Choral Music

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Choral Music Choral Music Composer Editor Title Voices No of copies Bach Magnificat 38 Bach Christmas Oratorio 12 Bach Diack & Baker Coffee Cantata 34 Bach Prout Sleepers, Wake! Cantata No 140 40 Bach Elgar & Atkins St Matthew Passion 24 Beethoven Mass In C 11 Bennett Bermudas 99 ch, 5 voc Bennett R R All The King's Men 27 ch, 1 voc Bernstein West Side Story 24 Bizet Besly Carmen - Concert Version 29 Bliss Pastoral ('Lie Strewn The White Flocks') 20 Brahms Canons for Women's Voices, Op 113 36 Brahms Gipsy Songs 17 Brahms Liebeslieder - Love Song Waltzes Op 52 SSA 17 Brahms Liebeslieder - Songs of Love SATB 24 & piano score Brahms Taylor, S De B Lord, How Long Wilt Thou Forget Me 37 Britten Ceremony Of Carols SATB/harp 18 Britten Ceremony Of Carols SSA 25 Britten Ceremony Of Carols SSA 13;16;12 & 3 full Britten Friday Afternoons - Vol 1 Unison 25 & 30 Britten Friday Afternoons - Vol 2 Unison 33 Britten Psalm 150 209 ch 84 voc Britten Rejoice In The Lamb 39 Britten St Nicholas 57 Buxtehude Stockton Rejoice, Ye Christians 29 Carter, Andrew Te Deum SATB/children 40 Chappell, Herbert Daniel Jazz 38 (nos 36 - 73) Chappell, Herbert Daniel Jazz 35 (nos 1 - 35) Cole Statue for the Mayor SSA 13 Faure Rutter, John Requiem (1893 version) SATB 42 Faure Ratliffe Messe Basse SSA 17+ 1 copy Faure Ratcliffe Requiem SSA 28 Faure Ratcliffe Requiem SATB 35 Flanders & Horovitz Captain Noah And His Floating Zoo SATB 50 Flanders & Horovitz Captain Noah And His Floating Zoo Unison or SS 38 & 40 Gabrieli Woodworth Jubilate Deo 14 Gay Bainbridge, Vic Beggar's Opera 2 FS, 22 ch Handel Messiah SATB 12 Handel King Shall Rejoice 33 Handel Messiah - First Part (separate voice copies) 9S;6A;2T;6B Handel Read, Ernest Messiah: Passion and Easter Music SSA 13 Handel Messiah: Unto us a Son is born SATB 24 Handel O Praise The Lord With One Consent 41 Handel Prout Saul 60 Handel Noble, Tertius Zadok the Priest SSAATBB 87 Haydn Creation SATB 56 Haydn Creation SSA c 20 Haydn Maria Theresa Mass 17 Haydn Mass in Bb 46 Haydn Robbins Landon Mass in D minor (Nelson Mass) SATB 19 Haydn Missa Brevis (Little Organ Mass) SATB 35 +9 copy Haydn Second Mass in C 46 Hazell, Chris Holy Moses! 25 Holst Choral Hymns 'Rig Veda', 2nd Set 39 Holst Eight Canons For Equal Voices 24 Holst Hymn Of Jesus Op 37 12 Holst King Estmere 21 Hurd Adam-In-Eden 27 Hurd, Michael Jonah-Man Jazz 40 Hurd, Michael Missa Brevis 27 1 of 2 Choral Music Composer Editor Title Voices No of copies Jenkins, Karl Adiemus - Songs Of Sanctuary SSAA 10 + 11 Jenkins, Karl Peacemakers SATB 20 & CD Jenkins, Karl Armed Man: Mass for Peace - choral suite 40 Kodaly Missa Brevis 13 Lambert, Constant Rio Grande SATB 107 + 1 VS Lloyd Webber Joseph & Dreamcoat 50 Lloyd Webber W Saviour 20 Mahler, Gustav Symphony No 2: chorus parts 71 Mendelssohn Hymn Of Praise 51 Menotti Amahl And The Night Visitors 24 Monteverdi Beatus Vir 40 Mozart Requiem 18 Mozart Walker Figaro And Susanna 25 Nin, Joaquin Cancicones Populares Espanolas 23 Orff Carmina Burana 116 Palestrina Washington Missa Aeterna Christi Munera 50 Pergolesi Hullah, John Stabat Mater 22 Pergolesi Stroh & Red Magnificat 26 Purcell Tippet & Bergman Come Ye Sons Of Art 40 Purcell Dent Dido & Aeneas (Chorus Parts) 10 Rutter Five Childhood Lyrics 29 Rutter Requiem 40 Scarlatti, D. Stabat Mater 10 Schutz Christmas Story 19 Strauss, Johann Hanmer Die Fledermaus (libretto) 13 Strauss, Johann Hanmer Die Fledermaus (Vocal Scores) 19 Sullivan Pirates of Penzance (school version) SS 15 + 1 VS Sullivan Mikado 28 Sullivan Mikado (libretti) 10 Sullivan Pirates of Penzance (libretti) 25 Sullivan Pirates of Penzance (Vocal Scores) 13 Tallis Various Tallis Anthology - 17 Anthems & Motets 29 Tippett, Michael Five Negro Spirituals 48 Various Carter et al Memory of All That SATB 26 Vaughan Williams Benedicite 14 Vaughan Williams Fantasia On Christmas Carols 58 Vaughan Williams Flos Campi 91 Vaughan Williams Riders to the Sea 25 Vaughan Williams Serenade To Music 42 Vivaldi Malipiero Gloria 40 Vivaldi Casella Gloria RV589 30 Weill, Kurt Down In The Valley 26 Williamson Procession of Palms 40 2 of 2.
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  • Requiem Mass Readings
    READINGS FOR REQUIEM MASSES ST. BERNADETTE’S PARISH BELFAST Preparation for the Requiem Mass This is the central celebration for the deceased and is similar in structure to the Sunday Mass. There are a number of areas of preparation. Readings Please choose a First Reading, a Psalm, and if desired a Second Reading from the appropriate sections. If there is music the Psalm may be sung. The priest will choose an appropriate Gospel. Those who undertake to read should genuinely be capable of proclaiming these powerful words and not likely to be overcome by the emotion of the occasion. Prayer of the Faithful As with the readings, those who undertake these prayers should be genuinely capable of doing so. Offertory The gifts of bread and wine (only) may be brought to the Altar by family members Music It is never appropriate for secular songs or music to be player as part of the Sacred Liturgy. There is a list of suitable hymns in this booklet. Homily This will principally be on the paschal mystery of death and resurrection. However the priest may also say a few words about the deceased. For this he would welcome information from the family about the deceased’s qualities in preparation for the homily. FIRST READINGS The Old Testament The Old Testament is an indispensable part of Sacred Scripture. Its books are divinely inspired and retain a permanent value, for the Old Covenant has never been revoked. Indeed, the economy of the Old Testament was deliberately so oriented that is should prepare for and declare in prophecy the coming of Christ, redeemer of all men.
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  • Requiem Bulletin
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  • [Program Notes for the Gift of Life, by Pamela Grooms] John Rutter Was Born in London in 1945 and Received His First Musical
    [Program notes for The Gift of Life, by Pamela Grooms] John Rutter was born in London in 1945 and received his first musical education as a chorister at Highgate School. He went on to study music at Clare College, Cambridge, where he wrote his first published compositions and conducted his first recording while still a student. His compositional career has embraced both large and small-scale choral works, orchestral and instrumental pieces, a piano concerto, two children’s operas, music for television, and specialist writing for such groups as the Philip Jones Brass Ensemble and the King’s Singers. His larger choral works, Gloria (1974), Requiem (1985), Magnificat (1990), Psalmfest (1993) and Mass of the Children (2003) have been performed many times in Britain, North America, and a growing number of other countries. From 1975 to 1979 he was Director of Music at Clare College, whose choir he directed in a number of broadcasts and recordings. After giving up the Clare post to allow more time for composition, he formed the Cambridge Singers as a professional chamber choir primarily dedicated to recording, and he now divides his time between composition and conducting. In 1996 the Archbishop of Canterbury conferred a Lambeth Doctorate of Music upon him in recognition of his contribution to church music. He was honored in the 2007 Queen’s New Year Honours List, being awarded a CBE for services to music. (www.johnrutter.com) John Rutter’s long-awaited new major work The Gift of Life is a six-movement choral celebration of the living earth, of creation, and of life itself, offering a kaleidoscope of moods from contemplative and prayerful to majestic and inspirational.
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  • CD DPS1 Compact Disc Booklet
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  • Dedication of the and at Mepkin Abbey
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  • John Rutter Conducting His Own Magnificat Mass of the Children and Requiem with the Oxford Philharmonic in Southwark Cathedral London, Uk
    MIDAM INTERNATIONAL OF NYC PETER TIBORIS, GENERAL MUSIC DIRECTOR presents CONDUCTOR & COMPOSER JOHN RUTTER CONDUCTING HIS OWN MAGNIFICAT MASS OF THE CHILDREN AND REQUIEM WITH THE OXFORD PHILHARMONIC IN SOUTHWARK CATHEDRAL LONDON, UK CONCERT: WEDNESDAY, JUNE 30, 2021 • 8PM RESIDENCY: THURSDAY, JUNE 24 - SATURDAY, JULY 3, 2021 four guided tours & a grand finale dinner plus a second concert on june 28 in st. paul’s church featuring solo performances by the american choirs “Some of the most inspiring moments in my lifetime as a conductor have been in Carnegie Hall, directing a MidAmerica chorus and orchestra. Te contribution of Peter Tiboris and his marvelous team to the musical life of America has been incalculable. His company was the "rst, and is still the best, in the "eld. We have all been raised up by the music that he has encouraged us to make. All best, For more information, contact Eric Spiegel, Director of Program Development, at (212) 239-0205 ext. 201 or at [email protected]. CHORAL REGISTRATION DEADLINE: November 15, 2020 Subject to change without notice. midamerica-music.com | petertiboris.com Peter Tiboris, General Music Director and Artistic Director P R E S E N T S The Second Annual UK Residency LONDON Thursday, June 24 – Saturday, July 3, 2021 John Rutter conducts his REQUIEM, MAGNIFICAT and MASS OF THE CHILDREN with the Oxford Philharmonic and world-class soloists in the HISTORIC SOUTHWARK CATHEDRAL, LONDON Open to all choirs from the USA, Canada, Europe and Asia (Choirs choose to prepare & perform either one of the works above) The Historic Southwark Cathedral, London Registration Deadline: November 15, 2020 Early Registration: July 1, 2020 (For additional complimentary land residency packages) Subject to change without notice; published on March 27, 2020.
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  • Title Composer/Arranger Voicing Copies a Gaelic Blessing Rutter, John SATB 39 a Mad Madrigal Macdonald, Percy Wicker SATB 15 a Naramata Alleluia Loomer, D
    Title Composer/Arranger Voicing copies A Gaelic Blessing Rutter, John SATB 39 A Mad Madrigal MacDonald, Percy Wicker SATB 15 A Naramata Alleluia Loomer, D. SATB 12 A Red, Red Rose (from Four Robert Burns Ballads) Mulholland, James Rodby, Walter SATB 42 Abendlied Rheinberger, J. SSATTB 11 Abendlied (Evening Song) Mendelssohn, Felix SA or TB 13 Address to Music Smith, S. SATB 39 African Noel Thomas, Andre J. SATB 12 Agneau de Dieu Lang, Rupert SATB 19 Agnus Dei Barber, S. SATB 50 Ah si mon moine trad Patriquin, D. SATB 40 Ah! Si mon moine voulait danser trad French-Canadian Patriquin, Donald SATB 40 Ahrirang trad Korean de Cormier, Robert SATB 21 Ain't Got Time to Die Johnson, H. SATB 11 Al shlosha d'varim Naplan, Allen SS 17 All for Me Grog Trad. sea shanty Hatfield, Stephen SATB 52 All Hail Great Judge Sullivan, A. SATB 80 All Through the Night Kauffmann, R. SATB 45 Alleluia Stokes, Tobin SATB 13 Alleluia Thompson, R. SATB 58 Alma Redemptoris Mater Palestrina, G. SATB 13 Along the Flower Trail Raminsh, I. SSAATTBB 12 Alouette trad Fr-Canadian Sund, Robert SATB advanced 28 An Irish Blessing Daley, Eleanor SA 16 And the Glory of the Lord Handel SATB 21 Andrew Lloyd Webber in Concert Lojeski, E. SATB 49 Angels We Have Heard - La Bastringue Henderson, Edward SSAA 45 Annie Laurie Douglas/Scott Huff, Mac SATB 44 Anvil Chorus Verdi SATB 61 Anvil Chorus Verdi, G. SATB 61 Anything You Can Do (medley) Berlin, Irving Huff, Mac SATB 98 April is in my Mistress' Face Morley, T.
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  • Program Notes
    The theme of this concert, “Reflections,” finds its way into every crevice of the program: reflections in the water, reflections on love and loss, on death, and on the transcendent affirmation of life. Both featured composers--John Rutter and Gwyneth Walker—write unabashedly tonal and accessible, audience-pleasing music. Both are prolific by modern standards, their music widely performed. (Rutter may be the most frequently performed and highly cherished composer of church anthems in the English-speaking world). And both draw special inspiration from spirituality, though in ecumenical ways that transcend denomination and religious doctrine. Despite his upbringing in the Church of England, Rutter has described himself (in a 2003 interview on 60 Minutes) as not particularly religious, yet inspired by the spirituality of sacred verses and prayers. For her part, Walker has credited her Quaker upbringing for the direct expression, pragmatism, and studied simplicity of her works, yet likewise distances herself from specific doctrine. As with Rutter, her generalized spiritual vision is the well-spring of her inspiration: “If your eye is on something a little higher, a general feeling that you might be in touch with something large, you do have incoming energy and inspiration.” John Rutter-Requiem (1985) Born in 1945, John Rutter’s musical education was as a chorister, his future interests as a composer shaped by singing as a choirboy. At 17, he participated in the world premiere of Britten’s War Requiem, by 18 he had published one of his most popular Christmas carols, the ear-worm “Shepherd’s Pipe Carol,” and, while singing in the choir as a music major at Clare College, he encountered many of the leading figures of the British compositional and choral singing worlds that would influence his professional and compositional life.
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  • Brahms's Ein Deutsches Requiem and the Transformation From
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  • All Mozart | Program Notes
    27 Season 2018-2019 Thursday, April 11, at 7:30 Friday, April 12, at 2:00 The Philadelphia Orchestra Saturday, April 13, at 8:00 Bernard Labadie Conductor Amanda Forsythe Soprano Michèle Losier Mezzo-soprano Jeremy Ovenden Tenor Neal Davies Bass-baritone Westminster Symphonic Choir Joe Miller Director Mozart Masonic Funeral Music, K. 477 Mozart Symphony No. 25 in G minor, K. 183 I. Allegro con brio II. Andante III. Menuetto—Trio—Menuetto da capo IV. Allegro Intermission Philadelphia Orchestra concerts are broadcast on WRTI 90.1 FM on Sunday afternoons at 1 PM, and are repeated on Monday evenings at 7 PM on WRTI HD 2. Visit www.wrti.org to listen live or for more details. PO Book 34_MattMac.indd 27 4/5/19 10:15 AM 28 Mozart/compl. Levin Requiem, K. 626 I. Introitus 1. Requiem aeternam (Soprano and Chorus) 2. Kyrie (Chorus) II. Sequentia 3. Dies irae (Chorus) 4. Tuba mirum (Solo Quartet) 5. Rex tremendae (Chorus) 6. Recordare (Solo Quartet) 7. Confutatis (Chorus) 8. Lacrimosa (Chorus) Amen (Chorus) III. Offertorium 9. Domine Jesu (Solo Quartet and Chorus) 10. Hostias (Chorus) IV. Sanctus 11. Sanctus (Chorus) 12. Benedictus (Solo Quartet and Chorus) V. Agnus Dei 13. Agnus Dei (Chorus) VI. Communio 14. Lux aeterna (Soprano and Chorus) Cum sanctis tuis (Chorus) First Philadelphia Orchestra performances of this version This program runs approximately 1 hour, 55 minutes. These concerts are part of the Fred J. Cooper Memorial Organ Experience, supported through a generous grant from the Wyncote Foundation. PO Book 34_MattMac.indd 28 4/5/19 10:15 AM 29 PO Book 34_MattMac.indd 29 4/5/19 10:15 AM 30 The Philadelphia Orchestra Jessica Griffin The Philadelphia Orchestra Philadelphia is home and orchestra, and maximizes is one of the preeminent the Orchestra continues impact through Research.
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  • Choral Music
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  • Bach's Requiem Mass, by Ed Kotski
    Bach's Well Tempered Psalter Copyright 2004, 2011 by Ed Kotski, All Rights Reserved Bach's Secret Bach had a secret way of writing music, and shortly after surviving the attacks of September 11, 2001, I discovered what it was. He frequently used liturgical texts, and sometimes their associated Gregorian melodies, as frameworks for his instrumental pieces, the way a builder uses blueprints and scaffolding when putting up a cathedral. Today, we can work backwards, and by trial and error find the words Bach used. Once we've found the words, we can test a candidate Gregorian melody to see how things go together. For more on Bach's relationship to 9 - 11 - 2001, see www.jsbachfoa.org for my articles on the Goldberg Variations and on the World Trade Center attack. Latin and Music Latin is the natural language of music for three reasons: First, it is rich in pleasant sounding syllables; Second, its accents lend themselves to settings with and without regular meter; and Third, it comes with a huge library of music and words which make excellent templates for new compositions. In simple terms, Latin sounds good when it's sung and there's lots of it out there just waiting to be used. (I originally said "just begging", which is a good expression until I realized that Latin should never beg - never. Shame on me.) We take for granted the Latin settings of the B Minor Mass and the Magnificat, but Bach also relied heavily, although not exclusively, on Latin texts as inspiration for his instrumental music.
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