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'Goblinlike, Fantastic: Little People and Deep Time at the Fin De Siècle
ORBIT-OnlineRepository ofBirkbeckInstitutionalTheses Enabling Open Access to Birkbeck’s Research Degree output ’Goblinlike, fantastic: little people and deep time at the fin de siècle https://eprints.bbk.ac.uk/id/eprint/40443/ Version: Full Version Citation: Fergus, Emily (2019) ’Goblinlike, fantastic: little people and deep time at the fin de siècle. [Thesis] (Unpublished) c 2020 The Author(s) All material available through ORBIT is protected by intellectual property law, including copy- right law. Any use made of the contents should comply with the relevant law. Deposit Guide Contact: email ‘Goblinlike, Fantastic’: Little People and Deep Time at the Fin De Siècle Emily Fergus Submitted for MPhil Degree 2019 Birkbeck, University of London 2 I, Emily Fergus, confirm that all the work contained within this thesis is entirely my own. ___________________________________________________ 3 Abstract This thesis offers a new reading of how little people were presented in both fiction and non-fiction in the latter half of the nineteenth century. After the ‘discovery’ of African pygmies in the 1860s, little people became a powerful way of imaginatively connecting to an inconceivably distant past, and the place of humans within it. Little people in fin de siècle narratives have been commonly interpreted as atavistic, stunted warnings of biological reversion. I suggest that there are other readings available: by deploying two nineteenth-century anthropological theories – E. B. Tylor’s doctrine of ‘survivals’, and euhemerism, a model proposing that the mythology surrounding fairies was based on the existence of real ‘little people’ – they can also be read as positive symbols of the tenacity of the human spirit, and as offering access to a sacred, spiritual, or magic, world. -
4. Shakespeare Authorship Doubt in 1593
54 4. Shakespeare Authorship Doubt in 1593 Around the time of Marlowe’s apparent death, the name William Shakespeare appeared in print for the first time, attached to a new work, Venus and Adonis, described by its author as ‘the first heir of my invention’. The poem was registered anonymously on 18 April 1593, and though we do not know exactly when it was published, and it may have been available earlier, the first recorded sale was 12 June. Scholars have long noted significant similarities between this poem and Marlowe’s Hero and Leander; Katherine Duncan-Jones and H.R. Woudhuysen describe ‘compelling links between the two poems’ (Duncan-Jones and Woudhuysen, 2007: 21), though they admit it is difficult to know how Shakespeare would have seen Marlowe’s poem in manuscript, if it was, as is widely believed, being written at Thomas Walsingham’s Scadbury estate in Kent in the same month that Venus was registered in London. The poem is preceded by two lines from Ovid’s Amores, which at the time of publication was available only in Latin. The earliest surviving English translation was Marlowe’s, and it was not published much before 1599. Duncan-Jones and Woudhuysen admit, ‘We don’t know how Shakespeare encountered Amores’ and again speculate that he could have seen Marlowe’s translations in manuscript. Barber, R, (2010), Writing Marlowe As Writing Shakespeare: Exploring Biographical Fictions DPhil Thesis, University of Sussex. Downloaded from www. rosbarber.com/research. 55 Ovid’s poem is addressed Ad Invidos: ‘to those who hate him’. If the title of the epigram poem is relevant, it is more relevant to Marlowe than to Shakespeare: personal attacks on Marlowe in 1593 are legion, and include the allegations in Richard Baines’ ‘Note’ and Thomas Drury’s ‘Remembrances’, Kyd’s letters to Sir John Puckering, and allusions to Marlowe’s works in the Dutch Church Libel. -
Issue 30 Easter Vacation 2005
The Oxford University Doctor Who Society Magazine TThhee TTiiddeess ooff TTiimmee I ssue 30 Easter Vacation 2005 The Tides of Time 30 · 1 · Easter Vacation 2005 SHORELINES TThhee TTiiddeess ooff TTiimmee By the Editor Issue 30 Easter Vacation 2005 Editor Matthew Kilburn The Road to Hell [email protected] I’ve been assuring people that this magazine was on its way for months now. My most-repeated claim has probably Bnmsdmsr been that this magazine would have been in your hands in Michaelmas, had my hard Wanderers 3 drive not failed in August. This is probably true. I had several days blocked out in The prologue and first part of Alex M. Cameron’s new August and September in which I eighth Doctor story expected to complete the magazine. However, thanks to the mysteries of the I’m a Doctor Who Celebrity, Get Me Out of guarantee process, I was unable to Here! 9 replace my computer until October, by James Davies and M. Khan exclusively preview the latest which time I had unexpectedly returned batch of reality shows to full-time work and was in the thick of the launch activities for the Oxford Dictionary of National Biography. Another The Road Not Taken 11 hindrance was the endless rewriting of Daniel Saunders on the potentials in season 26 my paper for the forthcoming Doctor Who critical reader, developed from a paper I A Child of the Gods 17 gave at the conference Time And Relative Alex M. Cameron’s eighth Doctor remembers an episode Dissertations In Space at Manchester on 1 from his Lungbarrow childhood July last year. -
Chapter Eight the Stones of the Southern Highlands
Chapter Eight The Stones of the Southern Highlands Moving on from the stones of the Lowlands and the Southern Uplands, the last stone encountered, the Wallace Putting Stone could easily have been included in this section and certainly when standing on Sheriffmuir, the expanse of the Southern Highlands to the north are so close and almost tangible. There are no distinguishing boundaries for the stones in this section and as a base either the towns of Callander or Aberfeldy should be considered. All but one of the stones are located in the ancient county of Perthshire although some through boundary changes are now in Stirlingshire but regardless, in the days when the Gaelic was spoken and stones were lifted this was entirely Perthshire. The majority of these stones are hemmed in by one of the major trunk roads to the Highlands and the A9 gives access to many of the stones mentioned. If making a tour of the stones, and including the Wallace Putting Stone, an almost oval loop allows testing them all within a day without too much travelling by car. From the Wallace Putting Stone it is 40 mins to the Sadlin Mare and then less than 30 mins to the Menzies Stone. From here it is 30 mins to the famed Bodach in Glen Lyon and 60 mins later the Ardvorlich Stone followed by a short 15 min drive to Balquhidder for the Puterach. This circuit, which has now been carried out on a more than a few occasions has been referred to as the “Perthshire Loop” and any stone lifting visit to Scotland would probably commence on the same lines. -
Scotland's Storybook 2 Download
Scotland’s Storybook A magical collection of Scottish tales, legends, folk and fairy stories for all of Scotland’s children, young people and big folk. Wondrous tales and translations by Scottish storytellers Tom Muir and Martin MacIntyre with new illustrations by artist Kate Leiper. With special thanks to Dr Donald Smith and all at the Scottish Storytelling Centre in Edinburgh. www.scottishstorytellingcentre.co.uk Tom Muir http://www.scottishstorytellingcentre.co.uk/directory/Tellerview.asp?key=153 Martin MacIntyre http://www.scottishstorytellingcentre.co.uk/directory/Tellerview.asp?key=54 Kate Leiper - http://www.kateleiper.co.uk www.LTScotland.org.uk/scotlandsstories © 2010. All stories, translations and original artworks are copyright their respective authors and artists. They may be freely used within schools and early years centres in Scotland. Rights of reproduction for commercial purposes are strictly not permitted without prior written permission from copyright holders. 2 Contents FIONN MAC CUMHAIL AND THE SALMON OF KNOWLEDGE 4 OISÍN AND TIR NA N-OG 7 KING DAVID AND THE STAG 15 KING ARTHUR AND THE LADY OF THE LAKE 17 ANGUS AND BRIDE 20 ST COLUMBA AND ST MAGNUS 25 THOMAS THE RHYMER 29 DEIRDRE OF THE SORROWS 33 THE WEE BANNOCK 41 RASHIE COAT 45 WHUPPITY STOORIE 51 AULD CROOVIE 55 THE SELKIE HUNTER 60 ASSIPATTLE AND THE STOOR WORM 65 MALLIE AND THE TROW 72 THE LITTLE BROWN CALF 76 THE SALMON OF KNOWLEDGE 84 MACCODRAM AND HIS SEAL-WIFE 86 3 FIONN MAC CUMHAIL AND THE SALMON OF KNOWLEDGE The Story of Fionn Mac Cumhail comes from Ireland, but his tales are well known throughout the West Coast and Highlands of Scotland where he is known as Finn Mac Cool. -
Grotesque Transformations and the Discourse of Conversion in Robert Greene's Works and Shakespeare's Falstaff
Grotesque Transformations and the Discourse of Conversion in Robert Greene's Works and Shakespeare's Falstaff Item Type text; Electronic Dissertation Authors DiRoberto, Kyle Louise Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 28/09/2021 08:47:04 Link to Item http://hdl.handle.net/10150/203437 GROTESQUE TRANSFORMATIONS AND THE DISCOURSE OF CONVERSION IN ROBERT GREENE'S WORK AND SHAKESPEARE'S FALSTAFF by Kyle DiRoberto _____________________ Copyright © Kyle DiRoberto A Dissertation Submitted to the Faculty of the THE DEPARTMENT OF ENGLISH In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF PHILOSOPHY In the Graduate College THE UNIVERSITY OF ARIZONA 2011 2 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE As members of the Dissertation Committee, we certify that we have read the dissertation prepared by Kyle DiRoberto entitled Grotesque Transformations and the Discourse of Conversion in Robert Greene's Work and Shakespeare's Falstaff. and recommend that it be accepted as fulfilling the dissertation requirement for the Degree of Doctor of Philosophy. _______________________________________________________________________ Date: 11/8/11 Dr. Meg Lota Brown _______________________________________________________________________ Date: 11/8/11 Dr. Tenney Nathanson _______________________________________________________________________ Date: 11/8/11 Dr. Carlos Gallego Final approval and acceptance of this dissertation is contingent upon the candidate’s submission of the final copies of the dissertation to the Graduate College. I hereby certify that I have read this dissertation prepared under my direction and recommend that it be accepted as fulfilling the dissertation requirement. -
A Photo Journal of Doctor Who Filming
www.dwasonline.co.uk for membership EDITORIAL details!) Editor John Davies who shares his by Grant Bull love of the brilliant Red Dwarf. Welcome back one and all, Our cover this time is by the always amazing Paul Watts. As is the norm with Paul I gave Firstly I would like to thank all those that him a brief for the commission and he blew downloaded #1 and said lovely things about my mind with the end product. Nothing I saw it. The stats look good and a wide audience in my head looked this good. Incredible art. was reached but I’m hoping this issue will Check out more of Paul’s masterpieces at surpass those numbers though, so keep www.paulwatts-illustration.co.uk downloading please... and not just you Mum! My thanks again to all those involved in this issue, it would have been a blank document This issue we have a nice selection of without you, so thanks for your willingness reviews, fiction and art, along with a couple to be a part of this project. Submissions for of interviews with people behind Who further issues, feedback or virtual take-away related projects. We also introduce a new menus can be sent to [email protected] feature called ‘Other than Who’ the idea being someone is invited to discuss one of Until next time, their other favourite shows after Doctor Who. The first piece is by the ever-reliable G Celestial Toyroom (little plug there, check out Cosmic Masque Issue 2 April 2016 Published by the Doctor Who Appreciation Society Front cover by Paul Watts Layout by Nicholas Hollands All content is © relevant contributor/DWAS Doctor Who is (C) BBC No copyright infringement is intended CONTACT US DWAS, Unit 117, 33 Queen Street, Horsham, RH13 5AA FIND US ONLINE www.dwasonline.co.uk facebook.com/dwasonline twitter.com/dwas63 youtube.com/dwasonline - 2 - Series Review years ago this March but and, in what is the first credit to this book, the text manages to The Black fit this still recent living memory of Who-lore in with past and future adventures without archive making the reader feel that passing decade (plus one) too keenly. -
Orkney's Terrible Trows
By Carolyn Emerick Orkney’s Terrible Trows Waking Trows from 1918 Danish Postcard Other Illustrations by John Bauer, c 1910s Trows are fascinating creatures found only in Apparently, Orkney mythology merges the folklore of the Orkney and Shetland islands. Fairies and Trows, making it unclear if they are Yet, describing them accurately is difficult the same species, or if they were once separate because sources are not always clear. creatures that merged over hundreds of years Folklorists have long insisted that the word of storytelling. Sometimes the words are used “trow” is a corruption of “troll,” and that interchangeably. Orkney’s Trows descend from their Viking In his book of Orkney folk tales, storyteller ancestors’ stories of Trolls. Sigurd Towrie, Tom Muir admits that even he can’t suss it out. author of the comprehensive website covering He says “In Orkney the word [Trow] has been all things Orkney (Orkneyjar.com), disagrees mixed up with the fairy, so it is hard to say if we with this assessment. He believes there may are dealing with one or more type of creature. In be a connection with a different creature from the text of this book I have used the name given Norse mythology, the Draugr. This connection by the person who told the story” (Muir, xi). stems from both creatures’ affiliation with This highlights the huge discrepancy between burial mounds. The Draugr were undead tomb contemporary and previous conceptions of guardians who harassed any trespassers, whether Fairies. Most people today would not identify human or animal, who dared to come too close a “trollish” creature as either a fairy or a to his mound. -
The Significant Other: a Literary History of Elves
1616796596 The Significant Other: a Literary History of Elves By Jenni Bergman Thesis submitted for the degree of Doctor of Philosophy Cardiff School of English, Communication and Philosophy Cardiff University 2011 UMI Number: U516593 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. Dissertation Publishing UMI U516593 Published by ProQuest LLC 2013. Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 DECLARATION This work has not previously been accepted in substance for any degree and is not concurrently submitted on candidature for any degree. Signed .(candidate) Date. STATEMENT 1 This thesis is being submitted in partial fulfilment of the requirements for the degree of PhD. (candidate) Date. STATEMENT 2 This thesis is the result of my own independent work/investigation, except where otherwise stated. Other sources are acknowledged by explicit references. Signed. (candidate) Date. 3/A W/ STATEMENT 3 I hereby give consent for my thesis, if accepted, to be available for photocopying and for inter-library loan, and for the title and summary to be made available to outside organisations. Signed (candidate) Date. STATEMENT 4 - BAR ON ACCESS APPROVED I hereby give consent for my thesis, if accepted, to be available for photocopying and for inter-library loan after expiry of a bar on accessapproved bv the Graduate Development Committee. -
Myths and Legends of the Celtic Race by Thomas William Rolleston
The Project Gutenberg EBook of Myths and Legends of the Celtic Race by Thomas William Rolleston This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at http://www.gutenberg.org/license Title: Myths and Legends of the Celtic Race Author: Thomas William Rolleston Release Date: October 16, 2010 [Ebook 34081] Language: English ***START OF THE PROJECT GUTENBERG EBOOK MYTHS AND LEGENDS OF THE CELTIC RACE*** MYTHS & LEGENDS OF THE CELTIC RACE Queen Maev T. W. ROLLESTON MYTHS & LEGENDS OF THE CELTIC RACE CONSTABLE - LONDON [8] British edition published by Constable and Company Limited, London First published 1911 by George G. Harrap & Co., London [9] PREFACE The Past may be forgotten, but it never dies. The elements which in the most remote times have entered into a nation's composition endure through all its history, and help to mould that history, and to stamp the character and genius of the people. The examination, therefore, of these elements, and the recognition, as far as possible, of the part they have actually contributed to the warp and weft of a nation's life, must be a matter of no small interest and importance to those who realise that the present is the child of the past, and the future of the present; who will not regard themselves, their kinsfolk, and their fellow-citizens as mere transitory phantoms, hurrying from darkness into darkness, but who know that, in them, a vast historic stream of national life is passing from its distant and mysterious origin towards a future which is largely conditioned by all the past wanderings of that human stream, but which is also, in no small degree, what they, by their courage, their patriotism, their knowledge, and their understanding, choose to make it. -
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SPOTLIGHT: 2015 Park Preview Pages 6-9 TM & ©2015 Amusement Today, Inc. May 2015 | Vol. 19 • Issue 2 www.amusementtoday.com Europa-Park celebrates four decades Carowinds unveils of success with new attractions AT: Tim Baldwin B&M Fury 325 [email protected] RUST, Germany — Call it a birthday, call it an anniversa- ry, but Europa-Park has made it a celebration. On March 28, Roland Mack, the Mack family, the mayor (burgermeister) of Rust and special guests opened the park with a ribbon-cutting amid a flurry of showering confetti, balloons, and songs of celebration. The ceremony included a welcome from co- founder Roland Mack that reflected not only on how the park had changed over four decades, but the European community as well. Relation- ships across borders back in 1975 were a far cry from what they are today. It is that in- vigorated sense of European connectivity that has helped Germany’s largest theme park find astounding success. The mayor presented the park with a special gift for its 40th: a framed site permit drawing from when the park opened in The Dream Dome showcases the beauty of Europe in a relax- 1975. Appearing in flash mob ing high-definition film experience for Europa-Park guests. style, costumed entertainers, COURTESY EUROPA-PARK as well as staff from the vari- ous departments within the ment. “light” year blossomed into park and the resort got the New attractions dozens of construction proj- crowd clapping and energized For what was supposed ects. Jakob Wahl, director of for the opening. The official to be a “light” year in terms communications, reports, “We ribbon cutting sent the crowds of investments, following the had days with more than 2,000 running forward. -
Aravain. ‘Very Well, but I Have Told You What I Sense
The Primarchs LION EL’JONSON: LORD OF THE FIRST KONRAD CURZE: THE NIGHT HAUNTER ANGRON: SLAVE OF NUCERIA CORAX: LORD OF SHADOWS VULKAN: LORD OF DRAKES JAGHATAI KHAN: WARHAWK OF CHOGORIS FERRUS MANUS: GORGON OF MEDUSA FULGRIM: THE PALATINE PHOENIX LORGAR: BEARER OF THE WORD PERTURABO: THE HAMMER OF OLYMPIA MAGNUS THE RED: MASTER OF PROSPERO LEMAN RUSS: THE GREAT WOLF ROBOUTE GUILLIMAN: LORD OF ULTRAMAR Also available KONRAD CURZE: A LESSON IN DARKNESS Ian St. Martin (audio drama) SONS OF THE EMPEROR Various authors CONTENTS Cover Backlist Title Page The Horus Heresy One Two Three Four Five Six Seven Eight Nine Ten Eleven About the Author An Extract from ‘Scions of the Emperor’ A Black Library Publication eBook license THE HORUS HERESY It is a time of legend. Mighty heroes battle for the right to rule the galaxy. The vast armies of the Emperor of Mankind conquer the stars in a Great Crusade – the myriad alien races are to be smashed by his elite warriors and wiped from the face of history. The dawn of a new age of supremacy for humanity beckons. Gleaming citadels of marble and gold celebrate the many victories of the Emperor, as system after system is brought back under his control. Triumphs are raised on a million worlds to record the epic deeds of his most powerful champions. First and foremost amongst these are the primarchs, superhuman beings who have led the Space Marine Legions in campaign after campaign. They are unstoppable and magnificent, the pinnacle of the Emperor’s genetic experimentation, while the Space Marines themselves are the mightiest human warriors the galaxy has ever known, each capable of besting a hundred normal men or more in combat.