The Clarion, Vol. 84, Issue #6, Oct. 5, 2018
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In Defense of Rap Music: Not Just Beats, Rhymes, Sex, and Violence
In Defense of Rap Music: Not Just Beats, Rhymes, Sex, and Violence THESIS Presented in Partial Fulfillment of the Requirements for the Master of Arts Degree in the Graduate School of The Ohio State University By Crystal Joesell Radford, BA Graduate Program in Education The Ohio State University 2011 Thesis Committee: Professor Beverly Gordon, Advisor Professor Adrienne Dixson Copyrighted by Crystal Joesell Radford 2011 Abstract This study critically analyzes rap through an interdisciplinary framework. The study explains rap‟s socio-cultural history and it examines the multi-generational, classed, racialized, and gendered identities in rap. Rap music grew out of hip-hop culture, which has – in part – earned it a garnering of criticism of being too “violent,” “sexist,” and “noisy.” This criticism became especially pronounced with the emergence of the rap subgenre dubbed “gangsta rap” in the 1990s, which is particularly known for its sexist and violent content. Rap music, which captures the spirit of hip-hop culture, evolved in American inner cities in the early 1970s in the South Bronx at the wake of the Civil Rights, Black Nationalist, and Women‟s Liberation movements during a new technological revolution. During the 1970s and 80s, a series of sociopolitical conscious raps were launched, as young people of color found a cathartic means of expression by which to describe the conditions of the inner-city – a space largely constructed by those in power. Rap thrived under poverty, police repression, social policy, class, and gender relations (Baker, 1993; Boyd, 1997; Keyes, 2000, 2002; Perkins, 1996; Potter, 1995; Rose, 1994, 2008; Watkins, 1998). -
Slang in American and British Hip-Hop/Rap Song Lyrics
LEXICON Volume 5, Number 1, April 2018, 84-94 Slang in American and British Hip-Hop/Rap Song Lyrics Tessa Zelyana Hidayat*, Rio Rini Diah Moehkardi Universitas Gadjah Mada, Indonesia *Email: [email protected] ABSTRACT This research examines semantic changes and also the associative patterns of slang, focusing primarily on common topics, i.e., people and drugs. The data were slang terms taken from the lyrics of hip-hop/rap songs sung by four singers, two from the U.S.A and two from the U.K. A total of 105 slang terms were found, 45 of which belong to the people category and 16 to the drugs category in the American hip-hop/rap song lyrics, and in the British hip-hop/rap song lyrics, 26 of which belong to the people category and 18 to the drugs category. Bitch and nigga were found to be the most frequently used slang terms in the people category. In terms of semantic changes, broadening, amelioration, and narrowing were found, and in terms of associative patterns, effect, appearance, way of consuming, constituent, and container associative patterns were found. In addition, a new associative pattern was found, i.e., place of origin. Keywords: associative patterns, people and drugs slang, semantic change, slang. mislead people outside their group. Then, the INTRODUCTION usage of Cant began to slowly develop. Larger “This party is just unreal!” Imagine a person groups started to talk Cant in their daily life. It saying this sentence in the biggest New Year’s Eve was even used for entertainment purposes, such as party in his/her town, with the largest crowd, the in literature. -
Rap God - Song Lyrics
Lyrics from http://LyricsToPDF.com Rap God - Song Lyrics Look I was gonna go easy on you and not to hurt your feelings But I'm only going to get this one chance Something's wrong I can feel it Just a feeling I've got like something's about to happen But I don't know what If that means what I think it means we're in trouble Big trouble and if he is as bananas as you say I'm not taking any chances You were just what the doctor ordered I'm beginning to feel like a rap god rap god All my people from the front to the back nod back nod Now who thinks that arms are long enough to slapbox slapbox? They said I rap like a robot so call me Rapbot But for me to rap like a computer must be in my genes I got a laptop in my back pocket My pen will go off when I half-cock it Got a fat knot from that rap profit Made a living and a killing off it Ever since Bill Clinton was filling in office With Monica Lewinsky filling on his nutsack I'm an MC still as honest But as rude and indecent as all hell Syllables killaholic …. This slipety gibbity hippity hop- You don't really wanna get into a pissing match With this rappidy rap packing a Mac In the back of the Ac… And at the exact same time I attempt these lyrical acrobat stunts while I'm practicing that I'll still be able to break a motherfuckin' table Over the back of a couple of faggots and crack it in half Only realized it was ironic I was under aftermath after the fact How could I not blow? All I do is drop F bombs Feel my wrath of attack Rappers are having a rough time Period here's a maxi pad It's actually -
Literatura Y Otras Artes: Hip Hop, Eminem and His Multiple Identities »
TRABAJO DE FIN DE GRADO « Literatura y otras artes: Hip Hop, Eminem and his multiple identities » Autor: Juan Muñoz De Palacio Tutor: Rafael Vélez Núñez GRADO EN ESTUDIOS INGLESES Curso Académico 2014-2015 Fecha de presentación 9/09/2015 FACULTAD DE FILOSOFÍA Y LETRAS UNIVERSIDAD DE CÁDIZ INDEX INDEX ................................................................................................................................ 3 SUMMARIES AND KEY WORDS ........................................................................................... 4 INTRODUCTION ................................................................................................................. 5 1. HIP HOP ................................................................................................................... 8 1.1. THE 4 ELEMENTS ................................................................................................................ 8 1.2. HISTORICAL BACKGROUND ................................................................................................. 10 1.3. WORLDWIDE RAP ............................................................................................................. 21 2. EMINEM ................................................................................................................. 25 2.1. BIOGRAPHICAL KEY FEATURES ............................................................................................. 25 2.2 RACE AND GENDER CONFLICTS ........................................................................................... -
Sonic Jihadâ•Flmuslim Hip Hop in the Age of Mass Incarceration
FIU Law Review Volume 11 Number 1 Article 15 Fall 2015 Sonic Jihad—Muslim Hip Hop in the Age of Mass Incarceration SpearIt Follow this and additional works at: https://ecollections.law.fiu.edu/lawreview Part of the Other Law Commons Online ISSN: 2643-7759 Recommended Citation SpearIt, Sonic Jihad—Muslim Hip Hop in the Age of Mass Incarceration, 11 FIU L. Rev. 201 (2015). DOI: https://dx.doi.org/10.25148/lawrev.11.1.15 This Article is brought to you for free and open access by eCollections. It has been accepted for inclusion in FIU Law Review by an authorized editor of eCollections. For more information, please contact [email protected]. 37792-fiu_11-1 Sheet No. 104 Side A 04/28/2016 10:11:02 12 - SPEARIT_FINAL_4.25.DOCX (DO NOT DELETE) 4/25/16 9:00 PM Sonic Jihad—Muslim Hip Hop in the Age of Mass Incarceration SpearIt* I. PROLOGUE Sidelines of chairs neatly divide the center field and a large stage stands erect. At its center, there is a stately podium flanked by disciplined men wearing the militaristic suits of the Fruit of Islam, a visible security squad. This is Ford Field, usually known for housing the Detroit Lions football team, but on this occasion it plays host to a different gathering and sentiment. The seats are mostly full, both on the floor and in the stands, but if you look closely, you’ll find that this audience isn’t the standard sporting fare: the men are in smart suits, the women dress equally so, in long white dresses, gloves, and headscarves. -
Through the Iris TH Wasteland SC Because the Night MM PS SC
10 Years 18 Days Through The Iris TH Saving Abel CB Wasteland SC 1910 Fruitgum Co. 10,000 Maniacs 1,2,3 Redlight SC Because The Night MM PS Simon Says DK SF SC 1975 Candy Everybody Wants DK Chocolate SF Like The Weather MM City MR More Than This MM PH Robbers SF SC 1975, The These Are The Days PI Chocolate MR Trouble Me SC 2 Chainz And Drake 100 Proof Aged In Soul No Lie (Clean) SB Somebody's Been Sleeping SC 2 Evisa 10CC Oh La La La SF Don't Turn Me Away G0 2 Live Crew Dreadlock Holiday KD SF ZM Do Wah Diddy SC Feel The Love G0 Me So Horny SC Food For Thought G0 We Want Some Pussy SC Good Morning Judge G0 2 Pac And Eminem I'm Mandy SF One Day At A Time PH I'm Not In Love DK EK 2 Pac And Eric Will MM SC Do For Love MM SF 2 Play, Thomas Jules And Jucxi D Life Is A Minestrone G0 Careless Whisper MR One Two Five G0 2 Unlimited People In Love G0 No Limits SF Rubber Bullets SF 20 Fingers Silly Love G0 Short Dick Man SC TU Things We Do For Love SC 21St Century Girls Things We Do For Love, The SF ZM 21St Century Girls SF Woman In Love G0 2Pac 112 California Love MM SF Come See Me SC California Love (Original Version) SC Cupid DI Changes SC Dance With Me CB SC Dear Mama DK SF It's Over Now DI SC How Do You Want It MM Only You SC I Get Around AX Peaches And Cream PH SC So Many Tears SB SG Thugz Mansion PH SC Right Here For You PH Until The End Of Time SC U Already Know SC Until The End Of Time (Radio Version) SC 112 And Ludacris 2PAC And Notorious B.I.G. -
Cash Cropping by Lenape Foragers: Preliminary Notes on Native Maize
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Digital Commons @ West Chester University West Chester University Digital Commons @ West Chester University Anthropology & Sociology College of Arts & Sciences 1999 Cash Cropping by Lenape Foragers: Preliminary Notes on Native Maize Sales to Swedish Colonists and Cultural Stability During the Early Colonial Period Marshall Joseph Becker West Chester University of Pennsylvania, [email protected] Follow this and additional works at: http://digitalcommons.wcupa.edu/anthrosoc_facpub Part of the Social and Cultural Anthropology Commons Recommended Citation Becker, M. J. (1999). Cash Cropping by Lenape Foragers: Preliminary Notes on Native Maize Sales to Swedish Colonists and Cultural Stability During the Early Colonial Period. Bulletin of the Archaeological Society of New Jersey, 54, 45-68. Retrieved from http://digitalcommons.wcupa.edu/anthrosoc_facpub/28 This Article is brought to you for free and open access by the College of Arts & Sciences at Digital Commons @ West Chester University. It has been accepted for inclusion in Anthropology & Sociology by an authorized administrator of Digital Commons @ West Chester University. For more information, please contact [email protected]. Cash Cropping by Lenape Foragers: Models of “rapid” culture change based on supposed modes of Preliminary Notes on maize production postulate that the inception (or presence of) “agriculture” among the native populations uniformly resulted Native Maize Sales from changes in global temperatures and/or variations in social to Swedish Colonists and Cultural Stability relationships (cf. Beauregard 1986). This is quite different than During the Early Colonial Period the model that assumes continuity of native culture through time, and well into the colonial period. -
Rap God: Russian Formalism Analysis
RAP GOD: RUSSIAN FORMALISM ANALYSIS A GRADUATING PAPER Submitted in Partial Fulfillment of the Requirement for Gaining the Bachelor Degree in English Literature By: Ahmad Ridwan Malik 14150029 ENGLISH DEPARTMENT FACULTY OF ADAB AND CULTURAL SCIENCES STATE ISLAMIC UNIVERSITY SUNAN KALIJAGA YOGYAKARTA 2019 A FINAL PROJECT STATEMENT I certify that this graduating papsr is definitely my own work. I arn compietely responsible for the content of this graduating paper. Other wrjter's opinions or findings included in the graduating paper are quoted or cited in accordance with ethical standard. Yogyakttrta,March 10tll,2019 Stud. Reg. No. 14150029 KEMENTERIAN AGAMA UNIVERSITAS ISLANI NEGERI SUNAN KALIJAGA FAKULTAS ADAB DANILMU BUDAYA Jl.Marsda Adisucipto Tclp.(0274)513949 Fax (0274)552883 Yogyakarta 55281 PENGESAHAN TUGAS AKHIR Nomor:B-219/Un 02/DA/PP 00.9/05/2019 Tugas Akhir dengan judul : RAP GOD: RUSSIAN FORMALISM ANALYSIS yang dipersiapkan dan disusun oleh: Nama : AHMAD zuDWANMALIK Nomor Induk Mahasiswa : 14150029 Telah diujikan pada : Senin, l l Maret 2019 Nilai ujian Tugas Akhir : B+ dinyatakan telah diterima oleh Fakultas Adab dan Ilmu Budaya UIN Sunan Kalijaga Yogyakarta TIPI UJIAN TUGAS AKHIR Ketlla Sidang 飩玲 Ulyal Rctno Sari,SS M.Hum NIP.197711152005012002 ρ ¨ Danial IIidayatullah,SS,M Hum Aninda tti siWi,S.Pd,M Pd NIP 19760405 200901 l o16 NIP 19851011 201503 2 004 l Marct 2019 lijaga Budaya θ9/a5/2o7θ KEPIENTRIノ ぜヾAGAMA REPUBLIK INDONESIA UNⅣERSITASISLAM NEGERISUNAN KALIJAGA 畿 FAKULTAS ADAB DAN ILⅣ 側 BUDAYA Jl,Marstt Adi Sucipto Yogyab蔵 55281 Telp./Fax.(0274) al● 513949 Web : http : /ladab.uin-suka. ac. id Emaill adabの uin_suka.ac.id NOTA DINAS HalI Slcipsi Ahlad Ridwall卜Ialik Yth. -
A Wild Stab in the Dark: Exposing Eminem's Existentialism
A Wild Stab in the Dark: Exposing Eminem’s Existentialism Daniel Ragusa AS 112 “Encountering Unbelief” Due: 12/6 1 Abstract This paper attempts to apply the principles of covenantal apologetics to today’s cultural milieu by using the latest music album by American rapper, Eminem, as a gateway into today’s postmodern thinking. The worldview of Eminem developed in his latest album, The Marshal Mathers LP2 (2013), will be shown to have deep affinity with the atheistic existentialism of Friedrich Nietzsche, the father of postmodernism. This allows the philosophical thought of Nietzsche to penetrate today’s culture without anyone actually reading his books, but simply listening to its application in the lyrics of Eminem and other influential artists that espouse a fundamentally similar philosophy. After establishing Eminem’s worldview, there will be provided an internal critique of it in terms of its metaphysics, epistemology and ethics, as well as its inability to account for the one and the many. It will become evident that Eminem’s worldview is far from a coherent system and must either borrow capital from the Christian worldview or spiral into total absurdity. Introduction The average person today is not reading thick volumes of philosophy to establish his worldview, but he does have headphones on. Within the first two weeks of its release, Eminem’s latest album—The Marshall Mathers LP2 (2013)1—went platinum with over one million people purchasing it.2 The album is an amalgam of raw anger, unwavering resolve, and deep-felt despair masterfully merged into unprecedented lyrical brilliance. The devilish fantasies of MMLP2 survey a wide spectrum of depraved thinking. -
Cash Cropping by Lenape Foragers
West Chester University Digital Commons @ West Chester University Anthropology & Sociology College of Arts & Sciences 1999 Cash Cropping by Lenape Foragers: Preliminary Notes on Native Maize Sales to Swedish Colonists and Cultural Stability During the Early Colonial Period Marshall Joseph Becker West Chester University of Pennsylvania, [email protected] Follow this and additional works at: http://digitalcommons.wcupa.edu/anthrosoc_facpub Part of the Social and Cultural Anthropology Commons Recommended Citation Becker, M. J. (1999). Cash Cropping by Lenape Foragers: Preliminary Notes on Native Maize Sales to Swedish Colonists and Cultural Stability During the Early Colonial Period. Bulletin of the Archaeological Society of New Jersey, 54, 45-68. Retrieved from http://digitalcommons.wcupa.edu/anthrosoc_facpub/28 This Article is brought to you for free and open access by the College of Arts & Sciences at Digital Commons @ West Chester University. It has been accepted for inclusion in Anthropology & Sociology by an authorized administrator of Digital Commons @ West Chester University. For more information, please contact [email protected]. Cash Cropping by Lenape Foragers: Models of “rapid” culture change based on supposed modes of Preliminary Notes on maize production postulate that the inception (or presence of) “agriculture” among the native populations uniformly resulted Native Maize Sales from changes in global temperatures and/or variations in social to Swedish Colonists and Cultural Stability relationships (cf. Beauregard 1986). This is quite different than During the Early Colonial Period the model that assumes continuity of native culture through time, and well into the colonial period. James A. Brown (personal com- Marshall Joseph Becker munication) notes that research in the area of the Great Lakes Department of Anthropology focused on the role that maize cultivation had in stabilizing a wild West Chester University food foraging system. -
What's Included
WHAT’S INCLUDED ENCORE (EMINEM) » Curtains Up » Just Lose It » Evil Deeds » Ass Like That » Never Enough » Spend Some Time » Yellow Brick Road » Mockingbird » Like Toy Soldiers » Crazy in Love » Mosh » One Shot 2 Shot » Puke » Final Thought [Skit] » My 1st Single » Encore » Paul [Skit] » We as Americans » Rain Man » Love You More » Big Weenie » Ricky Ticky Toc » Em Calls Paul [Skit] CURTAIN CALL (EMINEM) » Fack » Sing For The Moment » Shake That » Without Me » When I’m Gone » Like Toy Soldiers » Intro (Curtain Call) » The Real Slim Shady » The Way I Am » Mockingbird » My name Is » Guilty Conscience » Stan » Cleanin Out My Closet » Lose Yourself » Just Lose It » Shake That RELAPSE (EMINEM) » Dr. West [Skit] » Stay Wide Awake » 3 A.M. » Old Time’s Sake » My Mom » Must Be the Ganja » Insane » Mr. Mathers [Skit] » Bagpipes from Baghdad » Déjà Vu » Hello » Beautiful » Tonya [Skit] » Crack a Bottle » Same Song & Dance » Steve Berman [Skit] » We Made You » Underground » Medicine Ball » Careful What You Wish For » Paul [Skit] » My Darling Royalties Catalog | For more information on this catalog, contact us at 1-800-718-2891 | ©2017 Royalty Flow. All rights reserved. Page. 1 WHAT’S INCLUDED RELAPSE: REFILL (EMINEM) » Forever » Hell Breaks Loose » Buffalo Bill » Elevator » Taking My Ball » Music Box » Drop the Bomb On ‘Em RECOVERY (EMINEM) » Cold Wind Blows » Space Bound » Talkin’ 2 Myself » Cinderella Man » On Fire » 25 to Life » Won’t Back Down » So Bad » W.T.P. » Almost Famous » Going Through Changes » Love the Way You Lie » Not Afraid » You’re Never Over » Seduction » [Untitled Hidden Track] » No Love THE MARSHALL MATHERS LP 2 (EMINEM) » Bad Guy » Rap God » Parking Lot (Skit) » Brainless » Rhyme Or Reason » Stronger Than I Was » So Much Better » The Monster » Survival » So Far » Legacy » Love Game » Asshole » Headlights » Berzerk » Evil Twin Royalties Catalog | For more information on this catalog, contact us at 1-800-718-2891 | ©2017 Royalty Flow. -
Skirpsi Full Muhammad Nisyarkawi
THE STYLISTICS ANALYSIS IN THE SELECTED EMINEM’S SONGS A Thesis Submitted to the Adab and Humanities Faculty of Alauddin State Islamic Universityof Makassar in partial Fulfillment of the Requirements for the Degree of Sarjana Humaniora MUHAMMAD NISYARKAWI NIM. 40300112009 ENGLISH AND LITERATURE DEPARTMENT ADAB AND HUMANITIES FACULTY ALAUDDIN STATE ISLAMIC UNIVERSITY OF MAKASSAR 2017 PERNYATAAN KEASLIAN SKRIPSI Dengan penuh kesadaran, penulis yang bertanda tangan di bawah ini menyatakan bahwa skripsi ini benar hasil karya penulis sendiri. Jika di kemudian hari terbukti merupakan duplikat, tiruan, plagiat atau disusun oleh orang lain secara keseluruhan atau seba gian, maka skripsi dan gelar yang diperoleh karenanya, batal demi hukum dan siap di pertanggung jawabkan. Romangpolong, 26 Januari 2017 Penulis, MUHAMMAD NISYARKAWI NIM. 403001121009 ii PERSETUJUAN PEMBIMBING Pembimbing penulisan skripsi saudara Muhammad Nisyarkawi NIM: 40300112109, Mahasisw a Jurusan Bahasa dan Sastra Inggris pada Fakultas Adab dan Humaniora UIN Alauddin Makassar, setelah dengan seksama meneliti dan mengoreksi skripsi yang bersangkutan berjudul “The Stylistics Analaysis in The Selected Eminem’s Songs” memandang bahwa skripsi tersebut memenuhi syarat- syarat ilmiah dan dapat disetujui untuk dapat diajukan pada Sidang M unaqasyah . Romangpolong, 24 Januari 2017 Pembimbing I Pembimbing II Dr. Abd. Muin. M.Hum . Masykur Rauf, S.Hum., M.Pd . NIP. 19660102 199203 1 002 NIP. 19870704 201502 1 7 001 iii PENGESAHAN SKRIPSI Skripsi yang berjudul The Stylistics Analysis in