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Imōto-Moe: Sexualized Relationships Between Brothers and Sisters in Japanese Animation
Imōto-Moe: Sexualized Relationships Between Brothers and Sisters in Japanese Animation Tuomas Sibakov Master’s Thesis East Asian Studies Faculty of Humanities University of Helsinki November 2020 Tiedekunta – Fakultet – Faculty Koulutusohjelma – Utbildningsprogram – Degree Programme Faculty of Humanities East Asian Studies Opintosuunta – Studieinriktning – Study Track East Asian Studies Tekijä – Författare – Author Tuomas Valtteri Sibakov Työn nimi – Arbetets titel – Title Imōto-Moe: Sexualized Relationships Between Brothers and Sisters in Japanese Animation Työn laji – Arbetets art – Level Aika – Datum – Month and Sivumäärä– Sidoantal – Number of pages Master’s Thesis year 83 November 2020 Tiivistelmä – Referat – Abstract In this work I examine how imōto-moe, a recent trend in Japanese animation and manga in which incestual connotations and relationships between brothers and sisters is shown, contributes to the sexualization of girls in the Japanese society. This is done by analysing four different series from 2010s, in which incest is a major theme. The analysis is done using visual analysis. The study concludes that although the series can show sexualization of drawn underage girls, reading the works as if they would posit either real or fictional little sisters as sexual targets. Instead, the analysis suggests that following the narrative, the works should be read as fictional underage girls expressing a pure feelings and sexuality, unspoiled by adult corruption. To understand moe, it is necessary to understand the history of Japanese animation. Much of the genres, themes and styles in manga and anime are due to Tezuka Osamu, the “god of manga” and “god of animation”. From the 1950s, Tezuka was influenced by Disney and other western animators at the time. -
The Otaku Phenomenon : Pop Culture, Fandom, and Religiosity in Contemporary Japan
University of Louisville ThinkIR: The University of Louisville's Institutional Repository Electronic Theses and Dissertations 12-2017 The otaku phenomenon : pop culture, fandom, and religiosity in contemporary Japan. Kendra Nicole Sheehan University of Louisville Follow this and additional works at: https://ir.library.louisville.edu/etd Part of the Comparative Methodologies and Theories Commons, Japanese Studies Commons, and the Other Religion Commons Recommended Citation Sheehan, Kendra Nicole, "The otaku phenomenon : pop culture, fandom, and religiosity in contemporary Japan." (2017). Electronic Theses and Dissertations. Paper 2850. https://doi.org/10.18297/etd/2850 This Doctoral Dissertation is brought to you for free and open access by ThinkIR: The University of Louisville's Institutional Repository. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of ThinkIR: The University of Louisville's Institutional Repository. This title appears here courtesy of the author, who has retained all other copyrights. For more information, please contact [email protected]. THE OTAKU PHENOMENON: POP CULTURE, FANDOM, AND RELIGIOSITY IN CONTEMPORARY JAPAN By Kendra Nicole Sheehan B.A., University of Louisville, 2010 M.A., University of Louisville, 2012 A Dissertation Submitted to the Faculty of the College of Arts and Sciences of the University of Louisville in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in Humanities Department of Humanities University of Louisville Louisville, Kentucky December 2017 Copyright 2017 by Kendra Nicole Sheehan All rights reserved THE OTAKU PHENOMENON: POP CULTURE, FANDOM, AND RELIGIOSITY IN CONTEMPORARY JAPAN By Kendra Nicole Sheehan B.A., University of Louisville, 2010 M.A., University of Louisville, 2012 A Dissertation Approved on November 17, 2017 by the following Dissertation Committee: __________________________________ Dr. -
Aniplex of America to Release the Complete First Season of Silver Spoon on DVD
FOR IMMEDIATE RELEASE May 24, 2014 Aniplex of America to Release The Complete First Season of Silver Spoon on DVD ©Hiromu Arakawa, Shogakukan/EZONO Festa Executive Committee From the Author of the Hit Series Fullmetal Alchemist Comes a Story of Farm work, Friendship, and the Freshest Food! SANTA MONICA, CA (May 24, 2014) –Aniplex of America announced earlier today of their plans to release the first season of Silver Spoon in a complete DVD set on July 15th. Pre-orders for this product will begin on May 27th through official Aniplex of America retailers. Silver Spoon is an anime adaptation of the manga series originally created by author, Hiromu Arakawa (Fullmetal Alchemist), which has been awarded both the 5th Manga Taisho Award and the 58th Shogakukan Manga Award in 2012. The unique story follows Yugo Hachiken, a young man who decides to attend an agricultural high school in the countryside of Hokkaido prefecture in order to escape the academic pressures he had to live within the city. The series demonstrates how Yugo, who is initially burned-out, comes to see his life through a different light as he engages with his classmates and works with the animals on the farm at Oezo Agricutral High School a.k.a. Ezono. The anime series is directed by Tomohiko Ito, best known for his work with Sword Art Online, and the animation was produced by A-1 Pictures notable for their work on popular titles such as Sword Art Online, Magi: The Kingdom of Magic, Blue Exorcist, and Oreimo 2. The first season of Silver Spoon’s anime series began its simulcast schedule in July of last year. -
Sword Art Online Volume 17 – Alicization Awakening Chapter 20 - Each of Their Battles
2 4 6 7 8 Sword Art Online Volume 17 – Alicization Awakening Chapter 20 - Each of their Battles Chapter 20 Each of their Battles 7 July 2026 / Eighth Day1 of the Eleventh Month of the Human Empire Calendar, 380 1 5:00 a.m. More than 3,000 players gathered in a great dome in the World Tree that stood in the heart of Alne City, at the center of the world of ALfheim Online. The winged knight monsters defending the dome’s roof gate had been removed.2 Instead, the nine fairy races now used this space to meet and negotiate, or as a venue for events. Only four players were facing the roughly 3,000 other players who had been gathered to this large, inconvenient meeting. The hulking Gnome Agil, Salamander samurai Klein, Cait Sith beast tamer Silica, and Leprechaun blacksmith Lisbeth — partners of the «Black Swordsman» Kirito, who was still diving in «Underworld», yet to awaken. At 4:20 a.m., when Klein and Lisbeth had been sending out in- game messages to every single friend on their lists, there were only three Lord-class players online. But, while pleading with them and their subordinate officers, they resorted to the taboo method of begging them to contact other players in real life. As a result, all of the players currently in the square had managed to assemble in just 40 minutes. In this sizable, hemispherical space, nearly 30% of the floating or standing players were using newly created accounts. 1 Kawahara made a typo and wrote “Seventh Day” instead. -
Copyright by Leah Michelle Ross 2012
Copyright by Leah Michelle Ross 2012 The Dissertation Committee for Leah Michelle Ross Certifies that this is the approved version of the following dissertation: A Rhetoric of Instrumentality: Documentary Film in the Landscape of Public Memory Committee: Katherine Arens, Supervisor Barry Brummett, Co-Supervisor Richard Cherwitz Dana Cloud Andrew Garrison A Rhetoric of Instrumentality: Documentary Film in the Landscape of Public Memory by Leah Michelle Ross, B.A.; M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin December, 2012 Dedication For Chaim Silberstrom, who taught me to choose life. Acknowledgements This dissertation was conceived with insurmountable help from Dr. Katherine Arens, who has been my champion in both my academic work as well as in my personal growth and development for the last ten years. This kind of support and mentorship is rare and I can only hope to embody the same generosity when I am in the position to do so. I am forever indebted. Also to William Russell Hart, who taught me about strength in the process of recovery. I would also like to thank my dissertation committee members: Dr Barry Brummett for his patience through the years and maintaining a discipline of cool; Dr Dana Cloud for her inspiring and invaluable and tireless work on social justice issues, as well as her invaluable academic support in the early years of my graduate studies; Dr. Rick Cherwitz whose mentorship program provides practical skills and support to otherwise marginalized students is an invaluable contribution to the life of our university and world as a whole; Andrew Garrison for teaching me the craft I continue to practice and continuing to support me when I reach out with questions of my professional and creative goals; an inspiration in his ability to juggle filmmaking, teaching, and family and continued dedication to community based filmmaking programs. -
Modern American Grotesque
Modern American Grotesque Goodwin_Final4Print.indb 1 7/31/2009 11:14:21 AM Goodwin_Final4Print.indb 2 7/31/2009 11:14:26 AM Modern American Grotesque LITERATURE AND PHOTOGRAPHY James Goodwin THEOHI O S T A T EUNIVER S I T YPRE ss / C O L U MB us Goodwin_Final4Print.indb 3 7/31/2009 11:14:27 AM Copyright © 2009 by The Ohio State University. All rights reserved. Library of Congress Cataloging-in-Publication Data Goodwin, James, 1945– Modern American grotesque : Literature and photography / James Goodwin. p. cm. Includes bibliographical references and index. ISBN-13 : 978-0-8142-1108-3 (cloth : alk. paper) ISBN-10 : 0-8142-1108-9 (cloth : alk. paper) ISBN-13 : 978-0-8142-9205-1 (cd-rom) 1. American fiction—20th century—Histroy and criticism. 2. Grotesque in lit- erature. 3. Grotesque in art. 4. Photography—United States—20th century. I. Title. PS374.G78G66 2009 813.009'1—dc22 2009004573 This book is available in the following editions: Cloth (ISBN 978-0-8142-1108-3) CD-ROM (ISBN 978-0-8142-9205-1) Cover design by Dan O’Dair Text design by Jennifer Shoffey Forsythe Typeset in Adobe Palatino Printed by Thomson-Shore, Inc. The paper used in this publication meets the minimum requirements of the American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials. ANSI Z39.48–1992. 9 8 7 6 5 4 3 2 1 Goodwin_Final4Print.indb 4 7/31/2009 11:14:28 AM For my children Christopher and Kathleen, who already possess a fine sense of irony and for whom I wish in time stoic wisdom as well Goodwin_Final4Print.indb 5 7/31/2009 -
University Microfilms International 300 N
THE "AMERICAN" INFLUENCE OF POE ON TWENTIETH-CENTURY AMERICAN BLACK HUMOR. Item Type text; Thesis-Reproduction (electronic) Authors Lacayo-Salas, Damarys. Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 04/10/2021 10:27:31 Link to Item http://hdl.handle.net/10150/274848 INFORMATION TO USERS This reproduction was made from a copy of a document sent to us for microfilming. While the most advanced technology has been used to photograph and reproduce this document, the quality of the reproduction is heavily dependent upon the quality of the material submitted. The following explanation of techniques is provided to help clarify markings or notations which may appear on this reproduction. 1.The sign or "target" for pages apparently lacking from the document photographed is "Missing Page(s)". If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting through an image and duplicating adjacent pages to assure complete continuity. 2. When an image on the film is obliterated with a round black mark, it is an indication of either blurred copy because of movement during exposure, duplicate copy, or copyrighted materials that should not have been filmed. For blurred pages, a good image of the page can be found in the adjacent frame. -
Reflections of (And On) Otaku and Fujoshi in Anime and Manga
University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2014 The Great Mirror of Fandom: Reflections of (and on) Otaku and Fujoshi in Anime and Manga Clarissa Graffeo University of Central Florida Part of the Film and Media Studies Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Graffeo, Clarissa, "The Great Mirror of Fandom: Reflections of (and on) Otaku and ujoshiF in Anime and Manga" (2014). Electronic Theses and Dissertations, 2004-2019. 4695. https://stars.library.ucf.edu/etd/4695 THE GREAT MIRROR OF FANDOM: REFLECTIONS OF (AND ON) OTAKU AND FUJOSHI IN ANIME AND MANGA by CLARISSA GRAFFEO B.A. University of Central Florida, 2006 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Department of English in the College of Arts and Humanities at the University of Central Florida Orlando, Florida Spring Term 2014 © 2014 Clarissa Graffeo ii ABSTRACT The focus of this thesis is to examine representations of otaku and fujoshi (i.e., dedicated fans of pop culture) in Japanese anime and manga from 1991 until the present. I analyze how these fictional images of fans participate in larger mass media and academic discourses about otaku and fujoshi, and how even self-produced reflections of fan identity are defined by the combination of larger normative discourses and market demands. -
Ekrany 56 Ang Cc21.Indd
Socialist Entertainment Publisher Stowarzyszenie Przyjaciół Czasopisma o Tematyce Audiowizualnej „Ekrany” Wydział Zarządzania i Komunikacji Społecznej Uniwersytetu Jagiellońskiego w Krakowie Publisher ’s Address ul. Prof. St. Łojasiewicza 4, pok. 3.222 30 ‑348 Kraków e ‑mail: [email protected] www.ekrany.org.pl Editorial Team Miłosz Stelmach (Editor‑in‑Chief) Maciej Peplinski (Guest Editor) Barbara Szczekała (Deputy Editor‑in‑Chief) Michał Lesiak (Editorial Secretary) Marta Stańczyk Kamil Kalbarczyk Academic Board prof. dr hab. Alicja Helman, prof. dr hab. Tadeusz Lubelski, prof. dr hab. Grażyna Stachówna, prof. dr hab. Tadeusz Szczepański, prof. dr hab. Eugeniusz Wilk, prof. dr hab. Andrzej Gwóźdź, prof. dr hab. Andrzej Pitrus, prof. dr hab. Krzysztof Loska, prof. dr hab. Małgorzata Radkiewicz, dr hab. Jacek Ostaszewski, prof. UJ, dr hab. Rafał Syska, prof. UJ, dr hab. Łucja Demby, prof. UJ, dr hab. Joanna Wojnicka, prof. UJ, dr hab. Anna Nacher, prof. UJ Graphic design Katarzyna Konior www.bluemango.pl Typesetting Piotr Kołodziej Proofreading Biuro Tłumaczeń PWN Gedruckt mit Unterstützung des Leibniz‑Instituts für Geschichte und Kultur des östlichen Europa e. V. in Leipzig. Diese Maßnahme wird mitfinanziert durch Steuermittel auf der Grundlage des vom Sächsischen Landtag beschlossenen Haushaltes. Front page image: Pat & Mat, courtesy of Tomáš Eiselt at Patmat Ltd. 4/2020 Table of Contents Reframing Socialist 4 The Cinema We No Longer Feel Ashamed of Cinema | Ewa Mazierska 11 Paradoxes of Popularity | Balázs Varga 18 Socialist -
A Guide to Dark Horse Manga T Able of Contents
A GUIDE TO DARK HORSE MANGA T ABLE OF CONTENTS APPLESEED & THE WORKS OF SHIROW MASAMUNE . 5 ASTRO BOY . 7 BERSERK . 8 BLADE OF THE IMMORTAL . 9 BLOOD+ . 10 THE WORKS OF CLAMP . 11 EDEN . 13 GANTZ . 14 GUNSMITH CATS . 15 HELLSING & THE WORKS OF KOHTA HIRANO . 16 THE KUROSAGI CORPSE DELIVERY SERVICE . 18 LONE WOLF AND CUB & THE WORKS OF KAZUO KOIKE . 19 MPD-PSYCHO . 22 NEON GENESIS EVANGELION . 23 OH MY GODDESS! . 24 OLD BOY . 25 OREIMO . 26 TRIGUN & THE WORKS OF YASUHIRO NIGHTOW . 27 OTHER NOTABLE JAPANESE WORKS FROM DARK HORSE THE WORKS OF YOSHITAKA AMANO . 30 BLADE OF THE IMMORTAL ART BOOK & NOVEL . 33 BLOOD+ ILLUSTRATED NOVELS . 34 THE DIRTY PAIR ILLUSTRATED NOVELS . 35 GUNGRAVE . 36 OH MY GODDESS! FIRST END NOVEL . 37 SAMURAI CHAMPLOO . 38 VAMPIRE HUNTER D ILLUSTRATED NOVELS . 39 GLOSSARY anime—A general term for animated Japanese television shows and movies. BUNKobon—A small manga format, about 4 x 6 inches. FLopped—A format in which the manga artwork has been flopped to read left to right. This adjustment to fit the reading style of Western audiences was often made in the days when manga were targeted to the direct market. Josei—Manga intended for adult women. MANGa—A general term for Japanese comics, sometimes used incorrectly to refer to all Asian titles. MANGA-KA—Creator of manga. MANHWa—Korean comics. Although often grouped with manga, these titles have a distinct culture and style that differs from Japanese books. OTaku—A self-imposed term for a die-hard manga fan. seinen—Manga intended for adult men. -
A Cinematic Battle: Three Yugoslav War Films from the 1960S
A Cinematic Battle: Three Yugoslav War Films from the 1960s By Dragan Batanĉev Submitted to Central European University History Department In partial fulfillment of the requirements for the degree of Master of Arts Thesis Supervisor: Professor Balázs Trencsényi Second Reader: Professor Marsha Siefert CEU eTD Collection Budapest, Hungary 2012 Statement of Copyright Copyright in the text of this thesis rests with the Author. Copies by any process, either in full or part, may be made only in accordance with the instructions given by the Author and lodged in the Central European Library. Details may be obtained from the librarian. This page must form a part of any such copies made. Further copies made in accordance with such instructions may not be made without the written permission of the Author. CEU eTD Collection i Abstract The content of my thesis will present the analysis of three Yugoslav war films from the 1960s that they offer different views on World War II as a moment of creation of the state that aimed towards supranationalism and classlessness. I will analyse the films in terms of their production, iconography and reception as to show that although the Yugoslav government, led by a great cinephile Josip Broz Tito, demonstrated interest in the war film genre, there were opposing filmmakers‟ views on what WWII should represent in the Yugoslav history and collective mythology. By using the concept of historiophoty I will demonstrate that the war films represented the failure of Yugoslav government in integrating different nations into a supranational Yugoslav society in which conflicts between different social agents (the state, workers and peasants) will finally be resolved. -
Aniplex of America Announces the Release of DOUKYUSEI-Classmates- Film on Blu-Ray
FOR IMMEDIATE RELEASE May 20, 2016 Aniplex of America Announces the Release of DOUKYUSEI-Classmates- Film on Blu-ray *Art subject to change ©Asumiko Nakamura/Akaneshinsha, Aniplex The Beautiful Love Story is coming to Blu-ray This Fall SANTA MONICA, CA (May 20, 2016) – Aniplex of America announced their release plans for the DOUKYUSEI -Classmates- feature film at their industry panel at Anime Central. Asumiko Nakamura’s boys’ love masterpiece will be released on Blu-ray on September 20, 2016. Aniplex of America also confirmed that this release will include numerous bonus contents and materials. Pre-orders will begin today on Aniplex of America’s official DOUKYUSEI -Classmates- homepage (www.DoukyuseiMovie.com). DOUKYUSEI -Classmates- is a film adaptation of Asumiko Nakamura’s first boys’ love manga of the same title. Since its release, fans of the genre have praised Nakamura for her unique art and story-telling style. In Japan, the film grossed over 1.3 million dollars at the box office in less than a month. Aniplex of America, along with the film distributor AZOLAND PICTURES, began screening the film in early May at select theaters across the U.S. Critics lauded the film for successfully demonstrating the subtleties of the story through a style reminiscent of a watercolor painting. Fandom Post says, “DOUKYUSEI is absolutely gorgeous to watch.” Anime News Network also says, “DOUKYUSEI is heartwarming and fulfilling,” and “embraces its niche and gives it the respect and beauty the genre is so often denied.” DOUKYUSEI -Classmates- Blu-ray includes: <Blu-ray Features> Spoken Language: Japanese Subtitles: English Aspect Ratio: 16:9 widescreen Number of Disc: 1 Blu-ray Disc Total Run Time: Approx.