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Vanguard Label Discography Was Compiled Using Our Record Collections, Schwann Catalogs from 1953 to 1982, a Phono-Log from 1963, and Various Other Sources
Discography Of The Vanguard Label Vanguard Records was established in New York City in 1947. It was owned by Maynard and Seymour Solomon. The label released classical, folk, international, jazz, pop, spoken word, rhythm and blues and blues. Vanguard had a subsidiary called Bach Guild that released classical music. The Solomon brothers started the company with a loan of $10,000 from their family and rented a small office on 80 East 11th Street. The label was started just as the 33 1/3 RPM LP was just gaining popularity and Vanguard concentrated on LP’s. Vanguard commissioned recordings of five Bach Cantatas and those were the first releases on the label. As the long play market expanded Vanguard moved into other fields of music besides classical. The famed producer John Hammond (Discoverer of Robert Johnson, Bruce Springsteen Billie Holiday, Bob Dylan and Aretha Franklin) came in to supervise a jazz series called Jazz Showcase. The Solomon brothers’ politics was left leaning and many of the artists on Vanguard were black-listed by the House Un-American Activities Committive. Vanguard ignored the black-list of performers and had success with Cisco Houston, Paul Robeson and the Weavers. The Weavers were so successful that Vanguard moved more and more into the popular field. Folk music became the main focus of the label and the home of Joan Baez, Ian and Sylvia, Rooftop Singers, Ramblin’ Jack Elliott, Doc Watson, Country Joe and the Fish and many others. During the 1950’s and early 1960’s, a folk festival was held each year in Newport Rhode Island and Vanguard recorded and issued albums from the those events. -
On Stage (Extra): a 'Curious' Case of Broadway-Style Entertainment
On Stage (Extra): A ‘Curious’ case of Broadway-style entertainment Feb 25th, 2017 · 0 Comment By Denny Dyroff, Staff Writer, The Times The Curious Incident of the Dog in the Night-Time. Theater fans from this area have been very fortunate this month – mainly because of the offerings from the Kimmel Center’s “Broadway Philadelphia” series at the Academy of Music (Broad and Locust streets, Philadelphia, 215-731-3333, www.kimmelcenter.org). Instead of being presented for the umpteenth time with tried-and-true musicals such as “Annie,” “Sound of Music” or “Rent,” fans are being treated to two hit shows that are fresh off Broadway and making their Philadelphia debuts. “The Bodyguard” is running through February 26. Then, from February 28-March 5, the Academy of Music is hosting “The Curious Incident of the Dog in the Night-Time.” Hailed as “One of the most fully immersive works ever to wallop Broadway” by The New York Times, this adaptation is the Tony Award®-winning new play by Simon Stephens, adapted from Mark Haddon’s best- selling novel and directed by Tony winner Marianne Elliott. Winner of the 2015 Tony Award for Best New Play, the acclaimed National Theatre production of “The Curious Incident of the Dog in the Night-Time” is now on its first North American tour. Two-time Tony Award winner Marianne Elliott (“War Horse”) directs this adaptation by Tony and Olivier Award winner Simon Stephens – an adaptation that brings Mark Haddon’s internationally best-selling novel to thrilling life. Christopher John Francis Boone, a 15-year-old boy with an extraordinary brain, is exceptionally intelligent but ill-equipped to interpret everyday life. -
January / February
CONCERT & DANCE LISTINGS • CD REVIEWS FREE BI-MONTHLY Volume 7 Number 1 January-February 2007 THESOURCE FOR FOLK/TRADITIONAL MUSIC, DANCE, STORYTELLING & OTHER RELATED FOLK ARTS IN THE GREATER LOS ANGELES AREA “Don’t you know that Folk Music is illegal in Los Angeles?” — WARREN C ASEY of the Wicked Tinkers MARIAMARIA MULDAURMULDAUR GIVESGIVES DYLANDYLAN AA SHOTSHOT OFOF LOVELOVE inside this issue: BY REX BUTTERS inside this issue: aria Muldaur’s latest release, Heart of Mine: Love Songs of Bob Dylan adds PraisingPraising PeacePeace another notch on an enviable creative upswing. A bona fide national treasure, AA TributeTribute toto PaulPaul RobesonRobeson her artistic momentum since the nineties has yielded a shelf full of CDs covering M roots music, blues, love songs, and Peggy CalifoniaCalifonia IndianIndian Lee, each with Muldaur’s faultless aesthetics overseeing the production as well. Graciously, she took a break from Tribal Culture her relentless performance-rehearsal-recording schedule Tribal Culture to chat about her recent projects. FW: It was great to hear you back on fiddle on You Ain’t Goin Nowhere, a very exuberant reading of that song. PLUS:PLUS: MM: Thank you. We just kind of got down with a low down Cajun hoedown on the whole thing. It reminded me RossRoss Altman’sAltman’s of the kind of stuff the Band was playing over at Big Pink when we all lived in Woodstock. It had that vibe to it. Bob HowHow CanCan II KeepKeep FromFrom TalkingTalking [Dylan], in the last ten years or so, every time I would see him backstage at a gig, he started asking me, “Hey are you ever playing your fiddle anymore?” And I’d say, oh no, && muchmuch more...more.. -
Aaamc Issue 6/7 Chrono
Music and Culture at the Archives of African American Music and aaamc mission: Culture,” at a spring symposium “...you have demonstrated The AAAMC is devoted to the collection, geared for academic counselors and preservation, and dissemination of materi- tremendous courage, support personnel on “Making the als for the purpose of research and study of fortitude, and determination Most of College,” which was spon- African-American music and culture. in a way that provided sored by the offices of IU’s Vice www.indiana.edu/~aaamc inspiration and leadership for Chancellor for Academic Affairs and the Vice Chancellor for Student the rest of the country. “ Affairs. We also completed an instructional website on hip-hop music and culture No. 6/No. 7) – (see Liner Notes #4 for more details), Fall 2001/Spring 2002 which was tested in a class of seventy- Special Double Issue one students during the 2002 spring semester. An on-line pilot version will be offered at IU’s Northwest campus IN THIS ISSUE: in the spring of 2003 and will be used by AAAMC in future workshops on African American music for educa- Letter tors. Our activities for the spring of From the Desk of 2002 concluded with a visit from Dr. the Director Lutgard Mutsaers of the University of Utrecht in the Netherlands, who was a Fellow in IU’s Institute for Advanced In the Vault Study. She spent three weeks in • Recent Donations March collaborating with me on our • Featured Portia K. Maultsby research project, “Black American Collection: Director Music in Dutch Culture” (see story AAAMC General inside). -
Black Journal Contents June 1968 – April 1970
BLACK JOURNAL CONTENTS JUNE 1968 – APRIL 1970 BLACK JOURNAL 1 JUNE 1968 . The first episode of Black Journal focuses on the end of a tumultuous year on college campuses in America and around the world. Coretta Scott King addresses the Harvard graduating class after her husband’s assassination that April and calls for an end to U.S. bombing in Vietnam. Members of Harvard’s Afro-American Society discuss their commitment to the advancement of racial justice for African Americans. Students at historically-Black Morehouse and Spelman Colleges debate how they can most effectively “give back” to their communities. Ernest N. Morial, the first African American member of the Louisiana State Legislature since Reconstruction speaks at the commencement of Southern University. (He was subsequently elected the first African American mayor of New Orleans in 1977.) . C. Gerald Fraser of The New York Times reports on the Poor Peoples' Campaign in the wake of Dr. King’s death. Huey P. Newton, co-founder of the Black Panther Party, is interviewed from an Oakland jail on the future of that organization. The New Breed, a Harlem manufacturer of Africa-inspired clothing, is showcased. The episode concludes with “It's in to be Black", a satirical sketch by comedian Godfrey Cambridge. BLACK JOURNAL 2 JULY 1968 . This episode reports on the changing face of African American leadership. It includes coverage of the tumultuous CORE (Congress of Racial Equality) convention in Columbus, Ohio, July 5-8, which fractured the organization. John Wilson of SNCC (Student Non-Violent Coordinating Committee) and Roy Innis of CORE are interviewed. -
Special Access and FOIA, FOIA Requests For
Case Id Date Received Date Closed Requester Name Subject Disposition Description Department of Justice (DOJ) Case File 169-26-1, Section 1 in box 28 of 48885 Jan/04/2016 Jan/20/2016 Ahmed Young Class 169: Desegregation of Public Education Total grant 48886 Jan/04/2016 Jan/21/2016 Jared Leighton Mark Clark, 44-HQ-44202, 157-SI-802 Request withdrawn Other all FBI personnel and case records for retired Special Agenct Edmund F. 48891 Jan/05/2016 Jan/12/2016 Devin Murphy Murphy who served in DC, NC, Missouri field offices Other Other 48893 Jan/05/2016 Jan/22/2016 (b) (6) (b) (6) Partial grant 48894 Jan/05/2016 Feb/03/2016 Jared McBride IRR files Total grant 48895 Jan/05/2016 Jun/09/2016 Conor Gallagher FBI file numbers 100-AQ-3331 regarding the Revolutionary Union Request withdrawn Other FBI Field Office case files regarding the Revolutionary Union 100-RH-11090 Springfield 100-11574 Richmond 100-11090 48896 Jan/05/2016 Conor Gallagher Dallas 100-12360 FBI file numbers regarding the October League aka Communist Party (Marxist-Leninist) New York 100-177151 Detroit 100-41416 48897 Jan/05/2016 Conor Gallagher Baltimore 100-30603 FBI Case Number 100-HQ-398040, 100-NY-109682, 100-LS-3812. Leon 48900 Jan/06/2016 Jan/26/2018 Parker Higgins Bibb Partial grant FBI Case File 100-CG-42241, 100-NY-151519, 100-NY-150205, 100-BU- 48902 Jan/06/2016 Kathryn Petersen 439-369. FBI Case File 100-HQ-426761 and 100-NY-141495. Nonviolent Action 48903 Jan/06/2016 Mar/02/2016 Mikal Jakubal Against Nuclear Weapons. -
February CALENDAR of EVENTS
February CALENDAR #!"# OF EVENTS "EEJTPO4USFFUt#FSLFMFZ $BMJGPSOJBt tXXXGSFJHIUBOETBMWBHFPSH SUNDAY MONDAY TUESDAY WEDNESDAY THURSDAY FRIDAY SATURDAY TICKET DISCOUNTS: YOUTH-HALF PRICE (AGES 25 & UNDER) Martyn Rushad Dave Cheap Suit SENIOR-$2.00 OFF (AGES 65 & OVER) Joseph Eggleston Alvin Serenaders MEMBERS-$2.00 OFF TYR]]V_XZ_X hYZc]hZ_U XcZeejS]fVdj gZ_eRXV[Rkk R_UT`^aV]]Z_X Z^ac`gZdReZ`_R] c``edc`T\ Z_ViaV_dZgVReeZcV dZ_XVc d`_XhcZeVc TV]]Zde Victor Krummenacher DOORS OPEN AT 7 PM, `aV_d MUSIC AT 8 PM "'&!RUg #!&!RUg #'&!RUg #'&!RUg (UNLESS OTHERWISE NOTED) ")&!U``c 7VScfRcj" ##&!U``c 7VScfRcj# #)&!U``c 7VScfRcj$ #)&!U``c February 4 San Francisco Bluegrass & Oldtime Festival Gerard Gretchen Freight Larry Hanks The Stairwell Edery Peters Open Mic & Deborah Bee Eaters Sisters, g`TR] XfZeRcgZcef`d` 8cR^^j_`^Z_ReVU Bay Area’s premier decZ_XSR_UZ__`gReZ`_ aVcW`c^d2eRYfR]aR R^VcZTR_R open stage event Robins WVRefcZ_XEcZdeR_R_U True Blue 2 JfaR_bfZ|d2cXV_eZ_V dZ_XVcd`_XhcZeVc T]`dVYRc^`_ZVdR_U ERdYZ_R4]RccZUXV R]]XR]`]UeZ^VR_U W`]\d`_Xd ScR_UdaR_\Z_|@=5 Cahalen & Eli`aV_ ecRUZeZ`_R]S]fVXcRdd 2^VcZTR_d`_Xd U`fS]VSZ]] 45cV]VRdVdY`h #!&! ##&! February 5 #!&! ##&! February 6 %&! '&! 7VScfRcj( #!&! ##&! 7VScfRcj* #!&! ##&! 7VScfRcj"! #!&! ##&! 7VScfRcj"" Black History Series SF Bluegrass SF Bluegrass Black History Series Black History Series & Oldtime Festival & Oldtime Festival 1st Annual Kathy Kallick Davka Kleptograss Eric Jennifer Talk of Band Quartet, :_daZcVUWfdZ`_`W RceWf]S`cc`hVcd Eddie Marshall >ZUU]V6RdeVc_^fdZT `WVT]VTeZT^fdZTR] Bibb -
Sound Bites References
SOUND BITES BIG IDEAS IN POPULAR MUSIC Reference List SOUND BITES BIG IDEAS IN POPULAR MUSIC Reference List Don’t You Wonder, Sometimes? 4 Tracy K. Smith Voice and Hammer: Harry Belafonte’s Unfinished Fight (selection) 5 Jeff Sharlet Lush Life 8 John McCluskey Jr. Electronic Dance Music’s Love Affair with Ecstasy: A History (selection) 9 Nash Jenkins Bop 11 Langston Hughes I Am Your Conscious, I Am Love: A Paean 2 Prince 12 Hilton Als Amor Prohibido (selection) 15 Jeff Winkler Thieves in the Night 17 Dante Smith, Talib Kweli Greene, and Charles Njapa Bowie (selection) 18 Simon Critchley When Whitney Hit the High Note 20 Danyel Smith Black Flag 23 John Albert Millie Jackson’s Country Roots 24 Jalylah Burrell The contents of this packet include proprietary trademarks and copyrighted materials, and may be used or quoted only with permission and appropriate credit to the Great Books Foundation. SOUND BITES Beatlemania: A Love Story 26 Devin McKinney Sonny’s Blues 27 James Baldwin A Poem for Ella Fitzgerald 28 Sonia Sanchez Elvis Presley (selection) 29 Bobbie Ann Mason Star Child (selection) 31 Margo Jefferson When Johnny Cash Visited Leavenworth 33 Albert Nussbaum Soul Survivor 34 David Remnick Because My Father Always Said He Was the Only Indian Who Saw Jimi Hendrix Play “The Star-Spangled Banner” at Woodstock 39 Sherman Alexie Why the Shirelles Mattered 40 Susan J. Douglas Earbud 42 Bill Holm Salsa y La Naturaleza: How a Willie Colón Song Taught Me About Queerness and Love 43 Gabby Rivera Brainworms, Sticky Music, and Catchy Tunes 44 Oliver Sacks Reluctant Exegesis: “(I Bless the Rains Down in) Africa” 45 Steve Almond Good Citations: The Rise of the Rock Curator (selection) 46 Simon Reynolds Beginning to See the Light 52 Ellen Willis Old Records Never Die: One Man’s Quest for His Vinyl and His Past (selection) 54 Eric Spitznagel Just a Little Bit: Loudness 57 Ben Ratliff Let’s Talk About Love 60 Carl Wilson Copyright © 2018 The Copyright Great © 2018 Books Foundation – 3 – SOUND BITES Don’t You Wonder, Sometimes? Tracy K. -
True Blues Corey Harris & Eric Bibb
Courtesy Mac Courtesy A rthur Foundation E ric Bibb TRUE BLUES Corey Harris & Eric Bibb PROGRAM There will be an intermission. Sunday, February 26 @ 7 PM Prince Theatre Part of the African Roots, American Voices series. 16/17 SEASON 13 PROGRAM NOTES Blues is at the center of their artistry, and the blues takes center stage in True Blues featuring MacArthur “Genius” Award recipient Corey Harris and American folk and blues musician Eric Bibb. This concert chronicles the extraordinary living culture of the blues in an uplifting evening of music and storytelling. Guitarist, vocalist and songwriter Corey Harris has carved out his own niche in blues music. He began his career as a New Orleans street singer and, thanks to a Fulbright Scholarship, lived in Cameroon, West Africa, for a year, which had a profound effect on his future. He was also prominently featured in the Martin Scorsese film series The Blues: A Musical Journey. With one foot in tradition and the other in the human condition, Harris is a truly unique voice in contemporary blues music. A Grammy® Award nominee and familiar face and voice across the U.S. and Europe, Eric Bibb has been nominated for nine W.C. Handy Blues Music Awards and is the winner of the Best Newcomer title in the British Blues Awards. Appropriately described as “discreetly awesome” and “a total original,” Bibb’s rich, sensitive vocals and lyrics provide a perfect balance to his fine finger picking techniques. These techniques meld a traditional rootsy American style with a subtle, contemporary sensibility. ABOUT THE ARTISTS Eric Bibb A career spanning five decades, 36 albums, countless radio and television appearances and non-stop touring has made Eric Bibb one of the leading bluesmen of his generation. -
The Call Ntmber"Pre-Ding Each Entry Is Based on the Audio-Visual Department's Own, Unique Classification Scheme and Is Included to Facilitate Local Use Only
DOCUMENT RESUME ED.094 081 UD 014 451, AUTHOR -Damn., Bernice, Comp.; Nevin', David, Comp. TITLE The Black Record:.A Selective Discography of Afro-Americana on Audio Discs .Held by the, Atdio/V.isual.Department, John M. -Olin'Iibrary.. INSTITUTION rWandhg-tom-Unl-v-.-4-SeattleLLibrary. PUB DATE - ,.Aug 73 . .NOTE I . Washington University Library Studies, No. 11. / Revised- and ih-arged Edition . EDRS PRICE MF-$0.75'HC-$1.85 P POSTAGE . DESCRIPTORS African American Studies; *.African Culture; African History; African Languages;/ Audiovisual Aidth; Audiovisual Centers; *Bibliographies;. Documentaries; Folk Culture; *Music; Negro Culture; Negro Dialects; *Ne ro .History; *Phonograph_Records; Sound Tracks ABSTRACT 0 The present revised and expanded-edition of this: document is an inclusive cumulation. A fp, items have been included which are on order as new.to the collection or as replacements. This discography is-intend,pd'to serve primarily as a local user's guide. The call ntmber"pre-ding each entry is based on the Audio-Visual Department's own, unique classification scheme and is included to facilitate local use only. Washington University students are always welcome totse the. recordings on. equipment provided by the A/V Department-oh-LeVel 2.of Olin Library; universiiY.faaulty may check ...out recordings for one-day classroomuse.Due-tt the many prOblems 'invplving"topyright, artists' rights, recording rights, clearapce of nperftrmances,". etc.., the discs may'not be taped or otherwise duPlicated. The material is arranged,in,four:7ctions:(1). Documenta6r,,and Spoken Word--biographical material, speeches, poetry, prose and drama; (2) Folk Music: African' OriginS--aathentid recordings mostlyy native performers;(3) Folk Music: New World : Roots and Growth--numerous examples of rhythm and blues, game songs, ballads, hollers and 'sh9tts, spirituals and gospelsongs, work songs. -
Guide for Teachers, 1963 (Distributed by CORE)
you, at#motdMn/C morrn faz^pMng /UghjUp 0i%tJze,/mjLnLnitx4M um/i4A> y&u. client- ftYi the ora/to," GUIDE for TEACHERS on contributions of Afro-Americans to the American culture Grades: Kindergarten 6thgrade Price $1.00 • GUIDE FOR TEACHERS: Contributions of Afro-Americans to the American Culture Theme: "prominent Persons and Their Contributions" Pupil's Goal: To understand contributions of the Afro-American and the impact of these contributions upon American culture. Teachers' Goal: To guide pupils in understanding the acculturative process in America in relation to the Afro-American's presence in the United States* FOREWORD A group of teachers, a librarian and an administrator began working a few years ago to create methods and procedures which would improve the image of, the asoirational level of and knowledge about the heritage of pupils of African descent within the public school classroom. This group, formerly the Negro History Committee has become the Interboro Committee on Afro- American History. As organizer of this committee, which was formed at P.S. 93, Brooklyn, N.Y., in the fall of i960 , it has been rewarding and challenging to be a part of such an important project. This ^kiide for Teachers" represents this writer's role in the committee. Other results of the committee's work are: promotion of the use of Afro-American pictures in classroom charts for general teaching experiences; involving parent Associations to purchase books, records, pictures for classroom and school library use on a year round basis; projecting historical knowledge of Afro-American history through school assemblies, quizzes, bulletin board projects; and participation in profession al meetings* Members of P.S. -
Leon Bibb: a Pioneer in Ohio Broadcast Journalism a Thesis Presented to the Faculty of the Scripps College of Communication of O
Leon Bibb: A Pioneer in Ohio Broadcast Journalism A thesis presented to the faculty of the Scripps College of Communication of Ohio University In partial fulfillment of the requirements for the degree Master of Science Brianna L. Savoca June 2010 © 2010 Brianna L. Savoca. All Rights Reserved. This thesis titled Leon Bibb: A Pioneer in Ohio Broadcast Journalism by BRIANNA L. SAVOCA has been approved for the E.W. Scripps School of Journalism and the Scripps College of Communication by Mary T. Rogus Associate Professor of Journalism Gregory J. Shepherd Dean, Scripps College of Communication ii Abstract SAVOCA, BRIANNA L., M.S., June 2010, Journalism Leon Bibb: A Pioneer in Ohio Broadcast Journalism (117 pp.) Director of Thesis: Mary T. Rogus Leon Bibb became Ohio’s first black primetime anchor in 1976 when he was promoted at WCMH-TV in Columbus, Ohio. He was also one of the first ten black primetime anchors in the country. Almost a decade later, he broke new ground again as the first black primetime anchor in Ohio’s largest television market when Cleveland’s WKYC-TV promoted him to the anchor desk in 1985. With this promotion, he became the seventh black primetime anchor in a top 20 market in the country. Bibb entered the journalism field during an era when there were very few blacks in the newsroom. A true trailblazer, Bibb opened the doors for many of Ohio’s black television journalists, and he continues to keep those doors open as a veteran television news anchor for WEWS-TV in Cleveland, Ohio.