DOCSLIB.ORG

Slow Italian, Fast Learning Episode 138: the New Sounds of Australia

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Slow Italian, Fast Learning Episode 138: the New Sounds of Australia Slow Italian, Fast Learning Episode 138: The new sounds of Australia Italian English "It's Time" - ha dichiarato il National Film "It's Time" - the National Film and Sound and Sound Archive -per l’iconica canzone Archive has declared - for Labor's iconic elettorale dei laburisti nel 1972 di venire 1972 campaign song to be inducted into accolta nella Hall of Fame delle Australia's recording Hall of Fame. registrazioni d’Australia. [[Sound up Yes it's time! It's Time for [[Sound up Yes it's time! It's Time for freedom]] freedom]] La melodia orecchiabile che annunciò la The catchy tune which heralded Gough conquista di Gough Whitlam dell’incarico Whitlam's rise to the prime ministership di primo ministro dopo 23 anni di governo after 23 years of Coalition rule is one of ten della Coalizione è una delle dieci nuove new additions to the Sounds of Australia entrate nel registro di Sounds of Australia. registry. Il curatore dell’archivio Nick Henderson Archive curator Nick Henderson says it ritiene che si trattasse di un jingle was a groundbreaking jingle. innovativo. “It was one of the first that brought quite “It was one of the first that brought quite a popular - in a way glamorous - vision of a popular - in a way glamorous - vision of politics in Australia." politics in Australia." Ogni anno, come parte del progetto As part of the Sounds of Australia project, Sounds of Australia, viene chiesto al each year the public is asked to nominate pubblico di nominare delle registrazioni recordings that have helped shape che hanno aiutato a plasmare la storia e la Australian history and culture. cultura australiana. Una commissione di esperti dell’industria A panel of industry experts then chooses poi sceglie quelli da immortalare da una from a shortlist of 40 the ones to be rosa di 40 candidati. immortalised. Nick Henderson rivela che alcune delle Nick Henderson says some of the registrazioni archiviate risalgono al 1896. archived recordings date back to as early as 1896. Special Broadcasting Service PO Box 294, South Melbourne VIC 3205 Australia Level 3, Alfred Deakin Building, Federation Square, Cnr Swanston & Flinders Streets Melbourne VIC 3000 Australia sbs.com.au Tel: +61 3 9949 2122 ABN: 91 314 398 574 “What we are looking for is impact on What we are looking for is impact on Australia. So that doesn't have to be just Australia. So that doesn't have to be just popularity. it could be significance in a popularity. it could be significance in a whole range of different ways." whole range of different ways." Ecco una collezione di canzoni di danze A collection of Indigenous dance songs aborigine che hanno presentato al mondo that took the didgeridoo to the world ... il didgeridoo ... [[SOUND UP DIDGERIDOO ]] [[SOUND UP DIDGERIDOO ]] Tra le ultime selezionate, registrazioni Souvenir recordings of the Melbourne souvenir della cerimonia di chiusura delle Olympics closing ceremony, and John Olimpiadi di Melbourne e quello che è di Williamson's de-facto national anthem fatto l’inno nazionale True Blue. True Blue are among the latest selected ... [[SOUND UP Hey True Blue]] [[SOUND UP Hey True Blue]] Troviamo anche un classico della band There's also a classic from 60s and 70s australiana degli anni ’60 e ’70 The Australian band The Masters Apprentices. Masters Apprentices. [[SOUND UP "It's because I love you...]] [[SOUND UP "It's because I love you...]] Il bassista della band ora impresario The band's bass player and now music musicale Glenn Wheatley ha dichiarato entrepreneur Glenn Wheatley says the che questo onore giunge quando honour comes as "Because I Love You" "Because I Love You" celebra il suo celebrates its 50 anniversary... 50esimo anniversario... "We decided to go to London to record "We decided to go to London to record and we fortunately got to do the album and we fortunately got to do the album at Abbey Road, the studio frequented of at Abbey Road, the studio frequented of course by the Beatles." course by the Beatles." Il musicista ha aggiunto che si tratterà di He says it will be a lasting tribute to late un tributo duraturo per lo scomparso lead singer Jim Keays, who died of cancer cantante Jim Keays, che è morto di cancro six years ago. sei anni fa. "Unfortunately Jim is no longer with us "Unfortunately Jim is no longer with us but he would have been very proud of but he would have been very proud of this." this." Report by Gareth Noreham Find more episodes of Slow Italian, Fast Learning using your favourite podcast app or at sbs.com.au/language/italian/podcast/slow-italiano-fast-learning Listen to SBS Italian every day from 8am - 10am on radio, TV or at sbs.com.au/italian Follow us on Facebook at facebook.com/sbsitalian/ .
Load more

Recommended publications
  • Music Business and the Experience Economy the Australasian Case Music Business and the Experience Economy
    Peter Tschmuck Philip L. Pearce Steven Campbell Editors Music Business and the Experience Economy The Australasian Case Music Business and the Experience Economy . Peter Tschmuck • Philip L. Pearce • Steven Campbell Editors Music Business and the Experience Economy The Australasian Case Editors Peter Tschmuck Philip L. Pearce Institute for Cultural Management and School of Business Cultural Studies James Cook University Townsville University of Music and Townsville, Queensland Performing Arts Vienna Australia Vienna, Austria Steven Campbell School of Creative Arts James Cook University Townsville Townsville, Queensland Australia ISBN 978-3-642-27897-6 ISBN 978-3-642-27898-3 (eBook) DOI 10.1007/978-3-642-27898-3 Springer Heidelberg New York Dordrecht London Library of Congress Control Number: 2013936544 # Springer-Verlag Berlin Heidelberg 2013 This work is subject to copyright. All rights are reserved by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. Exempted from this legal reservation are brief excerpts in connection with reviews or scholarly analysis or material supplied specifically for the purpose of being entered and executed on a computer system, for exclusive use by the purchaser of the work. Duplication of this publication or parts thereof is permitted only under the provisions of the Copyright Law of the Publisher’s location, in its current version, and permission for use must always be obtained from Springer.
    [Show full text]
  • Low Frequency Noise Emission Dynamics of Reactor Fuel Plates Noise from Licensed Premises Road Traffic Noise in Denmark
    Low frequency noise emission Dynamics of reactor fuel plates Noise from licensed premises Road traffic noise in Denmark Australian Acoustical Society Vol. 39 No. 1 April 2011 EDITORIAL COMMITTEE: Nicole Kessissoglou , Marion Vol 39 No. 1 April 2011 Burgess, Tracy Gowen BUSINESS MANAGER: Leigh Wallbank PAPERS Acoustics Australia A simple outdoor criterion for assessment of low frequency noise emission General Business Norm Broner. Page 7 (subscriptions, extra copies, back issues, advertising, etc.) Relationship between natural frequencies and pull out force for plates Mrs Leigh Wallbank with two clamped edges P O Box 70 Mauro Caresta and David Wassink . Page 15 OYSTER BAY NSW 2225 Tel (02) 9528 4362 Fax (02) 9589 0547 TECHNICAL NOTES [email protected] Assessing noise from licensed premises - Are we on the same page? Acoustics Australia All Editorial Matters Glenn Wheatley . Page 19 (articles, reports, news, book reviews, new products, etc) Noise abatement measures in Denmark The Editor, Acoustics Australia c/o Nicole Kessissoglou Gilles Pigasse and Hans Bendtsen . Page 21 School of Mechanical and Manufacturing Engineering University of New South Wales Sydney 2052 Australia News. 27 61-2-93854166 (tel) Prizes & Awards . 27 61-2-96631222 (fax) [email protected] Meeting Reports . 28 www.acoustics.asn.au Standards Australia . 28 Australian Acoustical Society FASTS . 28 Enquiries see page 38 Future Conferences & Workshops . 29 Acoustics Australia is published by the New Products . 29 Australian Acoustical Society (A.B.N. 28 000 712 658) Scanning International News . 29 ISSN 0814-6039 Diary . 30 Responsibility for the contents of Sustaining Members. 32 articles and advertisements rests upon the contributors and not the Australian Advertiser Index .
    [Show full text]
  • What Wellbeing Really Means
    What wellbeing really means By Ruth Ostrow THIS is my last column in Weekend Health, as I will be moving to The Weekend Australian Magazine after a break. But I wanted to end my time with some open speculation as to what wellbeing really means. I have had quite strong views about it all. Since making my seachange to Byron Bay I've tried to practise and teach what I call work-life balance. That is where all the different components of our lives work together in harmony. A former workaholic, I was alarmed to discover what years of pushing myself had done to my body, my soul, and my relationships. And as a former finance journalist in the 80s, I had also observed what years of driving ambition and stress may well have done to so many of the entrepreneurs and businessmen we admired back then. As the decade drew to a close many of those I'd interviewed had had major health scares. Some like talented, exceptional businessmen Robert Holmes a Court, Larry Adler œ founder of FAI œ and Floyd Podgornik, the man behind Melbourne's famous Florentino's restaurant, had died for a variety of reasons. Others I'd written about had lost marriages, their peace of mind, and some even freedom as jail loomed. Some, like Christopher Skase, fled the country. I emerged from the '80s with the motto: "What drives you, can drive you over the edge." And I have been teaching as much for the last few years. But then the other day I had a chance encounter which made me rethink work in terms of our overall health and wellbeing.
    [Show full text]
  • John Farnham: the Untold Story Free
    FREE JOHN FARNHAM: THE UNTOLD STORY PDF Jane Gazzo | 384 pages | 01 Mar 2016 | Random House Australia | 9780857986573 | English | North Sydney, Australia Scene News: John Farnham: The Untold Story by Jane Gazzo - What's My Scene Chain Reaction is the 14th studio album by Australian singer John Farnham. It was the highest selling album in Australia that year, debuting at No. The album had four singles released under it, the first three of them yielding top 10 status, with the title track reaching No. A fourth single, "In Days to Come", was released early the following year, peaking at No. Doug Brady was brought in to engineer the record. His baby daughter Caitlin was born during the recording sessions and a photograph of her was placed in the centre of the album's front cover. The album was promoted by a nationwide tour titled, "The Chain Reaction Tour," which concluded with a televised performance at Rod Laver Arena in Melbournewhen it was then called the Flinders Park National Tennis Centre, on approximately 14 or 15 December Credited to: [1]. From Wikipedia, the free encyclopedia. John Farnham. Australian Rock Database Magnus Holmgren. Archived from the original on 27 November John Farnham: The Untold Story Retrieved 15 May John Farnahm: The Untold Story. Ebury Press. Hung Medien. Retrieved 26 January Australian Recording Industry John Farnham: The Untold Story. Retrieved 6 January Hidden categories: Use dmy dates from February Use Australian English from September All Wikipedia articles written in Australian English Articles with short John Farnham: The Untold Story Short John Farnham: The Untold Story is different from Wikidata Articles with hAudio microformats Album articles lacking alt text for covers Album chart usages for Australia Album chart usages for Netherlands Album chart usages for New Zealand Album chart usages for Sweden Certification Table Entry usages for Australia Pages using certification Table Entry with shipments figures Pages using certification Table Entry with shipments footnote.
    [Show full text]
  • World Coming to OZ Stead Capturing the Rough'n'ready, Street -Level Rawness of Oz 10Ak1 Rock
    4t34204:erotlik §';°s Ydr t& 'Me tyúT $'. W fgrf Rules The Waves UA3.$i:,i,..-.... 4k, Continued from page TIA -58 tie 49 WAVZ A Billboard Daddy Cool, Spectrum, Ariel and the Loved Ones. In fact we hAAif= did a version of a big hit by the Loved Ones as a single. We did SPOTLIGHT it just at the right time, when Australians were getting behind ?;f.41:4 ON their own musical heritage and realizing how strong and good THE our own music actually is. "The best of all about being an Australian band is that we no longer have to leave the country that we are most creative ti:: LIVE in and go overseas. Now we can stay here and the world is coming to us." Just why the world is coming to Australia's door after years E N of kamikaze missions and lemming rushes to the other side of A ii14..ew: l . the world, has no convenient answer HUNTERS & COLLECTORS -Tribal funk that, despite no U.S. but the bottom line O F - seems to be the power, the rawness, the edge that character- : e record deal, has picked up airplay in North America. izes the music £t.S -the almighty 'pub boogies.' G.ìr M. When film producer David Elfick made the rock musical iigiilii "Starstruck," he approached it with the aim of moving away .x/oft from a "Grease /Can't Stop the Music" type slickness and in- MiN i4i AUSTRAIIA_Itzet:,...7., World Coming To OZ stead capturing the rough'n'ready, street -level rawness of Oz 10ak1 rock.
    [Show full text]
  • Official Committee Hansard
    COMMONWEALTH OF AUSTRALIA Official Committee Hansard JOINT COMMITTEE ON THE AUSTRALIAN CRIME COMMISSION Reference: Legislative arrangements to outlaw serious and organised crime groups THURSDAY, 6 NOVEMBER 2008 CANBERRA BY AUTHORITY OF THE PARLIAMENT INTERNET Hansard transcripts of public hearings are made available on the inter- net when authorised by the committee. The internet address is: http://www.aph.gov.au/hansard To search the parliamentary database, go to: http://parlinfoweb.aph.gov.au JOINT STATUTORY COMMITTEE ON AUSTRALIAN CRIME COMMISSION Thursday, 6 November 2008 Members: Senator Hutchins (Chair), Mr Wood (Deputy Chair), Senators Barnett, Fielding, Parry and Polley and Mr Champion, Mr Gibbons, Mr Hayes and Ms Ley Members in attendance: Senators Fielding, Hutchins, Parry and Polley and Mr Hayes, Ms Ley and Mr Wood Terms of reference for the inquiry: To inquire into and report on: The effectiveness of legislative efforts to disrupt and dismantle serious and organised crime groups and associations with these groups, with particular reference to: a. international legislative arrangements developed to outlaw serious and organised crime groups and association to those groups, and the effectiveness of these arrangements; b. the need in Australia to have legislation to outlaw specific groups known to undertake criminal activities, and membership of and association with those groups; c. Australian legislative arrangements developed to target consorting for criminal activity and to outlaw serious and organised crime groups, and membership of and association with those groups, and the effectiveness of these arrangements; d. the impact and consequences of legislative attempts to outlaw serious and organised crime groups, and membership of and association with these groups on: i.
    [Show full text]
  • Queensland Music Festival's Help Is on Its Wayproject
    Queensland Music Festival’s Help is on its Way Project Evaluation Report Brydie-Leigh Bartleet Katherine Boydell Peter Young Jack Walton Acknowledgements The research team acknowledges the Traditional Owners of the lands on which we work and live and the lands on which we conducted this research. We also pay our respect to Elders past, present and emerging, and extend that respect to all First Nations’ Peoples involved in this project and study. We thank the Queensland Music Festival (QMF) production team, project team, executive team, choir members, and choir workshop leaders who generously gave their time to participate in this research. Their insights and experiences have greatly enriched this evaluation. The research team who conducted this evaluation have expertise that spans music, mental health, arts-based research, and health program evaluation. Professor Brydie-Leigh Bartleet is Director of the Queensland Conservatorium Research Centre (QCRC), Griffith University, and one of the world’s leading scholars on community music and social transformation. Professor Katherine Boydell is a Professor of Mental Health at the Black Dog Institute, and internationally recognised as a leader in qualitative inquiry and arts-based knowledge translation in the field of early psychosis. Peter Young is a Senior Lecturer in Griffith’s School of Human Services and Social Work, and has extensive experience as a practicing social worker and counsellor, having previously served as the Director of Policy and Research in the Queensland Department of Housing. Jack Walton is this project’s Senior Research Assistant, and a doctoral candidate at the Queensland Conservatorium Griffith University where he is studying music and educational assessment.
    [Show full text]
  • Key Centre Will Be Storehouse for All Things Australian
    Key Centre will be c storehouse for all things Australian Although its name may have changed, the Main Library's bag room will condnue to act as an aaademic storehouse. Registered by Auatralia Poet ­ publication No. V8C3C¥~35 But instead of providill8 temporary Said Professor Spearrin: "At the mo­ 40811 accommodation for students' books, the ment there i. no single volume reference bq room's new tenant, tbe National book on Australian museums and an Centre for Research and Dcvdopment galleries. history ofAustralia titled .411$1r1llians: .4 libraries and individual researc:bers can in Australian Studies. wiD become a Hisloril:tll Library. His other publi­ no longer afford to buy multi-volume permanent nationwide repository of Database cations include SydMY su- 1M no-­ biographical dic:tionaries. Professor information on our way of life. lies and Th~ Sydney Htuboll' Bridge: A Spearritt said. Accordina to its director, Professor "One of our projects will be the Lif~. The centre is also prepariq Moni­ Peter Spearrin (below) tbe centre will Cultural Ac:tivities Database whic:h will loring Sydn~y, a city perfCll1lUlllCe by contain comprehensive data on produce databases on Australian Biography Monash geographers Dr Kevin O'Con­ berilaae, cultural activities, and teachina mu~ms and galleries, from visitor pr0­ nor and Dr Chris Maher, and TM Sla/~ in Australian studies, as well as biOS­ files to tbe nature of the collections of .411$1",IIa, a nationwide IIIIIIIJDIry or themselves. In 1991 Carnbridae Univenity Press tbe soc:io-ecolKHlli<: dimension of Aus­ raphies and analyses of tbe state of tbe win publish one of tbe centre's major "A spin-off will be a major reference tralia in !be \ale 1980&.
    [Show full text]
  • P122-139 Discography Section 5
    P122-139_Discography5-JUN14_Lr2_qxd_P122-139 6/22/14 10:02 PM Page 122 {}MIKE CURB : 50 Years DISCOGRAPHY “TINY LITTLE HEART ATTACK” (FROM THE MOTION PICTURE CAREER OPPORTUNITIES ) ARTIST: MONEY TALKS 1W7RITE6 R: HAROLD WIIK/SVERRE WIIK PUBLISHER: BEEBLEBROX MUSIC (BMI)/MIKE CURB MUSIC (BMI) “ALL MY ROWDY FRIENDS ARE COMING OVER TONIGHT” ARTIST: 1H7ANK3 WILLIAMS JR. WRITER: HANK WILLIAMS JR. PUBLISHER: BOCEPHUS MUSIC, “Tiny Little Heart Attack” comes from the well that ends well, and this story ends with recovered INC. (BMI) TIME: 2:56 PRODUCER: JIMMY BOWEN AND HANK WILLIAMS JR. FOR LYNWOOD action/comedy film Career Opportunities . The movie diamonds and a romantic wedding. PRODUCTIONS WARNER/CURB 7-29184, 1984 involves a jail break, stolen diamonds, and a newsman The recording group, Money Talks, was brought to who has been fired from his job but has a chance to get it Curb by their managers and producers, Paul Palmer and “BORN TO BOOGIE” ARTIST: HANK WILLIAMS JR. WRITER: HANK WILLIAMS JR. back because he’s a part of this big story. In the end, all’s Jeffrey Shucraft. 1P7UBLI3SHERA : BOCEPHUS MUSIC, INC. (BMI) PRODUCER: JIM ED NORMAN TIME: 2:43 “All My Rowdy Friends” was the 49th Football theme song. single released during Hank Jr.’s relation - “There are records that cross genres ship with Mike Curb; the first number- without ever crossing charts,” Curb said. one single – which Curb co-wrote – came “This never crossed on to any rock or pop in 1970 when Mike was president of chart, but it crossed into the rock audi - “FUNNY HOW TIME SLIPS AWAY” ARTIST: AL GREEN AND LYLE LOVETT WRITER: WILLIE NELSON MGM.
    [Show full text]
  • The FOCO Club, Brisbane, 1968-69 Peter
    "Australia’s most evil and repugnant nightspot" Memories from those involved: The FOCO Club, Brisbane, 1968-69 Peter Gray with recollections by Frank Neilsen In the 1960s, the restless first wave of "baby-boomers" were just learning to spread their adult wings; to be able to vote, and, importantly for some, to drink in Queensland pubs. I was a 1946-model "boomer" from an average family, and had been brought up with the parental admonition to "never discuss religion, politics or money". Of course, sex should have been on the taboo list, but that particular word was never mentioned. 1 In 1964, I was privileged to start working as photographic assistant to Geoff Dauth at his Petrie Bight studio. Geoff was undoubtedly Brisbane's leading photographer, a world-class creative talent, an interesting bohemian character, and a great friend. It cannot be overstated how repressively conservative the status quo was in Brisbane during the 1960s. From many of the younger generation's point of view, Brisbane was a mind-numbing, cultural desert. Yet, despite everything, oases began to appear. At a time when the drinking age was twenty-one, there were very few places in Brisbane where young people could 'hang out'. I fell into the habit of frequenting the hippest place in Brisbane, the Primitif Café, located in the basement of the Piccadilly Arcade in Queen Street. It was run by Geoff's friend, a glamorous woman named Peter Cox. The Primitif had interesting music, served great food, and Peter's Swiss husband, Kurt, knew how to make a perfect coffee.
    [Show full text]
  • Thorpie's Vision for Support
    Thorpie’s Vision For Support Act BILLY THORPE WAS MORE THAN JUST A GREAT ARTIST - HE WAS A HUMANITARIAN. SEVERAL MONTHS AGO BILLY WROTE TO THE SAL BOARD AS SET OUT BELOW Dear Meryl and Jim, As you know I have been planning an idea for an annual ‘super benefit’ to raise funds for SAL. This would ideally take place around Christmas and be of the same scale at LWTTT. SAL is the obvious organization to be involved with the “super benefit” and quite frankly I have never considered doing it with anyone else. And I certainly don’t want to go it alone. I have never considered the big benefit as means to raise funds to be dispersed at my sole discretion and it goes without saying that a healthy percentage of whatever is raised can go into the general SAL fund. One of my main reasons for the benefit idea is to help fill SAL’s coffers with some serious funds ASAP that can both elevate SAL and its effectiveness as an organization and be used to give applicants a more significant amount if money when needed. It was partially my experience with SAL to get Lobby some emergency funds prior to his benefit when he was destitute and about to evicted and seeing him allocated $3K that made me realise the need for a much larger fund that is able to deliver sufficient funds to keep people going for an extended time if necessary. And I mean no disrespect about the $3K donation. I have total respect and admiration for what you have been doing with SAL and for the fact that you set it up in the first place.
    [Show full text]
  • Music Business Chapter 5: the Manager
    5 THE MANAGER THE RELATIONSHIP BETWEEN ARTIST AND MANAGER IS HUGELY IMPORTANT. FEW ARTISTS CAN ACHIEVE MORE THAN A MODICUM OF SUCCESS WITHOUT COMPETENT AND ENERGETIC MANAGEMENT. THIS CHAPTER EXAMINES THE SELECTION OF MANAGERS, THEIR FUNCTION AND THE BUSINESS RELATIONSHIP BETWEEN ARTIST AND MANAGER. SAMPLES FROM MANAGEMENT AGREEMENTS (WITH COMMENTARY) ARE PROVIDED. Although an outsider might view the music industry as simple (indeed primitive) in its structures, like any billion-dollar industry it has many, many subtleties and nuances. Managers must comprehend and manipulate these nuances or risk the artist’s career becoming stagnant and even going down the plug-hole altogether. Unfortunately, in the past, management acquired a tarnished reputation. Music management was seen as one of the few ways that someone with enough rat-cunning could drag themselves out of the mire and make a fortune without having to step into a boxing ring, provided he or she got to manage the right act. Nowadays, a top manager has to be as tough as a marine with an accounting degree, be a capable business person and still retain the suave charm of an international diplomat. Th e musician’s search for the perfect manager is never over. Th e ‘Perfect Manager’ would be an amalgam of hard-headed business executive, snake oil seller, economist, Tangier rug trader, kick-boxer, parent, stand-in spouse, friend, confessor, psychologist, fall-guy, punching-bag and stand-over merchant. He or she would also be on fi rst-name terms with all the big-hitters of the business in three continents, enjoy an independent source of income, love your music and have a bullet-proof belief in your future.
    [Show full text]