DOCSLIB.ORG

E Ducation K It Te Papa Whakahiku

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
E Ducation K It Te Papa Whakahiku Auckland Museum PACIFIC PATHWAYS e ducation k it Te Papa Whakahiku Auckland Museum Te Papa Whakahiku YEARS 1 TO 10 © Auckland Museum 2000 Auckland Museum Te Papa Whakahiku Pacific Pathways contents page About this Resource 1 Booking Information 1 Introduction 2 Gallery Floorplans 3 Teacher Background 5 ·The People of the Pacific Ocean 5 ·Lapita and Early Stone Tools 9 ·Music and Dance 10 ·Pacific Food 13 ·Family and Gods 16 ·Power 19 ·Body Adornment 22 ·Canoes 24 ·Pacific Trade 27 ·Textiles 28 ·Architecture 30 ·New Pacific 32 ·Pacific Island Profiles 36 Curriculum Links 41 Pre and Post- Visit Activities 43 Resources 44 Classroom Activity Sheets 45 Gallery Activity Sheets 58 Index to Pacific Island Groupings 76 ABOUT THIS RESOURCE: BOOKING INFORMATION: This resource has been designed to meet the All school visits to the museum must be booked. needs of Social Studies classes, Years 1 - 10. We advise booking 2-3 months in advance. Numbers: 40 maximum (including adults) Adult child ratio: Y 1-4 1:6 Y 5-6 1:7 Y 7-8 1:10 Booking: Contact the Museum School Bookings Officer at: Private Bag 92018 Auckland Adult/child interaction is important to maximise your Phone: (09) 306 7040 museum experience. Group leaders need to have Fax: (09) 306 7075 some background knowledge of what the students are expected to cover and they are advised to par- Introductions and Hands-on Sessions (facilitated ticipate in the introduction on arrival. by Education Staff) are available. Please ask the School Bookings Officer for more information. 1 Contents Auckland Museum Te Papa Whakahiku introduction Pacific Pathways Greetings Cook Islands Ni Sa Bula Vinaka Kia Ora Fiji Maori English Kia Orana Namaste Malo e Lelei Fakaalofa Lahi Atu Hindi Tonga Niue Ia Orana Aloha Fakatalofa Atu Tahiti Hawaii Tuvalu Taloha Ni Mauri Mauri Mauri Tokelau Kiribati Taloha Ni Talofa Lava Halo Oloketa Tokelau Samoa Pidgin his Education Kit relates to the two ground floor galleries at the Auckland War Memorial Museum known individually as Pacific TMasterpieces and Pacific Lifeways, and collectively as Pacific Pathways. The curriculum focus for this kit is Social Studies in the New Zealand Curriculum, Years 1- 10 and Technology in the New Zealand Curriculum, Years 1 -10. This Education Kit is specific to the themes explored in the Pacific Pathways galleries. It provides plenty of back- ground material, teaching ideas, classroom activities and gallery activities so that your visit to the Pacific Pathways galleries is well informed. EDUCATION CENTRE MUSIC GALLERY CITY WILD CHILD BB’S CAFE PACIFIC LIFEWAYS Ground Floor SPECIAL EXHIBITION HALLS I & II PACIFIC DIRECTORS GALLERY MASTERPIECES MAORI TREASURES MUSEUM STORE Introduction 2 Auckland Museum Te Papa Whakahiku Pacific Pathways gallery floorplans PACIFIC MASTERPIECES This gallery invites you to enjoy and appreciate the artistry in a wide range of artefacts made and used by the peoples of the Pacific Islands in an art gallery context. Whether made for every- day use, for special occasions, or to honour gods and ancestors, many Pacific artefacts are care- fully designed in both form and decoration, even the most functional of objects. Not all are intend- ed to be beautiful; indeed some are designed to intimidate or to terrify their viewers with the power of the supernatural. In this context the artefacts are intended to be appreciated for their aesthetic value. Many similar artefacts can be seen in their cultural context in the Pacific Lifeways gallery opposite. A video interactive at the entrance of the gallery provides photographs and captions which put the objects in their cultur- al context. Mats, Bags and Bilums Slit Gong Masks Tapa Cloths Tapa Masks Baskets suspended above Red Feather Cloak Fly Whisks Ancestors and Gods Figurines Wooden Bowls Paddles Dance Items Canoes Architecture Food Knives and Pudding Pounders ENTRANCE Head Rests Tikopian Canoe Loincloths Beaded Pottery, Adzes and Stone Items Combs and Featherwork Gope. Kwoi and Hohao Boards Gourds, Spatulas and Food Pounders Computer Interactives Spears Clubs Shields Shields Jewellery/Seed and Shell Ornaments Shields and Barkbelts TO MAORI GALLERIES 3 Teacher Background Auckland Museum Te Papa Whakahiku Pacific Pathways PACIFIC LIFEWAYS Throughout the widespread islands of the Pacific, the people have developed a wide diversity of cultures. From the high mountain valleys of New Guinea to the glaring low coral atolls of Micronesia and Polynesia, this diversity is expressed in language, song, dance, mythology, religion, family organisation, costume, architec- ture, canoes, and village life. Many of these cul- tures were in frequent contact with each other, sharing their ideas through exchange networks, trade, warfare and marriage. Underlying this diversity, there is a basic unity of pacific cultures that distinguish them from other cultures of the world. The gallery celebrates this rich diversity and unity through an experience of various Pacific lifeways, with some concentration on those cultures represented in the Pacific Island commu- nities of Auckland. A video interactive is at the entrance of the gallery. Nuie New Guinea Cook Islands Kiribati Samoa Highlands Polynesian outliers Pre history and Navigation ENTRANCE Kawe Fiji Map of the Pacific Fijian Sailing Canoe Computer Interactives Pacific Trade Power Family Tonga Music and dance Pacific Food and Gods New Pacific TO MAORI GALLERIES Teacher Background 4 Auckland Museum Te Papa Whakahiku Pacific Pathways teacher background THE PEOPLE OF THE PACIFIC OCEAN he Pacific Ocean is the largest and deepest of the world's four oceans, covering an area of 165 million square kilometres, which Tis larger than the entire land surface of the globe. 'Pacific' means peaceful. The ocean was named by the Portugese nav- igator Ferdinand Magellan in 1520. The people of the Pacific Ocean have come to be mountains and river valleys in Papua New Guinea grouped into three main groups: Melanesian, to low coral atolls. The islands of Fiji are on the Micronesian and Polynesian. border of Melanesia and Polynesia and tend to reflect elements of both cultural groupings. MELANESIA (THE 'BLACK ISLANDS') Papua New Guinea, Solomon Islands, New There are some common religious beliefs shared Caledonia, Vanuatu, Fiji (bordering Melanesia and by Melanesian countries, and some common prac- Polynesia ) tices in terms of village leadership and accumu- lation of wealth. Melanesia is an utterly diverse area. The cultures, languages and even physical appearances of the It is the area with the largest population - 4.6 mil- people vary greatly. The climate is warm and lion (1986). Papua New Guinea makes up humid most of the year, with a high rainfall fos- approximately three-quarters of this population. tering lush vegetation. The terrain varies from 5 Teacher Background Auckland Museum Te Papa Whakahiku Pacific Pathways Belief in the spirit world is common in all Trading networks of shell necklaces and bracelets Melanesia. Spirits of important ancestors, are operate in Melanesia. This shell currency is also part of the social group. Spirits are offered gifts a sign of wealth. at special celebrations such as birth, initiation, marriage and death. Masks feature during some Betel-chewing is a Melanesian custom ( it is also of these celebrations. They are used to represent common in East Africa across to South Asia, ancestors or spirits, or merely to produce a sense Indonesia and the Philippines). It is a mild stimu- of awe. lant which reduces hunger and produces feelings of well-being. In Melanesia, leaders achieved their positions by force of character or special skills in economic MICRONESIA (THE 'SMALL ISLANDS') management or warfare. Village leadership Caroline Islands, Northern Mariana Islands, Belau stemmed from the men's houses. This is where (Palau) Islands, Marshall Islands, Kiribati (border- masks and ritual items are stored, and where ini- ing Micronesia and Polynesia), Nauru, Guam, tiated men sleep, eat, talk, and make decisions Federated States of Micronesia. about the community. Women are excluded. Micronesia is made up of approximately 2,500 Pigs are a symbol of wealth in Melanesia. Pigs islands, scattered over an area larger than the are often fed with food chewed by the wives of USA. Some are just small, flat specks that disap- big men. A man intent on increasing his prestige pear and reappear with the tides; some are still will take more than one wife so that he can rear growing, through coral build-up and volcanic more pigs. Having many wives is a sign of flows; and most are uninhabited. Most of these wealth. islands lie north of the equator, and are most commonly low-lying coral atolls. Parts of Teacher Background 6 Auckland Museum Te Papa Whakahiku Pacific Pathways Micronesia are thought to have been settled by Polynesia is the most cohesive of the three areas migrants from South East Asia as early as 2,000 in terms of culture. Before European contact most BC. Temperatures in Micronesia range from 21 to of Polynesia had a variable economy - this means 32 degrees C. they cultivated root and tree crops and at the same time were hunters and fishermen. Usually There is considerable diversity within the there was a seasonal cycle of activities. Micronesian region. Beliefs vary from one area to another, gods are local and are worshipped in Myths about the gods Rangi and Papa and their different ways. Each area has its own origin sto- children, such as Tane and Tangaroa, are shared ries. by the islands of Polynesia. Deities presided over different aspects of life. Maui, the half man, half The ocean is vital to life in Micronesia. Seafood god is also a common mythical character. is a very important food resource. Goods such as woven mats are traded between islands. Tribal systems operate in some parts of Polynesia. Tribal groups have ceremonial centres Small atolls are generally short of resources such and marae.
Load more

Recommended publications
  • Music and Change in the Highlands of Papua New Guinea
    Bibliography Allen, Bryant 2005, Poor people or poor places?, Paper read at Papua New Guinea: 30 Years of Independence, The Australian National University, Canberra, 13 September 2005. Allen, Bryant and Frankel, Stephen 1991, ‘Across the Tari Furoro’, in E. L. Schieffelin and R. Crittenden (eds), Like People You See in a Dream: First contact in six Papuan societies, Stanford University Press, California. Alexeyeff, Kalissa 2004, ‘Sea breeze: globalisation and Cook Islands popular music’, The Asia Pacific Journal of Anthropology, vol. 5, no. 2, pp. 145–58. Ammann, Raymond 1998, ‘How Kanak is Kaneka music?: the use of traditional instruments in the modern music of the Melanesians in New Caledonia’, World of Music, vol. 40, no. 2, pp. 9–27. Ammann, Raymond 2001, ‘Using ethnomusicology to assist in the maintenance of kastom, with special reference to New Caledonia and Vanuatu’, in H. R. Lawrence and D. Niles (eds), Traditionalism and Modernity in the Music and Dance of Oceania: Essays in honour of Barbara B. Smith, University of Sydney, New South Wales. Ammann, Raymond 2004, Karum Nupu: Basket of songs, [Film], VKS-Productions, Port Vila, Vanuatu. Anonymous 1967, ‘Spectacle, colour, pageantry—and thousands of glistening warriors’, Qantas Airways Australia, vol. 33, no. 11, pp. 6–13. Appadurai, Arjun 1991, ‘Afterword’, in A. Appadurai, F. J. Korom and M. A. Mills (eds), Gender, Genre, and Power in South Asian Expressive Traditions, University of Pennsylvania Press, Philadelphia. Appadurai, Arjun, Korom, Frank J. and Mills, Margaret A. 1991, ‘Introduction’, in A. Appadurai, F. J. Korom and M. A. Mills (eds), Gender, Genre, and Power in South Asian Expressive Traditions, University of Pennsylvania Press, Philadelphia.
    [Show full text]
  • And Taewa Māori (Solanum Tuberosum) to Aotearoa/New Zealand
    Copyright is owned by the Author of the thesis. Permission is given for a copy to be downloaded by an individual for the purpose of research and private study only. The thesis may not be reproduced elsewhere without the permission of the Author. Traditional Knowledge Systems and Crops: Case Studies on the Introduction of Kūmara (Ipomoea batatas) and Taewa Māori (Solanum tuberosum) to Aotearoa/New Zealand A thesis presented in partial fulfilment of the requirement for the degree of Master of AgriScience in Horticultural Science at Massey University, Manawatū, New Zealand Rodrigo Estrada de la Cerda 2015 Kūmara and Taewa Māori, Ōhakea, New Zealand i Abstract Kūmara (Ipomoea batatas) and taewa Māori, or Māori potato (Solanum tuberosum), are arguably the most important Māori traditional crops. Over many centuries, Māori have developed a very intimate relationship to kūmara, and later with taewa, in order to ensure the survival of their people. There are extensive examples of traditional knowledge aligned to kūmara and taewa that strengthen the relationship to the people and acknowledge that relationship as central to the human and crop dispersal from different locations, eventually to Aotearoa / New Zealand. This project looked at the diverse knowledge systems that exist relative to the relationship of Māori to these two food crops; kūmara and taewa. A mixed methodology was applied and information gained from diverse sources including scientific publications, literature in Spanish and English, and Andean, Pacific and Māori traditional knowledge. The evidence on the introduction of kūmara to Aotearoa/New Zealand by Māori is indisputable. Mātauranga Māori confirms the association of kūmara as important cargo for the tribes involved, even detailing the purpose for some of the voyages.
    [Show full text]
  • Commentary on "Diffusionists" and Legitimate Aims in Polynesian Prehistory
    Commentary On "Diffusionists" and Legitimate Aims in Polynesian Prehistory Received 6July 1983 PETER BELLWOOD RECENTLY had the rather unpleasant experience ofreading Alan Howard's review (AP 22: 221-228) of The Prehistory of Polynesia, edited by Jesse Jennings. A number of I contributors to this volume, including myself, are described in this review in a seemingly derogatory fashion as "diffusionists;' partly I suspect because our papers have not been centrally concerned with Howard's "game;' i.e. with the relationships between ecology and cultural adaptation in Polynesian prehistory, or, as Howard phrases it, with "the relative contributions of cultural templates and ecological constraints to various social developments." I wish to take issue with Howard's stance on two accounts; the first concerns the correct use ofthe emotion-charged term "diffusionist," and the second concerns Howard's appar­ ent refusal to consider, as valid fields ofconcern for prehistorians, any approaches which do not fall within the rules ofthe above "game;' which he, as a social anthropologist, evi­ dently considers to be "so much damn fun." In connection with the first issue, the term "diffusion;' as used in the archaeological lit­ erature with which I am familiar, refers to a process ofconsiderable conceptual vagueness by which particular cultural traits or trait-combinations spread from one area to another. Usually in the Polynesian archaeological literature these traits emerge as various items of material culture, such as adze types, art styles, crops, domestic animals, and so forth. Such diffusion, in the few cases where it can actually be demonstrated to have occurred (and where inheritance from a common ancestor or local convergent adaptation can be ruled out as explanations for similarities), mayor may not involve human migration, and other nonmigratory processes such as trade or simple voyaging contact between neighboring Peter Bellwood is a member ofthe Department ofPrehistory and Anthropology, School ofGeneral Studies, the Australian National University.
    [Show full text]
  • Download PDF Catalogue
    16 IMPORTANT PHOTOGRAPHS 20TH CENTURY DESIGN thursday 17th april 2008 at 6.30pm thursday 1 may 2008 at 6.30pm 3 abbey street, newton, auckland. freephone: 0800 80 60 01 [email protected] www.artandobject.co.nz four fifty-one THE CHEMISTRY OF PHOTOGRAPHY 20TH CENTURY DESIGN COMMENCES ben plumbly identifies the variety of different photographic print types (viewing times) thirteen fifty-two PHOTOGRAPH CATALOGUE COMMENCES WEDGWOOD AND WHITEFRIARS (viewing times) a response to austerity sixteen fifty-four absence and melancholy THE STEPHEN RAINBOW COLLECTION LAURENCE ABERHART contemporary Poole and post-WWII design twenty-two sixty voice of a nation a personal collection of designer glass the images of MAX Dupain THE GARY LANGSFORD COLLECTION twenty-seven sixty-six PETER PERYER the michael barrymore & shaun daVis essay by Hamish Coney collection of european glass thirty-seven sixty-eight the artist as actress FURNITURE CINDY SHERMAN thirty-eight seventy-six documentary and drama THE THOMAS AND BETTTINA BLEY FIONA pardington COLLECTION OF DESIGN ICONS eighty eighty-eight INDEX OF PHOTOGRAPHS ITEMS FROM PRIVATE COLLECTIONS eighty-four eighty-six CONDITIONS OF SALE ART+OBJECT CONTACT DETAILS Cover image Cover Peryer Peter Christine Mathieson printvintage gelatin silver 26 eighty-five eighty-seven ABSENTEE BIDDING FORM SUBSCRIBE insert 1 elcome to ART+OBJECT’s two-part feature auction consisting of collectable photography and 20th Century design. Both of these genres are relatively new to the auction scene and have gathered pace over the last few years. Photography is a medium that never stops evolving. The development of digital technology has rendered the primacy of the traditional negative almost obsolete and the line between still and moving image becomes increasingly blurred by the day.
    [Show full text]
  • Style and Meaning Anthropology’S Engagement with Art Has a Complex and Uneven History
    NICHOLAS THOMAS THOMAS NICHOLAS & CLARK ALISON style and meaning Anthropology’s engagement with art has a complex and uneven history. While style and material culture, ‘decorative art’, and art styles were of major significance for ( founding figures such as Alfred Haddon and Franz Boas, art became marginal as the EDS meaning discipline turned towards social analysis in the 1920s. This book addresses a major ) moment of renewal in the anthropology of art in the 1960s and 1970s. British Essays on the anthropologist Anthony Forge (1929-1991), trained in Cambridge, undertook fieldwork among the Abelam of Papua New Guinea in the late 1950s and 1960s, anthropology of art and wrote influentially, especially about issues of style and meaning in art. His powerful, question-raising arguments addressed basic issues, asking why so much art was produced in some regions, and why was it so socially important? style ANTHONY FORGE meaning Fifty years later, art has renewed global significance, and anthropologists are again considering both its local expressions among Indigenous peoples and its new global circulation. In this context, Forge’s arguments have renewed relevance: they help and edited by scholars and students understand the genealogies of current debates, and remind us of fundamental questions that remain unanswered. ALISON CLARK & NICHOLAS THOMAS This volume brings together Forge’s most important writings on the anthropology anthropology of art Essays on the of art, published over a thirty year period, together with six assessments of his legacy, including extended reappraisals of Sepik ethnography, by distinguished anthropologists from Australia, Germany, Switzerland and the United Kingdom Anthony Forge was born in London in 1929.
    [Show full text]
  • Exploring 'The Rock': Material Culture from Niue Island in Te Papa's Pacific Cultures Collection; from Tuhinga 22, 2011
    Tuhinga 22: 101–124 Copyright © Museum of New Zealand Te Papa Tongarewa (2011) Exploring ‘the Rock’: Material culture from Niue Island in Te Papa’s Pacific Cultures collection Safua Akeli* and Shane Pasene** * Museum of New Zealand Te Papa Tongarewa, PO Box 467, Wellington, New Zealand ([email protected]) ** Museum of New Zealand Te Papa Tongarewa, PO Box 467, Wellington, New Zealand ([email protected]) ABSTRACT: The Pacific Cultures collection of the Museum of New Zealand Te Papa Tongarewa (Te Papa) holds around 300 objects from the island of Niue, including textiles, costumes and accessories, weapons, canoes and items of fishing equipment. The history of the collection is described, including the increasing involvement of the Niue community since the 1980s, key items are highlighted, and collecting possibilities for the future are considered. KEYWORDS: Niue, material culture, collection history, collection development, community involvement, Te Papa. Introduction (2010). Here, we take the opportunity to document and publish some of the rich and untold stories resulting from the The Pacific Cultures collection of the Museum of New Niue collection survey, offering a new resource for researchers Zealand Te Papa Tongarewa (Te Papa) comprises objects and the wider Pacific community. from island groups extending from Hawai‘i in the north to The Niue collection comprises 291 objects. The survey Aotearoa/New Zealand in the south, and from Rapanui in has revealed an interesting history of collecting and provided the east to Papua New Guinea in the west. The geographic insight into the range of objects that make up Niue’s material coverage is immense and, since the opening of the Colonial culture.
    [Show full text]
  • Taonga Pasifika World Heritage in the Pacific
    Taonga Pasifika WORLD HERITAGE IN THE PACIFIC Australian Government Department of the Environment and Water resources Glossary akua gods Hawaiian ‘aumakua guardian spirits Hawaiian fonualoto fa’itoka burial vault Tongan kiore Pacific rat Maori kümara sweet potato Maori langi royal tombs Tongan laulau ai dining table Samoan lupe pigeons Niuean/Samoan marae meeting house Maori matai chief Samoan naflak political system Vanuatu nofoa papa chair Samoan ‘ohi to gather Hawaiian pä fortified settlement Maori peka bats Niuean/Tongan pu sea shell trumpet Hawaiian rai whale Yapese rahui reserves Niuean siapo bark cloth Samoan tapa bark cloth Polynesian origin tanoa faiava bowl buried in sand Samoan taonga treasures Maori tapu taboo Polynesian origin taoga treasures Niuean Contents Introduction 2 Message from Tumu te Heuheu 3 Voyaging 4 The Pacific’s Crested Voyager 5 Voyaging for Stone Money 6 Adaptation 8 Kuk—origins of agriculture in the Pacific 10 Lapita—Pacific ancestors 11 Marae Taputapuatea 12 Ha’amonga ‘a Mau’i—the Tongan trilithon 14 Lapaha Tombs—a link with Tonga’s ancient royal heritage 15 Chief Roi Mata’s Domain—a journey through life and legend 16 Tapa Cloth 17 Nan Madol—sacred islets of Pohnpei 18 Rapa Nui’s Magnificent Moai 20 Front cover image: Masked Booby Map of the Pacific 22 (Sula dactylatra) Photo: C. Grondin Levuka—a colonial Pacific port 24 Hawai‘i—people of the land 26 Fagaloa Bay—Uafato/Tiavea Conservation Zone 28 Living their Ancestors’ Lives 30 Huvalu Forest 31 New Caledonia’s Sea of Treasures 32 East Rennell 34 Kakadu National Park—indigenous management 36 For the Good of Mankind 38 New Zealand’s World Heritage Sites 40 Country Profiles 42 1 Introduction Kia orana, ni sa bula, fakaalofa lahi atu, malo e lelei, halo olaketa, la orana, kia ora, talofa lava, kam na mauri and welcome to Taonga Pasifika.
    [Show full text]
  • Pacific Islanders and Amerindian Relatedness According to HLA Autosomal Genes
    44 International Journal of Modern Anthropology Int. J. Mod. Anthrop. (2014) 7: 44 - 67 Available online at: www.ata.org.tn ; doi: http://dx.doi.org/10.4314/ijma.v1i7.2 Original Synthesis Report Pacific Islanders and Amerindian relatedness according to HLA autosomal genes Antonio Arnaiz-Villena1, Cristina Areces1, Mercedes Enríquez-de-Salamanca1, Sedeka Abd-El-Fatah-Khalil2, Javier Marco1, Ester Muñiz1, Mercedes Fernández-Honrado2, Manuel Martín Villa1, Diego Rey1 Antonio Arnaiz-Villena is presently Head of Department of Microbiology and Immunology at Complutense University, Madrid, Spain. He has been as Research Fellow in the Middlesex Hospital and The London Hospital, London, UK for 9 years. He has published more than 350 papers in international magazines and 8 books in Immunology, Immunogenetics and Human and Bird Population Genetics. He has directed 48 PhD theses. E-mail: [email protected]. Web page: http://chopo.pntic.mec.es/biolmol/ 1Departament of Immunology, University Complutense, Madrid Regional Blood Center, Madrid, Spain 2Departament of Haematology, Madrid Regional Blood Center, Madrid, Spain Abstract - Americas peopling has recently been explained based only on genetic data. While different First America inhabitants’ ethnic groups, Amerindians, Na-Dene speakers, Aleuts and Eskimo there exist, there is no either genetic, cultural or anthropological homogeneity within these groups. In the present work, we have particularly addressed the relatedness of First America Inhabitants with Pacific Islanders by using autosomal genetic markers: the HLA alleles. HLA is the most polymorphic human genetic system accounting for 9,438 alleles; this is most useful for comparing populations relatedness. Ethnic groups of Pacific Islanders and First America Inhabitants have been used.
    [Show full text]
  • Maritime and Waterways Safety Project
    Poverty and Social Assessment Report November 2012 PNG: Maritime and Waterways Safety Project ii CURRENCY EQUIVALENTS (as of 5 November 2012) Currency unit – kina (K) K1.00 = $0.49 $1.00 = K2.06 ABBREVIATIONS ADB – Asian Development Bank AIDS – Acquired Immune Deficiency Syndrome AusAID – Australian Agency for International Development BAHA – Business Coalition Against HIV/AIDS CALC – Community and Lands Coordinator CEDAW – UN Convention for the Elimination of Discrimination Against Women CEP – Community Engagement Program CDD – Community Development Department CDO – Community Development Officer CLC – Community Lighthouse Committee CPI – Consumer Price Index DA – District Administrator DLPP – Department of Lands and Physical Planning DSP – PNG Development Strategic Plan 2012-2030 ENB – East New Britain FGD – Focus Group Discussions FPIC – free, prior and informed consent GAP – Gender Action Plan GDI – Gender Development Index GDP – Gross Domestic Product GoPNG – Government of Papua New Guinea HDI – Human Development Index HIV – Human Immunodeficiency Virus ILG – Incorporated Land Group LIR – land investigation report LLG – Local Level Government LMS – London Missionary Society MCH – maternal and child health services MDG – Millennium Development Goals MOA – Memorandum of Agreement MTDP – Medium Term Development Plan 2011-15 MTDS – Medium Term Development Strategy 2011-15 NCD – National Capital District NCW – National Council of Women NDOH – National Department of Health NEP – National Education Plan NGO – Non-governmental organization
    [Show full text]
  • Sharks, Sea-Slugs and Skirmishes: Managing Marine and Agricultural
    Sharks, sea slugs and skirmishes: managing marine and agricultural resources on small, overpopulated islands in Milne Bay, PNG. Simon Foale RMAP Program, Research School of Pacific and Asian Studies, The Australian National University November 2005 Contents Abstract.........................................................................................................................3 Introduction..................................................................................................................3 Results ...........................................................................................................................6 Population and Services.............................................................................................6 Health.....................................................................................................................8 Education ...............................................................................................................9 Agriculture ...............................................................................................................10 Trade stores..............................................................................................................12 Workboats................................................................................................................13 Sailaus......................................................................................................................13 Dinghies ...................................................................................................................14
    [Show full text]
  • A Study of the Role of Cricket in The
    The Willow and the Palm: an exploration of the role of cricket in Fiji Thesis submitted by Narelle McGlusky BA (Hons) James Cook in October 2005 for the degree of Doctor of Philosophy in the School of Humanities James Cook University ELECTRONIC COPY I, the undersigned, the author of this work, declare that the electronic copy of this thesis provided to the James Cook University Library, is an accurate copy of the print thesis submitted, within the limits of the technology available. _______________________________ _______________ Signature Date STATEMENT OF ACCESS I, the undersigned author of this work, understand that James Cook University will make this thesis available for use within the University Library and, via the Australian Digital Theses network, for use elsewhere. I understand that, as an unpublished work, a thesis has significant protection under the Copyright Act and; I do not wish to place any further restriction on access to this work _____________________________________ ______________ Signature Date STATEMENT OF SOURCES DECLARATION I declare that this thesis is my own work and has not been submitted in any form for another degree or diploma at any university or other institution of tertiary education. Information derived from the published or unpublished work of others has been acknowledged in the text and a list of references is given. ________________________________ __________________ Signature Date Abstract The starting point for this thesis is an investigation of the political role of cricket in the development of national identity among the colonies of the British Empire. The British invested the game with moral and political values and openly employed it to impose these values on their colonial populations.
    [Show full text]
  • Culture, Capitalism and Contestation Over Marine Resources in Island Melanesia
    Changing Lives and Livelihoods: Culture, Capitalism and Contestation over Marine Resources in Island Melanesia Jeff Kinch 31st March 2020 A thesis submitted for the Degree of Doctor of Philosophy School of Archaeology and Anthropology Research School of Humanities and the Arts College of Arts and Social Sciences Australian National University Declaration Except where other information sources have been cited, this thesis represents original research undertaken by me for the degree of Doctor of Philosophy in Anthropology at the Australian National University. I testify that the material herein has not been previously submitted in whole or in part, for a degree at this or any other institution. Jeff Kinch Supervisory Panel Prof Nicolas Peterson Principal Supervisor Assoc Prof Simon Foale Co-Supervisor Dr Robin Hide Co-Supervisor Abstract This thesis is both a contemporary and a longitudinal ethnographic case study of Brooker Islanders. Brooker Islanders are a sea-faring people that inhabit a large marine territory in the West Calvados Chain of the Louisiade Archipelago in Milne Bay Province of Papua New Guinea. In the late 19th Century, Brooker Islanders began to be incorporated into an emerging global economy through the production of various marine resources that were desired by mainly Australian capitalist interests. The most notable of these commodified marine resources was beche-de-mer. Beche-de-mer is the processed form of several sea cucumber species. The importance of the sea cucumber fishery for Brooker Islanders waned when World War I started. Following the rise of an increasingly affluent China in the early 1990s, the sea cucumber fishery and beche-de-mer trade once again became an important source of cash income for Brooker Islanders.
    [Show full text]