Rutter’S Radiant Requiem

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CMYK N AXOS Produced by the composer himself, this is the first recording of the ensemble version of John Rutter’s radiant Requiem. Written in 1985, the work is not a conventional setting of the Requiem Mass but comprises a personal selection of texts from the Catholic liturgy and the 1662 Book of Common 8.557130 Prayer. John Rutter maintains intimate ties with Clare College and some of his anthems are left as a musical legacy to the college. Among these are two simple, tender blessings: Go forth into the world in DDD peace, dedicated to the choir on the eve of its first tour to America; and A Clare Benediction, written as a gift to Rutter’s alma mater. This recording is dedicated to the memory of Christopher Rutter. 8.557130 John Playing Time RUTTER 68:56 (b. 1945) R Requiem Anthem for double choir UTTER: 1 Requiem aeternam 5:34 9 Come down, O Love divine 6:51 2 Out of the deep 6:06 Anthem for choir and flute (Cello solo: Sue Dorey) 0 Musica Dei donum 5:50 3 Pie Jesu 3:36 (Flute solo: Karen Jones) Requiem Requiem (Soprano: Elin Manahan Thomas) Two blessings 4 Sanctus 2:04 for choir and organ www.naxos.com Made in E.C. in Latin and English Sung texts auf Deutsch Booklet notes in English • Kommentar h 5 Agnus Dei 6:22 ! A Clare Benediction 3:30 & 6 g The Lord is my shepherd 5:03 @ Go forth into the (Oboe solo: Christopher Hooker) 2003 HNH International Ltd. UTTER: world in peace 2:42 R 7 Lux aeterna 6:39 (Soprano: Elin Manahan Thomas) Two Organ Pieces # Toccata in 7 2:06 Advent Anthem for choir and organ $ Variations on an Easter theme 7:45 (Organ Duet) * 8 Arise, shine 4:40 Choir of Clare College, Cambridge • Members of the City of London Sinfonia Timothy Brown • Nicholas Rimmer and Nicholas Collon *, Organ 8.557130 Recorded July 2002 in Douai Abbey, Berkshire, England, by kind permission of the Abbot. Producer: John Rutter • Engineer: Eleanor Thomason (K&A Productions Ltd.) AXOS Publishers: Oxford University Press; Track 8, Collegium Music Publications • Booklet Notes: Tarik O’Regan N.

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The theme of this concert, “Reflections,” finds its way into every crevice of the program: reflections in the water, reflections on love and loss, on death, and on the transcendent affirmation of life. Both featured composers--John Rutter and Gwyneth Walker—write unabashedly tonal and accessible, audience-pleasing music. Both are prolific by modern standards, their music widely performed. (Rutter may be the most frequently performed and highly cherished composer of church anthems in the English-speaking world). And both draw special inspiration from spirituality, though in ecumenical ways that transcend denomination and religious doctrine. Despite his upbringing in the Church of England, Rutter has described himself (in a 2003 interview on 60 Minutes) as not particularly religious, yet inspired by the spirituality of sacred verses and prayers. For her part, Walker has credited her Quaker upbringing for the direct expression, pragmatism, and studied simplicity of her works, yet likewise distances herself from specific doctrine. As with Rutter, her generalized spiritual vision is the well-spring of her inspiration: “If your eye is on something a little higher, a general feeling that you might be in touch with something large, you do have incoming energy and inspiration.” John Rutter-Requiem (1985) Born in 1945, John Rutter’s musical education was as a chorister, his future interests as a composer shaped by singing as a choirboy. At 17, he participated in the world premiere of Britten’s War Requiem, by 18 he had published one of his most popular Christmas carols, the ear-worm “Shepherd’s Pipe Carol,” and, while singing in the choir as a music major at Clare College, he encountered many of the leading figures of the British compositional and choral singing worlds that would influence his professional and compositional life.
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