Jennifer Harding Photo: Andy Coxon

Total Page:16

File Type:pdf, Size:1020Kb

Jennifer Harding Photo: Andy Coxon 191 Wardour Street London W1F 8ZE Phone: 020 7439 3270 Email: [email protected] Website: www.olivia-bell.co.uk Jennifer Harding Photo: Andy Coxon Named by HELLO Magazine as "Rising Star of 2018", Solo album debut 2018. For Night Of The Living Dead: “Harding balances Helen and Judy in a brilliant reverse double-act that only gets funnier the more you watch.” (London Horror Society), As Fanny Brice in Funny Girl: "Harding is Remarkable" (Sunday Show Tunes). For Legally Blonde: "Harding is a master of comic delivery..." (Musical Theatre Review), "Outstanding performance" (The Stage). Clockmaker's Daughter: "A Bonafide star in the making" (Time Out), "..Harding shows how incredibly talented she is..." (West End Wilma). Eastern European, Appearance: Scandinavian, White Bedford, England, United Kingdom Other: Actra Apprentice Location: Greater London, England, United Kingdom Eye Colour: Green Peterborough, England, United Kingdom Hair Colour: Blond(e) Height: 5'4" (162cm) Hair Length: Long Playing Age: 25 - 35 years Voice Quality: Bright Voice Character: Enthusiastic Credits 2019, Pantomime, Spirit Of the Ring, ALADDIN, UK Productions, Chris Pizzey 2019, Stage, Helen/Judy, NIGHT OF THE LIVING DEAD, Aria/Senbla, Benji Sperring 2019, Video Game, Mila "Wyvern" Radek, multiple voices, THE DIVERSION 2, Ubisoft 2018, Pantomime, Slave Of The Ring, ALADDIN, UK Productions, Andrew Agnew 2018, Film, Polish Waitress, LONDON ARABIA, Drone Films LTD, Daniel Jewel 2018, Musical, Jennifer, ITS ONLY LIFE, Aria Ents, Tanya Azevedo 2018, Musical, April, COMPANY, Aberdeen Arts Centre, Derek Anderson 2017, Musical, Emma/Cover (and played) Fanny Brice, FUNNY GIRL (UK TOUR), SFP/Michael Harrison, Michael Mayer/Richard Fitch 2016, Musical, Ensemble/1st Cover Tanya/Donna/2nd Cover Rosie, MAMMA MIA!, Littlestar/Nick Grace Management, Paul Garrington 2016, Cabaret, Woman 1, THE GREAT JEWISH AMERICAN SONGBOOK, Upstairs At The Gatehouse, Aria Ents, Matthew Gould 2015, Musical, Lead Singer, SO THIS IS CHRISTMAS, Flying Music, Carole Todd 2015, Musical, Elle Woods, LEGALLY BLONDE, Kilworth House, Mitch Sebastian 2015, Musical, Constance, THE CLOCKMAKER'S DAUGHTER, The Landor Theatre, Robert McWhir 2015, Concert, Constance, THE CLOCKMAKER'S DAUGHTER IN CONCERT, St James Theatre, Robert McWhir 2015, Recording, Featured Artist, COOL RIDER: ORIGINAL WEST END RECORDING, Lee Freeman 2015, Concert, Featured Singer, BLAME CANADA!, Relative Motion/ St James Theatre, Christopher Lane 2014, Musical, Lola La Mar, COPACABANA, UK Tour, Thom Southerland 2014, Workshop, Amanda Woods, THE HOLIDAY, Songs From The Playground, The Union Theatre, John Kristian 2014, Concert, Angel, THE IRISH ANGELS, Mandela Theatre Johannesburg 2013, Concert, Feature Singer, CHRISTMAS ON ICE, Spirit USA, Emma Rogers 2013, Musical, Lead Female Singer, HOORAY FOR HOLLYWOOD (US), Dublin Worldwide, Emma Rogers 2012, Musical, Lead Singer, BROADWAY'S SPIRIT OF CHRISTMAS- US TOUR, Dublin Worldwide, Brian Rodgers 2012, Musical, Lead Singer, DANCING QUEEN- UK TOUR, Spirit Productions, Alan Harding 2011, Musical, Lorraine, BOOGIE WONDERLAND, Qdos Entertainment/ CCL, Alan Harding 2008, Workshop, Helena, ALL'S WELL THAT ENDS WELL, RADA Professional Program, Brigid Panet 2006, Pantomime, Christmas Fairy, THE MAGIC TOYSHOP, Stage West Canada, Andrew Lamb Jennifer Harding 1/2 2006, Stage, Clerk/Stripper/Ensemble, THE GRADUATE, The Grand/ London, Canada, Miles Potter 2006, Stage, Lady Teazle, THE SCHOOL FOR SCANDAL, George Brown Theatre, Miles Potter 2002, Film, Cindy, SQUEEZE BOX, Canadian Film Centre, Andrew Hull Accents & Dialects: (* = native) American-California, American-East Coast, American-Midwest, American-New England, American-New York, American-North East, American-Southern States, American-Standard, American-West Coast, American-Western States, Canadian*, Central Scottish, Czech, English-Standard, French, Polish, RP Performance: Actor-Singer, ADR-Additional Dialogue Recording, Children's Theatre, Comedy, Commedia Dell'Arte, Master of Ceremonies, Musical Comedy, Outdoor Performances, Physical Theatre, Professional Singer, Repertory, Theatre In Education, TV Presenting, Voice Over Other Skills: Aerial Work, Alexander Technique, Contortionist, Drama Workshop Leader, Lyricist, Story Telling, Writer Powered by Spotlight and Tagmin The information in this CV has been provided by or on behalf of the client concerned via Spotlight.com. Every effort has been made to make sure that the information contained in this page is correct and Spotlight and Tagmin can accept no responsibility for its accuracy. Jennifer Harding 2/2.
Recommended publications
  • DISTINGUISHED ALUMNI As of 3/1/2017
    University of Northern Colorado School of Theatre Arts and Dance DISTINGUISHED ALUMNI as of 3/1/2017 Broadway – 25 Performers (55 Productions) Josh Buscher – West Side Story 2009 (OC), Pricilla Queen of the Desert (OC), Big Fish (OC) Ryan Dinning – Machinal (OC) Jenny Fellner – Wicked, Mamma Mia, The Boyfriend, Pal Joey (OC) Scott Foster – Forbidden Broadway (Alive and Kicking) 2013, Brooklyn (OC), Forbidden Broadway (Alive and Kicking) 2014 Greg German – Assassins (OC), Biloxi Blues (OC), Boeing/Boeing Patty Goble – Bye Bye Birdie 2009 (OC), Curtains (OC), The Woman in White (OC), La Cage Aux Follies 2004 (OC), Kiss Me Kate 1999 (OC), Ragtime (OC), Phantom of the Opera Derek Hanson – Anything Goes (Sutton Foster), Side Show (2014 Revival), An American in Paris (2016), Tamara Hayden – Les Miz, Cabaret Autumn Hulbert – Legally Blonde Aisha Jackson – Beautiful: The Carol King Musical, Waitress (OC) Ryan Jesse – Jersey Boys Patricia Jones – Buried Child (OC), Indiscretions (w/Kathleen Turner) Andy Kelso – Mamma Mia, Kinky Boots (OC) Beth Malone – Ring of Fire (OC), Fun Home (OC)+ Victoria Matlock – Million Dollar Quartet (OC) Jason Olazabal – Julius Caesar (OC) (w/Denzel Washington) Laura Ryan – Country Roads The John Denver Musical (OC) Lisa Simms – A Chorus Line Andrea Dora Smith – Tarzan, Motown (OC) Erica Sweany – Honeymoon in Vegas – The Musical (OC) Jason Veasey – The Lion King Jason Watson – Mamma Mia Aléna Watters – Sister Act (OC), Adams Family Musical (OC), West Side Story 2009, Wysandria Woolsey – Chess, Parade, Beauty and the
    [Show full text]
  • JERSEY BOYS and KINKY BOOTS Highlight the 2017-18 Broadway at the Orpheum Theatre Series
    FOR IMMEDIATE RELEASE Press Contact: Reida York Director of Advertising and Public Relations 816.559.3847 office | 816.668.9321 cell [email protected] JERSEY BOYS and KINKY BOOTS Highlight the 2017-18 Broadway at The Orpheum Theatre Series PHOENIX, AZ – The Tony Award®-winning Best Musicals JERSEY BOYS and KINKY BOOTS highlight the 2017-18 Broadway at The Orpheum Theatre Series, presented by Theater League in Phoenix, Arizona, at the beautiful Orpheum Theatre. Season renewals and priority orders are available at BroadwayOrpheum.com or by calling 800.776.7469. “We are thrilled to bring such powerful productions to the Orpheum Theatre,” Theater League President Mark Edelman said. “We are honored to be a part of this community and we look forward to contributing to the arts and culture of Phoenix with this strong season.” The Broadway in Thousand Oaks line-up features the best of Broadway, including the international sensation, JERSEY BOYS, the high-heeled hit, KINKY BOOTS, the nostalgic standard, MUSIC MAN: IN CONCERT, and the legendary classic, A CHORUS LINE. The 2017-18 Broadway at The Orpheum Theatre Series includes the following hit musicals: MUSIC MAN: IN CONCERT December 1-3, 2017 A Broadway classic in concert featuring the nostalgic score of rousing marches, barbershop quartets and sentimental ballads, which have become popular standards. Meredith Willson’s musical comedy has been delighting audiences since 1957 and is sure to entertain every generation. Harold Hill is a traveling con man, set to pull a fast one on the people of River City, Iowa, by promising to put together a boys band and selling instruments — despite the fact he knows nothing about music.
    [Show full text]
  • Legally Blonde: Introduction
    Being true to yourself never goes out of style! WINNER BEST NEW MUSICAL 2011 OLIVIER AWARD EDUCATION KIT AUSTRALIAN PREMIERE SEASON • SYDNEY LYRIC LegallyBlonde.com.au facebook.com/ legallyblondemusical @legallyblondeoz Legally Blonde: INTRODUCTION INTRODUCTION This teacher’s guide has been developed as a teaching tool to assist teachers who are bringing their students to see the show. This guide is based on Camp Broadway’s StageNOTES, conceived for the original Broadway musical adaptation of Amanda Brown’s 2001 novel and the film released that same year, and has been adapted for use within the UK and Australia. The Australian Education Pack is intended to offer some pathways into the production, and focuses on some of the topics covered in Legally Blonde which may interest students and teachers. It is not an exhaustive analysis of the musical or the production, but instead aims to offer a variety of stimuli for debate, discussion and practical exploration. It is anticipated that the Education Pack will be best utilised after a group of students have seen the production with their teacher, and can engage in an informed discussion based on a sound awareness of the musical. We hope that the information provided here will both enhance the live theatre experience and provide readers with information they may not otherwise have been able to access. Legally Blonde is an uplifting, energising, feel-good show and with that in mind we hope this pack will be enjoyed through equally energising and enjoyable practical work in the classroom and drama studio. 1 Legally Blonde: INTRODUCTION LEgally Blonde Education Pack CONTENTS PAGE INTODUCTION 1.
    [Show full text]
  • Director's Notes
    DIRECTOR’S NOTES Thoughts on LEGALLY BLONDE The musical Legally Blonde is based on a novel by Amanda Brown and the 2001 film of the same name directed by Robert Luketic. The film was nominated for a Golden Globe Award for Best Motion Picture: Musical or Comedy and ranks 29th on Bravo’s 2007 list of “100 Funniest Movies.” Premiering on January 23, 2007 in San Francisco, the Broadway musical version of Legally Blonde opened in NYC at the Palace Theatre on April 29, 2007. The show’s stars, Laura Bell Bundy, Christian Borle, and Orfeh were all nominated for Tony Awards. Later, the Broadway show was the focus of an MTV reality TV series called “Legally Blonde – The Musical: The Search for Elle Woods,” in which the winner would take over the role of Elle on Broadway. The Broadway show closed on October 19, 2008 after 595 performances. But even more successful than the Broadway run of Legally Blonde, was a highly lauded 3 year run at the Savoy Theatre in London’s West End, in which the show was nominated for five Laurence Olivier Awards. It won three, including Best New Musical. Since then, Legally Blonde has enjoyed international success in productions seen in South Korea, The Netherlands, France, The Philippines, Sweden, and Finland. Certainly, it is undeniable that both film and musical are pure escapist joy. But Legally Blonde does have a point beyond its camp wondrousness – and that is to challenge the way people make assumptions about appearance. For whether you are a beautiful bubbly blonde (like our heroine, Elle) or someone more “serious” in nature, we all have had to, at one time or another, battle prejudice against ourselves.
    [Show full text]
  • Asolo Repertory Theatre Presents Fanny Brice, America's Funny Girl
    For Immediate Release: April 24, 2012 Media Contact: Steph Gray, Public Relations Coordinator 941.351.9010 ext. 4800; [email protected] Asolo Repertory Theatre presents Fanny Brice, America’s Funny Girl (SARASOTA, Fla.)- Before there was a Lucy or Ethel, Gracie Allen or Imogene Coca, Fanny Brice was the female comic superstar. Fanny Brice, America's Funny Girl will be open May 23, 2012 and run until June 17, 2012. Previews begin May 20. Fanny Brice, America’s Funny Girl is a reworking of Maltz Jupiter Theatre’s 2009 hit production Fanny Brice: The Real Funny Girl. Writer and Director David H. Bell modified the script and is bringing Asolo Rep the most inspiring version yet. TCPalm raved, “Marya Grandy may not be the real Fanny Brice…but she just might be a new version of Ethel Merman. That’s with a little Patti LuPone and the emotional singing delivery al a Judy Garland tossed in for good measure”. WJTW FM said “what really brought the audience to its feet for a standing ovation however was the finale…it doesn’t get any better than that.” Born Fania Borach on the Lower East Side of New York City in 1891, Brice began her career on stage with a burlesque troupe at the age of 17. Two years later she was headlining for the Ziegfeld Follies, and by 1921 she released her signature song, “My Man.” Brice became one of the biggest comedic stars to grace the stage, yet her personal life wasn’t as successful, with heartache and betrayal followed her at every step and her three marriages all ending in divorce.
    [Show full text]
  • Download Cast and Crew Here
    I - !!! I* CAST T WHOgS-, WHO IN THN SItrlIS (Errse*rl:le' u/S Bill ALEJAI{DRA }IATOS tEnsexzble} From Caracas, JAQUEZ ANDBf Broadway: ri{otow'n {Swing)' Venezuela. She is thrilled to be part of this ireau- Devuuey, Irtn-r' SciJ:elli) (Rudolpho). Broadrvayl titul east. Starting her training in her country Natianal Tour l\atilda OfY I (Trip Allen), Apollo Ct*h Hulent $ and continuing herJance career in LA aad NY' NYC: Spanrle,r I ''?he (Featnred Beats By TY credlts inelude "Americas Got Talent-" Dancer). Nationai Commelcial: T playing LeBron Best Time Ever" (F{BCi- Theater cledils include Dre l'eaturing Pharrell. Lasl seen , Chicago flative and Crtrmen An Afro-Cubart Musical. Special James in Le\roil: The Mltsittrl- '{ati and Moill tharks to my lamily. merto.rs and the Universe' Tisch graduate. Much iove to CTC. Brick @alekitty @justiaquez DEQUINA fr'IOOBE (Backup Vocolisr, College FIICOLE SPENCER (Eizseatble) AfBr traiilhg at in Dance Gitl, Ensemble, ulS Nicki Mnrron, Rachel Marrot) Tampa Ballet Center, she earned her BFA f cretiits include: Broadrvay: Legallr* Btoncle (Pilar). Ii*/e Shop of frcm Florida Stati Unive$it)'. Far-orite g Tour Capair/Swing). fJorrors {Chiffon), Two Gentlemen o! Ve rona, flapp -t Ditl' Dancittg National {Dance $ Inaugural Royal kincess, g Da1's {Joyce}" ffnir. Nat'l Touts: Fluslatlarlce (Kiiri)' The Potal Off-Broadrvay, 4 i$adea's Big Hoppy F**riJ-r" (Rose)' Film: Jo;'f,rl Andrea Bocelii. ard SNL. Nicole sends all her love to ; ldoi.re (Devonne), Mcdea's Big llappy Family. Ghast Mom, Dad, andChris! Tov,* Rachet Gettiag Married, Cttnp- TY: "Lz'N & Order: SVU" {guest star), "Racirtg For Time" LAU*EN TANNER (.luj*s) is delighted to be patt {: {Tsnya}, "Third Watch" iTania Manroe), "Al1 Falls ol The Bodlgu* tll Lauren is a graduale of Oklahoma Down" (Nycole).
    [Show full text]
  • Hairspray:”PAHS Can’T Stop the Beat!
    VOLUME 11, ISSUE 6 “HOME OF THE PHANTOMS” March 2015 “Hairspray:”PAHS can’t stop the beat! Written by: Amanda blues from the time period. During this time, audience want to get up and dance too. “The the fight for civil rights was at its peak and musical has wonderfully catching tunes. You Hozyash discrimination and segregation was on every walk out and you’re still humming them all,” block. President Lyndon B. Johnson pushed Mrs. Tavani said. the Civil Rights Act through Congress, which The musical’s original Broadway produc- was supposed to prohibit discrimination in In the last week of March tion opened on August 15, 2002, won eight public places. Women and minorities finally Tony Awards out of thirteen nominations, you may see some of your peers walking began to grasp the through the halls repeating their lines, hum- respect in society ming tunes, or wearing dolled-up suits and that they had been old-fashioned dresses. This isn’t for any his- hoping for. Alt- tory project, but for the spring musical: hough these laws “Hairspray.” All theatre shows here at PAHS were enforced, African Ameri- cans’ problems were not com- pletely solved. In the show, Tra- cy Turnblad, a plump teenager growing up in Baltimore, Mary- land dreams of performing on The Corny Col- lins Show, a local TV dance pro- gram. When she wins the role, she meets people of all races, and Tracy and friends join Motormouth Maybelle encourages them at her record shop. to be on the show with her, but some people don’t agree with racial inclusion.
    [Show full text]
  • Doin' It for Sugar
    DOIN’ IT FOR SUGAR Hot rights, Herman and Stewart proceeded tive and drab. We all looked on in astonish - using the Fanfaren der Liebe source mate - ment and said, ‘How can you be funny on a ometimes timing is everything. If, for rial only. At that point, the show was titled One brown set. How do you get light and happy example, Sugar , a musical based on of the Girls . The time frame was moved to the on a brown set?’” And so Jo Mielziner was Sa beloved film comedy, with two great 1940s and in that version there was little re - out and Robin Wagner was in. male starring roles, directed by an amaz - sembling Some Like It Hot and Merrick was ing director/choreographer, had opened not especially annoyed and unhappy, and when The show opened, reviews were tepid, in April 1972 but in April 2001, the year an - Merrick was especially annoyed and unhappy songs came and went, characters came other musical based on a beloved film com - it was especially unpleasant to be on the cre - and went, and Champion and company edy, with two great male starring roles, ative team. Herman and Stewart resigned and worked on the show while they played the directed by an amazing director/choreog - then, magically, somehow Merrick finally show at night. At one of the rehearsals, rapher, my guess is it would have been a snagged the rights to the Ho t screenplay. Bert Michaels, who was assisting Cham - smash hit and run for a very long time. But pion, came up with the brilliant idea that The Producers had the timing and Sugar The title was changed to Nobody’s Perfect Spats Palazzo should tap like a machine didn’t.
    [Show full text]
  • Clear Space Announces the 2017 Summer
    P R E S S R E L E A S E From: Clear Space Theatre Company Contact: Wesley Paulson Phone: 302.227.2270 Email: [email protected] JUNE 16 2017: FOR IMMEDIATE RELEASE Come learn what Devon Frieder (Val), Andrew Cuccaro (Bobby) and Abigail Matsusaka (Enid) did for love, as Clear Space Theatre’s summer repertory season opens Tuesday, June 27, with A CHORUS LINE! Watch as they audition for a Broadway chorus – and allow us glimpses of their inner lives, fragile hopes and poignant ambitions. Filled with well-known – and much-loved – classics like “At the Ballet” and “I Hope I Get It,” A CHORUS LINE delivers the perfect ending to a perfect day at the beach. Next up on the season’s three-show roster: LEGALLY BLONDE, opening Friday, June 30! Join Elle (Frieder) as she transforms herself from Malibu party girl to law school legend and tries to win back the man who rejected her – but will she still even want him?! THE LITTLE MERMAID, opening Wednesday, July 5, completes the season’s rotating musical trio. Based on Hans Christian Anderson’s beloved story - and the animated Disney movie – THE LITTLE MERMAID brings us a tale (tail?) of wave-washed lovers, duplicitous sea folk and some unlikely friends who come flying, scuttling or swimming to the rescue. Join Ariel (Frieder) as she seeks to win Prince Eric’s love and Flounder (Cuccaro) as he helps her in her struggle to achieve – what else? A fairy tale ending! Says Wesley Paulson, Clear Space’s Executive Director, “This season has something for everyone! A CHORUS LINE is a classic musical, THE LITTLE MERMAID offers a show for all ages, and LEGALLY BLONDE beings a modern musical show to the stage.
    [Show full text]
  • Newspaper Story About 50 Students Performed in Legally Blonde The
    Newspaper Story About 50 students performed in Legally Blonde The Musical at Somers High School on Friday night. Somers High School students audition to perform a musical every March. Rehearsals for the musical began in January for two hours Thursday through Friday. Senior Jessie Shaw who played the lead, Elle Woods, in Legally Blonde described the rehearsals as craziness and fun. “This is a really hard show musically,” Shaw said. “We didn’t realize going into it. It’s a lot of weird key changes and tempo changes. It took a lot of cast cooperation. We really pulled through. In the rehearsals, we all became so close, just because it was such a challenge.” Shaw began performing when she was 7-years-old. She performed in many roles but said this role might be her favorite. Junior Daniel Kushner who played the male lead, Emmett Forest, in Legally Blonde began performing when he was 11-years-old. Both Shaw and Kushner agreed that the audience is the best part about performing. “I just love people watching me and enjoying the things that I’ve worked hard to make,” Kushner said. “It’s amazing that people get to enjoy the things that I produce.” Despite their love for performing, it does have its challenges. Shaw described the multi- tasking that’s required for actors and actresses in musicals, because they sing, dance, and act at the same time. Kushner agreed that the worst part about performing is the stress that comes with it. “I was freaking out about hitting a certain note for two and a half hours,” Kushner said.
    [Show full text]
  • Issue 2 2015|2016 SEASON
    2015|2016 SEASON Issue 2 TABLE OF Dear Friend, It has finally happened. It always CONTENTS seemed that Kiss Me, Kate was the perfect show for the Shakespeare 1 Title page Theatre Company to produce. It is Recipient of the 2012 Regional Theatre Tony Award® one of the wittiest musical comedies 3 Cast in the canon, featuring the finest Artistic Director Michael Kahn score Cole Porter ever wrote, Executive Director Chris Jennings 4 Director’s Word stuffed to the brim with songs romantic, hilarious, and sometimes both. It is also, not coincidentally, a landmark 8 Story, Musical Numbers adaptation of Shakespeare, a work that no less a critic than and Orchestra W.H. Auden considered greater than Shakespeare’s own The Taming of the Shrew. 9 Music Director’s Word All I can say to the multitudes who have suggested this show to me over the past 29 years is that we waited 13 About the Authors until the moment was right: until we knew we could do a production that could satisfy us, with a cast that could 14 The Taming of work wonders with this material. music and lyrics by Cole Porter the Screwball book by Samuel and Bella Spewack Also, of course, with the right director. He doesn’t need 18 It Takes Two any introduction, having directed two classic (and Performances begin November 17, 2015 classically influenced) musicals for us—2013–2014’s Opening Night November 23, 2015 (Times Two) award-winning staging of A Funny Thing Happened on the Sidney Harman Hall Way to the Forum and 2014–2015’s equally magnificent 24 Mapping the Play Man of La Mancha—but nonetheless I am very happy that STC Associate Artistic Director Alan Paul has agreed to Director Fight Director 26 Kiss Me, Kate and complete his trifecta with Kiss Me, Kate.
    [Show full text]
  • Matilda-Playbill-FINAL.Pdf
    We’ve nevER been more ready with child-friendly emergency care you can trust. Now more than ever, we’re taking extra precautions to keep you and your kids safe in our ER. AdventHealth for Children has expert emergency pediatric care with 14 dedicated locations in Central Florida designed with your little one in mind. Feel assured with a child-friendly and scare-free experience available near you at: • AdventHealth Winter Garden 2000 Fowler Grove Blvd | Winter Garden, FL 34787 • AdventHealth Apopka 2100 Ocoee Apopka Road | Apopka, Florida 32703 Emergency experts | Specialized pediatric training | Kid-friendly environments 407-303-KIDS | AdventHealthforChildren.com/ER 20-AHWG-10905 A part of AdventHealth Orlando Joseph C. Walsh, Artistic Director Elisa Spencer-Kaplan, Managing Director Book by Music and Lyrics by Dennis Kelly Tim Minchin Orchestrations and Additional Music Chris Nightingale Presenting Sponsor: ADVENTHEALTH VIP Sponsor: DUKE ENERGY Matilda was first commissioned and produced by the Royal Shakespeare Company and premiered at The Courtyard Theatre, Stratford-upon-Avon, England on 9 November 2010. It transferred to the Cambridge Theatre in the West End of London on 25 October 2011 and received its US premiere at the Shubert Theatre, Broadway, USA on 4 March 2013. ROALD DAHL’S MATILDA THE MUSICAL is presented through special arrangement with Music Theatre International (MTI) All authorized performance materials are also supplied by MTI. 423 West 55th Street, New York, NY 10019 Tel: (212)541-4684 Fax: (212)397-4684 www.MTIShows.com SPECIAL THANKS Garden Theatre would like to thank these extraordinary partners, with- out whom this production of Matilda would not be possible: FX Design Group; 1st Choice Door & Millwork; Toole’s Ace Hardware; Signing Shadows; and the City of Winter Garden.
    [Show full text]