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Annotated Bibliography -- Trailtones
Annotated Bibliography -- Trailtones Part Three: Annotated Bibliography Contents: Abdul, Raoul. Blacks in Classical Music. New York: Dodd, Mead and Company, 1977. [Mentions Tucson-born Ulysses Kay and his 'New Horizons' composition, performed by the Moscow State Radio Orchestra and cited in Pravda in 1958. His most recent opera was Margeret Walker's Jubilee.] Adams, Alice D. The Neglected Period of Anti-Slavery n America 1808-1831. Gloucester, Massachusetts: Peter Smith, 1964. [Charts the locations of Colonization groups in America.] Adams, George W. Doctors in Blue: the Medical History of the Union Army. New York: Henry Schuman, 1952. [Gives general information about the Civil War doctors.] Agee, Victoria. National Inventory of Documentary Sources in the United States. Teanack, New Jersey: Chadwick Healy, 1983. [The Black History collection is cited . Also found are: Mexico City Census counts, Arizona Indians, the Army, Fourth Colored Infantry, New Mexico and Civil War Pension information.] Ainsworth, Fred C. The War of the Rebellion Compilation of the Official Records of the Union and Confederate Armies. General Index. [Volumes I and Volume IV deal with Arizona.] Alwick, Henry. A Geography of Commodities. London: George G. Harrop and Co., 1962. [Tells about distribution of workers with certain crops, like sugar cane.] Amann, William F.,ed. Personnel of the Civil War: The Union Armies. New York: Thomas Yoseloff, 1961. [Gives Civil War genealogy of the Black Regiments that moved into Arizona from the United States Colored troops.] American Folklife Center. Ethnic Recordings in America: a Neglected Heritage. Washington: Library of Congress, 1982. [Talks of the Black Sacred Harping Singing, Blues & Gospel and Blues records of 1943- 66 by Mike Leadbetter.] American Historical Association Annual Report. -
To South Africans of Color Such As My Mother, Who Came of Age in The
To South Africans of color such as my mother, who came of age in the years after 1948, when the white minority government launched the so- cial experiment known as apartheid, the United States beckoned as a country of promise and opportunity, a faraway place relatively free of the racialized degradation South Africa had come to epitomize. Americans, especially black Americans, were glamorous and well off and lived in beau- tiful homes, my mother and many in her generation believed. Although they understood that whites ran most things in America, too, it was hard to conceive of a life as oppressive as that experienced by people of color under the strictures of South African baaskaap, or white domination. As she planned to leave, my mother believed that she was escaping a country on the verge of self-destruction, its trauma highlighted by events that were increasingly capturing the world’s attention. In 1966, thousands of people had been evicted from District Six, a multiracial area in central Cape Town, and dumped on the barren wastelands of the Cape Flats. In May 1966, anti-apartheid activist Bram Fischer was sentenced to life in prison for his work with the African National Congress (ANC) and its military wing, Umkhonto we Sizwe (Spear of the Nation), and the South African Communist Party. A month later, U.S. Senator Robert F. Kennedy toured the country, speaking out against apartheid, meeting with ANC president-general Albert Luthuli, and criticizing the govern- ment in a historic speech at the University of Cape Town. In July 1966, the government banned nearly one thousand people under the Suppres- sion of Communism Act and the Riotous Assemblies Act. -
Photo I: Benjamin "Pap" Singleton Source: Painter After the Kansas State Historical Society 5
4 Benjamin "Pap" Singleton (Kansas Stale Historical Society) Photo I: Benjamin "Pap" Singleton Source: Painter after the Kansas State Historical Society 5 COLONIZING AFRICAN AMERICAN PLACES IN KANSAS 1857-1885 by Kay Ellen Weller Reason for the study Several African American colonies were established in Kansas between 1857 and 1885. Few people know much, ifanything,aboutmost of these colonies because little was recorded in the local media about them at the time. Nicodemus is the one exception. In 1998 it became a National Historic Site thus receiving much attention from the media. Because scholarly research about these colonies is so scant it is important to study them from a geographic perspective. This paper attempts to do that by answering the following questions: 1) Where were Kansas African American colonies located between 1857 and 1885?; 2) Why did African Americans want to relocate from their homes in the south to Kansas?; 3) What was the state of nativity of the Kansas African American colonist in specific colonies?; 4) Why did most Kansas African American colonies disappear? Conditions in the south and reasons to emigrate The Civil War, although a war of unification, became a war to free slaves with the Emancipation Proclamation ofJanuary 1, 1863. 1 General Robert E. Lee surrendered to General Ulysses S. Grant at the Appomattox Court House in Virginia on April 9, 1865, thus ending the war of four years. The South was left with an infrastructure in shambles and shortages of raw materials and manpower. Poverty and suffering noricul Society) Kay Weller is a Professor of Geography at the University of Northern Iowa. -
Southern Sheriffs of the Twentieth Century
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 2003 "Caretakers of the Color Line": Southern Sheriffs of the Twentieth Century Grace Earle Hill College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the Criminology Commons, International and Area Studies Commons, and the United States History Commons Recommended Citation Hill, Grace Earle, ""Caretakers of the Color Line": Southern Sheriffs of the Twentieth Century" (2003). Dissertations, Theses, and Masters Projects. Paper 1539626415. https://dx.doi.org/doi:10.21220/s2-st0q-g532 This Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. “CARETAKERS OF THE COLOR LINE”: SOUTHERN SHERIFFS OF THE TWENTIETH CENTURY A Thesis Presented to The Faculty of the Department of History The College of William and Mary in Virginia In Partial Fulfillment Of the Requirements for the Degree of Master of Arts by Grace E. Hill 2003 APPROVAL SHEET This thesis is submitted in partial fulfillment of the requirements for the degree of Master of Arts J Grace E. Hill Approved, June 2003 Judith Ewell Cindy Hahamo vitch Cam Walker TABLE OF CONTENTS Page Abstract iv Introduction 2 Part I. Southern Sheriffs: Central Figures in Southern Racial History 8 Part II. Activism: Exposing and Challenging Southern Sheriffs’ Power 28 Part III. Sheriff Lawrence Rainey and Sheriff Jim Clark: 42 The Battle for Voting Rights in Mississippi and Alabama Part IV. -
A Light in Darkness, Oscar Micheaux: Entrepreneur Intellectual Agitator Airic Hughes University of Arkansas, Fayetteville
University of Arkansas, Fayetteville ScholarWorks@UARK Theses and Dissertations 7-2015 A Light in Darkness, Oscar Micheaux: Entrepreneur Intellectual Agitator Airic Hughes University of Arkansas, Fayetteville Follow this and additional works at: http://scholarworks.uark.edu/etd Part of the African American Studies Commons, African History Commons, American Film Studies Commons, and the American Literature Commons Recommended Citation Hughes, Airic, "A Light in Darkness, Oscar Micheaux: Entrepreneur Intellectual Agitator" (2015). Theses and Dissertations. 1317. http://scholarworks.uark.edu/etd/1317 This Thesis is brought to you for free and open access by ScholarWorks@UARK. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ScholarWorks@UARK. For more information, please contact [email protected], [email protected]. A Light in Darkness, Oscar Micheaux: Entrepreneur Intellectual Agitator A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in History By Airic Hughes University of Arkansas Bachelor of Arts in History and African and African American Studies, 2011 July 2015 University of Arkansas This thesis is approved for recommendation to the Graduate Council. __________________ Dr. Calvin White Thesis Director __________________ __________________ Dr. Pearl Ford Dowe Dr. James Gigantino Committee Member Committee Member Abstract: Oscar Micheaux was a luminary who served as an agent of racial uplift, with a unique message to share with the world on behalf of the culturally marginalized African Americans. He produced projects that conveyed the complexity of the true black experience with passion and creative courage. His films empowered black audiences and challenged conventional stereotypes of black culture and potential. -
Exodusters Itinerary
Exodusters Itinerary The Great Exodus of 1879 was a mass movement of 20,000 African Americans from the Southern United States to counties in Kansas following the Civil War. John Brown and his fiery abolitionist friends combined with the anti-slavery Civil War reputation of “Bleeding Kansas” made it seem a fair place where freed men and women and their families would be welcome. Spend a day on the Kansas Wetlands and Wildlife National Scenic Byway as you trace the Exoduster migration and settlement in Barton and Stafford Counties. Begin at the Martin Cemetery in Stafford County and end in Barton County. The tour will take you to local cemeteries, museums and memorials to experience the stories of Exodusters, Cris Collier This tour will also take you through Quivira National Wildlife Refuge and Cheyenne Byway Marketing Coordinator Bottoms Wildlife Area, where you will discover the natural wonders of our extraordinary Great Bend CVB piece of the planet. P.O. Box 274 3007 10th Street Great Bend, KS 67530 Stafford County, Kansas P: 620-792-2750 F: 620-792-7959 Stop 1: Martin Cemetery [email protected] Corner of NW 10 Ave & US-50 HWY, south of St. John. GPS Coordinates: 37.9564, -98.7745 www.KansasByway.com Established in 1906 and last used in 1954, this small, serene cemetery on US Barton County Claflin Highway 50 is populated by Exodusters and their descendants. Freed slaves Ellinwood settled in this part of Kansas beginning in 1879. By 1914 the African American Great Bend Hoisington population of Stafford County was 425. Stafford County Hudson Stop 2: Stafford Cemetery Stafford St. -
2011/2012 Black History Trivia Bowl Study Questions # CATEGORY
2011/2012 Black History Trivia Bowl Study Questions # CATEGORY QUESTION ANSWER Along the Gulf Coast of Louisiana, what type of music is played 1 Arts with the accordion? Zydeco 2 Arts Who wrote "Their Eyes Were Watching God" ? Zora Neale Hurston Which one of composer/pianist Anthony Davis' operas premiered in Philadelphia in 1985 and was performed by the X: The Life and Times of 3 Arts New York City Opera in 1986? Malcolm X Since 1987, who has held the position of director of jazz at 4 Arts Lincoln Center for the Performing Arts in New York City? Wynton Marsalis Of what profession were Langston Hughes, Zora Neale Hurston, and Countee Cullen, major contributors to the Harlem 5 Arts Renaissance? Writers Who wrote Clotel , or The President’s Daughter , the first 6 Arts published novel by a Black American in 1833? William Wells Brown Who published The Escape , the first play written by a Black 7 Arts American? William Wells Brown 8 Arts What is the given name of blues great W.C. Handy? William Christopher Handy What aspiring fiction writer, journalist, and Hopkinsville native, served as editor of three African American weeklies: the Indianapolis Recorder , the Freeman , and the Indianapolis William Alexander 9 Arts Ledger ? Chambers 10 Arts Nat Love wrote what kind of stories? Westerns Cartoonist Morrie Turner created what world famous syndicated 11 Arts comic strip? Wee Pals Who was born in Florence, Alabama in 1873 and is called 12 Arts “Father of the Blues”? WC Handy Georgia Douglas Johnson was a poet during the Harlem Renaissance era. -
Manhattan, Kansas African American History Trail Self-Guided Driving
1 Manhattan, Kansas African American History Trail Self-Guided Driving Tour July 2020 This self-guided driving tour was developed by the staff of the Riley County Historical Museum to showcase some of the interesting and important African American history in our community. You may start the tour at the Riley County Historical Museum, or at any point along to tour. Please note that most sites on the driving tour are private property. Sites open to the public are marked with *. If you have comments or corrections, please contact the Riley County Historical Museum, 2309 Claflin Road, Manhattan, Kansas 66502 785-565-6490. For additional information on African Americans in Riley County and Manhattan see “140 Years of Soul: A History of African-Americans in Manhattan Kansas 1865- 2005” by Geraldine Baker Walton and “The Exodusters of 1879 and Other Black Pioneers of Riley County, Kansas” by Marcia Schuley and Margaret Parker. 1. 2309 Claflin Road *Riley County Historical Museum and the Hartford House, open Tuesday through Friday 8:30 to 5:00 and Saturday and Sunday 2:00 to 5:00. Admission is free. The Museum features changing exhibits on the history of Riley County and a research archive/library open by appointment. The Hartford House, one of the pre-fabricated houses brought on the steamboat Hartford in 1855, is beside the Riley County Historical Museum. 2. 2301 Claflin Road *Goodnow House State Historic Site, beside the Riley County Historical Museum, is open Saturday and Sunday 2:00 to 5:00 and when the Riley County Historical Museum is open and staff is available. -
African Reflections on the American Landscape
National Park Service U.S. Department of the Interior National Center for Cultural Resources African Reflections on the American Landscape IDENTIFYING AND INTERPRETING AFRICANISMS Cover: Moving clockwise starting at the top left, the illustrations in the cover collage include: a photo of Caroline Atwater sweeping her yard in Orange County, NC; an orthographic drawing of the African Baptist Society Church in Nantucket, MA; the creole quarters at Laurel Valley Sugar Plantation in Thibodaux, LA; an outline of Africa from the African Diaspora Map; shotgun houses at Laurel Valley Sugar Plantation; details from the African Diaspora Map; a drawing of the creole quarters at Laurel Valley Sugar Plantation; a photo of a banjo and an African fiddle. Cover art courtesy of Ann Stephens, Cox and Associates, Inc. Credits for the illustrations are listed in the publication. This publication was produced under a cooperative agreement between the National Park Service and the National Conference of State Historic Preservation Officers. African Reflections on the American Landscape IDENTIFYING AND INTERPRETING AFRICANISMS Brian D. Joyner Office of Diversity and Special Projects National Center for Cultural Resources National Park Service U.S. Department of the Interior 2003 Ta b le of Contents Executive Summary....................................................iv Acknowledgments .....................................................vi Chapter 1 Africa in America: An Introduction...........................1 What are Africanisms? ......................................2 -
James Chaney James Earl Chaney, the Son of a Plasterer, Was Born In
Page 1 of 3 James Chaney James Earl Chaney, the son of a plasterer, was born in Meridian, Mississippi, on 30th May 1943. An early supporter of the struggle for civil rights, Chaney was suspended from school for wearing a NAACP badge. After leaving Harris Junior College he worked with his father as an apprentice plasterer. In October, 1963, Chaney began volunteer work at the Meridian office of the Congress on Racial Equality (CORE). He impressed Michael Schwerner, the head of the office, and was recommended for a full-time post with the organisation. Chaney was involved with the CORE's Freedom Summer campaign. On 21st June, 1964, Chaney, along with Andrew Goodman and Michael Schwerner, went to Longdale to visit Mt. Zion Methodist Church, a building that had been fire-bombed by the Ku Klux Klan because it was going to be used as a Freedom School. On the way back to the CORE office in Meridian, the three men were arrested by Deputy Sheriff Cecil Price. Later that evening they were released from the Neshoba jail only to be stopped again on a rural road where a white mob shot them dead and buried them in a earthen dam. When Attorney General Robert Kennedy heard that the men were missing, he arranged for Joseph Sullivan of the Federal Bureau of Investigations (FBI) to go to Mississippi to discover what has happened. On 4th August, 1964, FBI agents found the bodies in an earthen dam at Old Jolly Farm. Page 2 of 3 James Earl Chaney's mother, Fannie Chaney and brother Ben at his funeral. -
Second Isaiah Lands in Washington, DC: Martin Luther King, Jr.’S “I Have a Dream” As Biblical Narrative and Biblical Hermeneutic
KHRHR0735-01981532-7981Rhetoric Review,EITH Vol. 26, No. 4, Jul 2007: D. pp. 0–0 MILLER Arizona State University Rhetoric Review Second Isaiah Lands in Washington, DC: Martin Luther King, Jr.’s “I Have a Dream” as Biblical Narrative and Biblical Hermeneutic EvenSecondRhetoric Isaiah Review Lands in Washington, though DC Martin Luther King, Jr. constantly cited the Bible, no one has seri- ously examined his rhetoric as biblical hermeneutic. Here I argue that in “I Have a Dream,” King explodes closed memories of the Exodus by reconceptualizing a hermeneutic of (Second) Isaiah as he interprets African-Americans’ experience of oppression and exile in Babylon/America and their hope for a new Exodus. Draw- ing on African-American political rhetoric, King spotlights biblical writers’ dia- logue with each other and extends the arc of biblical narrative into the present. He also anticipates certain forms of liberation theology of the 1970s and beyond. “I Have a Dream” copyright 1963 the estate of Martin Luther King, Jr., copyright renewed 1991 Coretta Scott King. In our schools and universities, Martin Luther King, Jr.’s “I Have a Dream” is taught much more frequently than any other speech.1 Indeed, many English textbooks represent the entire history of oratory through this speech and no other. It is so popular that Michael Eric Dyson, a King scholar and prominent public intellectual, argued in 2002 that it deserves a moratorium for ten years. That mor- atorium, however, has not begun and will not begin, for public attention lavished on the speech will not abate either in our classrooms or on public observances during the King Holiday. -
The Cambridge Guide to African American History Raymond Gavins Frontmatter More Information
Cambridge University Press 978-1-107-10339-9 — The Cambridge Guide to African American History Raymond Gavins Frontmatter More Information The Cambridge Guide to African American History This book emphasizes blacks’ agency and achievements in the nine- teenth and twentieth centuries, notably outcomes of the Civil Rights Movement. To consider the means or strategies that African Americans utilized in pursuing their aspirations and struggles for freedom and equality, readers can consult subjects delineating ideological, institu- tional, and organizational aspects of black priorities, with tactics of resistance or dissent, over time and place. The entries include but are not limited to Afro-American Studies; Anti-Apartheid Movement; Antilynching Campaign; Antislavery Movement; Black Power Movement; Constitution, US (1789); Conventions, National Negro; Desegregation; Durham Manifesto (1942); Feminism; Four Freedoms; Haitian Revolution; Jobs Campaigns; the March on Washington (1963); March on Washington Movement (MOWM); New Negro Movement; Niagara Movement; Pan-African Movement; Religion; Slavery; Violence, Racial; and the Voter Education Project. While pro- viding an important reference and learning tool, this volume offers a critical perspective on the actions and legacies of ordinary and elite blacks and their nonblack allies. Raymond Gavins is professor of history at Duke University. He is the author of The Perils and Prospects of Southern Black Leadership (1993) and dozens of scholarly articles, essays, book chapters, and reviews. He co-edited Remembering Jim Crow (2001). The co-recipient of the Oral History Association Distinguished Project Award (1996) and the Lillian Smith Book Award (2002), he received the John W. Blassingame Award for “distinguished scholarship and mentorship in African American history” (2008).