The Adventures of Ferdinand Count Fathom, Complete
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— 1 — 1. Class Title 1 (Simon Keenlyside) 2. Waterhouse: Miranda (1916, Private Collection) the Tempest (1611) Is the Last P
1. Class Title 1 (Simon Keenlyside) 2. Waterhouse: Miranda (1916, private collection) The Tempest (1611) is the last play which Shakespeare wrote alone. It has been described as the most musical of his works, on account of the number of songs in the text, the interpolated masque in the last act, and because it works less through cause and effect than through enchantment, an intrinsically musical quality. It is the only play for which we have any of the original stage music. And according to Wikipedia, it has inspired over four dozen operatic or musical settings. As early as the mid-seventeenth century, managements were adapting the play as a kind of masque, rather than performing the original. 3. Ariel’s Tempest in Columbia I’m also somewhat familiar with it myself. I directed the first performance of The Tempest by American composer Lee Hoiby in the late 1980s, and wrote my own adaptation in 2011 for composer Douglas Allan Buchanan, a 60-minute condensation that we toured to young audiences all over Maryland. 4. Round table discussion at the Met But the version we are watching today is the work of the two people in the middle of this picture: composer/conductor Thomas Adès (b.1971) and the Australian playwright Meredith Oakes (b.1946), seen here with Met General Manager Peter Gelb and stage director Robert Lepage. The picture comes from an intermission feature in the Met’s 2012 Live-in-HD transmission of the opera; I thought of playing it, but it is hard to hear and rather light on information. -
John Lennon from ‘Imagine’ to Martyrdom Paul Mccartney Wings – Band on the Run George Harrison All Things Must Pass Ringo Starr the Boogaloo Beatle
THE YEARS 1970 -19 8 0 John Lennon From ‘Imagine’ to martyrdom Paul McCartney Wings – band on the run George Harrison All things must pass Ringo Starr The boogaloo Beatle The genuine article VOLUME 2 ISSUE 3 UK £5.99 Packed with classic interviews, reviews and photos from the archives of NME and Melody Maker www.jackdaniels.com ©2005 Jack Daniel’s. All Rights Reserved. JACK DANIEL’S and OLD NO. 7 are registered trademarks. A fine sippin’ whiskey is best enjoyed responsibly. by Billy Preston t’s hard to believe it’s been over sent word for me to come by, we got to – all I remember was we had a groove going and 40 years since I fi rst met The jamming and one thing led to another and someone said “take a solo”, then when the album Beatles in Hamburg in 1962. I ended up recording in the studio with came out my name was there on the song. Plenty I arrived to do a two-week them. The press called me the Fifth Beatle of other musicians worked with them at that time, residency at the Star Club with but I was just really happy to be there. people like Eric Clapton, but they chose to give me Little Richard. He was a hero of theirs Things were hard for them then, Brian a credit for which I’m very grateful. so they were in awe and I think they had died and there was a lot of politics I ended up signing to Apple and making were impressed with me too because and money hassles with Apple, but we a couple of albums with them and in turn had I was only 16 and holding down a job got on personality-wise and they grew to the opportunity to work on their solo albums. -
Reading and Leeds 2018 Revs up Its Line-Up
UNDER STRICT EMBARGO UNTIL 12PM, 23 FEBRUARY 2018 READING AND LEEDS 2018 REVS UP ITS LINE-UP SLAVES // DON BROCO // TRAVIS SCOTT THE VACCINES // THE KOOKS // SHAME BILLY TALENT // DEAF HAVANA // MILK TEETH KREPT X KONAN // LEWIS CAPALDI THE HORRORS // KATE NASH FICKLE FRIENDS // HMLTD AND MANY MORE JOIN HEADLINERS KINGS OF LEON, KENDRICK LAMAR, FALL OUT BOY AND PANIC! AT THE DISCO WEEKEND AND DAY TICKETS ON-SALE NOW www.readingandleedsfestival.com Friday, 23 February 2018: Reading and Leeds Festival has just lifted the lid on more names who will play at this year’s event – with chart heavyweights such as Slaves, Don Broco, Travis Scott, The Kooks, Krept X Konan, Shame, Billy Talent, Wilkinson (Live), The Vaccines, Lewis Capaldi, Deaf Havana, The Horrors, Fickle Friends, Kate Nash, HMLTD and Milk Teeth amongst them. The acts – spanning the hottest names right now in rock, indie, dance, hip-hop and more – will play alongside headliners Kings of Leon, Kendrick Lamar, Fall Out Boy and Panic! at the Disco at the famous Richfield Avenue and Bramham Park sites this August bank holiday weekend (24 – 26 August). Tickets are on-sale right now and available here. As if the already announced Kings of Leon, Panic! at the Disco, Fall Out Boy and Underøath wasn’t enough, rock music regulars at the festival now have a whole host more reasons to look forward to Reading and Leeds this year. Probably the most popular duo in music right now, Slaves, will make a triumphant return to the stages. Never two to under deliver, the Reading and Leeds crowds can expect the unexpected from the pair responsible for the likes of ‘Spit It Out’ and ‘Are You Satisfied’? UNDER STRICT EMBARGO UNTIL 12PM, 23 FEBRUARY 2018 With another top 10 album, ‘Technology’, under their belt, Don Broco will be joining the fray this year. -
The Tempest Summary: a Magical Storm
The Tempest Summary: A Magical Storm The Tempest begins on a boat, tossed about in a storm. Aboard is Alonso the King of Naples, Ferdinand (his son), Sebastian (his brother), Antonio the usurping Duke of Milan, Gonzalo, Adrian, Francisco, Trinculo and Stefano. Miranda, who has been watching the ship at sea, is distraught at the thought of lost lives. The storm was created by her father, the magical Prospero, who reassures Miranda that all will be well. Prospero explains how they came to live on this island: they were once part of Milan’s nobility – he was a Duke and Miranda the baby princess. However, Prospero’s brother (Antonio) exiled them – they were placed on a boat and banished, never to be seen again. Prospero summons Ariel, his servant spirit. Ariel explains that he has carried out Prospero’s orders: he destroyed the ship and dispersed its passengers across the island. Prospero instructs Ariel to be invisible and spy on them. Ariel asks when he will be freed and Prospero chastises him for being ungrateful, promising to free him soon, when his work is done. Caliban: Man or Monster? Prospero decides to visit his other servant, Caliban, but Miranda is reluctant, describing him as a monster. Prospero agrees that Caliban can be rude and unpleasant, but is invaluable for the menial tasks he performs for them. When Prospero and Miranda meet Caliban, we learn that he is native to the island, but Prospero turned him into a slave raising issues about morality and fairness in the play. Love at First Sight Ferdinand stumbles across Miranda and they fall in love and decide to marry. -
Canvas 06 Music.Pdf
THE MUSIC ISSUE ALTER I think I have a pretty cool job as and design, but we’ve bridged the editor of an online magazine but gap between the two by including PAGE 3 if I could choose my dream job some of our favourite bands and I’d be in a band. Can’t sing, can’t artists who are both musical and play any musical instrument, bar fashionable and creative. some basic work with a recorder, but it’s still a (pipe) dream of mine We have been very lucky to again DID I STEP ON YOUR TRUMPET? to be a front woman of some sort work with Nick Blair and Jason of pop/rock/indie group. Music is Henley for our editorials, and PAGE 7 important to me. Some of my best welcome contributing writer memories have been guided by a Seema Duggal to the Canvas song, a band, a concert. I team. I met my husband at Livid SHAKE THAT DEVIL Festival while watching Har Mar CATHERINE MCPHEE Superstar. We were recently EDITOR PAGE 13 married and are spending our honeymoon at the Meredith Music Festival. So it’s no surprise that sooner or later we put together a MUSIC issue for Canvas. THE HORRORS This issue’s theme is kind of a departure for us, considering we PAGE 21 tend to concentrate on fashion MISS FITZ PAGE 23 UNCOVERED PAGE 28 CREATIVE DIRECTOR/FOUNDER CONTRIBUTING PHOTOGRAPHERS Catherine McPhee NICK BLAIR JASON HENLEY DESIGNER James Johnston COVER COPYRIGHT & DISCLAIMER EDITORIAL MANAGER PHOTOGRAPHY Nick Blair Reproduction in whole or in part without written permission by Canvas is strictly prohibited. -
JUNE 27–29, 2013 Thursday, June 27, 2013, 7:30 P.M. 15579Th
06-27 Stravinsky:Layout 1 6/19/13 12:21 PM Page 23 JUNE 2 7–29, 2013 Two Works by Stravinsky Thursday, June 27, 2013, 7:30 p.m. 15, 579th Concert Friday, June 28, 2013, 8 :00 p.m. 15,580th Concert Saturday, June 29, 2013, 8:00 p.m. 15,58 1st Concert Alan Gilbert , Conductor/Magician Global Sponsor Doug Fitch, Director/Designer Karole Armitage, Choreographer Edouard Getaz, Producer/Video Director These concerts are sponsored by Yoko Nagae Ceschina. A production created by Giants Are Small Generous support from The Andrew W. Mellon Foundation, Clifton Taylor, Lighting Designer The Susan and Elihu Rose Foun - Irina Kruzhilina, Costume Designer dation, Donna and Marvin Matt Acheson, Master Puppeteer Schwartz, the Mary and James G. Margie Durand, Make-Up Artist Wallach Family Foundation, and an anonymous donor. Featuring Sara Mearns, Principal Dancer* Filming and Digital Media distribution of this Amar Ramasar , Principal Dancer/Puppeteer* production are made possible by the generos ity of The Mary and James G. Wallach Family This concert will last approximately one and Foundation and The Rita E. and Gustave M. three-quarter hours, which includes one intermission. Hauser Recording Fund . Avery Fisher Hall at Lincoln Center Home of the New York Philharmonic June 2013 23 06-27 Stravinsky:Layout 1 6/19/13 12:21 PM Page 24 New York Philharmonic Two Works by Stravinsky Alan Gilbert, Conductor/Magician Doug Fitch, Director/Designer Karole Armitage, Choreographer Edouard Getaz, Producer/Video Director A production created by Giants Are Small Clifton Taylor, Lighting Designer Irina Kruzhilina, Costume Designer Matt Acheson, Master Puppeteer Margie Durand, Make-Up Artist Featuring Sara Mearns, Principal Dancer* Amar Ramasar, Principal Dancer/Puppeteer* STRAVINSKY Le Baiser de la fée (The Fairy’s Kiss ) (1882–1971) (1928, rev. -
A Jungian Interpretation of the Tempest
University of the Pacific Scholarly Commons University of the Pacific Theses and Dissertations Graduate School 1978 A Jungian interpretation of The Tempest Tana Smith University of the Pacific Follow this and additional works at: https://scholarlycommons.pacific.edu/uop_etds Part of the Literature in English, British Isles Commons Recommended Citation Smith, Tana. (1978). A Jungian interpretation of The Tempest. University of the Pacific, Thesis. https://scholarlycommons.pacific.edu/uop_etds/1989 This Thesis is brought to you for free and open access by the Graduate School at Scholarly Commons. It has been accepted for inclusion in University of the Pacific Theses and Dissertations by an authorized administrator of Scholarly Commons. For more information, please contact [email protected]. A JUNGil-..~~ INTERPllliTATION OF THE 'rEHPES'r by Tana Smit!1 An Essay Presented to the Faculty of the Graduate School Univers ity of the Pac ific In Pa rtial Fulfillment of the Requireme nts for the Degree Maste r of Arts Hay 1978 The following psychological interpretation of Shakespeare's 1 The Tempest is unique to articles on the ·same subject which have appeared in literary journals because it applies a purely Jungian reading to the characters in the play. Here each character is shown to represent one of the archetypes which Jung described in his book Archetypes ~ the Collective Unconscious. In giving the play a psychological interpretation, the action must be seen to occur inside Prospera's own unconscious mind. He is experiencing a psychic transformation or what Jung called the individuation process, where a person becomes "a separate, indivisible unity or 2 whole" and where the conscious and unconscious are united. -
American Punk: the Relations Between Punk Rock, Hardcore, and American Culture
American Punk: The Relations between Punk Rock, Hardcore, and American Culture Gerfried Ambrosch ABSTRACT Punk culture has its roots on both sides of the Atlantic. Despite continuous cross-fertiliza- tion, the British and the American punk traditions exhibit distinct features. There are notable aesthetic and lyrical differences, for instance. The causes for these dissimilarities stem from the different cultural, social, and economic preconditions that gave rise to punk in these places in the mid-1970s. In the U. K., punk was mainly a movement of frustrated working-class youths who occupied London’s high-rise blocks and whose families’ livelihoods were threatened by a declin- ing economy and rising unemployment. Conversely, in America, punk emerged as a middle-class phenomenon and a reaction to feelings of social and cultural alienation in the context of suburban life. Even city slickers such as the Ramones, New York’s counterpart to London’s Sex Pistols and the United States’ first ‘official’ well-known punk rock group, made reference to the mythology of suburbia (not just as a place but as a state of mind, and an ideal, as well), advancing a subver- sive critique of American culture as a whole. Engaging critically with mainstream U.S. culture, American punk’s constitutive other, punk developed an alternative sense of Americanness. Since the mid-1970s, punk has produced a plethora of bands and sub-scenes all around the world. This phenomenon began almost simultaneously on both sides of the Atlantic—in London and in New York, to be precise—and has since spread to the most remote corners of the world. -
Winter-Spring 2018 - Issue 2
The Victory Voice Our Lady of Victory School 2 Bellmore Street Floral Park, New York 11001 516-352-4466 Winter-Spring 2018 - Issue 2 From Our Principal Dear Families, Welcome back to school and Happy Easter to all! Welcome Spring! It will be good to feel the warmth of the sun. Can you believe it‘s April? After our long and cold winter we are ready for a beautiful, warm springtime! Our 8th graders will receive the sacrament of Confirmation on April 19th. We wish them God‘s continued blessings as they go forward in their faith. Our second graders are equally excited as they prepare for First Communion on May 12th. What a special time for them! It is a pleasure to see the joy and anticipation in their faces. Students in Nursery through Grade 1 will celebrate ―Special Persons Day‖ on Monday, April 30th. Details will be sent home with the children. Later this month we will celebrate Secretaries Day and Nurse‘s Day. I would like to take this opportunity to thank our office staff and our school nurse for all the work they do for our children—and for our school. Thank you, ladies! Registration for the next school year is just about complete. Re-registration forms were due back to school by March 28th. If you know of any parishioners who are thinking of sending their children to our school, please ask them to call the office for an appointment. We have had so many snow days this year! FIVE!! Therefore, School will be OPEN on May 10th, and we will celebrate the Feast of the Ascension by attending Mass as a school community. -
Uk Versus Usa at the Shockwaves Nme Awards 2007
STRICTLY EMBARGOED UNTIL 8PM MONDAY 29 TH JANUARY Insert logo UK VERSUS USA AT THE SHOCKWAVES NME AWARDS 2007 Expect blood, sweat and tears as we prepare for what will undoubtedly be one big dirty rock’n’roll battle of the bands – and of the nations – at the Shockwaves NME Awards 2007 . The best of British – Arctic Monkeys , Muse and Kasabian – will take on stateside success stories My Chemical Romance and The Killers on March 1 at Hammersmith Palais. Let battle commence! This year, there’s no one clear leader but FIVE bands that dominate the nominations list. With four nominations each, Arctic Monkeys, Muse, Kasabian, The Killers and My Chemical Romance have been chosen by the fans to fight it out on the night. For the past two years, it’s been British bands sweeping the board, but this year The Killers and My Chemical Romance may very well make the 2007 ceremony a stateside success story. Arctic Monkeys made NME Awards history last year by scooping the Award for both Best New Band and Best British Band in the same year, in addition to winning Best Track and scoring a nomination for Best Live Band . Sheffield’s favourites have matched their achievement, with four nominations this year for Best British Band, Best Live Band, Best Album and Best Music DVD. Arctic Monkeys said: “Very nice, we didn’t think we would get any this year! It seems weird for us to be alongside them [the competition] because we still feel like a little band. When it’s your own thing you don’t really see yourself alongside The Killers and Kasabian.” The Monkeys have more than one tough fight on their hands if they want to claim the Best British Band title for the second year running, though. -
The Horrors of War in the History of German Literature: from Heinrich Wittenwiler and Hans Jacob Christoffel Von Grimmelshausen to Rainer Maria Remarque
Athens Journal of Humanities & Arts 2021, 8: 1-25 https://doi.org/10.30958/ajha.X-Y-Z The Horrors of War in the History of German Literature: From Heinrich Wittenwiler and Hans Jacob Christoffel von Grimmelshausen to Rainer Maria Remarque By Albrecht Classen* As terrible as wars have always been, for the losers as well as for the winners, considering the massive killings, destruction, and general horror resulting from it all, poets throughout time have responded to this miserable situation by writing deeply moving novels, plays, poems, epic poems, and other works. The history of Germany, above all, has been filled with a long series of wars, but those have also been paralleled by major literary works describing those wars, criticizing them, and outlining the devastating consequences, here disregarding those narratives that deliberately idealized the military events. While wars take place on the ground and affect people, animals, objects, and nature at large, poets have always taken us to imaginary worlds where they could powerfully reflect on the causes and outcomes of the brutal operations. This paper takes into view some major German works from the early fifteenth through the early twentieth century in order to identify a fundamental discourse that makes war so valuable for history and culture, after all. Curiously, as we will recognize through a comparative analysis, some of the worst conditions in human history have produced some of the most aesthetically pleasing and most meaningful artistic or literary texts. So, as this paper will illustrate, the experience of war, justified or not, has been a cornerstone of medieval, early modern, and modern literature. -
Horrors of Vaccination Exposed and Illustrated, Petition to the President
EX LIBRIS nirrv r>Ticin\T/-< HORRORS OF VACCINATION EXPOSED AND ILLUSTRATED PETITION TO THE PRESIDENT TO ABOLISH COMPULSORY VACCI- NATION IN ARMY AND NAVY BY CHAS. M. HIGGINS PUBLISHED BY CHAS. M. HIGGINS BROOKLYN, N. Y. 1920 Copyright, 1920, by CHAS. M. HlGGINS Published April, 1020 DEDICATION THIS EARNEST EFFORT FOR THE RECOGNITION AND ENFORCEMENT OF OUR BASIC AMERICAN PRINCIPLE OF "UNALIENABLE" PERSONAL RIGHTS. THE ESTABLISH- MENT OF MEDICAL FREEDOM AND THE ABOLISHMENT OF ALL MEDICAL COMPULSION, IS DEDICATED TO OUR UNPRECEDENTED PRESIDENT, WOODROW WILSON, WHOSE NAME WILL SURELY BE PLACED IN THE HIGHEST NICHES OF AMERICAN HISTORY, AS ONE OF OUR GREAT- EST EXPONENTS OF IDEAL AND PRACTICAL AMERI- CANISM, FOR OUR OWN COUNTRY AND THE WORLD D"3 PLATE 1 WISDOM AND LAW 'EVERY LAW NOT BASED ON WISDOM IS A MENACE TO THE STATE" on WISDOM AND LAW "EVERY LAW NOT BASED ON WISDOM IS A MENACE TO THE STATE" From the Statue of Wisdom and Law, at entrance to Appellate Court, Twenty-fifth Street and Madison Avenue, New York City. Statue and motto by F. W. Ruckstull, Sculptor. See Frontispiece, Plate 1. A SCULPTURED REBUKE TO COMPULSORY VACCINATION Compulsory Vaccination is an instance of a law which inflicts actual disease and possible death on the human body and propagates and disseminates deadly infections widely upon animals and mankind. This is surely a glaring instance of a law which is not based on Wis- dom or Sanity and is a Menace to the Health and Security of Human- ity and the State. "This amazing act is the homicidal insanity of a whole profession.