Traditional Hebrew arr. Neil Ginsberg (b. 1969) How good it is and how pleasant for brethren to dwell together. Assisted by Andrea Bell, flute Matthew 11:28–30 Come Unto Me .............................................. Victor Johnson (b. 1978) Psalm 130 De Profundis ............................................. Russell Robinson (b. 1952) Psalm 130 I Will Wait for You ................ Jordan Kauflin, Matt Merker, Keith Getty, and Stuart Townend arr. Victor Johnson Matthew 25:7 Keep Your Lamps .............................................. John Leavitt (b. 1956) Psalms 47 & 57 Clap, Clap Your Hands ...................................... Marty Parks (b. 1958) Assisted by Aaron Frish and Lily Salerno, trumpets; Aaron Fox, horn; Nathan Gardner, trombone; and -
Suggestions for Funeral Music______Saint John Paul II Parish 279 Hamilton Street Southbridge, MA 01550-1876
_________________Suggestions for Funeral Music_________________ Saint John Paul II Parish 279 Hamilton Street Southbridge, MA 01550-1876 Making Musical Selections___________________________________________________________________ As Catholic Christians, we believe that music is not only a source of comfort for the family and friends of the deceased, but also a truly mystical and divine gift of God for our participation in the receiving of Jesus Christ in the Funeral Mass. It is our desire to provide you with music that not only speaks to you personally but is also honoring to God. Please contact our Director of Music, Brandon Vennink at 508-208-7774 or [email protected] should you need any assistance in music selections. The Participation of Other Musicians__________________________________________________________ If there is a family member or friend you would like to assist in the music ministry, we would love to honor your request but must have sufficient notice so as to plan rehearsals and be properly prepared. In accordance with American Guild of Organists policy, our Parish Musician has first rights to all liturgical celebrations. If you desire to use another musician, you must receive permission from the Parish Musician and pay his regular service fee. Specific Musical Selections for the Funeral Mass_________________________________________________ Because of the solemn nature of the Funeral Mass, the organ and other instruments are used primarily for the accompanying of the singing assembly. Prelude and postlude music is not usually used as detailed in the Ceremonial of Bishops. Entrance Song The Entrance Song begins the Funeral Liturgy. It should be a song that everyone is able to sing and helps the family and friends gathered to focus on Jesus’ promise of eternal life and the resurrection of the earthly body when Christ returns. -
Classical Christmas
Classical Friday, Dec. 9 CHristmas 10:30am Stefan Sanders leads the BPO and Buffalo Philharmonic Chorus in this festival celebration of timeless musical treasures, including Bach’s Christmas Oratorio REPERTOIRE: and Handel’s Messiah . Rimsky-Korsakov: Suite from Christmas Eve Eric Whitacre: Winter, Naryan Padmanabha, sitar Respighi: L’Adorazione dei Magi from Trittico Botticelliano Bach: Weihnachtsoratorium, BWV 248 [Christmas Oratorio] Cantana IV: On New Year’s Day (The Feast of Circumcision) No. 36 Fallt mit Danken, fallt mit Loben (chorus) No. 38 Recitativ: Immanuel, o susses Wort ! (baritone and soprano) No. 39 Aria: Flost, mein Heiland, lost dein Namon (soprano and boy soprano) Cantata V: On the Sunday After New Year (King Herod) No. 53 Choral: Zwar ist solche Herzensstube Cantata VI: On the Feast of the Epiphany (The Adoration of Magi) No. 64 Choral: Nun said ihr wohl gerochen Emily Helenbrook, Brad Hutchings, Ayden Herried, Buffalo Philharmonic Chorus Intermission: Randol Bass: Festival Magnificat. Buffalo Philharmonic Chorus Arr. John Rutter: I saw Three Ships. Buffalo Philharmonic Chorus John Rutter: Mary’s Lullaby. Buffalo Philharmonic Chorus Adam/ John Rutter: O Holy Night. Buffalo Philharmonic Chorus Handel/ John Rutter: Joy to the World. Buffalo Philharmonic Chorus Tchaikovsky: Finale to Act 1 of The Nutcracker, Op. 71 6. Scena 7. Scena (Battle) 8. Scena 9. Waltz of the Snowflakes Women of the Buffalo Philharmonic Chorus Handel: Hallelujah Chorus from Messiah. Buffalo Philharmonic Chorus Nikolai Rimsky-Korsakov: “Christmas Eve” Russian Composer (1844-1908) Rimsky-Korsakov’s Opera Christmas Eve was completed in 1895. The four act libretto (text of the opera) by the composer is based on a short story by Nikolai Gogol from his collection titled “Evenings on a farm near Dikanka”, published in 1832. -
A Festival of Nine Lessons & Carols
A FESTIVAL OF NINE LESSONS & CAROLS SUNDAY, DECEMBER 22, 2013 S T . P A U L ’ S E PISCOPAL C HURCH F AIRFIELD , C ONNECTICUT 2 ELCOME TO THIS SERVICE , which anticipates the great feast of the Nativity of Our Lord Jesus Christ. The liturgy of Lessons and Carols was first used in the chapel of King’s WCollege, Cambridge, on Christmas Eve, 1918, with the candle-lit splendor of the chapel, the prayers and scripture readings, the great hymns and the soaring music of the choir and organ standing in eloquent contrast to the darkness of a cold winter night and the tragic shadows of the recently concluded Great War. The intervening years have seen the worldwide broadcast of this service become a much beloved Christmas tradition. As in 1918, we in our own day turn again to these sacred words and songs in a world troubled by war, natural disaster, violence, and economic uncertainty. Tonight’s service is offered in the spirit of that first service at King’s, as a light shining in the darkness; with fervent prayer for peace, goodwill and understanding among all people rising amidst the strains of glorious hymns and carols. Although much of the music at this service is sung by the choir, the congregation plays a central role. Please listen intently, pray and sing with your heart and voice, as indicated below. Again, welcome ! Of course, a major part of this service involves the joining together of everyone in making a joyful noise to the Lord. Should your child be further inspired to the making of extended joyful noise while others are trying to listen, we do ask that you escort your little one to the gathering area or outside for a brief moment or two until he or she becomes more contemplative.