Awakenings (1954-1956)

Total Page:16

File Type:pdf, Size:1020Kb

Awakenings (1954-1956) Awakenings (1954-1956) Jonathan Schwartz Creator And Executive Producer Hugh Walsh Henry Hampton Mike West 1940-1998 Sound Recordists Produced And Directed By Sekou Shepard Judith Vecchione John Fitzpatrick Associate Producer Roger Haydock Llewellyn M. Smith Mary Ellis Edited By Clive B. Davidson Daniel EisenBerg Sound Editors Narrated By Nigel Mercer Julian Bond Joseph Burton Assistant Editor Editing Room Assistants Victoria Garvin ElizaBeth Carver Film Research Eliza Gagnon Lewanne Jones Meredith Woods David Thaxton Sound Mixer Kevin P Green Richard Bock Stock Footage Coordinator Eyes On The Prize Book: Kenn RaBin Juan Williams, Author Production Manager RoBert Lavelle, Editor Jo Ann Mathieu Bennett Singer, PuBlishing Associate Senior Researcher Francine Norris, PuBlishing Associate Laurie Kahn-Leavitt Telecourse Director Series Research Consultant ToBy KleBan Levine Judy Richardson Telecourse Coordinator Post Production Supervisor Raynard T. Davis Cynthia Meagher Kuhn School Materials Camera Steve Cohen Jon Else RoBert Hayden BoBBy Shepard Archives Werner Bundschuh John E. Allen, Inc. Orlando Bagwell BBC Motion Gallery Tom Kaufman Boston University Mugar Memorial LiBrary Tom Mcdonough Budget Films, Inc. Assistant Camera Don Cravens Michael Chin Fellowship Of Reconciliation Becky Butler Fox Movietonews, Inc. Richard Chisholm Arthur Freeman Mary Kaigler-Schaffer Sherman GrinBerg Film LiBraries BoB Richman JET Magazine Excerpts From The Copyrighted Speeches And Writings Of Dr. Martin Luther King, Jr. With Lilly Endowment Inc. Permission Of The Heirs Of Dr. King. The Boston Foundation © The Heirs Of Dr. Martin Luther King, Jr. Cummins Engine Company, Inc. LiBrary Of Congress Raytheon Company Mississippi Dept. Of Archives And History The San Francisco Foundation Montgomery Advertiser ColumBia Foundation NAACP Hillsdale Fund, Inc. NBC News Archives Charles Evans Hughes Memorial Foundation, Inc. Petrified Films, Inc. Leo Model Foundation Thelma Rice The New York Community Trust Schomburg Center, The New York PuBlic LiBrary The Philadelphia Foundation Moorland-Spingarn Research Center, Howard The Mary Norris Preyer Fund University The Villers Foundation UCLA Film & Television Archive Alabama Humanities Foundation University Of Missouri The Boston Globe Foundation UPI/Bettmann Newsphotos Maurice Falk Medical Fund Dan Weiner Godfrey M. Hymans Trust Worldwide Television News Abelard Foundation Special Thanks Metropolitan Foundation Of Atlanta Henry Johnson The Kraft Foundation AuBurn University The Sapelo Island Research Center Alabama Dept. Of Archives & History Richard And Rhoda Goldman Fund Dan Den Bleyker The Wallace Alexander GerBode Foundation Mattie RoBinson Crossley Joint Foundation Support, Inc. Howard K. Dammond Bird Companies CharitaBle Foundation Hank Holmes Friedman Family Foundation Martin Luther King Center For Nonviolent Social Polaroid Foundation Change The Freed Foundation Reverend And Mrs. R. S. Glasco The Irving I. Goldstein Foundation NAACP Legal Defense & Educational Fund, Inc Ruth Batson Educational Foundation Palmer & Dodge Bay Packaging And Converting Company Romas V. Slezas Sun Company Eric H. Smith Tides Foundation United Church Of Christ Freedom House Original Funding For EYES ON THE PRIZE Was And Others, A Complete List Is AvailaBle From PBS Provided By: Corporation For PuBlic Broadcasting Educational Materials Funding PuBlic Television Stations The Edward W. Hazen Foundation Ford Foundation The Rockefeller Foundation General Electric Alabama Humanities Foundation Lotus Development Corporation Maurice Falk Medical Fund Charles H. Revson Foundation Georgia Humanities Council Woodrow A. Myers, Jr., MD. Mississippi Humanities Council Eleanor Holmes Norton Series Academic Advisors Alvin & Anne Poussaint Wiley Branton RoBert & Kathryn Preyer Clayborne Carson Ann E. Raynolds John Dittmer Carl & Judy Sapers Tony Freyer Otto & Muriel Snowden David Garrow Wallace Terry Paul Gaston Sue Bailey Thurman Vincent Harding Rutledge A. Waker Darlene Clark Hine Laya Wiesner Steve Lawson Loretta J. Williams Genna Rae Mcneil Music Consultants Aldon Morris Bernice Johnson Reagon J. Mills Thornton Guy Carawan Howard Zinn Candie Carawan National Advisory Board Music Rights Coordinator Reginald Alleyne, Esq. Cynthia Meagher Kuhn Ruth M. Batson, Co-Chair Theme Music Produced, Arranged And Mary Francis Berry Performed By The Hon. Julian Bond Bernice Johnson Reagon Joseph Breiteneicher, Co-Chair Series Title Animation Geoffrey Cowan, Esq. Colossal Pictures Edwin Dorn Opening Photograph Peter B. Edelman, Esq. James H. Karales Paul & Marion Fishman Animation Camera Faith Griefen Edward T Joyce Adelaide C. Gulliver Color By Charles V. Hamilton Duart RoBert Hohler Negative Cutting Stephen Horn J.G. Films, Inc. Eliot & Margaret HuBBard Opticals Ellen Jackson Videart Opticals Willard R. Johnson Publicity The Rev. Lawrence N. Jones Karen Bates Logan Vernon E. Jordan, Jr. Daphne B. Noyes H. Peter Karoff Ellen Frey Melvin King Marcy Deveaux Thomas C. Layton Production Secretaries The Hon. John Lewis Sara Chazen The Rev. Jack Mendelsohn Karen Windsor Chase The Hon. Parren J. Mitchell Production Assistant Administrative Assistants Peter Montgomery Anita Bell Interns Karen Pirello Renee Bovelle Anne Rampino Gordon Eriksen Fiscal Sponsor Rosiland Jordan Filmmakers Collaborative Joseph Rogers Lisa Silvera Special Thanks Bennett Singer Henry Louis Gates, Jr. Matthew Sucherman Richard Gilder Charisse Chavious Lewis E. Lehrman Theresa Garofalo Steve Messere Ismael Ramirez Tobias Zimmerman Ruth Shupp Akin Gump Strauss Hauer & Feld LLP Dawne Simon Washington University LiBraries Alfonzo Smith Film & Media Archive, Henry Hampton Collection Peter Vrooman For The Civil Rights Project, Inc.: Eyes On The Prize Re-Release Project Inez RoBinson President, Blackside J. Benjamin Harris Judi Hampton Lorraine M. Flynn Consulting Executive Producer Project Director And Legal Counsel Michael AmBrosino Sandra Forman Series Writer Archivist And Rights Coordinator Steve Fayer Cynthia Meagher Kuhn Series Producer Jon Else Music Supervisor Series Senior Producer Rena C. Kosersky Judith Vecchione Executive Producer For American Experience Supervising Producer Mark Samels Alison Bassett © 1986 Blackside Inc. All Rights Reserved Project Accountant Paula Lerner Consultants James A. Devinney W. Michael Greene Lina Heil RoBert Lavelle Thomas R. Levy Walter Rissmeyer Fighting Back (1957-1962) Sound Recordists Creator And Executive Producer Sekou Shepard Henry Hampton Russell Williams II 1940-1998 Donald Thomas Produced And Directed By Clive B. Davidson Judith Vecchione Sound Editors Associate Producer Nigel Mercer Llewellyn M. Smith Joseph Burton Edited By Editing Room Assistants Daniel EisenBerg ElizaBeth Carver Narrated By Eliza Gagnon Julian Bond Meredith Woods Assistant Editor Sound Mixer Victoria Garvin Richard Bock Film Research Eyes On The Prize Book: Lewanne Jones Juan Williams, Author David Thaxton RoBert Lavelle, Editor Kevin P. Green Bennett Singer, PuBlishing Associate Stock Footage Coordinator Francine Norris, PuBlishing Associate Kenn RaBin Telecourse Director Production Manager ToBy KleBan Levine Jo Ann Mathieu Telecourse Coordinator Senior Researcher Raynard T. Davis Laurie Kahn-Leavitt School Materials Series Research Consultant Steve Cohen Judy Richardson RoBert Hayden Post Production Supervisor Archives Cynthia Meagher Kuhn AP/Wide World Photos Camera BBC Motion Gallery Jon Else Fox Movietonews, Inc. BoBBy Shepard John F. Kennedy LiBrary Tom Mcdonough Marcia Lecky Michael Chin Mississippi Dept. Of Archives And History Orlando Bagwell NBC News Archives Assistant Camera Craig Rains Hugh Walsh Rediscovery Films BoB Richman Time, Inc. Donald Humer UCLA Film & Television Archive John Esaki UPI/Bettmann Newsphotos Hans-Peter Schloemer Special Thanks Henry Johnson University Of Arkansas, Little Rock Arkansas History Commission Bird Companies CharitaBle Foundation Dan Den Bleyker Friedman Family Foundation Mattie RoBinson Crossley Polaroid Foundation Howard K. Dammond The Freed Foundation Hank Holmes The Irving I. Goldstein Foundation University Of Mississippi Ruth Batson Educational Foundation Palmer & Dodge Bay Packaging And Converting Company Romas V. Slezas Sun Company Eric H. Smith Tides Foundation United Church Of Christ Freedom House Original Funding For EYES ON THE PRIZE Was And Others, A Complete List Is AvailaBle From PBS Provided By: Corporation For PuBlic Broadcasting Educational Materials Funding PuBlic Television Stations The Edward W. Hazen Foundation Ford Foundation The Rockefeller Foundation General Electric Alabama Humanities Foundation Lotus Development Corporation Maurice Falk Medical Fund Charles H. Revson Foundation Georgia Humanities Council Lilly Endowment Inc. Mississippi Humanities Council The Boston Foundation Series Academic Advisors Cummins Engine Company, Inc. Wiley Branton Raytheon Company Clayborne Carson The San Francisco Foundation John Dittmer ColumBia Foundation Tony Freyer Hillsdale Fund, Inc. David Garrow Charles Evans Hughes Memorial Foundation, Inc. Paul Gaston Leo Model Foundation Vincent Harding The New York Community Trust Darlene Clark Hine The Philadelphia Foundation Steve Lawson The Mary Norris Preyer Fund Genna Rae Mcneil The Villers Foundation Aldon Morris Alabama Humanities Foundation J. Mills Thornton The Boston Globe Foundation Howard Zinn Maurice Falk Medical Fund National Advisory Board Godfrey M. Hymans Trust Reginald Alleyne, Esq. Abelard Foundation Ruth M. Batson, Co-Chair Metropolitan Foundation Of Atlanta
Recommended publications
  • In the Same Breath
    IN THE SAME BREATH A film by Nanfu Wang #InTheSameBreathHBO DEBUTS 2021 ON HBO SUNDANCE FILM FESTIVAL SCREENING SCHEDULE Thursday, January 28 at 5:00 PM PT / 6:00 PM MT – Online (WORLD PREMIERE) For press materials, please visit: ftp://ftp.homeboxoffice.com username: documr password: qq3DjpQ4 Running Time: 95 min Press Contact Press Contact HBO Documentary Films Cinetic Marketing Asheba Edghill / Hayley Hanson Rachel Allen / Ryan Werner Asheba cell: 347-721-1539 Rachel cell: 937-241-9737 Hayley cell: 201-207-7853 Ryan cell: 917-254-7653 [email protected] [email protected] [email protected] [email protected] LOGLINE Nanfu Wang's deeply personal IN THE SAME BREATH recounts the origin and spread of the novel coronavirus from the earliest days of the outbreak in Wuhan to its rampage across the United States. SHORT SYNOPSIS IN THE SAME BREATH, directed by Nanfu Wang (“One Child Nation”), recounts the origin and spread of the novel coronavirus from the earliest days of the outbreak in Wuhan to its rampage across the United States. In a deeply personal approach, Wang, who was born in China and now lives in the United States, explores the parallel campaigns of misinformation waged by leadership and the devastating impact on citizens of both countries. Emotional first-hand accounts and startling, on-the-ground footage weave a revelatory picture of cover-ups and misinformation while also highlighting the strength and resilience of the healthcare workers, activists and family members who risked everything to communicate the truth. DIRECTOR’S STATEMENT I spent a lot of my childhood in hospitals taking care of my father, who had rheumatic heart disease.
    [Show full text]
  • The Vietnam War in the American Mind, 1975-1985 Mark W
    University of Richmond UR Scholarship Repository Master's Theses Student Research 8-1989 Half a memory : the Vietnam War in the American mind, 1975-1985 Mark W. Jackley Follow this and additional works at: http://scholarship.richmond.edu/masters-theses Recommended Citation Jackley, Mark W., "Half a memory : the Vietnam War in the American mind, 1975-1985" (1989). Master's Theses. Paper 520. This Thesis is brought to you for free and open access by the Student Research at UR Scholarship Repository. It has been accepted for inclusion in Master's Theses by an authorized administrator of UR Scholarship Repository. For more information, please contact [email protected]. Half A Memory: The Vietnam War In The American Mind, 1975 - 1985 Mark W. Jackley Submitted for the Degree of Master of Arts in History University of Richmond, 1989 Dr. Barry Westin, Thesis Director This study attempts to show how Americans in general remembered the Vietnam War from 1975 to 1985, the decade after it ended. A kind of social history, the study concentrates on the war as remembered in the popular realm, examining novels as well as nonfiction, poetry, plays, movies, articles in political journals, songs, memorials, public opinion polls and more. Most everything but academic history is discussed. The study notes how the war's political historY. was not much remembered; the warrior, not the war, became the focus of national memory. The study argues that personal memory predominated over political memory for a number of reasons, the most important being the relative unimportance of the nation of Vietnam to most Americans.
    [Show full text]
  • Robert C. Maynard Institute for Journalism Education Oral History Collection
    http://oac.cdlib.org/findaid/ark:/13030/c8sb4b6f Online items available Guide to the Robert C. Maynard Institute for Journalism Education Oral History Collection Sean Heyliger African American Museum & Library at Oakland 659 14th Street Oakland, California 94612 Phone: (510) 637-0198 Fax: (510) 637-0204 Email: [email protected] URL: http://www.oaklandlibrary.org/locations/african-american-museum-library-oakland © 2013 African American Museum & Library at Oakland. All rights reserved. Guide to the Robert C. Maynard MS 192 1 Institute for Journalism Education Oral History Collection Guide to the Robert C. Maynard Institute for Journalism Education Oral History Collection Collection number: MS 192 African American Museum & Library at Oakland Oakland, California Processed by: Sean Heyliger Date Completed: 11/06/2015 Encoded by: Sean Heyliger © 2013 African American Museum & Library at Oakland. All rights reserved. Descriptive Summary Title: Robert C. Maynard Institute for Journalism Education Oral History collection Dates: 2001 Collection number: MS 192 Creator: Robert C. Maynard Institute for Journalism Education Collection Size: 1.5 linear feet(2 boxes) Repository: African American Museum & Library at Oakland (Oakland, Calif.) Oakland, CA 94612 Abstract: The Robert C. Maynard Institute for Journalism Education Oral History Collection consists of 29 oral history interviews conducted in 2001 by Earl Caldwell with prominent black journalists that began their careers during the 1960s-1970s. A majority of the interviewees worked at
    [Show full text]
  • Download Full Book
    Daily Demonstrators Shearer, Tobin Miller Published by Johns Hopkins University Press Shearer, Tobin Miller. Daily Demonstrators: The Civil Rights Movement in Mennonite Homes and Sanctuaries. Johns Hopkins University Press, 2010. Project MUSE. doi:10.1353/book.482. https://muse.jhu.edu/. For additional information about this book https://muse.jhu.edu/book/482 [ Access provided at 28 Sep 2021 14:36 GMT with no institutional affiliation ] This work is licensed under a Creative Commons Attribution 4.0 International License. Daily Demonstrators Young Center Books in Anabaptist & Pietist Studies Donald B. Kraybill, Series Editor GH Daily Demonstrators The Civil Rights Movement in Mennonite Homes and Sanctuaries Tobin Miller Shearer z The Johns Hopkins University Press Baltimore © 2010 The Johns Hopkins University Press All rights reserved. Published 2010 Printed in the United States of America on acid-free paper 2 4 6 8 9 7 5 3 1 The Johns Hopkins University Press 2715 North Charles Street Baltimore, Maryland 21218-4363 www.press.jhu.edu Library of Congress Cataloging-in-Publication Data Shearer, Tobin Miller, 1965– Daily demonstrators : the Civil Rights Movement in Mennonite homes and sanctuaries / Tobin Miller Shearer. p. cm. Includes bibliographical references and index. isbn-13: 978-0-8018-9700-9 (hardcover : alk. paper) isbn-10: 0-8018-9700-9 (hardcover : alk. paper) 1. Mennonite Church—History—20th century. 2. Civil rights—Religious aspects—Mennonite Church—History—20th century. 3. Race relations—Religious aspects—Mennonite Church—History—20th century. 4. General Conference Mennonite Church—History—20th century. 5. Civil rights—Religious aspects— General Conference Mennonite Church—History—20th century.
    [Show full text]
  • Sundance Institute Selects 12 First-Time Feature Filmmakers for Screenwriters Intensive
    FOR IMMEDIATE RELEASE Media Contact: March 3, 2020 Spencer Alcorn 310.360.1981 [email protected] Sundance Institute Selects 12 First-Time Feature Filmmakers for Screenwriters Intensive Writers and Advisors from a Broad Array of Backgrounds Come Together to Advance Distinctive Screenplays LOS ANGELES — Twelve screenwriters have been selected to participate in Sundance ​ Institute’s eighth annual Screenwriters Intensive in Los Angeles, to take place March 4-5, 2020. The Intensive, a two-day workshop for select emerging writers and writer/directors from underrepresented communities, focuses on the development of first fiction features. Fellows at ​ the Intensive will advance the art and craft of their work under the guidance of experienced filmmakers and the Institute's Feature Film Program, led by that Program’s Founding Director ​ Michelle Satter and Deputy Director Ilyse McKimmie. ​ ​ ​ Advisors for the 2020 Intensive include Gregg Araki, Lee Isaac Chung, Shana Feste and ​ ​ Susanna Fogel. Previous alumni of the Intensive include Andrew Ahn, Natalia Almada, ​ Reinaldo Marcus Green, Tina Mabry, and Roger Ross Williams. “We’re thrilled to be supporting a remarkable group of writers at a crucial stage in the development of their work,” said McKimmie. “By providing dynamic dialogues with advisors and a rigorous creative process, we hope the Intensive will have significant impact on the advancement of these projects, and will offer the fellows an inspiring expanded artistic community.” The Sundance Institute Screenwriters Intensive is made possible with leadership support from the Will & Jada Smith Family Foundation. ​ ​ The 2020 Sundance Institute Screenwriters Intensive Fellows, and their projects, are: Rosa Tran writer/director, Bardo ​ ​ Bardo is an animated story about the Vietnam War through the eyes of a civilian.
    [Show full text]
  • Civil Rights Movement
    Civil Rights Movement From the beginning, race has been at the heart of the deepest divisions in the United States and the greatest challenges to its democratic vision. Africans were brought to the continent in slavery, American Indian nations were subjected to genocidal wars of conquest, northwestern Mexico was invaded and annexed, Asians were imported as laborers then subjected to exclusionary laws. Black historian W.E.B. DuBois wrote that the history of the 20th Century would be the history of the color line, predicting that anti- colonial movements in Africa and Asia would parallel movements for full civil and political rights for people of color in the United States. During the 1920s and 1930s social scientists worked to replace the predominant biological paradigm of European racial superiority (common in Social Darwinism and eugenics) with the notion of ethnicity -- which suggested that racial minorities could follow the path of white European immigrant groups, assimilating into the American mainstream. Gunnar Myrdal's massive study An American Dilemma in 1944 made the case that the American creed of democracy, equality and justice must be extended to include blacks. Nathan Glazer and Daniel Moynihan argued in Beyond the Melting Pot in 1963 for a variation of assimilation based on cultural pluralism, in which various racial and ethnic groups retained some dimension of distinct identity. Following the civil rights movement's victories, neoconservatives began to argue in the 1970s that equal opportunity for individuals should not be interpreted as group rights to be achieved through affirmative action in the sense of preferences or quotas.
    [Show full text]
  • AFRICAN AMERICAN HISTORIC PLACES in SOUTH CAROLINA ////////////////////////////// September 2015
    AFRICAN AMERICAN HISTORIC PLACES IN SOUTH CAROLINA ////////////////////////////// September 2015 State Historic Preservation Office South Carolina Department of Archives and History should be encouraged. The National Register program his publication provides information on properties in South Carolina is administered by the State Historic in South Carolina that are listed in the National Preservation Office at the South Carolina Department of Register of Historic Places or have been Archives and History. recognized with South Carolina Historical Markers This publication includes summary information about T as of May 2015 and have important associations National Register properties in South Carolina that are with African American history. More information on these significantly associated with African American history. More and other properties is available at the South Carolina extensive information about many of these properties is Archives and History Center. Many other places in South available in the National Register files at the South Carolina Carolina are important to our African American history and Archives and History Center. Many of the National Register heritage and are eligible for listing in the National Register nominations are also available online, accessible through or recognition with the South Carolina Historical Marker the agency’s website. program. The State Historic Preservation Office at the South Carolina Department of Archives and History welcomes South Carolina Historical Marker Program (HM) questions regarding the listing or marking of other eligible South Carolina Historical Markers recognize and interpret sites. places important to an understanding of South Carolina’s past. The cast-aluminum markers can tell the stories of African Americans have made a vast contribution to buildings and structures that are still standing, or they can the history of South Carolina throughout its over-300-year- commemorate the sites of important historic events or history.
    [Show full text]
  • About Martin Luther King, Jr
    ○○ MARTIN LUTHER KING, JR. ○ ○ ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ Reflection Martin Luther King, Jr., is well-known throughout the world for his leadership role in the U.S. civil rights move- ment and his belief in non-violent social change. He is probably most remembered for the historical 1963 March on Washington and his accompanying “I Have a Dream” speech. ○○ However, many people have a rather limited understanding ○ of Martin Luther King, Jr.; they think that his speeches and “As the bombs fall, as the poor ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ writings dealt only with the civil rights movement in the cry out in greater numbers, as U.S. and the African-American community. Few people the earth convulses beneath the are aware of his broader vision of human rights for all weight of global economic people of the world. Few are aware of his outcries against power, we must attend to the the militarism, poverty and materialism that plagued the words and the life of this prophet U.S. in the 1960s and that continue to do so, today. among us.” “The Road to Redemption,” Vincent Martin Luther King, Jr., was a man of deep faith and a Harding prophet. And like all prophets, he had a message of relevance for the people of his time. King’s message is relevant still today, and we are called to listen attentively to his message and to respond. On January 20, 2003, the United States will officially observe the birthday of Martin Luther King, Jr. As a way of celebrating this prophet’s birth, life, and legacy, we encourage you to learn more about Martin Luther King, Jr.
    [Show full text]
  • God Loves Uganda | the Hooping Life | Tim’S Vermeer | the Address | Life According to Sam | the Story of the Jews Scene & He D
    July-August 2014 VOL. 29 THE VIDEO REVIEW MAGAZINE FOR LIBRARIES N O . 4 IN THIS ISSUE God Loves Uganda | The Hooping Life | Tim’s Vermeer | The Address | Life According to Sam | The Story of the Jews scene & he d LET BAKER & TAYLOR’S SCENE & HEARD TEAM HELP MAKE BUILDING AND MAINTAINING YOUR A/V COLLECTION EASIER WITH OUR PROFESSIONAL DIGITAL MEDIA PROCESSING (DMP) SERVICES! DMP off s a v iety of key benefi ts and feat es including: ■ Digitally reproduced original cover artwork ■ Personalized library contact information ■ Detailed content checklists and messaging ■ Circulation-tough polyvinyl CD and DVD cases ■ Single, double, multiple and locking security cases available ■ Large assortment of customized, embedded labels — genre, spine and more! To learn about DMP and other A/V products and services, contact your Sales Consultant today to discuss a custom-tailored solution for all your needs! 800-775-2600 x2050 [email protected] www.baker-taylor.com STAY CONNECTED: Spotlight Review God Loves Uganda streets, LGBT activists identified in newspa- HHH1/2 pers, and finally to a killing. Williams seems (2013) 83 min. DVD: to be everywhere with his camera (although $24.95. First Run he also makes assiduous use of archival and Publisher/Editor: Randy Pitman Features (avail. from other material): on buses with young Ameri- most distributors). Closed can ministers in Uganda, in parliamentary Associate Editor: Jazza Williams-Wood captioned. session, and at town hall-like meetings where Copy Editor: Kathleen L. Florio Stunning in its rev- gay pornography is shown (even to children) elations about the ways Editorial Assistant: Chris Pitman with the intent of fomenting intolerance.
    [Show full text]
  • 2013 Annual Report of the National Endowment for the Humanities
    EXPLORING THE HUMAN ENDEAVOR NATIONAL ENDOWMENT FOR THE HUMANITIES 2ANNUAL01 REP3ORT CHAIRMAN’S LETTER December 2014 Dear Mr. President, It is my privilege to present the 2013 Annual Report of the National Endowment for the Humanities. For forty-eight years NEH has striven through its rigorous grantmaking process to support excellence in humanities research, education, preservation, access to humanities collections, long-term planning for educational and cultural institutions, and humanities programming for the public. NEH’s 1965 founding legislation states that “democracy demands wisdom and vision in its citizens.” It is in response to this mission that NEH supports work in the humanities that enlightens and deepens our understanding of the world. In September 2013, NEH launched its Created Equal initiative centered on a collection of four NEH-funded films—The Abolitionists, Slavery by Another Name, The Loving Story, and Freedom Riders— that trace the long history of civil rights in our nation. From the beginning, African Americans have been at the core of America’s evolving story about the changing meaning of freedom. Through free access to the films, website resources, and public discussion programs held in more than four hundred communities across the nation over the next three years, Created Equal will help make this aspect of our history accessible to everyone. At NEH, we also believe that access to the classics should be for everyone, in particular to America’s military veterans who are returning home from conflicts abroad. A 2013 grant to Aquila Theatre is helping to bring a series of scholar-led discussions and performances of classical Greek and Roman dramas to military veterans across the country.
    [Show full text]
  • The Power 100
    SPECIAL FEATURE | the PoweR 100 THE POWER 100 The brains behind the poltical players that shape our nation, the media minds that shape our opinions, the developers who revitalize our region, and the business leaders and philanthropists that are always pushing the envelope ... power, above all, is influence he Washington socialite-hostess gathers the ripe fruit of These things by their very nature cannot remain static – political, economic, and cultural orchards and serves it and therefore our list changes with the times. Tup as one fabulous cherry bombe at a charity fundraiser Power in Washington is different than in other big cities. or a private soirée with Cabinet secretaries and other major Unlike New York, where wealth-centric power glitters with political players. Two men shake hands in the U.S. Senate and the subtlety of old gold, wealth doesn’t automatically confer a bill passes – or doesn’t. The influence to effect change, be it power; in Washington, rather, it depends on how one uses it. in the minds or actions of one’s fellow man, is simultaneously Washington’s power is fundamentally colored by its the most ephemeral quantity (how does one qualify or rate proximity to politics, and in this presidential season, even it?) and the biggest driving force on our planet. more so. This year, reading the tea leaves, we gave a larger nod In Washington, the most obvious source of power is to the power behind the candidates: foreign policy advisors, S È political. However, we’ve omitted the names of those who fundraisers, lobbyists, think tanks that house cabinets-in- draw government paychecks here, figuring that it would waiting, and influential party leaders.
    [Show full text]
  • The Danger and Necessity of Purity in White and African-American Mennonite Ra
    NORTHWESTERN UNIVERSITY ‘A Pure Fellowship’: The Danger and Necessity of Purity in White and African-American Mennonite Racial Exchange, 1935-1971 A DISSERTATION SUBMITTED TO THE GRADUATE SCHOOL IN PARTIAL FULFILLMENT OF THE REQUIREMENTS for the degree DOCTOR OF PHILOSOPHY Field of History and Religion By Tobin Miller Shearer EVANSTON, ILLINOIS June 2008 2 © Copyright by Tobin Miller Shearer 2008 All Rights Reserved 3 ABSTRACT ‘A Pure Fellowship’: The Danger and Necessity of Purity in White and African-American Mennonite Racial Exchange, 1935-1971 Tobin Miller Shearer “How did the Civil Rights Movement bring about change?” In answer to that question, this dissertation argues that the splintering of purity rhetoric within the intimate environments of home and sanctuary both inhibited and empowered white and African-American religious practitioners to seek social change. To make this argument, this project follows the purity- focused activity of white and African-American Mennonites through the long civil rights era. Building on the work of anthropologist Mary Douglas, this dissertation focus on Mennonites’ multiple expressions of purity – defined here as a cultural value that orders society by defining group boundaries – through racially focused clothing restrictions, marriage practices, interracial congregations, evangelism initiatives, and service programs. Based on oral histories, photographs, diaries, and denominational records, this work demonstrates how purity values changed over time. The record of this change reveals how religious actors shifted their attention from maintaining racially untainted blood in the 1930s, to bolstering homogeneous fellowships in the 1940s, to protecting female chastity in the 1950s, and then to managing a splintered religious rhetoric in the 1960s.
    [Show full text]